Henry Koster Movies
The son of a Berlin ladies' lingerie salesman, young Hermann Kosterlitz frequently accompanied his mother when she went to work as a movie-house pianist. Sitting in the dark and watching the silver images flash before him, Kosterlitz developed a lifelong love affair with films. Before launching his own movie career, however, he had distinguished himself in several other branches of the arts, as an author (his first article was published when he was 16), painter, sculptor, and newspaper cartoonist. In 1925, he went to work at the UFA Studios publicity department, eventually graduating to screenwriter. He was appointed assistant to director Kurt Bernhardt, through whose auspices Kosterlitz was permitted to direct three films in the early 1930s. When Hitler came to power, Kosterlitz, a Jew fiercely proud of his heritage, was forced to move to Budapest. Here he met producer Joseph Pasternak, who took a liking to Kosterlitz and hired him to direct a series of Austrian and Hungarian films.When Pasternak moved to Hollywood in 1936, he brought Kosterlitz along. His name "Americanized" to Henry Koster, the young director was signed by Universal. The Koster-Pasternak team took a chance on a teenaged soprano named Deanna Durbin, and the result was the Koster-directed Three Smart Girls (1936), the first in a steady stream of enormously popular Durbin musicals which saved Universal from bankruptcy. In 1938, Koster and Pasternak tried to make the magic happen again, carefully fashioning a whimsical image for alluring French actress Danielle Darrieux in The Rage of Paris (1938). In 1941, Koster again packed up and followed Pasternak when the latter moved to MGM; here they went to work on a new series of frothy Durbin-like musicals with such Metro contractees as Kathryn Grayson and June Allyson. Freelancing after 1947, Koster directed Goldwyn's The Bishop's Wife (1948), which earned him an Academy Award nomination. He became one of James Stewart's favorite directors, guiding Stewart through such films as Harvey (1950), No Highway in the Sky (1951), Mr. Hobbs Takes a Vacation (1962), Take Her, She's Mine (1963), and Dear Brigitte (1965). He also worked frequently for 20th Century Fox, directing that studio's first CinemaScope production, The Robe (1953). His last film was the box-office smash The Singing Nun (1965). Though he would never again direct a film, Koster did not consider himself retired, continuing to pitch story ideas to indifferent studio executives. Finally deciding to take a well-deserved rest, Koster retired to Leisure Village in Camarino, CA, with his second wife, actress Peggy Moran. Toward the end of his life, Henry Koster returned to painting, turning out exquisite portraits of the stars with whom he'd worked during his fabulous 40-year career. ~ Hal Erickson, Rovi
- 1966
Henry Koster directed this cloying family musical based on the true life story of Soeur Sourire, a Belgian nun whose recordings made her an overnight sensation on The Ed Sullivan Show. Debbie Reynolds stars as Sister Ann, a Belgian nun who likes to compose little tunes on her guitar. She writes the song "Dominique" for a lonely little boy, Dominic Arlien (Ricky Cordell), whose mother has died and whose father is an alcoholic. Father Clementi (Ricardo Montalban) tries to promote the song, getting help from his old friend Robert Gerarde (Chad Everett), a record producer. "Dominique" becomes an international hit, thanks to Robert's efforts, and Ed Sullivan appears on the scene to film Sister Ann for his television program. Unsure of how to handle her amazing success, Sister Ann seeks out Father Clementi for advice, unsure of whether to give up her singing and remain a nun or to continue on with her singing career and renounce her vows. ~ Paul Brenner, Rovi
- Starring:
- Debbie Reynolds, Ricardo Montalban, (more)
- 1965
This family comedy stars James Stewart as Dr. Robert Leaf, a college professor who dislikes science and tries to instill in his children a love of art and music. So Robert and his wife Vina (Glynis Johns) are dismayed to discover that their eight-year-old son Erasmus (Billy Mumy) is tone-deaf and color-blind; what's worse, he has a genius-level talent for mathematics. Robert isn't sure what to do about Erasmus, but while his older sister Pandora (Cindy Carol) puts his skills to work by getting him to do her homework, his older friend Kenneth (Fabian) has a better idea. Kenneth and Erasmus come up with a foolproof plan for picking the winners in horse racing -- so foolproof that it draws the attention of two con men, Upjohn (John Williams) and Argyle (Jesse White), who want to use Erasmus's skills to clean up at the track. Robert at first refuses, and then relents only when they agree to use a cut of the proceeds to endow a humanities scholarship, though Robert is about the only one surprised when the men prove not to be good to their word. Meanwhile, Erasmus is head over heels in love with French screen siren Brigitte Bardot -- so much so that he's been writing her love letters. In return, the lucky boy has received an invitation to come meet her, and Robert and Erasmus use some of their racetrack winnings to fly to Paris and take her up on her offer. Nunnally Johnson, who received no credit, contributed to the screenplay; Miss Bardot, of course, plays herself (who else could?). ~ Mark Deming, Rovi
- Starring:
- James Stewart, Fabian, (more)
- 1963
Rock Hudson narrates this documentary about the film career of Marilyn Monroe. The screen goddess is shown in the 1949 film "A Ticket To Tomahawk" her screen debut, and ends in 1962 with the incompleted "Something's Got To Give" which was under production at the time of her death. Viewers follow the career of Marilyn and witness the transformation of a lonely orphan girl to internationally recognized sex queen. Curiously, the time period between "Bus Stop" in 1956 and her last film effort is conspicuously absent. The six year gap is an unforgivable, glaring omission in covering anyone's cinematic accomplishments, particularly for the magnitude of such a major star as Monroe. ~ Dan Pavlides, Rovi
- 1963
In this generation gap movie of the early 1960s, Sandra Dee is Mollie Michaelson, a teenage rebel enamored with long-haired hippies and radical anti-nuclear political causes. Her involvement in such activities sends her ultra-conservative father Frank (James Stewart) into a tizzy. His reassuring wife is played by Audrey Meadows. Frank's furor deepens when Mollie is sent to Paris on an art scholarship. Back at home, Frank picks up a popular magazine and finds that his daughter has posed on the cover for a radical artist, Henri Bonnet (Philippe Forquet). He pursues her to save her from further degradation, but he ends up in a café in the wrong part of Paris just as it is raided by police. They arrest him on trumped-up and erroneous charges, and he struggles to prove that he's not guilty. This film was based on a play by Phoebe Ephron and Henry Ephron. ~ Michael Betzold, Rovi
- Starring:
- James Stewart, Sandra Dee, (more)
Screenwriter Nunnally Johnson adapted the novel by author Edward Streeter, whose work was also the basis of Father of the Bride (1950), into this domestic comedy. James Stewart and Maureen O'Hara star as Roger and Peggy Hobbs, a St. Louis couple with a large brood who desire a seaside vacation. Renting a cottage by the ocean is just the first step in a summer fraught with disasters, including a couch potato son, a shy daughter with newly installed braces, a pair of grown daughters who have married badly, and a local yachtsman with eyes for Peggy. Not to mention the ramshackle state of the shoreline abode, Roger and Peggy's new grandparent status, and incidents involving a sexy neighbor, a sailboat regatta and bird watching. ~ Karl Williams, Rovi
- Starring:
- James Stewart, Maureen O'Hara, (more)
The only Rodgers and Hammerstein cinemadaptation to be produced by Universal Pictures, Flower Drum Song was, alas, also the only Rogers and Hammerstein film to lose money at the box office. It looks far better now than it did back in 1961, if only because of the paucity of musical films in the 1990s. Essentially a comedy about the culture clash between old-world Chinese and assimilated Chinese-Americans, the film begins when Mei Li (Miyoshi Umeki) and her grandfather (Kam Tong) smuggle themselves into San Francisco. It seems that Mei Li has arrived to honor an arranged marriage between herself and Runyonesque nightclub owner Sammy Fong (the incomparable Jack Soo). This might prove delicate, since Sammy is in love with flashy cabaret entertainer Linda Low (Nancy Kwan). Meanwhile, Linda is romancing Wang Ta (James Shigeta), the son of a wealthy Chinatown merchant (Benson Fong). Soon, however, Mei Li and Wang Ta have fallen in love.......It's a complex plot, to be sure, but comedy and music manage to predominate. The songs include "I Enjoy Being a Girl" (a tour de force for the special effects department, and for Nancy Kwan), "A Hundred Million Miracles," "The Other Generation," "Love Look Away," "I Am Going to Like It Here," "Don't Marry Me," "You Are Beautiful," "Grant Avenue" and "Chop Suey." Flower Drum Song is attractively produced and consummately acted; while no classic along the lines of King and I or Sound of Music, it deserves a second look. ~ Hal Erickson, Rovi
- Starring:
- Nancy Kwan, James Shigeta, (more)
This Biblical epic stars Elana Eden as Ruth, who serves in the temple where the High Priestess (Viveca Lindfors) leads the worship of the Pagan idols of the people of Moab. When Ruth falls in love with Mahlon (Tom Tryon), a Hebrew, she must come to terms with his spiritual beliefs, but in time she embraces his faith and converts to Judaism when they marry. Ruth travels with Mahlon and his mother Naomi (Peggy Wood) to their homeland of Bethlehem. Ruth suffers hardship and religious persecution, and when Mahlon dies, Ruth's faith is severely tested. But her belief in God survives this trial by fire, and in time Ruth finds a new love with Boaz (Stuart Whitman). ~ Mark Deming, Rovi
- Starring:
- Stuart Whitman, Tom Tryon, (more)
- 1959
The slow pacing of this fanciful tale about the life and one reputed love of the Spanish artist Francisco Goya makes for an uneven drama. Anthony Franciosa is the artist, and Ava Gardner plays his paramour, the Duchess of Alba. While the Prime Minister of Spain schemes to betray his country to Napoleon's forces and the Spanish Inquisition is winding to a close (overplayed here) Goya is trying to survive the pangs of love he feels for the aloof Duchess. In reality, the artist was seriously ill during this period -- in the last decade of the 18th century -- and actually went deaf. But reality is set aside for high romance, as the pair of star-crossed lovers take center stage over art and politics. ~ Eleanor Mannikka, Rovi
- Starring:
- Ava Gardner, Anthony Franciosa, (more)
- 1958
About the only perils that heroine Dana Wynter avoids in Fraulein are being tied to the buzzsaw and chased across the ice by bloodhouds. Wynter plays a German girl of genteel upbringing who is forced to wake up and smell the coffee when her family is killed in a WW2 air raid. She helps American officer Mel Ferrer escapes the Gestapo, then must figure out a way to elude her Russian Army captors, headed by Theodore Bikel (who later ruefully commented that more people remembered him for this film than for anything else). Escaping to the American sector of Berlin, Wynter naively registers herself as a prostitute, leading to a daunting series of tribulations. The upshot of all this is that German officer Helmut Dantine lusts after Dana because of what he thinks she is, while American officer Ferrer loves her because he knows deep down that she's not what she's supposed to be. Filmed on location, Fraulein was based on a novel by James McGowan. ~ Hal Erickson, Rovi
- Starring:
- Dana Wynter, Mel Ferrer, (more)
- 1957
The Depression-New Deal subtext of the original 1936 My Man Godfrey was understandably dispensed with in this so-so 1957 remake. David Niven steps into the old William Powell role as hobo-turned-butler Godfrey, while June Allyson does her best in the Carole Lombard part as Irene Bullock, the spoiled, impulsive heiress who brings Godfrey into her zany household. The remake follows the original with reasonable fidelity so far as the basics are concerned, with Godfrey, a wealthy lawyer who dropped out of society after an unhappy romance, rescuing the screwball Bullock family from bankruptcy and self-destruction simply by applying a soupcon of common sense. The supporting cast is able, though not as "perfect" for their roles as their 1936 counterparts: the most interesting bit of casting is Jay Robinson, who rose to fame as Caligula in The Robe, as the parasitic "protégé" originally portrayed by Mischa Auer. In keeping with the custom of the times, My Man Godfrey is fitted out with an opening theme song, written by Peggy Lee and Sonny Burke, and performed by Sarah Vaughan. ~ Hal Erickson, Rovi
- Starring:
- June Allyson, David Niven, (more)
- 1956
Based on a novel by Howard Swiggert, The Power and the Prize sets up a premise that had far more relevance in 1956 than it does today. Robert Taylor stars as a American business executive working in England. Taylor wants to marry European refugee Elizabeth Mueller, but is warned by his boss (Burl Ives) that such things just aren't done. Taylor digs in his heels, and at the end is supported in his marital decision by his less hidebound fellow executives. Power and the Prize was one of the last of the "corporate drama" cycle sparked in 1954 by 20th Century-Fox's Woman's World. ~ Hal Erickson, Rovi
- Starring:
- Robert Taylor, Elisabeth Müller, (more)
We don't see much of Omaha Beach in D-Day, the Sixth of June. Instead, the film concentrates on a romantic triangle involving American officer Robert Taylor, British officer Richard Todd and the lovely Dana Wynter. Taylor and Todd spend the last hours before D-Day reminiscing about Wynter. The romantic dilemma is eventually solved shortly after the invasion, when one of the men conveniently steps on a land mine. Lionel Shapiro's novel was geared more for the beach-and-bonbons crowd than war buffs, and the film follows suit. 20th Century-Fox gives a far more thorough account of D-Day itself in 1963's The Longest Day. ~ Hal Erickson, Rovi
- Starring:
- Robert Taylor, Richard Todd, (more)
Having previously portrayed England's Queen Elizabeth I in 1939's The Private Lives of Elizabeth and Essex, Bette Davis reprises the role in the Technicolor-and-Cinescope costumer The Virgin Queen. Harry Brown and Mindret Lord's screenplay proposes that Elizabeth's relationship with adventurer Sir Walter Raleigh (Richard Todd) was somewhat more than cordial. Raleigh is depicted as a charming opportunist, who deliberate leads the Queen on in order to further his chances of heading an expedition to the New World. Complications ensue when Sir Walter falls in love with lady-in-waiting Beth Throgmorton (Joan Collins). Not to be believed for a single moment, The Virgin Queen works well on a swashbuckler level, with Davis outacting everyone in sight-even such veteran scene-stealers as Herbert Marshall, Dan O'Herlihy, and Jay "Caligula" Robinson. ~ Hal Erickson, Rovi
- Starring:
- Bette Davis, Richard Todd, (more)
A Man Called Peter is the story of Scottish-born Presbyterian minister and world-renowned author Peter Marshall, here played by Richard Todd. In his youth, Marshall moves to Washington DC, where he becomes pastor of the Church of the Presidents. His wisdom and conviction enables Marshall to communicate with men of all faiths. In private life, the pastor is given moral support by his loyal wife Catherine Marshall (Jean Peters). At the time of his comparatively early death, Marshall has become chaplain of the US Senate. Interestingly enough, while Marshall and his family are identified by name, the peripheral political characters are given fictional monickers--and sometimes, as in the case of the President played by William Forrest, no names at all. Director Henry Koster expertly avoids filming Marshall's sermons in a static, declamatory fashion. As Catherine Marshall, Jean Peters does wonders with a comparatively limited role; her best scene is her last, when she overcomes her lifelong fear of the ocean for the sake of her son (Billy Chapin). A Man Called Peter was certainly not conceived out of any box-office considerations, but it still paid its way. ~ Hal Erickson, Rovi
- Starring:
- Richard Todd, Jean Peters, (more)
- 1955
This distaff variation of the Goodbye Mr. Chips theme is based on a novel by Frances Gray Patton. While confined to a sickbed, ageing New England schoolteacher Miss Dove (Jennifer Jones) recalls the many students who passed through her classroom. Among her now-grown-up prize pupils are surgeon Tom Baker (Robert Stack), policeman Bill Holloway (Chuck Connors) and playright Maurice (Jerry Paris), all of whom were able to overcome difficult childhoods and strive for success with the help of Miss Dove. As it turns out, it is Dr. Tom Baker who is to perform the operation that may save the life of his ailing former teacher. A 60-minute TV adaptation of Good Morning Miss Dove, with Phyllis Kirk in the Jennifer Jones role, was seen in 1956 as part of the weekly anthology The 20th Century-Fox Hour. ~ Hal Erickson, Rovi
- Starring:
- Jennifer Jones, Robert Stack, (more)
- 1954
Director Henry Koster and writer Daniel Taradash speculate mightily in this historical tableau charting the rise and fall of Napoleon (Marlon Brando), all due to his unrequited love for noblewoman Desiree (Jean Simmons). The film takes a chronological view of Napoleon's reign and posits Napoleon's love of a woman he wanted to marry as a young general but abandoned for the sake of his career. Both Napoleon and Desiree go their separate ways -- he to become Emperor of France and loveless husband to Josephine (Merle Oberon) and she to become Sweden's disinterested Queen. Napoleon and Desiree meet up again in a whimsical confrontation in which Desiree urges the Little Corporal to surrender and go to St. Helena. The film is based on a novel by Annemarie Selinko that, like the film, takes wild liberties with the truth. ~ Paul Brenner, Rovi
- Starring:
- Marlon Brando, Jean Simmons, (more)
Historically important as the first CinemaScope feature film, 20th Century-Fox's The Robe is fine dramatic entertainment in its own right. Based on the best-selling novel by Lloyd C. Douglas, the film stars Richard Burton as the wastrelly Roman tribune who is assigned by a weary Pontius Pilate (Richard Boone, who spends the whole of his single scene washing his hands) to supervise the crucifixion of Christ. After the Seven Last Words, the jaded Burton wins Christ's robe in a dice game. Gradually, the mystical influence of the holy garment transforms Burton from a roistering cynic into a True Believer--at the cost of his own life, which he willingly gives up in the service of his Lord. Also starring in The Robe are Jean Simmons as Burton's pious childhood sweetheart, Victor Mature as his Christian-convert slave Demetrius (an excellent performance--in fact, Mature is more believable than Burton!), Michael Rennie as the disciple Peter, and Jay Robinson as the raving Emperor Caligula. Mature, Rennie and Robinson would appear in the 1954 sequel to The Robe, the hurriedly assembled Demetrius and the Gladiators. Watch and listen for the unbilled contributions of Michael Ansara as Judas and Cameron Mitchell as the voice of Jesus. The film won three Academy Awards, and a special Oscar bestowed upon Fox for the development of CinemaScope. For many years, the TV prints of the Robe were struck from the "flat," standard-ratio version shot simultaneously with the widescreen version. Only recently has the CinemaScope The Robe been made available to cable TV (shown in "letterbox" format to allow home viewers the full picture). ~ Hal Erickson, Rovi
- Starring:
- Richard Burton, Jean Simmons, (more)
This anthology film assembles five respected directors and a top-notch cast to bring a handful of stories by the great American author O. Henry to the screen. In The Cop and the Anthem, a tramp named Soapy (Charles Laughton) tries to get arrested so that he can spend the winter in jail, only to find that is not as easy as it used to be. Marilyn Monroe appears in this episode as a streetwalker. The Clarion Call features Dale Robertson as Barney, a cop forced to arrest an old friend, Johnny (Richard Widmark). Anne Baxter stars in The Last Leaf as Joanna, an elderly woman who sees her own illness reflected in the fall of the autumn leaves; she's convinced that when the last leaf drops from the tree outside her window, her life will go with it. The Ransom of Red Chief concerns Sam (Fred Allen) and Bill (Oscar Levant), two novice kidnappers who kidnap a child, only to discover that his parents don't want him back -- and after a few hours with the brat, they find out why. And The Gift of the Magi tells the story of a pair of cash-strapped newlyweds, Della (Jeanne Craine) and Jim (Farley Granger), who struggle to get each other the perfect Christmas gift, with unexpected results. John Steinbeck narrates. ~ Mark Deming, Rovi
- Starring:
- Charles Laughton, Marilyn Monroe, (more)
- 1952
Olivia de Havilland and Richard Burton star in this adaptation of Daphne du Maurier's gothic novel. In a reversal of Jane Eyre, it is the hero who arrives at the home of a mysterious woman. Rachel (de Havilland) is the widow of a Cornish man of property (John Sutton), who died in suspicious circumstances. Philip Ashley Burton is the dead man's cousin, who in probing his relative's demise immediately suspects Rachel -- and goes on suspecting her even after he falls in love with her. Going against the inheritance laws of the era, Burton turns over his cousin's estate to Rachel, but she refuses his entreaties of marriage. He soon falls ill, and it is whispered that Rachel has poisoned him. ~ Hal Erickson, Rovi
- Starring:
- Olivia de Havilland, Richard Burton, (more)
- 1952
Stars and Stripes Forever is the highly fanciful filmed biography of "march king" John Philip Sousa. Clifton Webb does a fine job as Sousa, while Ruth Hussey is equally good in the less-demanding role of Sousa's wife. The problem faced by screenwriter Lamar Trotti (who adapted the film from Sousa's autobiography Marching Along) was that, outside of Sousa's early travails in organizing his own band after leaving the Marine Corps, there just wasn't much drama in the great composer's life. Thus, a secondary (and wholly fictional) romance involving young musician Willie (Robert Wagner) and ex-chorus girl Lily (Debra Paget) is given special emphasis. Willie invents the Sousaphone on behalf of his mentor, and upon returning from the Spanish American War minus one of his legs, Willie makes an inspirational solo appearance with the Sousa band. The best scenes include Sousa's ongoing efforts to break free from the "march king" onus and write romantic ballads, and Lily's high-kicking rendition of the music-hall ballad "Father's Got 'Em." When first telecast on NBC's Saturday Night at the Movies in 1962, Stars and Stripes Forever was accompanied by a short newsreel clip of the real John Philip Sousa in action. ~ Hal Erickson, Rovi
- Starring:
- Clifton Webb, Debra Paget, (more)
- 1951
In this romance, an industrial designer is bitterly disappointed when he discovers that upon graduation his daughter decides to elope with her psychology professor rather than pursue a career. The professor's family is also not pleased by the union. Both families, who despise each other, try to get the newlyweds to annul their marriage. This quest unites the families and they become friends. When they finally catch up to the couple, both sides are appalled to discover that marital strife threatens to rip the couple apart. The families rally together and the marriage remains intact. ~ Sandra Brennan, Rovi
- Starring:
- Clifton Webb, Anne Francis, (more)
- 1951
Henry Koster directs the 1951 aviation drama No Highway in the Sky, based on the novel by Nevil Shute. James Stewart stars as Theodore Honey, a widower and single parent to 11-year-old Elspeth (Janette Scott). He's also an absent-minded engineer who has formed a scientific theory about metal fatigue in a specific model of aircraft. He tries to convince British Airways that their airplanes will come apart after a certain amount of miles, but no one believes him. Then administrator Dennis Scott (Jack Hawkins) sends him on a flying mission to investigate a crash site in Newfoundland. Along the way, he meets stewardess Marjorie Corder (Glynnis Johns) and movie star Monica Teasdale (Marlene Dietrich). ~ Andrea LeVasseur, Rovi
- Starring:
- James Stewart, Marlene Dietrich, (more)
- 1951
Robert E. McEnroe's whimsical Broadway play The Silver Whistle was adapted to suit the talents of Clifton Webb in Mr. Belvedere Rings the Bell. It all begins when "super genius" Lynn Belvedere (Webb) briefly halts a lecture tour to bring some happiness into the lives of a gloomy senior citizens' home. To gain entry into the establishment, the virile, fiftysomething Belvedere claims to be 77 years old. The rest of the inmates are invigorated by the presence of so youthful a "septuagenarian," and before long everyone has taken a new lease on life. Belvedere also finds time to smooth the romantic path for Reverend Watson (Hugh Marlowe) and his fiancée Miss Tripp (Joanne Dru). When Mr. Belvedere's subterfuge is found out, the residents are momentarily dismayed, until they realize all the good their visitor has done. With Clifton Webb in charge (and with an able assist by supporting player Zero Mostel as Belvedere's business manager), Mr. Belvedere Rings the Bell is never as treacly or maudlin as it might be under different circumstances. Future Ward Cleaver Hugh Beaumont shows up unbilled as a cop in the opening scene. ~ Hal Erickson, Rovi
- Starring:
- Clifton Webb, Joanne Dru, (more)
- 1950
Betty Grable's Wabash Avenue is an agreeable remake of Grable's 1943 hit Coney Island. The locale is changed from New York to Chicago, but the plot remains basically the same. Once again, the star is cast as a honky-tonk singer, Ruby Summers, who is groomed for classier show-business endeavors by a handsome producer -- in this case, Andy Clark (Victor Mature). Saloon owner Uncle Mike (Phil Harris) doesn't want to lose Ruby (Grable) for both professional and personal reasons, but Clark is more persuasive, and, frankly, better-looking. Once she reaches the top in a Hammerstein show, Ruby's head is turned by Clark's suave, sophisticated partner English Eddie (Reginald Gardiner). Margaret Hamilton has a wonderful cameo as a Carrie Nation-style saloon basher, while old-time vaudevillian James Barton steals the show with his rendition of such standards as "Harrigan" and "Green River." ~ Hal Erickson, Rovi
- Starring:
- Betty Grable, Victor Mature, (more)
- 1950
In this musical comedy with dramatic touches, Jack and Molly Moran (Dan Dailey and Betty Grable) are a show business couple who, after hosting their own radio show, have just been given a deal to star in a TV series. They're also thrilled to discover that Molly is expecting a baby, but their joy turns to sorrow after she loses the child in an auto accident, and her doctors tell her that she may not be able to conceive again. When they see how happy their friends Walter and Janet Pringle (David Wayne and Jane Wyatt) are with their five children, the Morans decide to adopt, but they discover that show people are not generally regarded as fit parents, regardless of their success or stability. However, good fortune eventually shines on Jack and Molly, as they find themselves with not one but two adopted tykes, and a big surprise around the corner. My Blue Heaven marked the film debut of musical star Mitzi Gaynor. ~ Mark Deming, Rovi
- Starring:
- Betty Grable, Dan Dailey, (more)
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