Nigel Kneale Movies

In this action adventure, author Bernard Cornwell's fictional Major Sharpe takes his men on a search for Aztec treasure. ~ Sandra Brennan, Rovi

Woman in Black was originally made for British TV. It's a melodrama, as the title should make abundantly clear. Adrian Rawlins stars as a vacationing barrister. He becomes involved in bizarre activities at a seaside resort, predicated by an elusive mystery woman. Woman in Black was picked up for American exposure by the A&E cable network. ~ Hal Erickson, Rovi

Peter Brock (Michael Bryant) has assembled a crack electronics team to work on his new project, a revolutionary recording medium that will render everything the Japanese have come up with obsolete. But there's a problem at their newly renovated facility: The crew won't work in the room that was supposed to be used for data storage. Peter and a few of his people go into the room, and discover some old cans of Spam left by the U.S. Army decades earlier, a stone staircase that leads nowhere, and a note which says, "What I want for Christmas is please go away." Peter's computer expert (and former lover), Jill (Jane Asher), is the only member of the team who sees something else -- a woman, dressed in white, standing at the top of the staircase, screaming. Soon the crew realizes that there's some sort of spirit inhabiting the room, and Peter thinks up a clever idea: Suppose the ghost (or whatever it is) is actually a recording of extreme human emotions once felt in the room, which is somehow imbedded in the stones of the room itself. Thinking he may have hit upon his revolutionary recording medium, Peter ignores Jill's qualms and pushes his crew to great lengths, using all sorts of technology, to find a way to manipulate the ghostly image. Written by Nigel Kneale (who wrote the Quatermass films, as well as The Entertainer and Look Back in Anger) and directed by Peter Sasdy, The Stone Tape originally aired on the BBC on Christmas in 1972. ~ Josh Ralske, Rovi

Nigel Kneale's Quatermass TV series spawned a brief film series produced over an eleven-year period; 1967's Quatermass and the Pit, released in the US as Five Million Years to Earth, was the third and (until 1979's Quatermass Conclusion) last of the features. As with previous chapters in the Kneale saga, the film begins with a baffling scientific discovery. This time it's an alien ship, alive after 5,000,000 years, discovered during the excavation of a new subway line. The craft is able to cause psychic disturbances in individuals genetically connected to the machine; it also prompts them to see dead Martians as ghostly entitites nearby. In time, conclusions drawn from these events lead scientists to shocking conclusions about the origins of the human race.
~ Hal Erickson, Rovi

First Men in the Moon is an H.G. Welles cinemadaptation from director Nathan Juran. When scientists in the year 1964 are confused by evidence of a long-ago space flight, nonagenarian Arnold Bedford (Edward Judd) explains all. Back in 1899, Bedford, eccentric scientist Joseph Cavor (Lionel Jeffries) and heroine Kate Callender (Martha Hyer) took a trip to the moon in a home-made space vehicle. Once on the lunar surface, they encountered an alien civilization resembling an ant colony, complete with "queen," soldiers and workers. How they returned, and the aftereffects of their journey, comprise the film's final third. Peter Finch appears briefly as a messenger; he happened to be visiting the set when the actor hired to play the bailiff's assistant failed to show up. ~ Hal Erickson, Rovi

Laurence Olivier recreates his stage role of Archie Rice in this in-your-face film adaptation of John Osborne's play. The son of a legendary music hall comedian (Roger Livesey), Archie is strictly a third-rater, headlining a tacky music hall revue in a seedy seaside resort town. Archie can't admit that he's a failure, and his grim insouciance destroys everyone around him. Archie finagles his dying father into financing one last revue; he cheats shamelessly on his alcoholic wife (Brenda De Banzie); and he all but forces one of his sons (Albert Finney) to run off to join the army, only to die in the Suez. Through all his personal crises, Archie jigs and jabbers before his ever-diminishing audience, but by the end of the film he isn't even entertaining himself. Joan Plowright, who married Olivier shortly after completing The Entertainer, plays the film's one sympathetic character: Archie's daughter, whose love for her father blinds her to his flaws. The Entertainer was remade for television in 1976, with Jack Lemmon as Archie Rice and original songs by Marvin Hamlisch. ~ Hal Erickson, Rovi

The original 1958 BBC television production of the last of Nigel Kneale's classic Quatermass scripts -- which is best known in association with the 1967 Hammer Films adaptation by Roy Ward Baker -- runs circles around the feature-film version. As with the other Quatermass serials, Kneale's original script goes a lot deeper into meanings, motivations, and consequences of the events depicted, as well as characterization and plot developments. That's understandable, as the producers had six episodes running over 30 minutes each in which to work, instead of the 98-minute running time of the movie. The result is a storyline in which the mystery is developed as much as the horror and science-fiction elements, and is worthy of Sherlock Holmes, one might add. An excavation for a London subway turns up mysterious skeletons, that are almost -- but not quite -- human. An investigation by Dr. Roney (Cec Linder), a paleontologist, reveals that these creatures had abnormally large brain cavities, much larger than was the norm for any known prehistoric proto-human species. There are other specimens as well, large insect-like creatures, and all were clustered around what seems to be a spacecraft buried at the same time as these skeletons, possibly as long as five million years. The unearthing of the space vehicle brings into the case England's greatest rocket expert, Professor Benard Quatermass (Andre Morell), who comes to believe from the evidence that the vehicle is from Mars, as were the insect-like beings. Even as Quatermass and Roney continue to investigate, they run up against resistance from government officials eager to avoid a panic, and from Quatermass' new superior, Colonel Breen (Anthony Bushell), a weapons expert who doesn't trust intellectuals or idealistic scientists, and wants to believe that the spaceship was part of a World War II Nazi hoax intended to raise hysteria among the public. Meanwhile, hysteria seems called for, as strange and potentially deadly manifestations of telekinetic power and other paranormal phenomenon start to overtake workers at the site of the excavation. Quatermass and Roney are convinced that some potentially catastrophic forces are being tampered with, but no one in the government will listen to them until it is too late, and all hell, literally, starts to break loose. ~ Bruce Eder, Rovi

Originally titled Quatermass II, Enemy from Space was the sequel to The Quatermass Xperiment (US title: The Creeping Unknown). Based on the British TV serial by Nigel Kneale (who reportedly disliked the finished product), the film stars Brian Donlevy, repeating the role of Professor Quatermass. This time, the good professor must contend with a "meteor shower" which turns out to be a secret alien invasion. The extraterrestrials arrive on earth in rocklike vehicles, then take over the minds and nervous systems of earthlings, the better to go about their business undetected. Subliminally a cruel satire of British bureaucracy and obfuscation, Enemy from Space also works on a pure-horror level, building slowly and methodically to a powerhouse finale. For many years a "lost" film due to legal tangles, Enemy from Space has recently become available again on video and cable TV. ~ Hal Erickson, Rovi