Olivia Burnette Movies

A tutor recounts a frantic night that culminated in a 16-year old girl's disappearance in this independent mystery comedy hybrid from writer/director Kevin Palys. Unfolding in front of a video camera direct from a psychiatric ward, Gaby Winters (Jennifer Morrison) recalls a dreadful babysitting job that sent her on a frantic search for a missing teenager out into the heart of a mysterious city. Woven into the story are a multitude of subplots that add up to one chaotic night that Gaby will never forget. ~ Jeremy Wheeler, Rovi

Like most teenagers, 14-year-old Scott Marshall (Michael J. Pagan) feels like a misfit "freak" within his own family. In this instance, however, circumstances are a bit different. Practically every member of the Marshall family possesses super-powers and leads a double life as a costumed hero. His dad, Jim (Robert Townsend, who also directed this film), is an orthodontist by day and the crime-busting Bronze Eagle by night. Even Grandpa Marshall (Sherman Hemsley), now in retirement, can recall the good old days when he battled the forces of evil as the Steel Condor. Alas, poor Scott possesses none of his parents' or his siblings' special powers -- in fact, he's so clumsy that he is in danger of being washed out of his school's soccer team. But Scott eventually proves that there's more to heroics than mere muscle power when he's called upon to rescue his family from a gang of techno-villains. Up, Up and Away made its Disney Channel cable TV bow on January 22, 2000. ~ Hal Erickson, Rovi

An ordinary woman is driven to the point of violent revenge in this tense thriller. Karen McCann (Sally Field) is a suburban wife and working mother with two daughters. Karen's life is turned upside down when her 17-year-old daughter is raped and murdered, a crime she overhears on her cellular phone. Sgt. Denillo (Joe Mantegna), a bright and resourceful police detective, soon tracks down the culprit, an especially sleazy criminal named Robert Doob (Kiefer Sutherland). However, due to a minor technicality, Doob escapes conviction, even though he's clearly guilty. Karen's husband Mack (Ed Harris) suppresses his grief and tries to go on with his life, but Karen doesn't find this quite so easy; she joins a support group for parents of murdered children, and she discovers that within the group is an underground society that seeks vigilante justice against killers who've slipped through the net of the judicial system. Karen buys a gun, learns how to use it, and begins training in martial arts. She starts keeping tabs on Doob, and learns that he not only intends to kill again, he's targeting her younger daughter. Beverly D'Angelo co-stars as Karen's best friend Dolly, and Philip Baker Hall plays Sidney Hughes. ~ Mark Deming, Rovi

Do not confuse this fact-based feature with the more tongue-in-cheek cable TV version, The Positively True Adventures of the Alleged Texas Cheerleader Murdering Mom. This one looks seriously at the story of a Texas mother who was willing to kill to ensure her daughter's place on the cheerleading squad. ~ Sandra Brennan, Rovi

William Petersen's High Horse Films produced this romantic comedy that endeavors to recall the glory days of Cary Grant and Irene Dunne. Petersen stars as Joey Coalter, a roving adventurer who has been married to his wife Chris (Sissy Spacek) for almost thirteen years but has rarely been home. During that time Chris has become fed up with Joey's cavalier ways. But it comes as a complete shock to Joey when, while talking to a group of cowpokes about Tahitian women somewhere on the prairie, he receives a wedding invitation sent by his daughter Beth (Olivia Burnette) that announces the wedding of Chris to dull business man Walter Humphrey (Brian Kerwin). Beth hopes the surprise wedding invitation will prod Joey to try to get back together with Chris. Chris hopes so too, as Joey drops what he is doing and takes off to stop Chris's pending nuptials. ~ Paul Brenner, Rovi

A crucial chapter in the life of famed defense attorney Earl Rogers is re-created in the made-for-TV Final Verdict. Treat Williams stars as Rogers, who matriculates from small-claims court to the judicial Big Time in 1919. Defending a client whom he knows to be guilty, Rogers foments a crisis in his own family--and within himself. Glenn Ford co-stars as Rogers' minister father. Final Verdict debuted September 9, 1991, over the TNT cable service. ~ Hal Erickson, Rovi

An explosion in a nuclear warhead silo located near a tiny Texas town causes all kinds of terror in this taut suspensor. ~ Sandra Brennan, Rovi

A Stoning in Fulham County spends much of its screen time in a rural North Carolina Amish community. The tendency of the Amish to shun all modern convenience and to keep to themselves has fomented hostility from their neighbors. When the baby daughter of Amish couple Ron Perlman and Maureen Mueller is killed by a gang of rock-throwing teenagers, their anguish is virtually laughed off by the rest of the locals. Young county prosecutor Ken Olin tries to build a case against the assailant even though the grieving parents refuse to bring the case to court. He is also determined to press for conviction without calling to the stand the sole eyewitness--his own daughter (Olivia Burnette). A Stoning in Fulham County is distinguished by several top-rank acting performances, not the least of which is Ron Perlman's portrayal of a compassionate yet taciturn man who is spiritually incapable of adjusting his lifestyle for the convenience of others. ~ Hal Erickson, Rovi

Were it not for its profanity-laden opening scenes, John Hughes' Planes, Trains and Automobiles might have been suitable family entertainment: certainly it's heaps less violent and mean-spirited than Hughes' Home Alone. En route to Chicago to spend Thanksgiving with his family, easily annoyed businessman Neal Page (Steve Martin) finds his first-class plane ticket has been demoted to coach, and he must share his flight with obnoxious salesman Del Griffith (John Candy). A sudden snowstorm in Chicago forces the plane to land in Wichita. Unable to find a room in any of the four-star hotels, Neal is compelled to accept Del's invitation to share his accommodations in a cheapo-sleazo motel. Driven to distraction by Del's annoying personal habits, the ungrateful Neal lets forth with a stream of verbal abuse. That's when Del delivers the anticipated (but always welcome) "I don't judge, why should you?"-type speech so common to John Hughes flicks. The shamefaced Neal tries to make up to Del, but there's a bumpy time ahead as the mismatched pair make their way back to Chicago, first in a balky train, then by way of a refrigerator truck. We know from the outset that the oil-and-water Neal and Del will be bosom companions by the end of Planes, Trains and Automobiles, but it's still a fun ride. The best bit: a half-asleep Del thinking that he's got his hand tucked between two pillows -- until his bedmate, Neal, bellows "Those aren't pillows!" ~ Hal Erickson, Rovi