Roland Kibbee Movies

A gangster who was wrongfully executed for a killing is promised leniency from Satan if he returns to earth in the body of a lawman who is trying to stamp out evil. Trouble is, the dead man has a hard time being evil enough to get revenge. ~ All Movie Guide

Larry Hagman stars as an incompetent New York motorcycle cop who suffers a head injury. Upon awakening, he's convinced that he is actually Sherlock Holmes, on the trail of the elusive Professor Moriarity. Jenny O'Hara plays a psychologist named Watson, who of course finds herself the would-be Sherlock's assistant. As it happens, the ersatz Holmes manages to solve a genuine mystery, and at the end it appears that he and Watson will continue to operate as a team. At least, that's what the producers hoped when they filmed this movie-length pilot for a potential TV series. Like most Sherlock Holmes spoofs, The Return of the World's Greatest Detective (aka Alias Sherlock Holmes) didn't sell, though the real Holmes (in a manner of speaking) enjoyed a 1980s renaissance on British television. ~ Hal Erickson, All Movie Guide

One night after finishing his rounds as security chief at Jordan College, Quartz Willinger (Cameron Mitchell) stops by an after-hours club for a drink and walks in on the middle of a robbery, during which he is savagely beaten by three hillbilly thugs. While recovering from his injuries, he needs a replacement and arranges to hire an old friend, Jim Slade (Burt Lancaster), an ex-cop who has just been paroled on a murder conviction, for killing the man he caught with his wife. He finds the job an awkward fit but a welcome relief from prison, especially once he meets his parole officer, Linda Thorpe (Susan Clark). On his first night on the job, there's a break-in at the office of the college's resident psychiatrist (Robert Quarry), and the theft of some tapes made by students, only one of whom -- Natalie Clayborne (Catherine Bach), a pretty yet troubled coed, and daughter of a very powerful politician (Morgan Woodward) -- isn't upset by the incident. The next night, Slade finds her getting drunk in town and gets her back to the campus. When Natalie turns up dead, the county sheriff, Casey (Harris Yulin), glances at him briefly as a suspect before arresting the custodian Ewing (Charles Tyner), who was a religious nut with a collection of pornography and a fixation on Natalie. But Slade isn't convinced of Ewing's guilt and starts to investigate the crime himself with help from Linda. Despite Casey's pressuring him to stay out of it, the ex-cop soon discovers Jordan College, the town, and the surrounding county are a nasty border-state version of Peyton Place, populated by lots of people with skeletons in their closets, including blackmail, incest, and murder, with hardly an institution not corrupted by some part of it. What's more, in a series of twists worthy of The Big Sleep (book or movie), he uncovers a connection between the thugs who beat up Quartz and the stolen tape and the murder, which results in the brutal killing of his witnesses and Slade fighting for his life. And he still has to face the truth about the two people in the midst of this corruption that he trusted. ~ Bruce Eder, All Movie Guide

Adapted from an Elmore Leonard novel, Valdez is Coming stars Burt Lancaster in the title role. A scrupulously honest Mexican-American marshal, Bob Valdez is double-crossed and humiliated by wealthy, unscrupulous rancher Jon Cypher. Since Cypher has the law on his side, Valdez is obliged to mete out his own justice. He kidnaps Cypher's mistress Susan Clark to force the rancher's hand. At first, Cypher is able to rally a group of tough hombres against Valdez, but one by one they side with the marshal. Director Edwin Sherin, who'd helmed the Broadway production of The Great White Hope, makes several rather anachronistic points regarding the film's racial issues; on the other hand, Valdez is Coming is one of the most-authentic looking westerns ever made-right down to the deglamorization of Susan Clark, who in a 1950s film might have looked as though she'd just visited a frontier branch of Max Factor. ~ Hal Erickson, All Movie Guide

The Appaloosa is one of the more tolerable Marlon Brando westerns, if only because Brando seems to be aspiring to merely entertain rather than offer us a litany of Life Lessons. The title character is a beautiful horse, stolen from buffalo hunter Brando early in the proceedings. The thief is Anjanette Comer, acting on behalf of her nasty boyfriend, Mexican bandit chieftan John Saxon. In his efforts to retrieve his property, Brando is subjected to torture and humiliation by Saxon and his minions. A later foray into Saxon's camp results in a brutal wrestling match between Brando and the bandito. Again left to die, Brando is rescued by Comer, who despises her "lover" and prefers Brando's company. During the violence-laden climax, Brando his forced to choose between Comer and his beloved Appaloosa. Russell Metty's gritty photography does more to sustain the mood of The Appaloosa than Sidney J. Furie's showoffish direction. ~ Hal Erickson, All Movie Guide

In one of the few "procedural" dramas presented on The Alfred Hitchcock Hour, the health officials and police department of Los Angeles race against time to prevent an anthrax epidemic. They must also keep secret the fact that they've found a disease-ridden corpse, lest they throw the city into a panic. Dedicated young health official Dr. Dana (Michael Parks) joins forces with older colleagues Dr. Oliver (Charles McGraw) and Deputy Sheriff Judd (Berkeley Harris) to pinpoint and isolate the source of the anthrax -- strenuously battling bureaucracy and red tape every inch of the way. "Diagnosis: Danger" was intended as the pilot for a weekly series starring Michael Parks, but the project failed to find a sponsor. ~ Hal Erickson, All Movie Guide

When an Army general is appointed to the sensitive diplomatic post that the powerful publisher of a prominent news magazine had hoped would go to a particularly qualified civilian, she launches a vitriolic campaign to discredit the general. First the publisher orders one of her cameraman to snap a few incriminating photographs of the general. In order to get them, she invites the general out for a night on the town. No matter how hard she tries to get him drunk, the general remains sober. Unfortunately, she ends up quiet tipsy and falls in a pool where she nearly drowns until the general rescues her. The sodden but grateful publisher kisses him and it is at that point that they realize that animosity is rapidly turning to love, at least for her. When she discovers that her newborn love is fated to remain unrequited because of things from the general's past, the jealous publisher pens a poisonous article about him. This creates all kinds comical obstacles and further misunderstandings. ~ Sandra Brennan, All Movie Guide

Though it isn't obvious at first glance, Three Sailors and a Girl is the fourth screen version of the George S. Kaufman stage comedy The Butter and Egg Man. The titular gobs are Jones, Twitch, and Parky, played respectively by Gordon MacRae, Gene Nelson, and Jack E. Leonard. On leave in New York with their pockets full of money, our trio of heroes are convinced by wheeler-dealer Joe Woods (Sam Levene) to invest their money in a musical show. It soon becomes obvious that the boys have backed a turkey, but with the help of pert leading-lady Penny (Jane Powell), a potential disaster is converted into a smashing success. The Sammy Cahn-Sammy Fain musical score is tuneful if forgettable, while LeRoy Prinz' choreography is first-rate. A cute celebrity cameo appearance caps this happy little film. ~ Hal Erickson, All Movie Guide

Half affectionate parody and half enthusiastic tribute to the swashbuckling pirate epics of the 1930's and 40's, The Crimson Pirate stars Burt Lancaster as Captain Vallo, the smiling leader of a pack of unscrupulous pirates. While on the high seas, Vallo and his men spy a well-stocked merchant ship, and waste no time in relieving it of its contents. One of the passengers on the cargo vessel, Baron Gruda (Leslie E. Bradley), informs Vallo that a political revolt is shaking a island nation in the Caribbean to its foundations. The pirates set their course to the island, hoping to sell the arms they've just stolen to rebel leader Sebastian (Frederick Leister), while planning to later double their profit by turning him in to the Government leaders who are offering a reward for his capture. Vallo's plans change when he meets Sebastian's daughter Consuelo (Eva Bartok) and falls in love, while she teaches the pirate the wisdom of her father's philosophies. Vallo and his faithful sidekick Ojo (Nick Cravat) soon join Sebastian's men, and fight with them in a valiant struggle for freedom. Burt Lancaster and Nick Cravat were once partners in their early days as circus acrobats, and they got to put their skills to good use in this picture; keep an eye peeled for an early performance by future horror movie great Christopher Lee. ~ Mark Deming, All Movie Guide

Filmed on location, the Franco-American co-production Pardon My French stars Merle Oberon and Paul Henreid. Oberon is cast against type as Elizabeth Rockwell, a staid Bostonian schoolmarm who insists that all "squatters" remove themselves from the French chateau she's just inherited. The head squatter Paul Rencourt, played by Henreid, turns on his patented charm in hopes of deflecting Rockwell from her eviction plans. It so happens that the widowed Rencourt is the father of five precocious children, who despite their appalling behavior eventually endear themselves to Rockwell. Director Bernard Vorhaus was blacklisted not long after Pardon My French was released; the reasons, of course, were political, and had nothing to do with the quality of the film. ~ Hal Erickson, All Movie Guide

Though divorced from attorney Robert Cummings, Rosalind Russell continues hoping that she can arrange a reconciliation. This proves difficult due to Cummings' fascination with curvaceous Marie McDonald. Contriving to arouse Cumming's jealousy, Russell pretends to be married to feckless Gig Young. There's complications and misunderstandings aplenty before happy-ending time. Tell It to the Judge is so lightweight that it threatens to float out of sight at times; the stars manage to hold this pleasant meringue together. ~ Hal Erickson, All Movie Guide

In this comedy, Paul Muni plays a recently murdered gangster who finds himself roasting in Hell. Muni can't believe that he's in for All Eternity and keeps trying to "bust out," which brings him to the attention of the Head Man (Claude Rains), who calls himself Nick. Nick strikes a bargain with Muni: There's a troublesome honest judge on Earth who's been shipping too many souls to Hell; if Muni will take over the judge's body and begin performing bad deeds, Nick will set him free. Muni readily agrees, eager to settle the score with the ex-partner (Hardie Albright) who bumped him off. Once he "becomes" the judge, however, Muni discovers that he is utterly incapable of performing any misdeeds--and when he falls in love with the judge's fiancee (Anne Baxter), Muni becomes determined to wriggle out of his agreement. Angel on My Shoulder is based on a story by Harry Segall, whose previous play Heaven Can Wait was filmed as Here Comes Mr. Jordan, also with Claude Rains. ~ Hal Erickson, All Movie Guide