Karen Koch Movies

Three lazy pals find they're facing fatherhood simultaneously in this light-hearted comedy co-written by star Eddie Griffin. Lonnie (Griffin), G. (Anthony Anderson), and Dominick (Michael Imperioli) live stress-free lives with Lonnie's trash-talking Uncle Virgil (John Amos). But when all three young men's girlfriends get knocked up at the same time, they're forced to take a long, hard look at their lifestyles. For G., who works at the family grocery store of his girlfriend Xi Xi (Bai Ling), that means saying no to criminal temptation and staying on the straight and narrow; for Dominick, it means taking time out from his busy career as a record producer and coming to terms with surprise revelations from his baby's momma; and for Lonnie, it means recognizing ghetto-fabulous girlfriend Rolonda (Paula Jai Parker) as the gold-digger she is and finding a new lady love without sacrificing his individuality. Directed by Cheryl Dunye, whose previous features were low-budget indies, My Baby's Daddy also stars rapper Method Man as imposing ex-con No Good. ~ Brian J. Dillard, Rovi

After the Huntington Hills High graduation ceremony, the fun gets underway at the graduation party where an assortment of jocks, geeks, prom queens, bimbos, headbangers, and nerdy misfits unload four years' worth of emotional baggage at a house where the hostess (Michelle Brookhurst) loses control of her guests. Writer wannabe Preston Meyers (Ethan Embry) has been in love with Amanda (Jennifer Love Hewitt of Party of Five) since the first time he saw her during their freshman year. His tormented infatuation with Amanda has intensified throughout high school and culminates at the party, where Preston must now seize this final opportunity to proclaim his love for her before he leaves the next day for Boston. Preston decides to make his move at some point during the party, a particularly auspicious occasion since Amanda has just been dumped by her super-jock boyfriend, Mike Dexter (Peter Facinelli), who wanted freedom to pursue his testosterone-charged fantasies with college women. Cringing at this ludicrous love triangle is Preston's introverted pal and confidante, Denise Fleming (Lauren Ambrose). When Denise runs into her ex-childhood friend Kenny (Seth Green), the two begin sexual experimentation behind the closed bathroom door. Geeky science-fiction fan William Lichter (Charlie Korsmo) devises a plan to ruin Mike's stud reputation and publicly humiliate him and his meathead buddies -- sweet revenge for four years of agony. Former Huntington Hills graduate Trip McNieley (Jerry O'Connell) tells Mike about the terror awaiting in college where "Guys like us are a dime a dozen." Yearbook Girl (Melissa Joan Hart of Sabrina, the Teenage Witch) wants everyone to sign her cherished volume of memories as the partying teens attempt to move into the uncertain future. Party house exteriors were shot on Rubio Street in Altadena, California, and other California locations included Johnnie's Broiler in downtown Downey, Dutton's Book Store in Reseda, Marshall High School in Los Feliz, and Union Station in LA. With more than 70 speaking parts, this film is the directorial debut of the scriptwriting team of Deborah Kaplan and Harry Elfont. ~ Bhob Stewart, Rovi

When young banker Thomas Murray's marriage to the blue-blooded Amanda falls apart, he begins working with his father-in-law Arthur in Paris and ends up finding solace in the arms of the beautiful Katharine. While he is off loving Katherine, Amanda rethinks her position and decides to reconcile with Thomas. Devastated by the discovery of his affair, she attempts suicide. Her father then makes Thomas a potentially lucrative proposition that leaves him faced with a difficult choice. ~ Sandra Brennan, Rovi

A dark, bitter commentary on modern American life cloaked in the form of a surrealist western, Jim Jarmusch's Dead Man stars Johnny Depp as William Blake, a newly-orphaned accountant who leaves his home in Cleveland to accept a job in the frontier town of Machine. Upon his arrival, Blake is told by the factory owner Dickinson (Robert Mitchum) that the job has already been filled. Dejectedly, he enters a nearby tavern, ultimately spending the night with a former prostitute. A violent altercation with the woman's lover (Gabriel Byrne), also Dickinson's son, leaves Blake a murderer as well as mortally wounded, a bullet lodged dangerously close to his heart. He flees into the wilderness, where a Native American named Nobody (Gary Farmer) mistakes Blake for the English poet William Blake and determines that he will be Blake's guide in his protracted passage into the spirit world. ~ Jason Ankeny, Rovi

John Hughes strip-mines familiar terrain -- in this case his own past successes -- in this comedy that Hughes produced and scripted, directed by Bryan Gordon. Frank Whaley stars as Jim Dodge, a 21-year-old con-man who goes from job to job but likes to put on a facade of success. As Career Opportunities begins, he has just been fired from another job and has been hired by the local Target store manager (played by an un-credited John Candy) as the night cleanup boy. After the manager locks Jim in the store overnight, he goes on a binge -- playing with the skates, eating candy, watching television, and blasting the stereos. But then Jim discovers that he is not the only person in the store. Also there is rich girl Josie McClellan (Jennifer Connelly) who is spending the night in the store to get her father worried about her. Although Jim knew Josie in high school, when Josie wouldn't even give him the time of day, here they click like two castanets and they romp around the store aisles to a pounding rock score. But just at the moment when Jim and Josie plan to run away together with the $52,000 Josie holds in her purse, two low-rent comic thieves -- Nestor Pyle (Dermot Mulroney) and Gil Kinney (Kieran Mulroney) -- break into the store and Jim and Josie decide to stick it out, saving the store from the bumbling crooks. ~ Paul Brenner, Rovi

An audacious film about faith, The Rapture is a contemporary fantasy that keeps its feet unnervingly planted in reality even as reality starts to collapse. Mimi Rogers, in a strikingly accomplished performance, stars as Sharon, a telephone operator who spends her off-hours engaging in casual group sex to blot out her boredom. By chance, she becomes aware of a small Christian sect whose members believe that they have found a child with the gift of prophecy who has seen the upcoming end times. Slowly but steadily, Sharon finds herself drawn to this group, and one night she abruptly turns a corner, renounces her old life, and embraces fundamentalism with passion. She marries one of her former lovers, Randy (David Duchovny), who takes up Sharon's evangelical fervor to atone for his past as a hired killer, and they have a daughter. All seems peaceful until Randy is unexpectedly murdered, and Sharon takes her child to the desert to await the rapture that will bring the chosen to heaven. The film neither supports nor scoffs at Sharon's views, and the superb performances add immeasurably to a film that presents the unbelievable (and unthinkable) at face value, making it seem oddly plausible in the process. Michael Tolkin has also written and/or directed such films as The Player (1992), directed by Robert Altman, and The New Age (1994), both of which also skewer contemporary American society as shallow, materialistic, and desperate for something authentic to believe in. ~ Mark Deming, Rovi

John Waters does a quirky spin on '50s nostalgia in Cry-Baby, his musical homage to Rebel Without a Cause and Romeo and Juliet. Set in Baltimore in 1954 at the birth of rock & roll, the film features Johnny Depp as Wade "Cry-Baby" Walker. Depp is pure charisma as a juvenile delinquent with a permanent tear slithering down his cheek, a reminder of his state-executed parents. In the depths of his despair appears goody-goody girl Allison (Amy Locane), who has a sexual crush on Cry-Baby. But Allison's Pat Boone-like boyfriend, Baldwin (Stephen E. Miller), the leader of the squares, is dead set against Cry-Baby and the rest of the juvenile delinquents and leads a revolt against them. In the resultant riot, the juvenile delinquents are blamed for the chaos, and Cry-Baby finds himself dispatched to reform school. ~ Paul Brenner, Rovi

This fourth trip down Freddy Lane was the most successful at the box-office, but although it has some impressive visuals, it is mostly an empty film. Credit must go to the effects team for some fine work, but otherwise, this entry from the director of Cutthroat Island (Renny Harlin) is extremely weak. Roland Kincaid falls asleep and awakens in the Springwood junkyard, where his dog -- named "Jason" in a sad foreshadowing of the film's giggly tone -- pees fire on Freddy's grave. The pyro-urinary baptism causes Krueger (Robert Englund) to reassemble from bones outward in an admittedly impressive sequence. Predictably, Freddy guts Kincaid, then appears in Joey's waterbed as a naked pinup girl (Hope-Marie Carlton) before slicing him to ribbons. And so it goes. The film has a few interesting ideas kicking around, but no real identification points. This is a video game, not a movie, and the characters seem to exist only in order to move the film from one effects sequence to another. There is a lot to be said for special effects, and the ones here are extraordinary and vivid. However, the wonderfully grim mood and subtle performances of Chuck Russell's outstanding third entry in the series are gone, abandoned by Harlin in favor of a splashy, comic book approach which would, unfortunately, dominate the series' later installments. ~ Robert Firsching, Rovi

In this well-wrought, fast-paced caper flick, a naive, good-hearted waitress doesn't think twice about helping her troubled roommate. Unfortunately, her help lands her in Central America fleeing for her life with a grungy mercenary. They are chased because the two are believed to have possession of a priceless religious icon. ~ Sandra Brennan, Rovi