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Harry Kleiner Movies

Screenwriter Harry Kleiner has been writing or co-writing film scripts since the late 1940s. Born in Russia, his family emigrated to Philadelphia while he was still a baby. He received a Bachelor of Science degree from Temple University and a Masters of Fine Arts from Yale. Kleiner is also a noted playwright and television writer. During the late '50s, he produced a couple of films including Cry Tough. ~ Sandra Brennan, Rovi
1988  
R  
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The third entry in the ultra-macho Rambo action movie series finds muscle-bound warrior John Rambo (co-writer and star Sylvester Stallone) refusing a request from his former Vietnam superior, Green Beret Colonel Trautman (Richard Crenna). Trautman is to lead a mission to aid the mujahedeen rebels fighting the Soviet invasion of Afghanistan, but the Buddhist Rambo turns his friend down. When the mission goes awry and Trautman is subsequently captured and tortured within a prison fortress, Rambo launches a rescue effort of his own, armed with his trademark bow and exploding arrows. Along the way, he allies himself with the freedom fighters and runs afoul of the villainous Russian commander Zaysen (Marc de Jonge). At the time of its release, Rambo III -- released in the same month in 1988 that Russian troops began withdrawing from Afghanistan -- was the most expensive film ever made, at 63 million dollars. ~ Karl Williams, Rovi

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Starring:
Sylvester StalloneRichard Crenna, (more)
 
1988  
R  
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Arnold Schwarzenegger plays a taciturn law-enforcement officer from Russia. James Belushi co-stars as a wise-lipped Chicago cop. Though they go together like caviar and White Castles, they are forced to team up to collar the Soviet Union's most notorious drug lord. Thus does director Walter Hill recycle his 48 Hours formula for another unlikely star team. Unfortunately, Red Heat isn't half as enjoyable as the earlier film, owing to a lack of rapport between the two leading men and an overall lack of inspiration infecting the whole project. The one notable aspect of Red Heat is that it was the first commercial American film to stage scenes in Moscow's Red Square. Watch for Laurence Fishburne (still billed as "Larry") in a secondary role. ~ Hal Erickson, Rovi

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Starring:
Arnold SchwarzeneggerJames Belushi, (more)
 
1987  
R  
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Modern-day Texas Ranger Jack Benteen (Nick Nolte) was once the best friend of local drug kingpin Cash Bailey (Powers Boothe). At present, however, the only element linking them together is Jack's lover Sarita (Maria Conchita Alonso), Cash's former mistress. When Sarita tires of Jack's Spartan lifestyle, she returns to Cash as a voluntary hostage to make certain that Jack keeps his hands off Cash's operation. The film comes to a head during a meticulously planned drug bust, in which both Jack and Cash butt heads with CIA-funded paramilitary Maj. Paul Hackett (Michael Ironside, who isn't all he seems to be). ~ Hal Erickson, Rovi

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Starring:
Nick NoltePowers Boothe, (more)
 
1971  
G  
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Steve McQueen is ideally cast as a champion race car driver, participating in the famed 24-hour race headquartered in Le Mans, France. Though dedicated to Going for the Gold, McQueen finds time to romance widowed Elga Andersen. The dramatic angle to this plot wrinkle is that McQueen may well have been responsible for the death of Andersen's husband during a previous car pile-up. Director John Sturges, who'd previously helmed Steve McQueen's legendary motorcycle chase scenes in The Great Escape, was originally slated to direct Le Mans, but withdrew from the project; it was then taken over by Lee H. Katzin of The Phynx. ~ Hal Erickson, Rovi

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Starring:
Steve McQueenSiegfried Rauch, (more)
 
1968  
 
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It's a seemingly peaceful spring morning in New York City -- graduation day at the Police Academy -- and Police Commissioner Anthony X. Russell (Henry Fonda) is looking forward to giving a speech to the new officers. But all isn't well: Russell's been given apparently incontrovertible evidence that his oldest friend, Chief Inspector Charles Kane (James Whitmore), is shaking down a bar owner, and a black minister (Raymond St. Jacques) is claiming that his son was brutalized when he was picked up for questioning in a rape/assault case. Then Russell gets a call informing him that two first-grade detectives, Daniel Madigan (Richard Widmark) and Rocco Bonaro (Harry Guardino), allowed small-time hood Barney Benesch (Steve Ihnat) to get the drop on them, steal their guns, and escape while they were trying to pick him up for questioning at the request of Brooklyn detectives -- and Benesch is now a suspect in that earlier murder in Brooklyn. Madigan has other problems, including the fact that the commissioner -- his ex-captain -- doesn't trust him, always believing him to be a loose cannon who has taken advantage of the badge in accepting favors and cutting corners where peoples' rights were concerned. Madigan also has a beautiful, upwardly mobile wife (Inger Stevens) who loves him but can't abide all the time his job takes him away from her or crimps her socializing; and he has never fully gotten over Jonesy (Sheree North), a saloon singer he knew before he was married. Madigan and Bonaro are given 72 hours to bring in Benesch and begin beating the bushes for leads. They get help from "Midget" Castiglione (Michael Dunn), a bookmaker and an old enemy of Benesch's, and a nervous, long-haired punk named Hughie (Don Stroud). While the clock ticks away on Madigan's and Bonaro's careers, the commissioner must decide how to deal with Kane, whose father -- also a police officer -- was like his own, and he must also fathom how a four-star chief could be involved with anything as tawdry as pressuring a tavern owner. Russell genuinely believes that there must be "one standard, one rule" for any member of the department, but in the course of this one weekend, he finds this notion shattered by what he discovers about Madigan, King, and himself. Meanwhile, Benesch is still on the loose, acting like a complete psycho and a threat to anyone who crosses his path. Russell's and Madigan's paths finally cross personally, as the detective proves -- and the commissioner discovers -- just how good a cop he is. ~ Bruce Eder, Rovi

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Starring:
Richard WidmarkHenry Fonda, (more)
 
1968  
PG  
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Robert L. Pike's crime novel Mute Witness makes the transition to the big screen in this film from director Peter Yates. In one of his most famous roles, Steve McQueen stars as tough-guy police detective Frank Bullitt. The story begins with Bullitt assigned to a seemingly routine detail, protecting mafia informant Johnny Ross (Pat Renella), who is scheduled to testify against his Mob cronies before a Senate subcommittee in San Francisco. But when a pair of hitmen ambush their secret location, fatally wounding Ross, things don't add up for Bullitt, so he decides to investigate the case on his own. Unfortunately for him, ambitious senator Walter Chalmers (Robert Vaughn), the head of the aforementioned subcommittee, wants to shut his investigation down, hindering Bullitt's plan to not only bring the killers to justice but discover who leaked the location of the hideout. ~ Matthew Tobey, Rovi

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Starring:
Steve McQueenRobert Vaughn, (more)
 
1966  
PG  
Stephen Boyd heads a team of scientists sent on a bizarre experimental mission. Through a revolutionary and as-yet-untested process, the scientists and their special motorized vehicle are miniaturized, then injected into the blood stream of a near-death scientist (Jean del Val). Their mission is to relieve a blood clot caused by an assassination attempt. One member of the expedition is bent on sabotage so that the scientist's secrets will die with him. Another member is Raquel Welch, seemingly along for the ride solely because of how she looks in a skintight diving suit. The film's Oscar-winning visual effects (by Art Cruickshank) chart the progress of the voyagers through the scientist's body, burrowing past deadly antibodies, chunks of tobacco residue in the lungs, and other such obstacles. Oscars also went to Jack Martin Smith and Dale Hennesy's art direction and Stuart A. Reiss and Walter M. Scott's set decoration. Fantastic Voyage was later spun off into a Saturday-morning cartoon series. ~ Hal Erickson, Rovi

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Starring:
Stephen BoydRaquel Welch, (more)
 
1961  
 
In this routine political drama by Vincent Sherman, a murder trial is converted into one piece in the complex interaction between three candidates for governor. Judge Hoffman (Efrem Zimbalist, Jr.) is a solid, anchoring presence in his courtroom, qualities which should stand him in good stead when election day arrives. Senator Simon (Don Ameche) has all the scruples of a hungry ferret and tries to bribe the judge to take on a position in the federal judicial system in lieu of his candidacy. The District Attorney, Dan Callahan also has an ethics-free approach to politics and is not likely to change. Complicating matters is the fact that the Senator's wife Cathy (Angie Dickinson) was once in love with Judge Hoffman. By the time these protagonists get through dealing with the race for governor and each other's scruples -- or lack of them -- circumstances have drastically changed the picture. ~ Eleanor Mannikka, Rovi

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Starring:
Efrem Zimbalist, Jr.Angie Dickinson, (more)
 
1960  
 
Based on the Edna Ferber novel, this engrossing period piece covers the triumphs, tragedies, loves, and sorrows of a few generations of Alaskan settlers between the first World War and the granting of statehood in 1959. Zeb (Richard Burton) is a local despot whose tough personality dominates the region. He is openly bigoted against the Inuit, and his greedy nature has led him to reject the woman he really loves to marry another with plenty of money. Thor (Robert Ryan) starts out as Zeb's ally and friend, but due to their diametrically opposed natures, that friendship turns into an entrenched hatred. In this unpredictable, harsh wilderness Zeb discovers that he ultimately cannot control his daughter and irony of ironies, he and Thor end up connected through the marriage of a son and daughter. ~ Eleanor Mannikka, Rovi

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Starring:
Richard BurtonRobert Ryan, (more)
 
1959  
 
This was the first film directed by Paul Stanley, and its theme of second-generation Puerto Ricans living in New York's Spanish Harlem would be picked up again in 1961's smash success, West Side Story. Miguel Estrada (John Saxon) was a member of a local gang before he went to prison for a year, and now that he is out he wants to walk the straight-and-narrow. His attempts at getting away from the life that binds him to the gangs are not anything his father can understand, and the gangs are not going to let him just walk away. At one point, he is forced into a knife fight with a gang member. A counterpoint to Miguel's dilemma is found in Sarita (Linda Cristal), a local "hostess" who prefers single bliss to marriage and its problems. ~ Eleanor Mannikka, Rovi

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Starring:
John SaxonLinda Cristal, (more)
 
1959  
 
The Rabbit Trap was part of a cycle of 1950s films based on TV dramas; in this instance, the film was adapted from a teleplay by J.P. Miller. Ernest Borgnine plays a workaholic husband and father whose demanding job (the "rabbit trap" of the title) affords him little time for his wife (Bethel Leslie) and son (Kevin "Moochie" Corcoran). At long last, Borgnine earns a vacation, but his boss calls him back for an important assignment. Weighing his priorities, Borgnine chooses his family over his job. You could do that back in 1959. Appropriately, Rabbit Trap has an "all TV" cast, include Borgnine, Leslie, Jeanette Nolan and a young but already scrappy Don Rickles. ~ Hal Erickson, Rovi

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Starring:
Ernest BorgnineDavid Brian, (more)
 
1957  
 
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Vincent Sherman replaced an uncredited Robert Aldrich as director of this noirish and atypically pro-union film from the 1950's. Tulio Renata (Robert Loggia), an organizer for the International Ladies Garment Workers Union, campaigns to unionize the employees of dress factory owner Walter Mitchell (Lee J. Cobb). Viscerally opposed to the union, Mitchell has hired Artie Ravidge (Richard Boone) to thwart Renata's efforts. In a complex oedipal sub-plot, Walter's son Alan (Kerwin Matthews) returns home and joins the firm following the suspicious death of his father's partner. Alan is more sympathetic to the union and attempts to persuade his father to sign a contract. Only after Ravidge kills Renata, and the elder Mitchell finally admits to himself that Ravidge is a thug who also killed his partner, does he agree to negotiate with the union. Before he can do so, however, he, too, is murdered by Ravidge's goons. It is then left to Alan, increasingly involved with Renata's widow Theresa (Gia Scala), to run the business, bring Ravidge to justice, and settle with the union. Similar to Herbert Biberman's Salt of the Earth (1954) in its overt support of the labor movement, The Garment Jungle is clearly a liberal, not a radical, film. Rather than advocate class warfare, it asserts that honest unions and decent capitalists can work together honorably. The film's real fire is found in the personal conflicts between Tulio and Theresa and Walter and Alan. Cobb, Loggia, and Scala perform with intense and multi-dimensional passion. Particularly noteworthy is Theresa's fury at her husband for taking excessive, and ultimately fatal, risks. ~ Steve Press, Rovi

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Starring:
Lee J. CobbKerwin Mathews, (more)
 
1955  
 
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Samuel Fuller directed and cowrote this typically hard-boiled drama set in Japan following World War II. Eddie Kenner (Robert Stack) is given a special assignment by the Army to get the inside story on Sandy Dawson (Robert Ryan), a former GI who has formed a gang of fellow servicemen and Japanese locals who use their muscle to take over Tokyo's pachinko racket and commit a series of train robberies, targeting deliveries of military ammunition. Eddie is supposed to gather evidence on the murder of a soldier believed to have fallen in with the gang, and Eddie tries to blend in with the group to find out how they work. Hoping to learn more, Eddie also begins romancing Mariko (Shirley Yamaguchi), a Japanese woman who was married to the slain gangster, and he learns that the ruthless Dawson kills men who are injured during robberies rather than leave them behind to possibly testify against him. After a burglary goes wrong, Dawson becomes convinced that there's an informer in the group; wrongly believing it's Griff (Cameron Mitchell), Dawson kills his loyal soldier and makes Eddie his second in command. Veteran Japanese actor Sessue Hayakawa appears as Inspector Kito, a Japanese police detective working with Eddie to crack the case. ~ Mark Deming, Rovi

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Starring:
Robert RyanRobert Stack, (more)
 
1954  
 
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Rudolphe Maté directs the western The Violent Men, based on the novel Rough Company by Donald Hamilton. Edward G. Robinson plays Lee Wilkison, the bad-guy owner of Anchor Ranch with a plan to buy out all the smaller ranches to gain control of the valley. Barbara Stanwyck plays his wife Martha, who secretly has an affair with his brother, Cole (Brian Keith). Meanwhile, Cole hangs out with hired gun Wade Matlock (Richard Jaeckel) and his other girlfriend, Elena (Lita Milan). Glenn Ford plays ex-military man John Parrish, the good-guy small ranch owner who is willing to sell until one of his ranch hands turns up dead. He fights back with a vengance using his military training and sets his eyes on Wilkison's daughter, Judith (Dianne Foster). ~ Andrea LeVasseur, Rovi

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Starring:
Glenn FordBarbara Stanwyck, (more)
 
1954  
 
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In 1943, Oscar Hammerstein Jr. took Georges Bizet's opera Carmen, rewrote the lyrics, changed the characters from 19th century Spaniards to World War II-era African-Americans, switched the locale to a Southern military base, and the result was Carmen Jones. Dorothy Dandridge stars as Carmen Jones, tempestuous employee of a parachute factory. Harry Belafonte plays Joe (originally José), a young military officer engaged to marry virginal Cindy Lou (Olga James). When Carmen gets into a fight with another girl, she is placed under arrest and put in Joe's charge. Succumbing to her attractiveness, Joe accompanies Carmen to her old neighborhood, where, after killing a sergeant sent to retrieve him, he deserts the army. Carmen tries to be faithful, but fortune-telling Frankie (Pearl Bailey) warns her that she and her soldier are doomed. Enter Joe Adams in the role of boxer Husky Miller (a play on Carmen's bullfighter Escamillo), who sweeps Carmen off her feet, ultimately with tragic consequences. Alhough both Dorothy Dandridge and Harry Belafonte were singers, their opera voices were dubbed in by LeVern Hutcherson and Marilyn Horne. ~ Hal Erickson, Rovi

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Starring:
Dorothy DandridgeHarry Belafonte, (more)
 
1953  
 
"Her Salome Will Steal Your Breath Away" was the classic advertising slogan attached to this opulent Rita Hayworth epic -- a slogan which became laughable whenever a radio announcer would mispronounce Salome as "salami." Using the very sketchy Biblical story of the death of John the Baptist as its springboard, Salome depicts its title character, the stepdaughter of King Herod, as a victim of circumstance rather than a wanton temptress. Banished from Rome because of an unfortunate romance with the nephew of Caesar, Salome (Rita Hayworth) declares that all men are her enemies, but her resolve weakens when she falls in love with Claudius (Stewart Granger), the military commander of Galilee. Meanwhile, Salome's wicked mother, Herodias (Judith Anderson), plots the demise of John the Baptist (Alan Badel), who currently enjoys the protection of the superstitious Herod (Charles Laughton). At this point, the story departs radically from Scripture. Salome is no longer coerced by Herodias to demand the head of John the Baptist; instead, Herodias, on her own, promises Herod that Salome will perform the "Dance of the Seven Veils" for him -- but only if he beheads John first (Salome has been misinformed that the dance will save John from the headsman's sword). Somehow, scriptwriter Jesse Lasky Jr. even manages to concoct a happy ending for poor Salome, which is a lot more than Oscar Wilde or Richard Strauss were able to do. Considered an artistic flop in 1953, Salome seems somewhat better today, if only because of that powerhouse cast. ~ Hal Erickson, Rovi

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Starring:
Rita HayworthStewart Granger, (more)
 
1953  
 
Set in New Caledonia (though filmed in Hawaii), Miss Sadie Thompson is a heavily laundered adaptation of Somerset Maugham's Rain, with Rita Hayworth in the title role and José Ferrer as the pious Alfred Davidson. To satisfy the censors, Sadie is no longer a whore but a nightclub entertainer "with a past," while Davidson is not a minister but a lay preacher. The end result, however, is about the same, with Davidson trying to save Sadie's soul, only to lose his own in the process. Aldo Ray co-stars in the beefed-up role of the marine sergeant who harbors a crush for the colorful Miss Thompson. Highlights include Rita Hayworth's rendition of the musical numbers "The Heat is On" (later parodied by Muriel Landers in the 1957 Three Stooges comedy Sweet and Hot), "Blue Pacific Blues," and ""Hear No Evil, Seek No Evil."" ~ Hal Erickson, Rovi

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Starring:
Rita HayworthJosé Ferrer, (more)
 
1953  
 
This remake of John Ford's The Black Watch (29) stars Tyrone Power as British army captain stationed in India in 1857. Shunned by his fellow officers because he is a half caste, Power defies the social structure of the era by falling in love with the daughter (Terry Moore) of his superior officer. Power proves his loyalty to the Crown by quelling an uprising, led by his Indian boyhood friend (Guy Rolfe). The actors do their best, but the storyline is trite and stilted when dwelling on matters of honor and romance. King of the Khyber Rifles works best as an action picture--and in this respect it is immensely superior to the earlier John Ford film, which almost plays like a comedy when seen today. ~ Hal Erickson, Rovi

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Starring:
Tyrone PowerTerry Moore, (more)
 
1952  
 
Besotted by alcohol, Australian cattle-station owner Michael McGuire (Finlay Currie) is led to believe that crooked gambler Richard Connor (Peter Lawford) is his long-lost son. Connor and his partner-in-crime Gamble (Richard Boone) go along with the gag, convincing McGuire's daughter Dell (Maureen O'Hara) that they've arrived to help the old man save his livestock, when in fact they're planning a major swindle. The scheme goes awry when Connor falls genuinely in love with Dell. The arrival of mounted policeman Leonard (Chips Rafferty) sets the ball rolling for an onslaught of violence, renunciation and redemption. Vividly filmed on location in Australia, Kangaroo was remade in Africa as The Jackals in 1967. ~ Hal Erickson, Rovi

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Starring:
Maureen O'HaraPeter Lawford, (more)
 
1952  
 
Richard Widmark plays a firefighter for the US Forestry Service, a brave man who nevertheless does not believe in taking foolish risks. Widmark is branded a coward by a rookie fireman (Jeffrey Hunter) who holds Widmark responsible for the forest-fire death of the rookie's father. All passions are swept aside when a particularly brutal fire strands Widmark and his men in the middle of unprotected forest. Widmark then realizes that he must attempt to lead the others to well-being. Red Skies of Montana represents the film debut (in an unbilled role) of future TV and film star Richard Crenna. ~ Hal Erickson, Rovi

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Starring:
Richard WidmarkConstance Smith, (more)
 
1948  
 
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FBI operative Mark Stevens is dispatched by his boss Lloyd Nolan to infiltrate a criminal gang. Stevens ingratiates himself with Richard Widmark, the gang's leader, then helps concoct a robbery that will deliver the criminals into the hands of the authorities. But there's an informant in the police department, who gets word back to Widmark. Aware that there's a stoolie in his gang, Widmark automatically assumes that his wife Barbara Lawrence is the guilty party, and beats her senseless. Eventually determining that Stevens is the "mole," Widmark methodically plans to kill Stevens during a holdup; by this time, however, the FBI is a step or so ahead of him. Remade in 1955 by Samuel Fuller as House of Bamboo. ~ Hal Erickson, Rovi

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Starring:
Mark StevensRichard Widmark, (more)
 
1945  
 
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Otto Preminger directed this stylish film noir exercise, intended as a follow-up to his surprise hit Laura. Kicked off a bus traveling cross-country for not being able to come up with the fare, down-and-out press agent Eric Stanton (Dana Andrews) ends up in Walton, a small coastal town in California. Stanton fast-talks Joe Ellis (Olin Howland) into giving him a place to stay for the night in exchange for promoting Professor Madley (John Carradine), a "mentalist" whose show Ellis manages. While in Walton, Stanton makes the acquaintance of June Mills (Alice Faye), a wealthy but reclusive young woman, and has his eye on Stella (Linda Darnell), a good-looking waitress working at the local diner. Thanks to Madley, Stanton learns a few things about June, and when Ellis and the professor pull up stakes after a successful engagement, Stanton opts to stay behind, hoping to win Stella's heart. Gold digger Stella makes it known that she has no interest in Stanton unless he comes into a lot of money, but June has made her interest in Stanton quite clear. Stanton hatches a plan: he'll marry June, take her money, divorce her, and then take up with Stella. Stanton and June do in fact marry, but just as he's about to give her the brush-off, Stella turns up dead. Mark Judd (Charles Bickford), a retired cop-turned-detective, is investigating the murder, and while the initial suspect is Dave Atkins (Bruce Cabot), Stella's ne'er-do-well ex-boyfriend, Judd's focus eventually falls on Stanton. Stanton flees Walton for San Francisco, with ever-loyal June at his side; he quickly abandons her after taking her money, but he returns to her side when word reaches him that June has been charged with Stella's murder. Fallen Angel marked a dramatic change of pace for Alice Faye; however, she was very unhappy with how Preminger edited her performance, convinced that much of her best work ended up on the cutting-room floor. Faye was so angry that she quit the movie business altogether and didn't appear in another film until State Fair in 1962. ~ Mark Deming, Rovi

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Starring:
Alice FayeDana Andrews, (more)