Stephen King

A writer renowned for debunking infamous paranormal events is confronted by a force that he cannot explain upon checking into room 1408 of the notoriously haunted Dolphin Hotel. Mike Enslin (John Cusack) is an author who specializes in horror, but who only believes in what he can see with his eyes and touch with his hands. Having constructed an entire career on his ability to dispel superstitious "haunted house" rumors, Mike is convinced that the afterlife is a manmade construct designed to offer false comfort to the weak minded. Mike's latest project is a book entitled "Ten Nights in Haunted Hotel Rooms," and it seems that in room 1408 of the Dolphin Hotel, this skeptical scribe may finally find proof of the supernatural. Implored by the hotel manager (Samuel L. Jackson) not to enter room 1408, Mike defiantly procures the key and prepares to dispel yet another spectral sham. Now, as is the case with many of life's most profound epiphanies, the writer who thought he knew it all is caught entirely off guard at the precise moment he least expected it. Subsequently faced with undeniable proof of an afterlife, Mike may have a best-seller on his hands if he can simply survive until sunrise. Mary McCormack and Jasmine Jessica Anthony co-star in director Mikael Håfström's (Derailed) adaptation of an original short story by horror icon Stephen King. ~ Jason Buchanan, All Movie Guide

This made-for-TV remake of the classic movie chiller Carrie is slightly more faithful to the original Stephen King novel--and slightly less profane and violent. Following in the bloody footsteps of Sissy Spacek, Angela Bettis stars as woebegone high school girl Carrie White, whose shy and awkward demeanor obscures the fact that she is "gifted" with awesome telekinetic powers. As part of a cruel and vicious student prank, Carrie's better-looking and more socially savvy classmates arrange for the hapless heroine to be elected prom queen--and one does not have to have seen the original film to know the terror that is unleashed once Carrie is crowned (in more ways than one). The climax is infinitely more "high tech" than in the 1976 film, but whether it is equally as frightening is a matter of taste; additionally, the 2002 version boasts a radically different ending, one that could very well accommodate a sequel or two...or three... Patricia Clarkson reprises the old Piper Laurie role as Carrie's abusive religious-fanatic mother. Carrie first aired November 4, 2002, on NBC. ~ Hal Erickson, All Movie Guide

Cat's Eye is an uneven, tepid trilogy of stories written by Stephen King connected by a cat which appears at the beginning of each story. The best story, and first episode, concerns chain-smoker Morrison (James Woods) who joins a stop-smoking group run by sadistic Dr. Monatti, played with great relish by Alan King. In the second episode, a gambler named Cressner (Kenneth McMillan) makes a bet with his wife's lover. In the third episode, a young girl (Drew Barrymore) is terrorized by a tiny troll. Although he wrote the screenplay, Stephen King was disappointed with the results and thought the interconnection of the stories using the cat clumsy and distracting. Directer Lewis Teague does an average job of directing the confusing and sometimes foolish script. However, James Woods' fine performance and the special effects by Jeff Jarvis make the film worth a view. ~ Linda Rasmussen, All Movie Guide

Director John Carpenter returns to the suburban landscape he explored so chillingly in Halloween (1978) with this lean, stripped-down adaptation of the Stephen King best-seller about a haunted car with a devilishly bad attitude and the teen underdog who falls head-over-heels for her chrome-accented charms. Shortly after geeky, horn-rim-sporting Arnie Cunningham (Keith Gordon) narrowly escapes a beating at the hands of shop-class bully Buddy Repperton (William Ostrander) on the first day of his senior year, he soon falls prey to a far more duplicitous villain in the form of a rusted-out 1958 Plymouth Fury nicknamed "Christine" by its crusty owner George LeBay (Roberts Blossom) -- who sells wide-eyed Arnie the old hulk despite the protests of best friend Dennis (John Stockwell) and the admonition of his domineering parents. As Arnie sets to the task of restoring Christine, his hobby grows into an obsession -- and the real power that hums beneath her hood begins to emerge, seemingly granting newfound coolness and sex appeal to the once-nerdy outcast, while simultaneously drawing away his very soul. A vengeful spirit, Christine lashes out violently at those who dare to stand between her and Arnie -- starting with Repperton and his gang, who completely trash the car, but are soon hunted down one by one and pulverized beneath the whitewalls of the miraculously-restored Fury. When Arnie's pretty, popular girlfriend Leigh (Alexandra Paul) begins to suspect she may soon be on the receiving end of automotive vengeance, she calls on Dennis for help... but a frightening midnight ride in Christine convinces Dennis that Arnie's only hope lies in destroying the demonic vehicle. ~ Cavett Binion, All Movie Guide

This less-satisfying sequel to the 1982 George A. Romero/Stephen King anthology presents a new trio of King stories, framed in a similar EC Comics-style format -- this time featuring some rather lackluster animated segments involving horror-host "The Creep," who introduces each chapter with pun-heavy gallows humor. The stories vary widely in quality: first there's "Old Chief Wood'nhead," involving a cigar-store Indian who quite literally guards the entrance to an old general store and comes to life to avenge the murders of the elderly couple (George Kennedy and Dorothy Lamour) who owned it. The middle segment, "The Raft," features a group of obnoxious teenagers stranded on a raft in the middle of a lake at the mercy of a murderous oil slick which looks like a bunch of plastic garbage bags stitched together. Both of these suffer in comparison to the closing segment, "The Hitchhiker," in which a bored, promiscuous socialite (Lois Chiles) mows down a hitchhiker who refuses to stay dead, returning again and again to torment her at every turn, rasping "Thanks for the ride, lady!" Despite its strengths -- a livelier pace, some creatively gory set pieces -- this is a much cheaper-looking effort than its predecessor, with the deft guidance of Romero conspicuously absent (long-time collaborator Michael Gornick took up the directorial reins); as a result, King's gross-out sensibilities don't come off as well. Makeup maestro Tom Savini appears in heavy makeup as a live-action version of The Creep, and King pops in for a bit part as a redneck trucker. ~ Cavett Binion, All Movie Guide

Four men are changed forever by an act of mercy -- changes which have a profound impact many years later -- in this blend of horror and science fiction based on a novel by Stephen King. Jonesy (Damian Lewis), Henry (Thomas Jane), Pete (Timothy Olyphant), and Beaver (Jason Lee) were four friends who, as schoolboys, rescued a boy with Down's Syndrome, Duddits (Donnie Wahlberg), from a savage beating at the hands of bullies. Their experience with Duddits left the boys profoundly changed, as they discovered they had developed psychic powers which allowed them to wordlessly communicate with one another, read the minds of others, and see events in the future. The four remained close friends into adulthood, and meet every year for a weekend get-together at a remote hunting lodge. However, one year Jonsey is approached by the spirit of Duddits, which leads him into a severe auto accident, though his wounds heal with mysterious speed and are gone by the time he and the guys get together a few months later. As the guys drink and swap stories, a desperately ill hunter makes his way into the cabin, whose body has become the host for a horrible wormlike creature, which breaks free and soon goes on a killing spree, leaving only Henry alive. In the wake of this attack comes a massive snowstorm, and Henry learns that these events are the first signs of a major attack by a powerful alien force which can assume any form it wishes. As duplicitous military leader Col. Abraham Curtis (Morgan Freeman) comes in to quell the menace, Henry finds himself in communication with the late Jonsey, whose previous near-death experience gives him an unexpected advantage in stemming the alien tide. ~ Mark Deming, All Movie Guide

The child who could start fires with her mind is all grown up and still trying to find out the truth about what happened to her in this made-for-TV sequel to the sci-fi fantasy Firestarter. Nearly 20 years ago, Charlene "Charlie" McGee (Marguerite Moreau) was trained by a mysterious government organization who wanted to exploit her special and very dangerous gift, though Charlie learned the government operatives were not to be trusted when they murdered her parents. Charlie ran away from them as a child, but now in her mid-twenties, she's decided she wants to know more about the people who shaped her strange destiny -- just as Rainbird (Malcolm McDowell), the man who shaped Charlie's pyrotechnic gift years before, finally finds her after years of search. To Charlie's horror, she discovers a number of other children with bizarre talents. Charlie is soon on the run from Rainbird again, and her only allies in flight are a former associate of Rainbird turned enemy of the state (Danny Nucci) and fellow test subject (Dennis Hopper). Firestarter: Rekindled originally aired as a two-part miniseries on the Sci-Fi network on March 10 and 11, 2002. ~ Mark Deming, All Movie Guide

Horror veteran Tobe Hooper brings another one of Stephen King's haunted car tales with From a Buick 8, the story of a man whose tragic loss of his father during the line of duty leads him to a mysterious Buick that might be the doorway to another dimension. ~ Jeremy Wheeler, All Movie Guide

This made-for-TV mini-series from the notorious horror writer centers upon a hapless old janitor who begins undergoing incredible physical changes after he is accidentally covered with experimental chemicals following a laboratory mishap. Now the government will stop at nothing to get him back. ~ Sandra Brennan, All Movie Guide

One of the short stories in a best-selling collection by author Stephen King becomes this mystery adapted for director Scott Hicks by screenwriter William Goldman, who previously transformed a King story into a box-office hit (Misery, 1990). In the summer of 1960, young Bobby Garfield (Anton Yelchin) is sharing adventures with his best friends Carol (Mika Boorem) and Sully (Will Rothhaar) when an enigmatic lodger named Ted Brautigan (Anthony Hopkins) rents a room in his family's boarding house. Bobby's self-absorbed, widowed mother Liz (Hope Davis) couldn't care less about her son, so Bobby, who is being tormented by local bullies, quickly befriends the otherworldly Ted, becoming his confidante, and reading the paper to him to save the aging man's failing eyesight. Soon, Bobby learns that Ted possesses supernatural gifts, has a haunted past, and is being pursued by sinister men whose intentions are unclear. Hearts in Atlantis co-stars David Morse, who appeared in the previous King adaptation The Green Mile (1999), as the adult Bobby. ~ Karl Williams, All Movie Guide

Originally titled Stephen King's It, this two-part TV movie first aired on November 18 and 20, 1990. The story starts in Maine, where a small child is lured into the hands of what audiences everywhere can be assured is one mean clown. The 30-year struggle against an evil supernatural force that masquerades as a circus clown named Pennywise (Tim Curry) begins in 1960 and spans until 1990. Featured are a group of six young men and one young woman who call themselves "the lucky seven" and are the unfortunate targets of Pennywise from pre-adolescence into their mid-forties. The lucky seven emerge physically intact but emotionally scathed after their first battle with Pennywise -- who is a self-labeled "eater of worlds...and children." When Pennywise returns 30 years later, the seven are forced to remember their terrifying past and faced with the prospect of destroying him once and for all. ~ Tracie Cooper, All Movie Guide