Leo Burmeister Movies

An explosion in a rent-controlled tenement building results in a single fatality. It is later revealed that the victim, identified as Jeffrey Haden, had his neck broken and was tied up before the explosion. Things take an even more disturbing turn when "Jeffrey Haden" turns out to be an alias for Juseff Haddad who, despite his minimum-wage job, was able to maintain a bank account totalling 89,000 dollars. Dianne Wiest makes her last series appearance as Interim D.A. Nora Lewin in this, the final episode of Law & Order's 12th season. ~ Hal Erickson, Rovi

A father and daughter confront their problems with both family and race issues in the independent drama Dumbarton Bridge. John Shed (Tom Wright) is a Vietnam veteran who scrapes together a living working at the salt ponds in a small town south of San Francisco. Though John is black, he has few black friends and lives with his white girlfriend, Belinda (Daphne Ashbrook). While stationed in Vietnam, John had an affair with a local woman and fathered a child. To his surprise, one day his daughter, now grown and named Ming (Esperanza Catubig), appears at his door to pay an extended visit. John is at best disinterested and at worst hostile towards his daughter, and when Belinda asks Ming to stay with them, the tension becomes so great that Belinda moves out. After a prolonged period of difficulty, John and Ming realize they have difficulty coming to terms with each other because they've never come to terms with their own ethnicity. John takes a step toward self-acceptance by joining a support group for black men, while Ming begins to resolve her own issues when she becomes romantically involved with a Vietnamese-American social worker. The debut feature from writer/director Charles Koppelman, Dumbarton Bridge features a score of vintage jazz classics assembled by legendary producer Orrin Keepnews. ~ Mark Deming, Rovi

Writer/director John Sayles once again takes his audience to a place they may never have been before (this time both psychologically and geographically). Joe Gastineau (David Strathairn) lives in Juneau, Alaska, where his life has been stuck in neutral for about 25 years. When he was young, Joe was involved in an accident on a fishing boat that led to the death of two crewmembers, and he's never recovered from the blow. When Joe meets Donna De Angelo (Mary Elizabeth Mastrantonio), however, he starts to come out of his shell. Donna is a lounge singer who goes from job to job, wherever she can get work. Her life has been built around being able to pick herself up when she falls and learning to be comfortable wherever she lands -- a gift that her teenage daughter, Noelle (Vanessa Martinez), does not share. Donna and Joe become attracted to each other, and her example leads Joe to take a job on a boat again. However, just as Joe's life is starting to get back on track, his ne'er-do-well half-brother Bobby (Casey Siemaszko) arrives to ask Joe a favor. One disaster leads to another, and Joe soon finds himself stranded on an island with Donna and Noelle, trying to hide from a group of men out to kill him. Shot on location in Alaska by award-winning cinematographer Haskell Wexler, Limbo also features a soundtrack with a new song by Bruce Springsteen, "Lift Me Up"; Sayles directed three Springsteen music videos in the 1980s. ~ Mark Deming, Rovi

In this two-part miniseries, the formative days of rock & roll are relived through the experiences of a fictional musical quartet called the Heartaches. The group is led by the handsome Tyler (Brad Hawkins), whose heart belongs to Lyne (Bonnie Somerville), the female member of the band. Along the bumpy road to fame, Tyler achieves enormous success, his ego swelling with every new gig -- and the chasm between himself and his three fellow band members growing ever wider. Eventually Lyne breaks up with Tyler, finding success of her own in a most unexpected fashion. The soundtrack reverberates with expert re-creations of vintage rock & roll tunes, while B.B. King shows up to offer a rendition of Bob Dylan's "Fur Slippers." Shake, Rattle & Roll: An American Love Story was telecast on November 7 and 10, 1999. ~ Hal Erickson, Rovi

Eric Drilling wrote and directed this adaptation of his one-act play, set in rural New England, about alcoholic abuse in a single-parent family. After Dave Holden (Tom Everett Scott) fatally stabs his father while protecting his younger brother Tom (David Moscow), it's Tom who takes the rap and is sent off to a juvenile correction facility. But then Dave discovers dad's debts, works as a dishwasher to pay them off, and finally turns to robbery. Scott was the director of Drilling's one-act play. Shown at the 1998 Sundance Film Festival. ~ Bhob Stewart, Rovi

Scripter Jeb Stuart (Die Hard) made his directorial debut with this thriller about an FBI agent in pursuit of a serial killer. Politically ambitious Amarillo police chief Jack McGinnis (William Fichtner) uses a local murder to gain votes in his campaign, a setback for Sheriff Buck Olmstead (R. Lee Ermey), up for re-election. The situation looks better for Olmstead after FBI agent Frank LaCrosse (Dennis Quaid) arrives to track the killer. LaCrosse has a personal agenda: he's convinced this killer is the man who kidnapped his son. Meanwhile, ex-medical student Lane Dixon (Jared Leto), hitchhiking across New Mexico, gets a lift from friendly Bob Goodall (Danny Glover), a former rail worker who later rescues Dixon from menacing miners in a bar. Red herrings throughout conceal the true identity of the killer. Some scenes were filmed at an altitude of 10,000 feet in Red Cliff, Colorado. Working titles include: Going West in America, Going West. Shown at the 1997 Denver Film Festival. ~ Bhob Stewart, Rovi

Filmed on location in Kenya, this made-for-TV movie tells the story of a boy's fight to save an elephant. Stephanie Zimbalist stars as Beverly Cunningham, a mother who takes her son to live with her in Africa. When her son and a pal befriend an abandoned elephant, a Safari chase ensues as they try to save the animal from the hands of an uncaring businessman. ~ Bernadette McCallion, Rovi

Clint Eastwood, hot off of his Academy Award win for Unforgiven, directed this small character study, appearing in the guise of a cops-and-robbers action picture. The film takes place during the fall of 1963. Eight-year old Phillip Perry (T.J. Lowther), the son of a devout Jehovah's Witness mother, is staying home while all the other children are out trick-or-treating. But then prison escapee Butch Haynes (Kevin Costner) appears in his kitchen. Needing a hostage to aid him in his escape from jail, he grabs Phillip. Phillip curiously looks up to Butch and willingly accompanies him. Butch gets rid of his fellow escapee after he tries to molest the child, and Butch and Phillip take to the Texas highway, on the run from the cops. The cop in pursuit in this instance is Police Chief Red Garnett (Clint Eastwood), riding in his sleek Populux Airglide trailer -- his "mobile command headquarters." On the road with Garnett is Sally Gerber (Laura Dern), a pushy pre-feminist criminologist, along with a creepy federal agent who is an expert sharpshooter. Butch is not particularly anxious to make it to the Texas borderline, and neither is Garnett in any particular hurry to catch Butch. As Butch and Phillip form a father-son attachment, the paths of Butch and Garnett gradually come together, in time for a final confrontation, after which Garnett confesses, "I don't know nothing. I don't know a damn thing." ~ Paul Brenner, Rovi

An uneven but entertaining blend of graphic horror and black comedy from John Landis, very much in the mode of the director's successful An American Werewolf in London. French actress Anne Parillaud -- star of Luc Besson's acclaimed thriller La Femme Nikita -- plays Marie, a lithe and lovely vampire with a conscience who will not take "innocent blood" and maintains a low profile by dining exclusively on criminals and lowlifes. She finds a virtual smorgasbord in Pittsburgh's criminal underworld, arriving in the thick of a bloody mob war sparked by ruthless kingpin Sal Macelli (Robert Loggia). After preying on one of Macelli's hoods (Chazz Palminteri), Marie fumbles her attack on the boss himself and he manages to escape, eventually transforming into a vampire himself. Macelli soon comes to appreciate his new superhuman condition and hatches a diabolical scheme to control the syndicates by turning his underlings into vampires -- including his beleaguered lawyer, Emmanuel Bergman (Don Rickles). Marie, faced with a new and powerful undead enemy, is forced to take matters into her own claws. To this end she enlists the reluctant aid (and eventual affection) of undercover cop Joe Gennaro (Anthony LaPaglia), whose cover has just been leaked to the press, making him a target for Macelli and his growing army of blood drinkers. Landis has crafted a dark and brooding film, pumped up with bouts of extreme gore and gangland violence -- but where American Werewolf's occasional comic touches helped to ground the story and give the "straight" horror scenes more punch, most attempts at humor here seem jarring and out of place. The film's highlights come from numerous horror in-jokes, including cameos from Sam Raimi, Clive Barker, Dario Argento and Linnea Quigley; Rickles' explosive death scene ranks among the weirdest in cinema history. ~ Cavett Binion, Rovi

The title Article 99 refers to a fictional legal loophole which states that American veterans cannot be treated in VA hospitals unless their illnesses are related to their military service. The pinchpenny administrator of a Kansas City hospital intends to follow this proviso to the letter, while his irreverent staff does everything it can to circumvent rules and red tape. When freewheeling surgeon Ray Liotta is fired for exhibiting traces of humanity, the patients stage a revolt. Playing a new medico, Kiefer Sutherland also stars. ~ Hal Erickson, Rovi

The crew of an experimental, high-tech submersible is called into action to investigate a mysterious nuclear submarine crash. A series of strange encounters leads the crew to suspect the accident was caused by an extraterrestrial craft, and that they may be participating in an encounter with an alien species. However, in order to make contact, they must not only brave the abyss, an exceedingly deep underwater canyon, but also deal with the violent actions of one of their own crew members, an increasingly paranoid Navy SEAL officer. Approved by director James Cameron, The Abyss: Special Edition is an extended director's cut of the 1989 underwater science fiction epic, reinstating nearly a half hour of footage removed from the original release under studio pressure. Much of the restored footage places the film's events in a grander political context, as the crew's mission becomes a factor in the dangerous escalation of nuclear tension between the U.S. and the Soviet Union. The largest change involves the film's ending, which provides further information on the aliens' mission on Earth, bringing the film to closer to Cameron's intention: a modern remake of Robert Wise's The Day the Earth Stood Still. ~ Judd Blaise, Rovi

Thanks to a mix-up at birth, two sets of twins are separated and grow up in radically different social circles. The four baby girls grow up to be Bette Midler and Lily Tomlin-and Bette Midler and Lily Tomlin. One of the Midlers is a ruthless New York CEO, while one of the Tomlins is her air-headed "save the whales" business partner. Thousands of miles away in a Southern industrial town, a blue-collar Bette Midler and Lily Tomlin work for a company that the white-collar Midler plans to devour in a hostile takeover. The "poor" Midler and Tomlin head to New York to argue against the takeover, inevitably getting mixed up with the "rich" Midler and Tomlin. Three of the four twins team up to save the small-town company, while CEO Midler remains as nastily greedy as ever. Clear enough? ~ Hal Erickson, Rovi