Elizabeth Allan Movies

It is a tale known well, filmed many times over the years, but never better than this early black and white version from the MGM Studios, David O. Selznick producing. "It was the best of times, it was the worst of times"-- Charles Dickens juxtaposes England and France, George and Louis, tradition and revolution. One of the most beloved of Dickens' stories, finding not only countries and conditions compared, but also two individuals thrown up in stark contrast to one another: -- the dissolute barrister Sydney Carton (Ronald Colman) and the young, somewhat callow aristocrat Charles Darnay (Donald Woods), both in love with Lucie (Elizabeth Allan), daughter of a victim of the French Regime. Their lives intertwine until the violent revolution that overtook an entire nation engulfs them all as well.

Dickens' story has stood the test of time; remade frequently since the release of this1935 version. It is this version by director Jack Conway's that is best remembered and to which all others are compared. The settings, cinematography, and direction are all right on the mark, recreating the streets of London and of Paris with great skill and realism. The supporting cast, filled with faces we have grown to cherish-- Reginald Owen, Edna May Oliver, Claude Gillingwater, Walter Catlett, H. B. Warner, Basil Rathbone, and E. E. Clive-comes through with crystalline performances which add substance to the inexorable stream of events. Blanche Yurka's bravura turn as Therese de Farge delights us even as we shudder at her intensity. Second unit directors Jacques Tourneur and Val Lewton, who would both go on to memorable careers as leading directors in their own right, staged the storming of the Bastille and other "revolutionary" scenes brilliantly, managing to combine fervor with panache. It is, however, Colman's portrayal of the lonely man redeemed by love and sacrifice which stands at the center of the story.

Sydney Carton first saves Charles Darnay from a charge of treason, thereby meeting those who care for him: the beautiful Lucie Manette, her father, Doctor Manette (Henry B. Walthall), released from the Bastille after many years of unjust incarceration; Lucie's servant Miss Pross, (Oliver) and Mister Lorry (Claude Gillingwater), an functionary of Tellson's Bank. His relationship with this circle of kind friends grows rocky when Darnay marries Lucie, whom Carton has loved from afar, but even this turn of events cannot change his feelings for them all and he grows to love them even more when daughter Lucie comes along. He reforms, leaving old ways behind and enjoying a familial warmth he has never known. This happy life is shattered when Darnay returns to France during the first revolutionary struggles, intent on saving his old tutor from the guillotine. He soon finds himself behind bars and facing the blade instead. The Revolution does not forget an aristocrat, even one who has recanted and lived life abroad as a commoner. The whole family makes the channel crossing to come to the young man's aid and Carton seeks a way to save him, discovering only one path to free Darnay and return everyone to safety. It is a sacrifice easily promised and quickly made.

Ronald Colman had long wanted to make a film of this story and, when he finally got his chance, he happily shaved off his signature mustache in an appropriate gesture to historical realism. Reviews of his work indicate his portrayal of Sydney Carton surpassed all his previous endeavors; he had been accused of walking through light parts, once he started making "talkies," and not putting his many talents to good use. "A Tale of Two Cities" put rest to those complaints. He dominates completely the scenes he which he does appear, and his skill gives substance to a literary achievement, a melancholy man of intelligence and wit, given to drink and despair, whose life seems to attain meaning only when it is given up for someone else. It is one of the portrayals for which Ronald Colman has come to be remembered.

There are various remake versions of A Tale of Two Cities. Dirk Bogarde played Carton in 1958 and Chris Sarandon starred in a television remake in 1980. While these and other versions have all been good films, none has achieved the stature of the 1935 version and its excellent combination of star power, technical brilliance and great storytelling. ~ All Movie Guide

Ace of Aces was based on Bird of Prey by John Monk Saunders, an acknowledged master of aviation epics. Richard Dix stars as Rex Thorne, a pacifistic sculptor who registers as a conscientious objector when WWI breaks out. Thorne's unwillingness to fight in a war he believes to be unnecessary is misread as cowardice by his socialite sweetheart Nancy Adams (Elizabeth Allen). In "four feathers" fashion, Thorne signs up with the air corps to prove his courage. Before long, he has established a reputation as a reckless, ruthless flying ace, with little concern for anyone's safety, including his own. This fails to satisfy Nancy -- now also serving her country as a Red Cross nurse -- who feels that Thorne has become too bloodthirsty for his own good (What does this woman want?) The supporting cast includes radio singer Art Jarrett and James Cagney's look-alike brother Bill. Some of the aerial scenes in Ace of Aces were "borrowed" from Howard Hughes's Hell's Angels. ~ Hal Erickson, All Movie Guide

The British Black Coffee starred Austin Trevor in one of his many appearances as Agatha Christie's pompous Belgian detective Hercule Poirot. Adapted from a Christie play, the film takes place during a house party in a rural British mansion. A famous but much-hated scientist is killed, and several of his valuable papers are missing. The insufferably brilliant Poirot rapidly determines the cause of death and the motive. Narrowing down the suspects to the most likely culprit takes a bit longer-75 minutes, in fact. ~ Hal Erickson, All Movie Guide

An episode of the television series, where Buck leads a squad of pilots, including a friend of Wilma's father, into a fight with interplanetary gunrunners. ~ All Movie Guide

In this suspense movie, a secretary marries her rich old boss. He suddenly dies and she finds herself the prime suspect in his murder. She goes to court and is found guilty. En route to court, she is involved in a near-fatal auto-accident. Within her heart is a small piece of glass that a surgeon removes during a ground-breaking operation. The doctor then discovers that the woman has been given a death sentence. Not wanting to lose the patient he worked so hard to save, the doctor sneaks her out of the hospital and keeps her well hidden until the police accost the real killer. ~ Sandra Brennan, All Movie Guide

In this drama, set during the Depression, Charlie Stubbs tries to escape slum life by becoming a criminal. That doesn't work so he cleans up his act and becomes a cab driver for the woman he loves, Annie Collins. Trouble ensues when Annie's uncle frames him. Now Charlie may go to jail. It is Annie's mother who saves the day. ~ Sandra Brennan, All Movie Guide

In this newsroom drama, a workaholic editor refuses to take a vacation with his wife. Instead he remains in his office and deals with a series of fascinating stories. They include: four children tossed out of their home, a woman accused of euthanasia, an alcoholic journalist's search for an atomic scientist, and a tragic plane crash. Unfortunately, the editor's wife was supposed to be on that plane. Fortunately, something caused her not to board it. ~ Sandra Brennan, All Movie Guide

The British That Dangerous Age is based on Autumn, a play by Margaret Kennedy and Ilya Surgutchoff. Myrna Loy heads the cast as Lady Brooke, the wife of famed barrister Sir Brian Brooke (Roger Livesay). Neglected by her husband, Lady Brooke inaugurates an affair with a younger man. Meanwhile, Monica (Peggy Cummins), Brooke's daughter by a previous marriage, enters into her own romantic entanglement. When Sir Brian falls ill, his wife comes to her senses, and the result is lasting happiness for all, especially Monica. The story is set on the isle of Capri, allowing for several restful and pleasing landscape shots. That Dangerous Age was originally released as If This Be Sin. ~ Hal Erickson, All Movie Guide

In this actioner, a half-Arab member of the Foreign Legion, previously court-martialed for insubordination, cannot earn his commander's trust. Eventually the commander locks him up. The leader then sends his own son to fight with native troops. Meanwhile the jailed soldier breaks out and rushes to save the commander's son. He willingly sacrifices his life for the young man. ~ Sandra Brennan, All Movie Guide

A shopkeeper suffers after he is laid off during the Depression in this drama adapted from the English play Service. He had worked at that shop for over 40 years. It was a family tradition to work at that shop. But now, his boss is selling the shop to a lower-priced rival, and the poor man and his family are left to cope with the devastating loss. ~ Sandra Brennan, All Movie Guide

Mark of the Vampire is Tod Browning's remake of his own 1927 thriller London After Midnight, which unfortunately no longer exists. The sudden appearance of ghostly vampires in a remote mittel-European community is seemingly tied in with an old, unsolved murder case. Police inspector Neumann (Lionel Atwill) and occult expert Prof. Zelen (Lionel Barrymore) investigate, with the full cooperation of leading citizen Baron Otto (Jean Hersholt). For awhile, it looks as though the vampires -- Count Mora (Bela Lugosi) and his chalky-faced daughter Luna (Carroll Borland) -- will continue to hold the community in thrall, but the truth behind their mysterious activities is revealed midway through the film, whereupon the story concentrates on identifying the well-concealed murderer. In the original London After Midnight, Lon Chaney played both Count Mora and Prof. Zelen, which should provide a clue as to the film's incredible outcome. ~ Hal Erickson, All Movie Guide

This romance, based on a surprisingly sophisticated story by Winnie the Pooh author A.A. Milne, teams up Herbert Marshall with his then-wife Edna Best. Best is Mary Price, deserted by her husband when he leaves England to seek his fortune during the Boer War in 1900. Destitute and desperate, she meets aspiring author Michael Rowe (Marshall) at a museum. Rowe offers to share what little money he has with her and soon a romance develops. They agree to marry, in hopes that her husband has disappeared for good. And, as the years pass, it seems like he has. Rowe becomes a successful and respected writer and he and Mary raise a son, David (Frank Lawton). On the night that David becomes engaged to pretty society girl Romo (Elizabeth Allan), however, Price (D.A. Clarke-Smith) reappears, and while the young couple is away, Rowe has a fight with Price, who dies at the scene from a heart attack. Michael and Mary are interrogated, but Scotland Yard never makes the connection between Price and Mary, and the investigators assume that Michael was merely protecting himself from an intruder. While the couple is off the hook legally, they feel it is morally necessary to come clean about their past in front of David and his fiancée. David is more than willing to forgive his parents their sins, and Romo stands by them, too. What could have been a tiresome subject is brought to life by the talent of all involved -- not only the actors, but also writers Angus MacPhail, Robert Stevenson, and Lajos Biro, who brought Milne's story to the screen. Stevenson, incidentally, would become one of Britain's most respected directors, and MacPhail would frequently work with Alfred Hitchcock -- though apparently not on The Man Who Knew Too Much, which gave Best one of her best screen roles. ~ Janiss Garza, All Movie Guide

Henry Koster directs the 1951 aviation drama No Highway in the Sky, based on the novel by Nevil Shute. James Stewart stars as Theodore Honey, a widower and single parent to 11-year-old Elspeth (Janette Scott). He's also an absent-minded engineer who has formed a scientific theory about metal fatigue in a specific model of aircraft. He tries to convince British Airways that their airplanes will come apart after a certain amount of miles, but no one believes him. Then administrator Dennis Scott (Jack Hawkins) sends him on a flying mission to investigate a crash site in Newfoundland. Along the way, he meets stewardess Marjorie Corder (Glynnis Johns) and movie star Monica Teasdale (Marlene Dietrich). ~ Andrea LeVasseur, All Movie Guide