Leo Burmeister

Clint Eastwood, hot off of his Academy Award win for Unforgiven, directed this small character study, appearing in the guise of a cops-and-robbers action picture. The film takes place during the fall of 1963. Eight-year old Phillip Perry (T.J. Lowther), the son of a devout Jehovah's Witness mother, is staying home while all the other children are out trick-or-treating. But then prison escapee Butch Haynes (Kevin Costner) appears in his kitchen. Needing a hostage to aid him in his escape from jail, he grabs Phillip. Phillip curiously looks up to Butch and willingly accompanies him. Butch gets rid of his fellow escapee after he tries to molest the child, and Butch and Phillip take to the Texas highway, on the run from the cops. The cop in pursuit in this instance is Police Chief Red Garnett (Clint Eastwood), riding in his sleek Populux Airglide trailer -- his "mobile command headquarters." On the road with Garnett is Sally Gerber (Laura Dern), a pushy pre-feminist criminologist, along with a creepy federal agent who is an expert sharpshooter. Butch is not particularly anxious to make it to the Texas borderline, and neither is Garnett in any particular hurry to catch Butch. As Butch and Phillip form a father-son attachment, the paths of Butch and Garnett gradually come together, in time for a final confrontation, after which Garnett confesses, "I don't know nothing. I don't know a damn thing." ~ Paul Brenner, All Movie Guide

Thanks to a mix-up at birth, two sets of twins are separated and grow up in radically different social circles. The four baby girls grow up to be Bette Midler and Lily Tomlin-and Bette Midler and Lily Tomlin. One of the Midlers is a ruthless New York CEO, while one of the Tomlins is her air-headed "save the whales" business partner. Thousands of miles away in a Southern industrial town, a blue-collar Bette Midler and Lily Tomlin work for a company that the white-collar Midler plans to devour in a hostile takeover. The "poor" Midler and Tomlin head to New York to argue against the takeover, inevitably getting mixed up with the "rich" Midler and Tomlin. Three of the four twins team up to save the small-town company, while CEO Midler remains as nastily greedy as ever. Clear enough? ~ Hal Erickson, All Movie Guide

Television director Jace Alexander directs the feature-length Showtime childhood drama Carry Me Home. Set on a rural farm in upstate New York after WWII, the film follows young Carrie (Ashley Rose Orr) as she attempts to deal with her father's death. She refuses to get along with her mourning mother Harriet (Penelope Ann Miller) and she rejects the advances of neighborhood boy Zeke (Nicholas Braun). Things get worse when cultured local man Bernard (David Alan Basche) starts showing up with intentions of marrying Harriet. The conclusion finds Carrie growing from a traumatic experience involving the mentally disabled farm hand Charlie (Kevin Anderson). Carry Me Home was shown at the 2003 Nantucket Film Festival. ~ Andrea LeVasseur, All Movie Guide

New York City detective Steve Burns Al Pacino receives orders from Captain Edelson Paul Sorvino to solve a series of brutal murders in the gay community. Steve scours the gay bars that caters to same-sex sadomasochism in a desperate attempt to solve the crime. As he infiltrates the scene, he slowly comes loose from the moorings of his own reality, and an innocent victim is tortured by the cops in an effort to exact a confession. The story is based on actual murders that took place between 1962 and 1979. The film gained considerable publicity because of the controversial subject matter while censor argued between an X and R rating for the feature. ~ Dan Pavlides, All Movie Guide

A father and daughter confront their problems with both family and race issues in the independent drama Dumbarton Bridge. John Shed (Tom Wright) is a Vietnam veteran who scrapes together a living working at the salt ponds in a small town south of San Francisco. Though John is black, he has few black friends and lives with his white girlfriend, Belinda (Daphne Ashbrook). While stationed in Vietnam, John had an affair with a local woman and fathered a child. To his surprise, one day his daughter, now grown and named Ming (Esperanza Catubig), appears at his door to pay an extended visit. John is at best disinterested and at worst hostile towards his daughter, and when Belinda asks Ming to stay with them, the tension becomes so great that Belinda moves out. After a prolonged period of difficulty, John and Ming realize they have difficulty coming to terms with each other because they've never come to terms with their own ethnicity. John takes a step toward self-acceptance by joining a support group for black men, while Ming begins to resolve her own issues when she becomes romantically involved with a Vietnamese-American social worker. The debut feature from writer/director Charles Koppelman, Dumbarton Bridge features a score of vintage jazz classics assembled by legendary producer Orrin Keepnews. ~ Mark Deming, All Movie Guide

Struggling musicians vie for success in the hard world of the New York hip-hop scene in this gritty urban drama. Rich (Jeffrey D. Sams) is convinced he has a future as a rapper -- so much so that he leaves his wife and family to go to New York and reach for the brass ring. While scuffling for work, Rich meets another MC, I Tick (Ron Brice), whose roughneck style is a contrast to Rich's smooth delivery. The two rhymers begin working together and soon find that they may have a shot at the big time. The supporting cast includes Maura Tierney, Larry Gillard Jr., and Leo Burmester; rapper MC Lyte contributes to the soundtrack. ~ Mark Deming, All Movie Guide

Kevin Kline directed this television adaptation of the New York Shakespeare Festival's 1990 production of Shakespeare's most famous tragedy, in which Kline also stars as the melancholy Danish prince. Deeply saddened by the death of his father, Hamlet (Kline) is shocked to discover his mother, Queen Gertrude (Dana Ivey), has already taken a new husband, Claudius (Brian Murray), the brother of the late King. Visited by the shade of his late father, Hamlet is told that Claudius rose to his new status through murder, and the son is soon torn over what action he should take; meanwhile, Ophelia (Diane Venora) descends into madness. This adaptation of Hamlet was originally produced for PBS, where it first aired in 1990. ~ Mark Deming, All Movie Guide

An uneven but entertaining blend of graphic horror and black comedy from John Landis, very much in the mode of the director's successful An American Werewolf in London. French actress Anne Parillaud -- star of Luc Besson's acclaimed thriller La Femme Nikita -- plays Marie, a lithe and lovely vampire with a conscience who will not take "innocent blood" and maintains a low profile by dining exclusively on criminals and lowlifes. She finds a virtual smorgasbord in Pittsburgh's criminal underworld, arriving in the thick of a bloody mob war sparked by ruthless kingpin Sal Macelli (Robert Loggia). After preying on one of Macelli's hoods (Chazz Palminteri), Marie fumbles her attack on the boss himself and he manages to escape, eventually transforming into a vampire himself. Macelli soon comes to appreciate his new superhuman condition and hatches a diabolical scheme to control the syndicates by turning his underlings into vampires -- including his beleaguered lawyer, Emmanuel Bergman (Don Rickles). Marie, faced with a new and powerful undead enemy, is forced to take matters into her own claws. To this end she enlists the reluctant aid (and eventual affection) of undercover cop Joe Gennaro (Anthony LaPaglia), whose cover has just been leaked to the press, making him a target for Macelli and his growing army of blood drinkers. Landis has crafted a dark and brooding film, pumped up with bouts of extreme gore and gangland violence -- but where American Werewolf's occasional comic touches helped to ground the story and give the "straight" horror scenes more punch, most attempts at humor here seem jarring and out of place. The film's highlights come from numerous horror in-jokes, including cameos from Sam Raimi, Clive Barker, Dario Argento and Linnea Quigley; Rickles' explosive death scene ranks among the weirdest in cinema history. ~ Cavett Binion, All Movie Guide

An explosion in a rent-controlled tenement building results in a single fatality. It is later revealed that the victim, identified as Jeffrey Haden, had his neck broken and was tied up before the explosion. Things take an even more disturbing turn when "Jeffrey Haden" turns out to be an alias for Juseff Haddad who, despite his minimum-wage job, was able to maintain a bank account totalling 89,000 dollars. Dianne Wiest makes her last series appearance as Interim D.A. Nora Lewin in this, the final episode of Law & Order's 12th season. ~ Hal Erickson, All Movie Guide

Writer/director John Sayles once again takes his audience to a place they may never have been before (this time both psychologically and geographically). Joe Gastineau (David Strathairn) lives in Juneau, Alaska, where his life has been stuck in neutral for about 25 years. When he was young, Joe was involved in an accident on a fishing boat that led to the death of two crewmembers, and he's never recovered from the blow. When Joe meets Donna De Angelo (Mary Elizabeth Mastrantonio), however, he starts to come out of his shell. Donna is a lounge singer who goes from job to job, wherever she can get work. Her life has been built around being able to pick herself up when she falls and learning to be comfortable wherever she lands -- a gift that her teenage daughter, Noelle (Vanessa Martinez), does not share. Donna and Joe become attracted to each other, and her example leads Joe to take a job on a boat again. However, just as Joe's life is starting to get back on track, his ne'er-do-well half-brother Bobby (Casey Siemaszko) arrives to ask Joe a favor. One disaster leads to another, and Joe soon finds himself stranded on an island with Donna and Noelle, trying to hide from a group of men out to kill him. Shot on location in Alaska by award-winning cinematographer Haskell Wexler, Limbo also features a soundtrack with a new song by Bruce Springsteen, "Lift Me Up"; Sayles directed three Springsteen music videos in the 1980s. ~ Mark Deming, All Movie Guide

With his trademark emphasis on character development and dialogue, writer/director John Sayles tells the story of May-Alice Culhane (Mary McDonnell), a New York soap opera actress left paralyzed by a car accident. As the film opens, she lies in a hospital bed, confused and scared, watching her own show on TV and shrieking, "That was supposed to be my closeup!" With no other options, she returns to her family's old and empty Southern home, where she drinks hard, offends every caregiver, and wallows in self-pity. Her outlook begins to changes with the arrival of Chantelle (Alfre Woodard), a nurse with her own life problems. The two gradually find a heartfelt connection with one another, and, as a result, their lives subtly change. McDonnell's work in Passion Fish earned her an Oscar nomination as Best Actress. ~ Norm Schrager, All Movie Guide

Eric Drilling wrote and directed this adaptation of his one-act play, set in rural New England, about alcoholic abuse in a single-parent family. After Dave Holden (Tom Everett Scott) fatally stabs his father while protecting his younger brother Tom (David Moscow), it's Tom who takes the rap and is sent off to a juvenile correction facility. But then Dave discovers dad's debts, works as a dishwasher to pay them off, and finally turns to robbery. Scott was the director of Drilling's one-act play. Shown at the 1998 Sundance Film Festival. ~ Bhob Stewart, All Movie Guide

A young man is torn between responsibilities to his family, his intellectual and professional ambitions, and the temptations of easy money and casual pleasures in the downbeat drama Saturn. Drew (played by Scott Caan) is a college student trying to stay focused on his studies so he can realize his dream of becoming an engineer. But he's also been handed the responsibility of caring for his elderly father (Leo Burmester), who is suffering from an advanced case of Alzheimer's Syndrome. Drew must feed his father -- who can only speak with great difficulty -- bathe him, and change his diapers. The burden puts a great strain on Drew, who has a hard time resisting the offers from his old friend Arturo (Anthony Ruivivar) to join him in his profitable, if dangerous, life as a drug dealer. The temptations are only magnified by Drew's relationship with Sara (Mia Kirshner), a girl who lives for physical pleasure; Drew scores drugs from Arturo for her and, in exchange, she offers him kinky sex, but not love. Saturn was the debut feature from writer/director Rob Schmidt, and the dark, but compelling, story won a respectful response in its screening at the 1999 Los Angeles Independent Film Festival. ~ Mark Deming, All Movie Guide