Paul Kelly Movies

Police struggle to stem the tide of teenage drug addiction in this vintage exploitation drama, which combines the procedural style of Dragnet with the hopped-up hipster undertow of The Cool and the Crazy. Lieutenant Lacey (Paul Kelly), a police detective who heads up the narcotics squad, has been a busy man since dope dealers began targeting the students at a local high school. Coach Bettger (Regis Toomey) begins to suspect something is amiss when one-time star athlete Ray Bowman first loses interest in sports, and then disappears. Bettger turns to the police, who interview Ray's aunt, who has been taking care of the boy since the breakup of his parents. While the aunt has a hard time believing Ray is up to anything dangerous, she discovers how wrong she is when Ray turns up dead after running up a debt with Jimmy, a 21-year-old pusher who delivers fatal "hot shots" to customers who can't pay their bills. Eager to make new customers, Jimmy persuades his sexy girlfriend, Julie (Sheila Urban), to lure straight-laced BMOC Dick Williams (Cullen Wheelas) away to a party where she'll introduce him to "joy popping," but undercover cops are following Jimmy and Julie's trail, with a strung-out delinquent becoming a convenient informant against his former suppliers. Curfew Breakers was also released under the title Narcotics Squad, and has appeared on DVD under another re-release title, Hooked. ~ Mark Deming, All Movie Guide

The splendid physique of Tony Curtis is given generous screen exposure in the boxing melodrama The Square Jungle. Curtis plays Eddie Quaid, who turns to pugilism to bail his wino father (Jim Backus) out of jail. Gaining fame as "Packy Glennon," Quaid inevitably forgets the things in life that are truly important, including his faithful girlfriend Julie Walsh (Pat Crowley). Only after he nearly kills a longtime rival in the ring does Quaid get his act together. The most compelling performance is delivered by Ernest Borgnine as Quaid's trainer; Borgnine plays the character as a shy, studious type, adding a highly original touch to this otherwise predictable production. ~ Hal Erickson, All Movie Guide

Tony Curtis stars as Johnny Dark, a moody automobile designer. Rejected by a major auto firm because of his "radical" notions, Johnny sets out to prove the efficiency of his cars on the racetrack. He is aided and abetted by pretty Piper Laurie and less pretty Paul Kelly, while motor mogul Sidney Blackmer fumes and fusses until he realizes that Johnny's designs will save his company. Most of the film is devoted to a marathon race, pitting Johnny against his friendly enemy Don Taylor. Johnny Dark is a must for racing buffs, as well as a prime example of Tony Curtis in his beefcake period. ~ Hal Erickson, All Movie Guide

Duffy of San Quentin is an Allied Artists low-budgeter based on the life of the warden who first introduced reforms in the infamous California penal institution. Appalled by conditions in San Quentin, the grey-haired Duffy inaugurates a series of improvements. He also sets up an honor system, which brings him under fire from conservative law enforcement agencies. The lumpy, episodic continuity of Duffy of San Quentin is due to the fact that the film is comprised of an hour-long TV pilot film, padded out with hastily assembled new footage. While Duffy was consigned to TV within two years of its release, the film did well enough to engender a sequel, The Steel Cage (likewise a pilot film). Ironically, Paul Kelly, who stars as Duffy in both films, served a prison sentence for manslaughter in the 1920s. The British title of Duffy of San Quentin is Men Behind Bars. ~ Hal Erickson, All Movie Guide

No relation to the TV and radio series of the same name, Universal-International's Gunsmoke is a Technicolor vehicle for action star (and war hero) Audie Murphy. Murphy plays a wandering hired gun who is commissioned to kill a rancher (Paul Kelly). The film's conflict arises when the gunslinger befriends his would-be victim and comes to reject the attitudes of those who hired him. The fact that the gunman has fallen in love with the rancher's daughter (Susan Cabot) may have something to do with his change of heart. Audie Murphy mends his ways by the time Gunsmoke comes to a close, as if there was any doubt. ~ Hal Erickson, All Movie Guide

Alexander Hull's novel Shep of the Painted Hills was refashioned into a traditional Lassie vehicle by screenwriter True Boardman. The noble collie turns avenger this time out, hoping to bring the murderer of her master to justice. The perpetrator, played by Bruce Cowling, is hounded (no pun intended) into meeting a fate similar to the one he meted out to the victim. Filmed on a somewhat lower budget than previous Lassie endeavors, The Painted Hills benefits greatly from its all-character-actor cast, headed by Paul Kelly and Ann Doran. The film was lensed in Technicolor, making it a valuable commodity in the formative days of locally-produced color TV in the late 1950s-early 1960s. ~ Hal Erickson, All Movie Guide

The Secret Fury works best if one is willing to suspend one's disbelief from the outset. Claudette Colbert stars as Ellen, a famed concert pianist who, on the day of her wedding, is accosted by a stranger who insists that she's already married to someone else. Ellen is willing to laugh this off, until the stranger produces witnesses, records and the justice of the piece. Has Ellen lost her mind, or is she merely the victim of an elaborate scam. With the help of fiancé David (Robert Ryan), Our Heroine begins her own investigation -- and ends up accused of murder and shunted off to a mental institution. And the story isn't over yet! Featured in a pivotal role is future I Love Lucy co-star Vivian Vance, who'd previously worked in an L.A. theatre company with Secret Fury-director Mel Ferrer. For reasons best known to himself, Willard Parker, a fairly well-known film actor in 1950, appears unbilled. ~ Hal Erickson, All Movie Guide

Though the title role of Frenchie goes to Shelley Winters, top billing in this period actioner is bestowed upon Joel McCrea as sheriff Tom Banning. Hoping to find her father's murderers, New Orleans gambling-house proprietress Frenchie Fontaine (Shelley Winters) sets up shop in the Wild West. With the help of sheriff Banning, Frenchie is able to locate one of the two killers. But after tracking down the second culprit, Banning finds himself facing a murder charge. Though it isn't readily obvious, Frenchie is actually a reworking of 1939's Destry Rides Again, with Joel McCrea and Shelley Winters playing variations of the characters originally essayed by James Stewart and Marlene Dietrich. ~ Hal Erickson, All Movie Guide

Adventure Island is a shorter and less satisfying remake of the 1937 Paramount actioner Ebb Tide. Rory Calhoun, Paul Kelly and John Abbott star as Herrick, Lochlin and Hulsh, three mercenary seamen involved in illegal activities in the South Seas. Hired to pilot a schooner to Australia, the threesome plan instead to rob the vessel of its precious cargo. Much to their dismay, they discover that the cargo is bogus, and that they're stuck taking care of the former captain's pretty but contentious daughter Faith Rhonda Fleming. The four lost souls are later imprisoned by Mr. Atwater Alan Napier, in the role played in Ebb Tide by Lloyd Nolan, a megalomaniac who rules a tiny island by exploiting the superstitions of the local natives. Assembled by Pine-Thomas productions, Adventure Island represents a rare excursion away from Poverty Row by director Sam Newfield, here travelling under the alias of Peter Stewart. ~ Hal Erickson, All Movie Guide

This drama was one of the first major-studio efforts to confront anti-Semitism (beating the Oscar-winning Gentleman's Agreement by several months), and it features a standout performance from Robert Ryan as a bigoted soldier on the run. Monty Montogomery (Ryan) is a violent and unstable soldier who, while out on a pass, goes on a drinking spree with three buddies, Floyd (Steve Brodie), Arthur (George A. Cooper), and Leroy (William Phipps). While boozing it up in a tavern, the four men meet Joseph Samuels (Sam Levene) and strumpet Ginny (Gloria Grahame), who invite the soldiers back to their apartment for a party. Monty, however, has a fierce hatred of Jews, and he later goes into a drunken rage in which he beats Joseph to death. Monty's friends can barely remember the incident through their liquor-shrouded memories, but they recall just enough to make themselves scarce when police detective Capt. Finlay (Robert Young) begins making the rounds looking for information on Joseph's murder. Sgt. Kelly (Robert Mitchum), a soldier who knows the four men, begins to suspect that something is up, and he works with his wife and Finlay to help ferret out the killer in his ranks, while Monty kills Floyd when he becomes convinced that he's going to talk to the authorities. While director Edward Dmytryk showed real bravery in bringing this story to the screen, it had greater repercussions than he might have expected; the film's controversial themes led to Dmytryk's denunciation by the House Un-American Activities Committee during the McCarthy-era investigations of the 1950s. Luckily, unlike other filmmakers who suffered similar accusations by HUAC, Dmytryk continued to work steadily through the '50s and '60s. ~ Mark Deming, All Movie Guide

Advertised as a typical Universal horror film, The Cat Creeps is more of a crime melodrama, and not a particularly distinguished one at that. Fifth-billed Fred Brady essays the leading role as a reporter named Terry Nichols, who endeavors to prove that a girl's suicide was actually murder. Though dead for nearly 15 years, the girl's soul has apparently manifested itself in a black cat, which functions as an avenging angel throughout the film. Several more murders occur before the villain and his mercenary motivations are revealed. Though blessed with an unusually strong supporting cast, The Cat Creeps is strictly B material, far below Universal's already unexacting standards. ~ Hal Erickson, All Movie Guide