Irwin Kostal Movies

Based on a story by Hollywood old-timers Seton I. Miller and S. S. Field, Pete's Dragon divides its time between its flesh-and-blood characters and an animated green dragon. Pete (Sean Marshall), a lonely orphan boy in turn-of-the-century Maine, runs away from his abusive foster family. He stumbles upon a lovable dragon named Elliot, and the two become inseparable companions. Elliot is visible only to Pete, leading the townsfolk to assume that the boy is a trifle tetched. Pete finally finds happiness with his "new" family, lighthouse-keeper Lampie (Mickey Rooney) and his daughter Nora (Helen Reddy, who sings and sings). British comic actor Jim Dale co-stars as the wacky dentist Dr. Terminus. ~ Hal Erickson, Rovi

This animated musical, based on E.B. White's children's book classic, is about a courageous spider who helps save the life of an ill-fated pig. Wilbur is a young pig (voice of Henry Gibson) who's owned by New England farmer Homer Zuckerman (voice of Robert Holt). One day he is sold to a neighbor, where he meets a sheep who warns him that his fate lies in the confines of the slaughterhouse. Wilbur is terrified of this news until he meets Charlotte, a charming spider (voice of Debbie Reynolds), who is determined to save Wilbur from this dire destiny. By weaving words into her web, she convinces the farmer that Wilbur is some sort of prodigious animal too important to kill. The music for Charlotte's Web was written by Richard M. Sherman and Robert B. Sherman, who wrote the scores for countless Disney movies, including Mary Poppins and The Jungle Book. ~ Don Kaye, Rovi

Bedknobs and Broomsticks was produced several years after Walt Disney's death and released in the fall of 1971. As it turned out, Bedknobs was frequently compared to Mary Poppins -- probably thanks to several striking similarities between the two productions, notably the presence in the cast of David Tomlinson, the use of Cockney children as central characters, and the inclusion of sequences that combine animation and live-action. Set in wartime England, Bedknobs stars Angela Lansbury as Eglantine Price, a would-be witch who hopes to use her newly acquired conjuring powers to forestall a Nazi invasion. Saddled with three surly kids who've been evacuated from London, Lansbury wins over her charges by performing various and sundry feats of magic. And, yes, she manages to foil a few Germans along the way. The film's most famous episode is an elaborate undersea fantasy, which combines animation with live-action on a gargantuan scale, dwarfing all previous Disney sequences along these lines. ~ Hal Erickson, Rovi

One of the most popular movie musicals of all time, The Sound of Music is based on the true story of the Trapp Family Singers. Julie Andrews stars as Maria, a young nun in an Austrian convent who regularly misses her morning prayers because she enjoys going to the hills to sing the title song. Deciding that Maria needs to learn something about the real world before she can take her vows, the Mother Superior (Peggy Wood) sends her off to be governess for the children of the widowed Captain Von Trapp (Christopher Plummer). Arriving at the Trapp home, Maria discovers that her new boss is cold and aloof, and his seven children virtual automatons-at least, whenever the Captain is around. Otherwise, the kids are holy terrors, as evidenced by the fact that Maria is the latest in a long line of governesses. But Maria soon ingratiates herself with the children, especially oldest daughter Liesl (Charmian Carr), who is in love with teenaged messenger boy Rolf. As Maria herself begins to fall in love with the Captain, she rushes back to the Abbey so as not to complicate his impending marriage to a glamorous baroness (Eleanor Parker). But the children insist that Maria return, the Baroness steps out of the picture, and Maria and the Captain confirm their love in the song "Something Good." Unhappily, they return home from their honeymoon shortly after the Nazis march into Austria. Already, swastikas have been hung on the Von Trapp ancestral home, and Liesl's boyfriend Rolf has been indoctrinated in the "glories" of the Third Reich. The biggest blow occurs when Von Trapp is called back to active duty in the service of the Fuhrer. The Captain wants nothing to do with Nazism, and he begins making plans to take himself and his family out of Austria. ~ Hal Erickson, Rovi

Romeo and Juliet is updated to the tenements of New York City in this Oscar-winning musical landmark. Adapted by Ernest Lehman from the Broadway production, the movie opens with an overhead shot of Manhattan, an effect that director Robert Wise would repeat over the Alps in The Sound of Music four years later. We are introduced to two rival street gangs: the Jets, second-generation American teens, and the Sharks, Puerto Rican immigrants. When the war between the Jets and Sharks reaches a fever pitch, Jets leader Riff (Russ Tamblyn) decides to challenge the Sharks to one last "winner take all" rumble. He decides to meet Sharks leader Bernardo (George Chakiris) for a war council at a gymnasium dance; to bolster his argument, Riff wants his old pal Tony (Richard Beymer), the cofounder of the Jets, to come along. But Tony has set his sights on vistas beyond the neighborhood and has fallen in love with Bernardo's sister, Maria (Natalie Wood), a love that, as in Romeo and Juliet, will eventually end in tragedy. In contrast to the usual slash-and-burn policy of Hollywood musical adaptations, all the songs written by Leonard Bernstein and Stephen Sondheim for the original Broadway production of West Side Story were retained for the film version, although some alterations were made to appease the Hollywood censors, and the original order of two songs was reversed for stronger dramatic impact. The movie more than retains the original choreography of Jerome Robbins, which is recreated in some of the most startling and balletic dance sequences ever recorded on film. West Side Story won an almost-record ten Oscars, including Best Picture, supporting awards to Chakiris and Rita Moreno as Bernardo's girlfriend, Anita, and Best Director to Robbins and Wise. Richard Beymer's singing was dubbed by Jimmy Bryant, Natalie Wood's by Marni Nixon (who also dubbed Audrey Hepburn in My Fair Lady), and Rita Moreno's by Betty Wand. The film's New York tenement locations were later razed to make room for Lincoln Center. ~ Hal Erickson, Rovi