Nancy Kelly Movies

With famed journalist Drew Pearson appearing in the film's prologue and epilogue, it was easy in 1945 to confuse Betrayal from the East with Real Life. Lee Tracy is once again cast as a seemingly disreputable type with a heart of gold, in this case an expatriate ex-GI named Eddie. Believing that he'd be willing to sell out his country, a Japanese spy ring approach Eddie and ask him to get his hands on secret American war plans. But Eddie is still a true-blue Son of Uncle Sam; at the behest of Army Intelligence, Eddie agrees to play counterspy, using dictaphones, phony messages and other such devices to pull the wool over the enemy's eyes. The results aren't very pretty for either Eddie or his fellow counterspy Peggy (Nancy Kelly), though the audience can take some comfort in the fact that their sacrifice was for the good of Democracy. Fairly slow going during most of its 82 minutes, Betrayal From the East comes to a startling conclusion as Peggy suffers mightily at the hands of her Japanese captors. ~ Hal Erickson, All Movie Guide

All but forgotten today, Crowded Paradise was one of the first in-depth studies of racial tensions in postwar New York City. Mario Alcade plays Juan Figueroa, a Puerto Rican youth who come to Manhattan for the purpose of marrying his sweetheart Felicia Diaz (Enid Rudd). Despite running up against all manner of obstacles--most of them having to do with prejudice and misunderstanding--Juan is determined to make good in the his adopted country. The film veers dangerously towards melodrama at the climax, when a bigoted, sex-obsessed landlord (well played by Hume Cronyn) schemes to sabotage Juan and Felicia's wedding. Nancy Kelly costars as the landlord's sight-impaired wife, one of the few sympathetic Anglo characters in the film. Crowded Paradise was photographed on location by Boris Kaufman, who'd previously lensed the Oscar-winning "reality" drama On the Waterfront; the script was co-authored by Marc Connelly, of Green Pastures fame. ~ Hal Erickson, All Movie Guide

The innovative direction of Robert Siodmak lifts the inexpensive imitation-Hitchcock Fly By Night well above the ordinary. Richard Carlson plays young intern Jeff Burton, who impulsively offers a lift to an odd-looking gentlemen (Miles Mander). It soons turns out that Jeff's passenger is an inventor has just escaped from a shady sanitarium, where he has been held prisoner by Nazi spies. When the stranger turns up dead, poor Jeff is held on suspicion of murder. Escaping, he forces innocent bystander Pat Lindsay (Nancy Kelly) to pose as his wife and drive him around in search of the genuine killers. Eventually, of course, Pat falls in love with Jeff and accepts his protestations of innocence, but not before both have fallen into the clutches of those pesky Nazis. The film's ironic payoff is a honey, beautifully enacted by spy-flick veterans Albert Basserman and Martin Kosleck. ~ Hal Erickson, All Movie Guide

In this remake of the 1925 silent film, the breakup of a lifelong friendship between two German millionaires is chronicled. The trouble begins as WW II erupts. One of the men becomes sympathetic to the U.S. while the other becomes a Nazi sympathizer. They spend most of the film arguing about political philosophy. The trouble really starts when the Nazi millionaire is tricked into paying for German sabotage operations. One of the vehicles he inadvertently destroys carries his own son. ~ Sandra Brennan, All Movie Guide

Paramount's Pine-Thomas production unit continued its unbroken string of box-office successes with Gambler's Choice. Pine-Thomas perennial Chester Morris plays turn-of-the-century gambler Ross Hadley, owner of a posh gaming establishment in the heart of New York. Hadley's chief antagonist is his boyhood chum Mike McGlennon (Russell Hayden), now a police lieutenant determined to put the gambler out of business. Adding to the rivalry is the fact that both Hadley and McGlennon are in love with cabaret singer Vi Parker (Nancy Kelly). The whole thing sounds a lot like the 1936 MGM film San Francisco, though not enough to spark a lawsuit, of course. Despite its tiny budget, Gambler's Choice is successful in recreating a bygone period and its color characters. ~ Hal Erickson, All Movie Guide

The real Frank and Jesse James were murderous thugs, light years away from the Robin Hood image imposed on them by revisionist dime novelists. But in 1939, 20th Century-Fox wasn't about to build an expensive Technicolor feature around the exploits of a couple of low-lives, thus Jesse James upholds the mythos, offering us the standard whitewashed version of the James boys. According to Nunally Johnson's irresistibly entertaining screenplay, Jesse (Tyrone Power) and Frank (Henry Fonda) become train and bank robbers to avenge the death of their mother (Jane Darwell), killed at the behest of greedy railroad interests. Once he feels his work is done, Jesse settles down to a life of marital domesticity--only to be shot in the back by cowardly Bob Ford (John Carradine). Frank James is left alive at film's end, paving the way for the 1941 sequel The Return of Frank James. Director Henry King stages the action sequences in glorious outsized fashion, notably the famous bank-robbery scene in which Jesse rides his horse through a plate glass window. The scenes involving both James brothers are stolen hands-down by Henry Fonda, not so much because he was a better actor than Tyrone Power but because his character had all the best lines. Jesse James was filmed largely on location in Missouri, resulting in crowd-control nightmares for the picture's beleaguered assistant directors. ~ Hal Erickson, All Movie Guide

The third film version of Earl Derr Biggers' novel Love Insurance, One Night in the Tropics stars Allan Jones as a hotshot insurance salesman who sells a policy to his best pal Robert Cummings. Cummings will earn $1 million if he fails to marry his fiance Nancy Kelly. Half of the policy is underwritten by tough gambling-house owner William Frawley, who panics when Cummings heads for a Caribbean isle in pursuit of Peggy Moran. As for Kelly, she wants no part of Cummings once she finds out she's a pawn in his policy. Well, who cares? The real attraction of One Night in the Tropics is the comedy team of Bud Abbott and Lou Costello, here making their feature film debut in the roles of Frawley's flunkeys. Though they never get in the way of the plot (worse luck!), Abbott and Costello have plenty of time to perform several of their best routines, including "Mustard," "Jonah and the Whale," and a tantalizingly brief excerpt of "Who's on First?" Outside of A&C's contributions, the film boasts several pleasant if forgettable tunes by Jerome Kern and Dorothy Fields. Though not a big box-office success, One Night in the Tropics garnered such positive reviews for Abbott and Costello that the team was rewarded with its own vehicle, the 1941 cash cow Buck Privates. Note: many TV prints of Tropics are struck from the 69-minute reissue of the late 1940s, in which the "straight" plot was pared to down to give more emphasis to Abbott and Costello. The original 82 minute version was recently restored for videocassette release. ~ Hal Erickson, All Movie Guide

Roland Young and Hugh Herbert make an unorthodox but amusing comedy team in the Universal programmer Private Affairs. Disowned by his wealthy family, Amos Bullerton (Young) ekes out a living as a chalk-board proprietor in a Wall Street brokerage. With the help of his erstwhile friend, cab-driver Angus McPherson (Herbert), Bullerton tries to smooth the path of romance for his daughter Jane (Nancy Kelly). Though engaged to snobbish Herbert Stanley (G. P. Huntley Jr.), Jane is really in love with Jimmy Nolan (Robert Cummings) who like Bullerton himself is on the outs with his well-to-do family. Given its Wall Street background, there's a stock-manipulation scheme at the heart of Private Affairs, which in its own way is as intricately funny as the Bull-and-Bear shenanigans in 1982's Trading Places. ~ Hal Erickson, All Movie Guide

In this remake of the 1930 film of the same name, a bank robber suffers a war wound and undergoes plastic surgery. Upon his recovery, he discovers that he is the exact double of a banker (who is trapped in a German POW camp). Being an opportunist, the fellow then assumes the banker's identity and his wife while he plans another caper. Fortunately, an observant Yard inspector sees through the robber's masquerade. Later the robber goes straight after revealing the plans of a German spy ring to steal every penny from the bank. ~ Sandra Brennan, All Movie Guide

In this tuneful comedy adventure, a free-spirited fellow with a keen eye for easy money is assigned to sail to a remote island and grab a great fortune in pearls which happen to be guarded by some very fearsome natives who are ruled by a sensuous dancing woman. Later the guards capture the would-be thief and tie him to the stake for an impromptu barbecue. Fortunately, the dancer uses her moves to save his neck and happiness ensues. Songs include: "Pied Pipers from Swingtown" (Jack Brooks, sung by Eddie Quillan, Fuzzy Knight), "Ridin, on the Crest of a Cloud" (Brooks), "Lovely Luana" (Don Raye, Gene DePaul, sung by Nancy Kelly, The Native Girls), "Island of the Moon" (Raye, DePaul), and "Camptown Races" (Stephen Foster, sung by Kelly, William Gargan). ~ Sandra Brennan, All Movie Guide

Set during World War I, Submarine Patrol stars Preston S. Foster as a naval officer demoted for dereliction of duty. He is forced to commandeer a battered old submarine chaser and its ragtag crew. Anxious to redeem himself, Foster transforms his loser underlings into a crack combat team, chalking up numerous enemy sinkings. Richard Greene costars as Foster's junior officer, a rich wastrel who matures into a worthwhile individual during his tour of duty. Deftly directed by John Ford, Submarine Patrol was enthusiastically received by audiences and critics alike in 1938. ~ Hal Erickson, All Movie Guide

During WWII, Johnny Weissmuller and his Tarzan character proved useful for Allied propaganda purposes. In the film Tarzan Triumphs, the plot had the ape man fighting Nazis in Africa. In Tarzan's Desert Mystery, released at the height of the war in 1943, he is once again battling Brownshirts in the Libyan desert. Tarzan meets up with Connie Bryce (Nancy Kelly), an American showgirl, and tangles with mercenary Arabs, legions of Nazi warriors, a giant spider, and a bunch of dinosaurs who somehow escaped extinction. In short, it's Tarzan against every evil villain an American filmmaker could have imagined at the time. The film included Johnny Sheffield as Boy, Tarzan's son, along with Tarzan's customary sidekick Cheta the Chimp. ~ Michael Betzold, All Movie Guide