Arthur Kober Movies

Beaver (Jerry Mathers) sells raffle tickets in hopes of winning a contest. Luck of luck, Beaver is rewarded with third prize -- a brand-new sports car, worth thirty-five hundred dollars! As Beaver eagerly prepares to get behind the wheel of his car, Eddie tauntingly informs him that his dad will never let him keep such a valuable "grown-up" gift. Beav figures that Eddie's just gas-bagging again -- until he is informed by his dad Ward that the car will be sold and the money placed in Beav's college fund. This episode marks the final appearance of Rusty Stevens in the role of Larry Mondello. ~ Hal Erickson, All Movie Guide

After supervising several of the best "psychological" horror films ever made, producer Val Lewton shifted his base of operations from RKO to Paramount. Lewton's first project at his new studio -- and the last -- was My Own True Love, an uncharacteristically sentimental offering. Based on the novel by Yolanda Foldes, the story focuses on the romantic dilemma facing ex-POW Joan Clews (Phyllis Calvert). On the verge of marrying middle-aged Clive Heath (Melvyn Douglas), Joan is introduced to Heath's war-veteran son Michael (Philip Friend). Sympathizing with Michael's wartime loss of his Malayan wife and child, Joan falls in love with him. Unwilling to betray his own father, Michael elects to commit suicide, but that's not quite how things turn out. My Own True Love is proof positive that romantic melodrama was not Val Lewton's forte. ~ Hal Erickson, All Movie Guide

In this wartime comedy, a spoiled socialite attempts to endure army life after marrying a lieutenant. The constant traveling and inadequate quarters are almost more than she can bear. That she cannot get along with the other soldier's wives makes matters worse. When her husband's unit is placed on alert, she tries to get her father to help him get assigned a permanent position stateside. The couple then has a misunderstanding when he falsely believes that she is with child. Finally the woman begins to understand the nature of true patriotism and begins supporting her husband. ~ Sandra Brennan, All Movie Guide

Playwright Lillian Hellman first wrote of the horrible Hubbard family in her 1939 play The Little Foxes. In this lavish 1941 film version, Bette Davis takes over for Broadway's Tallulah Bankhead in the role of conniving turn-of-the-century Southern aristocrat Regina Hubbard Giddens. Regina's equally odious brothers (Charles Dingle and Carl Benton Reid) want her to lend them 75,000 dollars to help build a cotton mill. To do this, she must make peace with her long-estranged husband, Horace (Herbert Marshall) -- and failing that, she tries to arrange a wealthy marriage between her daughter, Alexandra (Teresa Wright), and her slimy nephew Leo (Dan Duryea). Horace refuses to give Regina the money, whereupon Leo is pressured by his father (Reid) to steal bonds from the family business. Regina uses this information as a means of blackmailing her brothers for a share in the new mill. In retaliation, Horace claims that he gave Leo the bonds as a loan, thereby cutting Regina out of the deal. When Horace suffers a heart attack, Regina makes no effort to give him his medicine, and he dies without revealing his willingness to loan the money to Leo. Regina is thus still able to strongarm her brothers into giving her a piece of the mill -- but the price for her evil machinations is the loss of her daughter's love and respect. The Little Foxes caused a censorship stir in 1941; by refusing to give Horace his medicine, Regina technically gets away with murder. However, the censors decided that Regina was punished enough when her daughter left her to marry an honest newspaperman (Richard Carlson). Given the usual Tiffany treatment by producer Sam Goldwyn, The Little Foxes was a success; several years later, Lillian Hellman wrote a "prequel" to The Little Foxes, titled Another Part of the Forest. ~ Hal Erickson, All Movie Guide

The third film of Paramount's "Big Broadcast" series follows the pattern of the first two titles: negligible plot with plenty of memorable music and guest stars. Jack Carson (Jack Benny) owns the radio station this time out; he doesn't get along with the sponsors, and many are threatening to pull their advertising off the air. Jack's solution? Put on a big show, of course, with a handful of the biggest stars of the day. George Burns and Gracie Allen appear once again, this time as the hosts of a golfing program; musical guests include Benny Goodman and his Orchestra, Gene Krupa, Larry Adler, and Leopold Stokowski. ~ Mark Deming, All Movie Guide

A rich, melancholy family adopts poor orphan Jane Withers who brightens their lives. ~ All Movie Guide

Calm Yourself starts off as ace advertising man Pat (Robert Young) is fired from his job when he offends the highly offendable -- and none too likeable -- Mary Elizabeth (Betty Furness). This segues into a phony kidnapping scheme that thrusts Pat and Mary together, furthering their mutual animosity. Fortunately for Pat, heroine Rosalind (Madge Evans) is an agreeable sort, and it is she with whom he ends up at fadeout time. Nat Pendleton goes through his usual paces as comic-opera gangster Knuckles Benedict. Director George B. Seitz, who ground out four films for MGM in 1935, allows the cast of Calm Yourself to mug and glower to their heart's content: some of it is funny, some of it isn't. ~ Hal Erickson, All Movie Guide

Hollywood Party was planned as a lavish, star-studded MGM musical titled Hollywood Revue of 1933. Under the less-than-sterling guidance of "kicked upstairs" MGM producer Harry Rapf, production dragged on interminably, using up the talents of five directors (none of whom were credited) and seven writers. The "all star" cast lineup slowly dwindled down to comparatively inexpensive contract players Jimmy Durante and Jack Pearl (radio's Baron Munchhausen) and a passel of non-MGM personalities. The final product wove a goofy story about The Great Schnarzan (Durante), a jungle-movie star whose films are suffering at the box office because his lions are anemic. Schnarzan schemes to purchase several healthy lions from Baron Munchhausen; to get the baron into a bargaining mood, Schnarzan throws a huge Hollywood party in Munchhausen's honor. Liondora (George Givot), Schnarzan's "hated rival", hopes to purchase the Baron's lions for himself, and crashes the party disguised as a Greek Baron. Also figuring into the plot are the members of the Klemp family (Charles Butterworth, Polly Moran and June Clyde), who are filthy rich and thus quite attractive to both Schnarzan and Liondora; poor-but-honest Eddie Quillan, who romances the Klemp's daughter; and Schnarzan's ex-girlfriend Lupe Velez, who shows up at the party in an astonishingly revealing gown for the express purpose of making trouble. In an amusing animated sequence courtesy of Walt Disney, Mickey Mouse introduces the Technicolor musical exploits of "The Hot Chocolate Soldiers." Shortly before the end, Stan Laurel and Oliver Hardy make a welcome appearance as a pair of lion-farm owners who wish to collect a debt from Baron Munchhausen. This segues into the classic egg-breaking sequence involving Stan, Ollie, and Lupe Velez. Now we've reached the 65 minute mark, with no logical ending in sight. Director Allan Dwan, brought into the project at the last minute, took a look at the existing footage and declared "It's a nightmare!" Inspired, Dwan directed a closing sequence which suggested that the whole plot had been dreamed by Jimmy Durante; Durante is wakened from his slumbers by his wife--played by Mrs. Jimmy Durante. Hollywood Party makes no sense at all, but it's a must for comedy lovers and 1930s film buffs. Don't miss that opening number, written by Rodgers and Hart and performed by Frances Williams and a chorus of barely dressed telephone operators; and keep an eye peeled for a lengthy uncredited appearance by the Three Stooges. ~ Hal Erickson, All Movie Guide

In this drama a store clerk gets involved with a radio singer and ends up in a home for unwed mothers. The home is run by a cruel tyrant. ~ Sandra Brennan, All Movie Guide

The infernal machine in question is a bomb controlled by a wireless operator and set aboard a New York bound ocean liner. No one knows it is there. Meanwhile the passengers go about their business. One of them, a stowaway pretends to be a classy fellow so he can pitch woo to a sophisticated lady. ~ Sandra Brennan, All Movie Guide

In this musical science fiction adventure a handsome Brazilian playboy finds himself in the enviable position of being the last man on Earth after a pandemic disease destroys the rest of his gender. The playboy is spared because he was marooned upon a lonely island when the rest of the world's men came down with the dreaded "masculitis." After living alone for five years, female sailors find him and bring him back to civilization where a gangster secretly conspires to auction him off. Fortunately, the police arrive before any damage is done and the playboy is taken before the leader of the international congress. She decides that he should be required to service every remaining woman in the world. Unfortunately, the playboy is still in love with his fiancee, the woman he had fought with and was in the process of leaving when his plane suddenly crashed upon the lonely isle. ~ Sandra Brennan, All Movie Guide

The felicitous screen team of Mary Boland and Charles Ruggles once more collaborated with director Norman Z. McLeod for the delightful Mama Loves Papa. Middle-class Wilbur Todd (Ruggles) is content with his lot in life, but his wife Jessie (Boland) is an inveterate social climber. Convinced that clothes make the man, Jessie dresses up her spouse in garish new suits, which elicit shouts of derision rather than murmurs of admiration. Frustrated by his wife's nagging, Wilbur goes off on a toot and becomes innocently involved with village vamp Mrs. McIntosh (Lilyan Tashman). It's all very basic material, but in the hands of its stars, its director, and ace screenwriter Nunnally Johnson, Mama Loves Papa emerges as something truly special. The National Board of Review selected the film as one of the best of its year, quite an honor for what was officially a "B" picture. ~ Hal Erickson, All Movie Guide

In this wisecracking comedy, Dan Dolan (Spencer Tracy) is a cop whose beat is the New York waterfront. Dan has a soft spot for Helen Riley (Joan Bennett), a sharp-tongued waitress at a cheap diner, while her scatter-brained sister Kate (Marion Burns) is in love with Duke Castage (George Walsh), a sleazy low-level mobster. While Duke makes a play for Kate, both Helen and Dan know that he's bad news, and Dan wants to put Duke behind bars before he can break Kate's heart. Me and My Gal was directed by Raoul Walsh, one of the great craftsmen of the studio system -- and also the brother of George Walsh, who plays the villain. ~ Mark Deming, All Movie Guide