Arthur Kennedy Movies
American actor Arthur Kennedy was usually cast in western or contemporary roles in his films; on stage, it was another matter. A graduate of the Carnegie-Mellon drama department, Kennedy's first professional work was with the Globe Theatre Company touring the midwest in abbreviated versions of Shakespearian plays. From here he moved into the American company of British stage star Maurice Evans, who cast Kennedy in his Broadway production of Richard III. Kennedy continued doing Shakespeare for Evans and agit-prop social dramas for the Federal Theatre, but when time came for his first film, City for Conquest (1940), he found himself in the very ordinary role of James Cagney's boxer brother. Throughout his first Warner Bros. contract, Kennedy showed promise as a young character lead, but films like Bad Men of Missouri (1941), They Died with Their Boots On (1942) and Air Force (1943) did little to tap the actor's classical training. After World War II service, Kennedy returned to Broadway, creating the role of Chris Keller in Arthur Miller's All My Sons (1947). This led to an even more prestigious Miller play, the Pulitzer Prize winning Death of a Salesman (1948), in which Kennedy played Biff. Sadly, Kennedy was not permitted to repeat these plum roles in the film versions of these plays, but the close association with Miller continued on stage; Kennedy would play John Proctor in The Crucible (1957) and the doctor brother in The Price (1965). While his film work during this era resulted in several Academy Award nominations, Kennedy never won; he was honored, however, with the New York Film Critics award for his on-target portrayal of a newly blinded war veteran battling not only his handicap but also his inbred racism in Bright Victory (1951). The biggest box office success with which Kennedy was associated was Lawrence of Arabia (1962), wherein he replaced the ailing Edmund O'Brien in the role of the Lowell Thomas character. Working continually in film and TV projects of wildly varying quality, Kennedy quit the business cold in the mid-1980s, retiring to live with family members in a small eastern town. Kennedy was so far out of the Hollywood mainstream in the years before his death that, when plans were made to restore the fading Lawrence of Arabia prints and Kennedy was needed to re-record his dialogue, the restorers were unable to locate the actor through Screen Actor's Guild channels -- and finally had to trace him through his hometown telephone directory. ~ Hal Erickson, All Movie Guide
- 1989
Co-produced by the folks from PBS' American Playhouse series, Signs of Life (alternate title: One For Sorrow, Two For Joy) stars veteran actor Arthur Kennedy as a cranky, set-in-his-ways Maine shipbuilder. Unable to keep apace with the 1980s, Kennedy is forced to close up shop. The film probes the various effects this decision has on Kennedy's employees. Beau Bridges has a wife (Kathy Bates) and four kids to support, with a fifth on the way. Kevin J. O'Connor would like to take a salvage-diving job in another state, but must first break off his long-standing relationship with waitress Mary Louise Parker. And Vincent D'Onofrio, who'd managed to find a job for his retarded brother Michael Lewis at Kennedy's establishment, is forced to consider having Lewis institutionalized. Though screenwriter Mark Malone isn't completely successful in avoiding the Obvious, there is much to cherish in Signs of Life. The film represented Arthur Kennedy's return before the cameras after ten years' retirement; after one additional performance in the independently produced Grandpa, Kennedy died in 1990 at the age of 76. ~ Hal Erickson, All Movie Guide
- Starring:
- Arthur Kennedy, Kevin J. O'Connor, (more)
- 1982
The crooks have a heyday when funds for the police department are cut drastically, and the crimestoppers' numbers are reduced. ~ All Movie Guide
- 1979
The steely-mouthed Jaws, a character previously featured in the James Bond films The Spy Who Loved Me and Moonraker, receives a thinly-veiled reincarnation in this picture, rechristened Golob and again played by the inimitable Richard Kiel. With the help of several companions, including a robotic dog, Golob struggles to foil the world domination plans of a megalomaniacal scientist named Graal (Ivan Rassimov). ~ Judd Blaise, All Movie Guide
- 1978
In this fantasy adventure, a group of smugglers try to salvage a drug shipment that sank at sea. Unfortunately, they are hindered by a strange idol and a large school of deadly sharks. ~ Sandra Brennan, All Movie Guide
The disaster genre gets the exploitation treatment in this gruesome tale of survival at sea from director René Cardona Jr. In the wake of a violent cyclone, the remaining passengers of a downed airplane find refuge on a passing boat carrying the survivors of a shipwreck. Without a clue where in the world they are, a shortage of food and water, and the surrounding waters teeming with man-eating sharks, the tensions are soon on the rise. El Ciclon was released in the U.S. as The Cyclone. ~ Matthew Tobey, All Movie Guide
When state officials test out a new experimental pest-control device that uses subsonic waves to kill insects, it produces an unwelcome but interesting side-effect: the noise is enough to wake the dead -- literally -- and the corpses of the recently deceased begin to rise from their dirt-naps with ravenous appetites for warm human flesh. Since the predicted zombie jubilee starts off with more than a whimper than a bang (actually it's more of a wheeze, since these are particularly asthmatic undead), viewers are left with a rather mundane police drama as clueless detectives try to pin the mutilation murders on a group of free-wheeling hippies. Despite high production values and some audacious gore effects by Giannetto De Rossi (who would later lend his splattery talents to Lucio Fulci's Zombie and many more Italian zombie films), this Spanish/Italian co-production falters in the middle thanks to sluggish pacing and dull investigation scenes, which are devoid of suspense since the zombies' existence is already made known. Also released under the quaint title Breakfast at the Manchester Morgue, among others. ~ Cavett Binion, All Movie Guide
- 1974
Telecast April 17, 1974, Nakia was the pilot film for the shortlived ABC drama series of the same name. In the tradition of Billy Jack, Native American deputy sheriff Nakia Parker (Robert Fortier) tries to protect his people from the machinations of villainous whites. In this instance, Nakia stands up against an insensitive city council which plans to sell a historic mission to an evil land developer (is there any other kind on TV?) Nakia was filmed on location in Albuquerque, New Mexico, as was the weekly series itself, which ran from September 21 to December 28, 1974. ~ Hal Erickson, All Movie Guide
- 1973
This Italian mafia melodrama stars two American-expatriate leading men, Arthur Kennedy and John Saxon. Kennedy stars as a mafia don known as Ferrante. The crimes committed in Ferrante's name are monstrous, and at least one of them is bound to boomerang disastrously. While its derivative plotline is unremarkable, Family Killer is distinguished by its number of alias. Originally released as Baciamo Lemani, the film was also shipped out as Ferrante, Mafia War and (presumably very briefly) Kiss My Hand. ~ Hal Erickson, All Movie Guide
- 1972
A crisis ensues when Air Force One crashes while on a flight out west, apparently killing all those aboard, including President Jeremy Haines (Tod Andrews). The United States is in the midst of a confrontation with China that could lead to a nuclear war between the two countries, and the government is now in the hands of Vice President Kermit Madigan (Buddy Ebsen), a not too intelligent or sophisticated man, who was deliberately kept out of the loop. His confidence on foreign policy issues virtually nil, Madigan seeks to carry out Haines's intended policy in confronting the Chinese but gets two completely different accounts of what that policy was to be. Secretary of State Freeman Sharkey (Raymond Massey), a career diplomat, claims that Haines was pursuing firm but peaceful containment of the problem, while National Security advisor George Oldenburg (Rip Torn) says that Haines was ready to go eyeball-to-eyeball with the Chinese and go to war if necessary -- and Oldenburg quickly picks up on how to gain Madigan's confidence. As if Madigan doesn't have enough problems, the stunned Washington community cannot help but openly doubt his competence, while his ambitious wife (Mercedes McCambridge) sees this unfolding tragedy as a way for herself and her husband to finally get some respect and settle a few scores with those who belittled the Second Couple. Even more troubling, as the search teams comb the wreckage, another mystery ensues -- they can't seem to find the president's body. ~ Bruce Eder, All Movie Guide
- 1971
Crawlspace is a quirky made-for-TV movie about a strange young drifter (Tom Harper) who arrives in a small New England town. He is sheltered by a generous middle-aged couple (Arthur Kennedy and Teresa Wright), but he insists upon living in a tiny crawlspace in the couple's cellar. His hosts had hoped that the boy would fill an emotional gap in their childless lives, but the young visitor refuses to leave his cramped living area, where he harbors disturbing notions of taking revenge on a world he feels has wronged him. Crawlspace was adapted from the suspense novel by Herbert Lieberman. It should not be confused with a 1986 slasher flick also titled Crawlspace, wherein Klaus Kinski hides in the homes of the beautiful girls he intends to murder. ~ Hal Erickson, All Movie Guide
- 1971
Shelly Winters and John Randolph star in Death of Innocence as distraught small-town parents who learn that their estranged daughter is on trial for murder. They journey to New York City and attend the girl's trial, where the mother learns several details of her daughter's recent life that she'd rather not know. Filmed at the height of the "generation gap" era, Death of Innocence was based on a novel by Zelda Popkin. One of the better TV movies of 1971, the film was first telecast opposite a George Plimpton "wish fulfillment" special, thereby losing out on the large audience it deserved. Casting note: Kim Stanley was to have played the principal juror, but fell ill before shooting. She was replaced by Ann Sothern--the mother of Tisha Sterling, who plays the defendant in the case! ~ Hal Erickson, All Movie Guide
- 1970
Nostalgia is selling angle of this made-for-TV suspenser. Someone is going around breaking into movie vaults and setting precious tins of rare film ablaze. An insurance investigator and a detective investigate this seemingly pointless crime. As it turns out, the "movie murderer" is an extortionist who was inadvertently filmed while committing a crime, thus he's anxiously burning every possible shred of evidence. It happens that the criminal is also an old-movie buff, which permits Universal Studios, producers of The Movie Murderer, to show off film clips from its MCA backlog--including snippets of W.C. Fields from International House, Gary Cooper from The Virginian, and Warner Oland from The Mysterious Dr. Fu Manchu. ~ Hal Erickson, All Movie Guide
In this actioner, a gun runner gets a job as a marine biologist while stranded in the Middle East. He quickly finds out that his new employer and his wife are really treasure seekers looking for bullion. Unfortunately, the gold lies in deep, shark-filled water. Tragically, while the movie was being shot, a stuntman really was killed by a shark. ~ Sandra Brennan, All Movie Guide
- 1968
Warfield (Glenn Ford) is the dispassionate ex-gunslinger who joins forces with peaceful neighbor Forbes (Arthur Kennedy) to help him track down the Apache Indians who have kidnapped Warfield's wife and children two months prior. In searching for the abductees, the hardened gunslinger eventually keeps a level head while the even-tempered Forbes turns into a cold-blooded killing machine. Warfield and Forbes eventually complete their personality changes that lead to the inevitable western showdown. Initially a television movie made for ABC, the company decided to release the film only in theaters. ~ Dan Pavlides, All Movie Guide
- Starring:
- Glenn Ford, Arthur Kennedy, (more)
- 1967
A married couple uproot their entire family and move to Puerto Rico where the familial tree promptly dies in the face of relentless poverty and depression in this down-beat drama, the directorial debut of Argentine filmmaker Torre-Nilsson. ~ Sandra Brennan, All Movie Guide
- Starring:
- Arthur Kennedy, Geraldine Page, (more)
- 1966
Experience the Battle of the Bulge through real footage shot during the conflict. ~ All Movie Guide
Henry Hathaway's film is based on a character from Harold Robbins' The Carpetbaggers, who, in turn, based it on cowboy actor Ken Maynard. Set in the West of the 1890s, the film opens with the torture and murder of the parents of Max Sand (Steve McQueen) by a trio of gunslingers seemingly motivated by their hostility toward the mixed nature of the marriage, since the wife is a Native American. Swearing revenge, the young cowhand enlists the help of itinerant gunsmith Jonas Cord Brian Keith, who teaches him how to shoot while counseling against revenge. Nonetheless, Sand doggedly scours one town after the other before finally running up against one of the murderers, Jesse Coe (Martin Landau). He finally kills Coe in a vicious knife fight, but is severely wounded himself and has to be nursed back to health by Neesa (Janet Margolin), a young Kiowa woman. He next heads for Louisiana where another of the murderous trio, Bill Bowdre (Arthur Kennedy), is serving a prison sentence in a remote swamp. In order to get close to the man, Sand stages a robbery, and is soon among the prison inmates. This was the only film on which McQueen worked with Landau, the only other person admitted to the Actor's Studio out of thousands of applicants in 1957. ~ Michael Costello, All Movie Guide
- Starring:
- Steve McQueen, Karl Malden, (more)
- 1965
In this romantic drama based on a novel by Betty Smith, Carl Brown (Richard Chamberlain) is a student in law school who wants to marry his sweetheart, Annie McGairy (Yvette Mimieux). However, Carl and Annie's parents knew each other when they grew up in Ireland before emigrating to America, and Carl's father Patrick (Arthur Kennedy) vehemently objects to their engagement. The young couple decide to tie the knot anyway, and Patrick retaliates by cutting off financial support to his son. The young couple deal with the usual tribulations of newlyweds while they struggle to keep their heads above water -- Carl takes a job as a night watchman, while Annie makes a few dollars babysitting for Beverly Karter (Joan Tetzel), a married woman who is cheating on her husband with Stan Pulaski (Oscar Homolka), a married man. Living in a tiny apartment on the shabby side of town, Carl and Annie get to know other people too poor or too different to fit in elsewhere in an upscale college town. When Annie becomes pregnant, she leaves Carl, not wanting to burden him so that he can continue with his education. This sends Carl into an emotional tailspin, and Patrick tries to patch up the marriage he once opposed for the sake of his son's happiness. Joy in the Morning marked the first and only feature film role for TV and stage actor Donald Davis, who played Anthony, a gay florist who befriends the young couple. ~ Mark Deming, All Movie Guide
- Starring:
- Richard Chamberlain, Yvette Mimieux, (more)
- 1965
This drama is based on the true story of a Mexican immigrant and his wife, who travel to California during the Gold Rush of 1849. Their only friend in the area is an army captain. They are taunted by a group of racist miners, and the wife is raped and murdered. The husband swears revenge, rounds up a group of men, and conducts raids on mining camps in search of the murderers, becoming a successful gambler along the way. The army captain is forced to kill him when the raids get too wild. ~ Steve Huey, All Movie Guide
- Starring:
- Jeffrey Hunter, Arthur Kennedy, (more)
- 1965
The Russo/Italian coproduction Attack and Retreat was titled Italiano Brava Gente in Italy and Oni Shli Na Vostok in the USSR. This "solidarity" war epic hinges on the plot device of Italian and Soviet WWII troops forming a united front against their one-time ally, the Germans. To drum up business in America, the producers hired two Hollywood stars: Arthur Kennedy (as a fascist leader) and Peter Falk. In some prints of this film, Kennedy and Falk's highly distinctive voices have been dubbed by anonymous actors. Attack and Retreat was gorgeously filmed on location in the Ukraine with an international team of cinematographers. Originally released at 156 minutes, the film has been severely pared down for subsequent reissues and TV showings. ~ Hal Erickson, All Movie Guide
- Starring:
- Tatiana Samoilova, Andrea Kekki, (more)
John Ford's last western film, Cheyenne Autumn was allegedly produced to compensate for the hundreds of Native Americans who had bitten the dust in Ford's earlier films (that was the director's story, anyway). Set in 1887, the film recounts the defiant migration of 300 Cheyennes from their reservation in Oklahoma territory to their original home in Wyoming. They have done this at the behest of chiefs Little Wolf (Ricardo Montalban) and Dull Knife (Gilbert Roland), peaceful souls who have been driven to desperate measures because the US government has ignored their pleas for food and shelter. Since the Cheyennes' trek is in defiance of their treaty, Captain Thomas Archer (Richard Widmark), who agrees with the Indians in principle, reluctantly leads his troops in pursuit of the tribe. While there was never any intention to shed blood, the white press finds it politically expedient to distort the Cheyennes' action into a declaration of war. Thanks to the cruelties of such chauvinistic whites as Captain Oscar Wessels (Karl Malden), the Cheyennes are forced to defend themselves--and whenever Indians take arms against whites in the 1880s, it's usually misrepresented as a massacre. Only the intervention of US secretary of the interior Carl Schurz (Edward G. Robinson) prevents the hostilities from erupting into wholesale bloodshed. Based on a novel by Mari Sandoz, Cheyenne Autumn is a cinematic elegy--not only for the beleaguered Cheyennes, but for John Ford's fifty years in pictures. It is weakest when arbitrarily throwing in a wearisome romance between Richard Widmark and pacifistic schoolmarm Carroll Baker, who out of sympathy for the Indians has joined them in their 1500-mile westward journey. When the Warner Bros. people decided that the film ran too long, they chopped out the wholly unnecessary but very funny episode involving a poker-obsessed Wyatt Earp (James Stewart). Contrary to popular belief, this episode was included in the earliest non-roadshow prints of Cheyenne Autumn; the scene was excised only when the film went into its second and third runs in 1966 (it has since been restored). ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Widmark, Carroll Baker, (more)
- 1964
City dweller Keith Hollands (Arthur Kennedy) rents a dilapidated beach house, much to the dismay of his wife, Elsa (Phyllis Thaxter), who is both disgusted and frightened by the place. Rather than attempt to mollify his wife, Keith helps matters not at all by ardently pursuing a local beach bunny named Rachel (Tisha Sterling). When she finally puts her foot down and refuses to allow Keith to purchase the beach house outright, Elsa signs her own death warrant. But if Keith figured he'd get away with murder, he hadn't reckoned on a little "souvenir" left in the house by the previous owner. ~ Hal Erickson, All Movie Guide
- Starring:
- Arthur Kennedy, Phyllis Thaxter, (more)
