Jonathan Burn Movies

The Doctor (Sylvester McCoy) and Ace (Sophie Aldred) arrive on Terra Alpha, an earth colony ruled by the Happiness Patrol. Strictly forbidding anyone to express sadness, the Patrol metes out horrible punishments for violation of the rules. David John Pope guest-stars as the robotic Kandyman, who dispenses those punishments on behalf of dictator Helen A (atypically played by gifted comic actress Sheila Hancock). The first episode of the three-part "The Happiness Patrol" was written by Graeme Curry, and originally aired on November 2, 1988. ~ Hal Erickson, All Movie Guide

The seven-hour TV miniseries Ellis Island was adapted from a novel by Fred Mustard Stewart. Per its title, the film is a mosaic of subplots involving several European immigrants who passed through New York's Ellis Island before taking up residence in the Big Apple. Most of the characters are based on real people, notably the Irving Berlin-like musician played by Peter Riegert. Co-stars Faye Dunaway, Richard Burton (in his last film role) and Ann Jillian were honored with Emmy nominations. Ironically, this essentially American saga was largely filmed in London. Originally telecast November 11, 13, and 14, 1984, Ellis Island was re-edited and re-telecast in the summer of 1986, just in time for the Statue of Liberty Centennial. ~ Hal Erickson, All Movie Guide

Based on a novel by Jose Cruset, and packed with violence and riotousness, this film tells the story of a humanitarian bookseller in 16th-century Granada who manages to open Spain's first mental institution. The story takes place several generations after the expulsion of the Jews and Moors from Spain. Juan de Dios (Timothy Dalton), after experiencing and witnessing brutalities visited upon the people of Spain, vows to spend his life helping others. In fulfillment of his vow, he faces down the Inquisition and suffers greatly. ~ Clarke Fountain, All Movie Guide

The Buttercup Chain, based on Janice Elliot's novel, details the intense friendship among four people that turns tragic over the course of one summer. France (Hywel Bennett) and Margaret (Jane Asher) are first cousins, born of twin sisters on the same day. As children, they were brought up as brother and sister. The two possess such a strong platonic love for each other that they are incapable of loving anyone else. When Margaret travels to London to live with France, he picks out beautiful Swedish student Fred (Sven-Bertil Taube) to be Margaret's lover. For himself, he selects American girl Manny (Leigh Taylor-Young). As they spend their holidays traveling in Spain, the countryside of England, and Sweden, the foursome communicate with each other and try to discover the meaning of love. ~ Paul Brenner, All Movie Guide

Much of this Avengers episode was comprised of footage from the never-seen installment "Invitation to a Killing," which was to have introduced the character of Tara King. The plot is set in motion by one Colonel Nsonga (Johnny Sekka), who has stolen 3,000 high-tech rifles in hopes of staging a coup in his native country. Posing as an arms dealer, Steed finds himself at a live demonstration of the stolen weaponry -- with Tara as the helpless target. Written by Donald James, "Have Guns -- Will Haggle" was first shown in America on May 1, 1968, and in England on December 11 of that year. ~ Hal Erickson, All Movie Guide

Adapted from his own Royal Shakespeare Company production of Peter Weiss' play entitled The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates at Charenton Under the Direction of the Marquis de Sade, Peter Brook directs this fascinating look into revolution, power, and human frailty. During the 19th century, fashionable theatergoers would attend ostensibly therapeutic stage performances by mental asylum inmates. The film opens on July 19, 1809, with Monsieur Coubnier (Clifford Rose), the officious head of the Charenton asylum, introducing that night's show -- a drama about the assassination of French Revolutionary War firebrand Jean-Paul Marat, written by that institution's most notorious resident, the Marquis de Sade (Patrick Magee). The play begins conventionally enough , considering that the lead actress (Glenda Jackson) is a narcoleptic, the actor playing Marat (Ian Richardson) is a paranoiac, and another actor, a sex maniac with very pressing urges, is kept in chains. But the work soon evolves into a dialogue between Marat and De Sade. Though both men were early supporters of the Revolution, their ideas of the shape of the movement took very different courses. Espousing a form of proto-Marxism, Marat is at first presented as the sort of tyrannical idealist that became depressingly familiar in the 20th century, a la Lenin and Pol Pot. But then later, Marat seems haunted by the terror he has unleashed and unable to understand where he went wrong. De Sade, on the other hand, preached his own unusual brand of Nietzschean existentialism. Unlike Marat, he not only recognizes the inherent weakness of the human character, but he revels in it. Murder as an act of individual passion should be celebrated, De Sade at first argues; murder as an anonymous act of statecraft should be deplored. The individual is not given meaning though politics but through acts of spontaneous passion and desire. As the play progresses, the revolution depicted in the play soon develops into an outright revolution on the stage. ~ Jonathan Crow, All Movie Guide