John Kelly Movies

The 13-episode Universal serial The Green Hornet is based on the radio series of the same name. Gordon Jones stars as Britt Reid, crusading young publisher of the Daily Sentinel, who matches wits with the underworld by disguising himself as the Green Hornet. So far as police are concerned, the Hornet is himself a criminal; this misunderstanding enables Reid to operate "outside the law" to battle criminals and racketeers. In the course of the serial, Reid and his faithful valet Kato (Keye Luke), the only living person who knows the true identity of the Hornet, take on a crooked insurance racket, an auto-theft ring and a dishonest flying school. Others in the cast include Anne Nagel as Reid's secretary Lenore "Casey" Case, and Wade Boteler as thick-headed detective Michael Axford. A TV version of The Green Hornet appeared in 1966, with Van Williams as Reid and no less than Bruce Lee as Kato. ~ Hal Erickson, All Movie Guide

The once-in-a-lifetime teaming of Mae West and W.C. Fields in My Little Chickadee had the potential for comic greatness: what emerged, though generally entertaining, was, in the words of critic Andrew Sarris, "more funny strange than funny ha-ha." Mae West dominates the film's first reel as Flowerbelle Lee, a self-reliant woman who is abducted by a mysterious masked bandit during a stagecoach holdup. Because she refuses to tell anyone what happened during her nocturnal rendezvous with the bandit, Flowerbelle is invited to leave her prudish hometown and move to Greasewood City. En route by train, Flowerbelle makes the acquaintance of con-artist Cuthbert J. Twillie (W.C. Fields), who carries a suitcase full of what seems to be large-denomination monetary notes. After a lively clash with marauding Indians, Flowerbelle tricks Twillie into a phony marriage; she does this so that she can arrive in Greasewood City with a modicum of respectability, and incidentally to get her hands on Twillie's bankroll. Once she discovers that Twillie's "fortune" consists of nothing but phony oil-well coupons, Flowerbelle refuses to allow Twillie into the bridal chamber (he unwittingly crawls into the marriage bed with a goat, muttering "Darling, have you changed your perfume?") Through a fluke, the cowardly Twillie is appointed sheriff of Greasewood City by town boss Joseph Calleila. The plot is put on hold for two reels while La West does a "schoolroom" routine with a class full of markedly overage students, and while Fields performs a bartender bit wherein he explains how he once knocked down the notorious Chicago Mollie. Jealous over the attentions paid to his "wife" by Calleila and honest newspaper-editor Dick Foran, Twillie decides to gain entry into his wife's boudoir by posing as the still-at-large masked bandit. His ruse is soon discovered by Flowerbelle, but the townsfolk capture Twillie as he makes his escape. They are about to lynch the hapless Twillie when Flowerbelle discovers that Calleia is the genuine masked bandit. She urges Calleia to save Twillie's life by making a surprise appearance at the lynching and by returning the money he's stolen. When all plot lines are ironed out, Flowerbelle and Twillie bid goodbye to one another. Borrowing a device utilized by ZaSu Pitts and Hugh Herbert in 1939's The Lady's From Kentucky, W.C. Fields invites Mae West to "come up and see me sometime," whereupon West appropriates Fields' tagline and calls him "My Little Chickadee." The script for this uneven comedy western was credited to Mae West and W.C. Fields, though in fact West was responsible for most of it. Fields willingly conceded this, noting that West had captured his character better than any other writer he'd ever met. Despite this seeming gallantry, it was no secret that West and Fields disliked each other intensely, a fact that had an injurious effect on their scenes together. My Little Chickadee has assumed legendary status thanks to its stars, and it certainly does deliver the laughs when necessary: still, it is hardly the best-ever vehicle for either Fields or West, two uniquely individual performers who should never have been required to duke it out for the same spotlight. ~ Hal Erickson, All Movie Guide

In this comedy/drama, a feisty taxi-dancer (Lana Turner in her first starring role) takes on a sorority full of snooty debutantes after an equally snobbish Ivy Leaguer (Lew Ayres) who goes on a bender, meets her and invites her to his school's annual weekend bash. The next day, the fellow forgets all about the invite. When the party begins, the low-class girl shows up. The fellow then warns her that the catty debutante crowd will gleefully unsheathe their claws and rip her to shreds. The taxi-dancer is not so easily frightened and not only stays, she also stands up to every one of the wicked sorority sisters. She then gets sweet revenge by making herself the most popular girl of the weekend. ~ Sandra Brennan, All Movie Guide

As a direct result with his excellent showing as warm-hearted Dr. Dafoe in the Dionne Quintuplets films, Jean Hersholt was awarded a not dissimilar radio series about a kindly general practioner named Dr. Christian. Two years after the debut of the Dr. Christian radio series, RKO Radio launched a group of films based on the property, again with Hersholt in the lead. First of the series was Meet Dr. Christian, in which the viewer was introduced to the titular doctor, his fussbudget housekeeper Mrs. Hastings (Maude Eburne), his favorite nurse Judy Price (Dorothy Lovett), Judy's pharmacist boyfriend Roy Davis (Robert Baldwin), and grouchy but lovable town grocer George Browning (Edgar Kennedy). Set in the town of River's End, the story concerns the efforts made by the pompous mayor to remove Dr. Christian from his position as the town's health officer and replace him with a more "modern" medico. Ultimately, Christian proves his worth by performing a delicate operation without the benefit of the proper instruments. As a result, he not only keeps his job but is able to convince the town council to erect a new hospital. The overwhelmingly positive response to Meet Dr. Christian encouraged RKO to continue the series, ultimate toting up six profitable entries. ~ Hal Erickson, All Movie Guide

In this interesting drama, a highly respected straight-arrow Irish cop is pleased when his son follows him onto the force. Unfortunately, the son is more interested in promotions than in upholding the law and he makes few friends among his peers. When he shoots a child caught stealing, the others frame him and he is sent to prison where his attitude becomes even worse than before. Upon his escape, the bad seed goes on a crime spree. He then learns that his wife has just borne him a son. When he goes to the hospital to see the babe, his father, who set this trap, arrests him and sends him back to the pokey, proving that in this case, justice is thicker than blood. ~ Sandra Brennan, All Movie Guide

Katharine Hepburn and Cary Grant star in this inspired comedy about a madcap heiress with a pet leopard who meets an absent-minded paleontologist and unwittingly makes a fiasco of both their lives. David Huxley (Grant) is the stuffy paleontologist who needs to finish an exhibit on dinosaurs and thus land a $1 million grant for his museum. At a golf outing with his potential benefactors, Huxley is spotted by Susan Vance (Hepburn) who decides that she must have the reserved scientist at all costs. She uses her pet leopard, Baby, to trick him into driving to her Connecticut home, where a dog wanders into Huxley's room and steals the vital last bone that he needs to complete his project. The real trouble begins when another leopard escapes from the local zoo and Baby is mistaken for it, leading Huxley and Susan into a series of harebrained and increasingly more insane schemes to save the cat from the authorities. Inevitably, the two end up in the local jail, where things get even more out of hand: Susan pretends to be the gun moll to David's diabolical, supposedly wanted criminal. Naturally, the mismatched pair falls in love through all the lunacy. Director Howard Hawks delivers a funny, fast-paced, and offbeat story, enlivened by animated performances from the two leads, in what has become a definitive screwball comedy. ~ Don Kaye, All Movie Guide

In this crime drama, an innocent wife has no idea that her husband makes his living by hijacking trucks. When she finds out that she has been implicated in the crimes, she takes off with a chauffeur. Later she falls for a handsome artist and by the end of the story, after some tragedy occurs, she ends up clearing her name. ~ Sandra Brennan, All Movie Guide

Douglas MacLean, who starred in the original 1919 version of this World War I comedy, produced this remake starring James Ellison as Sgt. Gray. One day at training camp, Gray bets his buddies that he'll be having breakfast with the General (Paul Harvey) the next morning. Through a series of comic episodes, Gray accomplishes his goal, surprising his fellow soldiers. Arthur Lake (Dagwood in the Blondie series) co-stars in this average comedy, which is bolstered by some okay songs from Sammy Stept and Ted Koehler. ~ Robert Firsching, All Movie Guide

In this crime drama, a highly superstitious racehorse owner spends his time off the track helping the less fortunate in any way he can so that he will always have good luck. His ploy works until he is accused of murdering his ex-lover. Fortunately, the real culprit is discovered before he has to go to jail. ~ Sandra Brennan, All Movie Guide

Lady lawyer Portia Merryman (Frieda Inescourt) defends woebegone Elizabeth Manners (Heather Angel), who is on trial for shooting her lover Earle Condon (Neil Hamilton). Ironically, Portia herself had once had an affair with Earle's father, powerful publisher John Condon (Clarence Kolb). She has a pretty good idea of what is going on in Elizabeth's head, since she herself was on the verge of killing Condon when he ruthlessly took custody of her illegitimate son (not Earle, though that certainly would have brought things full circle). As Portia toils and strains to free her client, she carries on a romance with Dan Foster (Walter Abel) -- the attorney for the prosecution. LA Law and The Practice have nothing on this one! ~ Hal Erickson, All Movie Guide

Frances Farmer plays the daughter of an honest and ethical newspaper publisher (Charlie Ruggles). She wants to become a reporter herself, but when her Dad refuses to give her an easy break, Frances goes to work for a rival "tell all" tabloid. Her irresponsible reporting causes a highly respected citizen to commit suicide, and also loses her the respect of her father. But when Frances gets "over her head" in tracking down a killer, her father comes to the rescue. Taking a bullet meant for his daughter, Ruggles dies in her arms, but not before advising her in how to report this late-breaking event: "Write it simply and clearly and keep the paragraphs short." ~ Hal Erickson, All Movie Guide

Merry-Go-Round of 1938 was the first (and last) of a proposed series of films spotlighting top Broadway talent. Three headliners from the Great White Way--comedian Bert Lahr, pantomime artist Jimmy Savo and monologist Billy House--team with veteran Hollywood scene-stealer Mischa Auer. The storyline has our four heroes taking care of a cute little girl, but the plot is forgotten amidst a series of choice specialty acts, including Lahr's legendary "Woodman Spare That Tree." Universal took a bath with Merry-Go-Round of 1938, which explains why you never saw the 1939 edition. As for the stars, Bert Lahr went on to Wizard of Oz; Jimmy Savo returned to Broadway; Billy House became a Hollywood character actor; and Mischa Auer continued to be everyone's favorite "Gloomy Russian." ~ Hal Erickson, All Movie Guide

A veterinarian and his wife leave their small burg and move to the Big Apple after he inherits a million dollars. His social climbing wife insists on the move because she wants her daughter to make a formal debut. Unfortunately for the family, the fortune was earned by a brutal mob boss, the veterinarian's dead uncle. Once in the city, they find themselves assailed by gangsters wanting the money. This comedy chronicles their efforts to keep the criminals at bay. ~ Sandra Brennan, All Movie Guide