Ernest Kinoy

Based on Rescuers: Portraits of Moral Courage in the Holocaust, a book by Gay Block and Malka Drucker, this made-for-cable drama was intended as the first of a trilogy inspired by the same literary source. The film is divided into two segments, both set in Europe during WWII. Scripted by Ernest Kinoy, "Mamusha" stars Elizabeth Perkins as a Polish-Catholic nanny who saves her orphaned Jewish charge by literally hiding the child in plain sight, posing as the child's mother. And "The Woman on the Bicycle," adapted by Susan Nanus, features Sela Ward and Fritz Weaver in the story of a fearless French resistance fighter who smuggles secret papers for the Allies while going about her daily cheese deliveries (this same character was fictionalized in the 1963 theatrical epic The Longest Day). Executive-produced by Barbra Streisand and directed by Peter Bogdanovich, Rescuers: Stories of Courage -- Two Women made its Showtime cable debut on October 5, 1997. ~ Hal Erickson, All Movie Guide

Glenn Close and Keith Carradine are the only non-Latino cast members of the made-for-TV Stones for Ibarra. Close and Carradine portray a San Francisco couple who feel they've lost touch with life's meaning. They journey to a tiny Mexican village, where they find themselves sharing the "companionship of death" with the locals. The film is at its best when emphasizing its mysticism and clashes of custom. Adapted by Ernest Kinoy from a novel by Harriet Doerr, this was originally presented as a Hallmark Hall of Fame special. ~ Hal Erickson, All Movie Guide

Daniel J. Travanti plays a glum, no-nonsense Edward R. Murrow in this made-for-TV biopic. We follow Murrow's rise to prominence as America's foremost news commentator between the years 1940 through 1955, beginning with his on-the-spot radio coverage of the bombing of London. After the war, Murrow hosts CBS television's documentary series See It Now, which eventually leads to his legendary confrontation with Red-baiting Senator Joseph McCarthy. Murrow's own occasional compromises with his conscience, and his extramarital affairs, are bypassed in Ernest Kinoy's lean, spare script. Of more importance in the scheme of things is Murrow's edict that TV "can teach, can illuminate, and damn it, can inspire." Also in the cast are Dabney Coleman as CBS head-honcho William Paley, John McMartin as Frank Stanton, Edward Herrmann as Fred Friendly, David Suchet as William L. Shirer, and Robert Vaughn as President Franklin D. Roosevelt. Murrow debuted January 19, 1986, as an HBO Premiere Films presentation ~ Hal Erickson, All Movie Guide

Skokie is the true story of a critical test of Constitutional rights in Illinois. In 1977, a small band of American neo-fascists calling itself the National Socialist Party of America plans to stage a swastika-dominated demonstration and rally. Their intended site is the Chicago suburb of Skokie, a town populated predominantly by Jews--many of them survivors of the Nazi holocaust. Jewish ACLU lawyer John Rubinstein is compelled to lobby for the National Socialists' freedom to express their views, despite his own inner turmoil over defending the very people who'd destroy him. The most vocal opponent to the planned rally is Skokie senior citizen Max Liebman (Danny Kaye), who spent five years in Hitler's death camps. Ernest Kinoy's teleplay for Skokie is fair-minded to a fault, presenting all points of view with equanimity, proving that there are no simple solutions when the fundamental right of Free Speech is involved. ~ Hal Erickson, All Movie Guide

The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, All Movie Guide

The title of the made-for-TV The Deadliest Season obscures the fact that this is a film about hockey. Michael Moriarty stars as a popular defenseman whose take-no-prisoners approach to the game results in the serious--and ultimately fatal--injury of another player. Moriarty is outwardly blase about the whole affair, chalking it off to the fortunes of hockey. But an equally ruthless DA charges Moriarty with aggravated assault with a "deadly weapon". Of historical interest is the appearance of Meryl Streep as Moriarty's wife--billed fifth in her first-ever film appearance. ~ Hal Erickson, All Movie Guide

Within months after the spectacular July 4, 1976 rescue of hostages from Uganda's Entebbe airport, there were two competing TV movies on the subject. The longest (and least) of the two was Victory at Entebbe, hurriedly shot on videotape. The story begins when Arab terrorist capture a civilian airliner and force a landing at Entebbe. Ugandan president Idi Amin (Julius Harris, substituting for recently deceased Godfrey Cambridge), struts about at the airport, insisting that he can do nothing--but apparently siding with the terrorists, especially when the Arabs begin separating and mistreating the Jewish passengers. A surprise Israeli commando raid masterminded by defense minister Shimon Peres (Burt Lancaster, who more than compensates for his miscasting with an excellent performance) rescues most of the hostages, though at least one of the passengers (played by Helen Hayes with a Jewish accent that wouldn't convince a duck) is apparently killed out of retribution while en route to hospital. The teleplay's bad dialogue, and the producers' Airport-like decision to use only big stars in the major roles (Richard Dreyfuss, Elizabeth Taylor, Kirk Douglas et. al.) tends to trivialize one of the most auspicious acts of selfless heroism of the 1970s. A far better dramatization of the incident, Raid on Entebbe, was telecast a few months later. ~ Hal Erickson, All Movie Guide

The made-for-television movie The Story of Jacob and Joseph tells the Biblical tale of Jacob (Keith Michell) and Esau (Julian Glover), who spend 20 years fighting over their birthright. They eventually reconcile and sell their younger brother, Joseph (Victor LoBianco) into slavery. Joseph is taken to Egypt, where he becomes the Pharoah's chief advisor, yet he still resents his family for selling him into slavery. Alan Bates narrates the film, which is expertly adapted by screenwriter Ernest Kinoy and director Michael Cacoyannis. ~ Stephen Thomas Erlewine, All Movie Guide

Sidney Poitier makes his directorial debut with the 1972 Western Buck and the Preacher, set during the end of the Civil War. Poitier stars as Buck, an ex-Army soldier who is scouting sites for the former slaves that want to settle out West. The villainous Deshay (Cameron Mitchell) rounds up his gang to try to stop Buck because he wants to keep the slaves working down in Louisiana. Buck meets up with the Preacher (Poitier's real-life good friend Harry Belafonte), who is really a con man in disguise. Although they don't get along at first, they eventually team up against Deshay and his murderous gang of outlaws. Also starring Ruby Dee. Jazz bandleader Benny Carter composed the soundtrack. ~ Andrea LeVasseur, All Movie Guide

Crawlspace is a quirky made-for-TV movie about a strange young drifter (Tom Harper) who arrives in a small New England town. He is sheltered by a generous middle-aged couple (Arthur Kennedy and Teresa Wright), but he insists upon living in a tiny crawlspace in the couple's cellar. His hosts had hoped that the boy would fill an emotional gap in their childless lives, but the young visitor refuses to leave his cramped living area, where he harbors disturbing notions of taking revenge on a world he feels has wronged him. Crawlspace was adapted from the suspense novel by Herbert Lieberman. It should not be confused with a 1986 slasher flick also titled Crawlspace, wherein Klaus Kinski hides in the homes of the beautiful girls he intends to murder. ~ Hal Erickson, All Movie Guide

This live Goodyear TV Playhouse presentation was a 60-minute extension of The Marriage, a short-lived TV series which starred Hume Cronyn and Jessica Tandy. It is 23 days until Christmas, and Liz and Ben Marriott (Tandy and Cronyn) are nearly broke. To help pay the bills and finance their upcoming holiday celebration, Liz accepts a temporary job at a New York City department store, much to the dismay of her breadwinner husband Ben. Meanwhile, the couple's children (one of whom is played by Natalie Trundy, later a semi-regular in the Planet of the Apes film series) show signs of rebellion against the modern-day crass commercialization of Christmas. Playwright Ernest Kinoy, the guiding creative force behind the original The Marriage, wrote the teleplay, while costar Hume Cronyn served as one of the two directors. ~ Hal Erickson, All Movie Guide