John Kelly Movies

Douglas MacLean, who starred in the original 1919 version of this World War I comedy, produced this remake starring James Ellison as Sgt. Gray. One day at training camp, Gray bets his buddies that he'll be having breakfast with the General (Paul Harvey) the next morning. Through a series of comic episodes, Gray accomplishes his goal, surprising his fellow soldiers. Arthur Lake (Dagwood in the Blondie series) co-stars in this average comedy, which is bolstered by some okay songs from Sammy Stept and Ted Koehler. ~ Robert Firsching, All Movie Guide

This second of MGM's Thin Man films reteams William Powell and Myrna Loy as, respectively, bibulous private detective Nick Charles and his socialite wife Nora. The Charleses are sucked into another murder case via Nick's lovely cousin Elissa Landi, whose husband Alan Marshall has vanished. Hubby has been conducting an affair with nightclub thrush Dorothy McNulty (later known as Penny Singleton) and is also blackmailing gangsterish Joseph Calleia. When the corpses begin piling up, Nick and Nora try to piece the clues together, with the earnest assistance of Jimmy Stewart, who carries a torch for Landi. You won't believe who turns out to be the murderer in this one--then again, given the plot's strict adherence to "least likely suspect" formula, you probably will. ~ Hal Erickson, All Movie Guide

Three years after the second Thin Man entry, MGM brought back the property by popular demand with Another Thin Man. As ever, William Powell and Myrna Loy star as sophisticated sleuths Nick and Nora Charles, with the added filip of 8-month-old Nick Charles Jr. At the invitation of munitions manufacturer Colonel MacFay (C. Aubrey Smith), the Charleses spend a weekend at MacFay's Long Island estate. The Colonel is certain that his shady ex-business associate Phil Church (Sheldon Leonard) plans to do him harm, a prognostication that apparently comes true when murder rears its ugly head. Though he's promised to cut down on his drinking (after all, he's a daddy now), Nick spends an inordinate amount of time sorting out the clues and identifying the actual murderer-who, of course, is the least likely suspect (and in fact is played by an actor who seldom if ever harmed a fly in any other film). Adding to the merry mayhem is the Charleses' efforts to find a good baby-sitter, resulting in an onslaught of "help"-and additional babies!--courtesy of Nick's old Underworld cronies. ~ Hal Erickson, All Movie Guide

Told in flashback as Dr. Ernest Sovac (Boris Karloff) is marched into the gas chamber, Black Friday concerns kindly college professor George Kingsley (Stanley Ridges), who is seriously injured when he is caught in the middle of a gangster shootout. Kingsley's best friend Sovac performs an emergency "brain-ectomy", replacing Kingsley's gray matter with that of dying gangster Red Cannon. Though the operation is successful, the mild-mannered Kingsley occasionally lapses into Cannon's more brutal personality, and it is during one of these spells that he reveals the existence of a cache of stolen money. Hoping to use these ill-gotten funds to finance his neurological research, Sovac hypnotizes Kingsley into "becoming" Cannon, and while thus entranced the poor fellow commits several murders, including the elimination of his chief rival, mobster Eric Marnay (Bela Lugosi). Ultimately, Sovac is forced to kill Kingsley/Cannon "for the good of mankind", which brings us full circle to Death Row. ~ Hal Erickson, All Movie Guide

The Blonde From Brooklyn is perky Susan Parker (Lynn Merrick), gainfully employed as a "jukebox singer", back in the days when jukebox patrons could request that their songs be performed live via telephone hookup. Teaming with showbiz-minded G.I. Dixon Harper (Robert Stanton), Susan passes herself off as a Southern belle in order to land a job singing radio commercials for a Dixiefied coffee company. The fun begins when Susan is mistaken for the heir to a Southern plantation, forcing her to keep up her "yew all"s and "sho' nuff"'s indefinitely. Director Del Lord (of Three Stooges fame) resurrects any number of old two-reel-comedy routines in this trivial Columbia musical. ~ Hal Erickson, All Movie Guide

A never-completed stage musical was the source for the MGM superproduction Born to Dance. The plot is another three-sailors-on-leave affair, with Ted (James Stewart), Mush (Buddy Ebsen) and Gunny (Sid Silvers, who also co-wrote the script) romancing the eminently romanceable Nora (Eleanor Powell), Peppy (Frances Langford) and Jenny (Una Merkel). Nora aspires to become a dancing star, but her career nearly ends before it begins when she inadvertently comes between Broadway luminary Lucy James (Virginia Bruce) and her producer-lover McKay (Alan Dinehart). If anyone watching back in 1936 really cared about the plot, they probably weren't music lovers. The lovely Cole Porter score (his first written directly for the screen) includes "I've Got You Under My Skin", sung by Virginia Bruce to James Stewart, and "Easy to Love", warbled by Stewart to Eleanor Powell. Highlights include Reginald Gardiner's impersonation of a symphony-conducting traffic cop (a routine he'd previously performed on stage) and Eleanor Powell's climactic tap routine on board an art-deco battleship (a sequence later re-deployed for the climax of 1944's I Dood It). ~ Hal Erickson, All Movie Guide

Katharine Hepburn and Cary Grant star in this inspired comedy about a madcap heiress with a pet leopard who meets an absent-minded paleontologist and unwittingly makes a fiasco of both their lives. David Huxley (Grant) is the stuffy paleontologist who needs to finish an exhibit on dinosaurs and thus land a $1 million grant for his museum. At a golf outing with his potential benefactors, Huxley is spotted by Susan Vance (Hepburn) who decides that she must have the reserved scientist at all costs. She uses her pet leopard, Baby, to trick him into driving to her Connecticut home, where a dog wanders into Huxley's room and steals the vital last bone that he needs to complete his project. The real trouble begins when another leopard escapes from the local zoo and Baby is mistaken for it, leading Huxley and Susan into a series of harebrained and increasingly more insane schemes to save the cat from the authorities. Inevitably, the two end up in the local jail, where things get even more out of hand: Susan pretends to be the gun moll to David's diabolical, supposedly wanted criminal. Naturally, the mismatched pair falls in love through all the lunacy. Director Howard Hawks delivers a funny, fast-paced, and offbeat story, enlivened by animated performances from the two leads, in what has become a definitive screwball comedy. ~ Don Kaye, All Movie Guide

True Confession was one of the unfunniest of the "screwball" comedies of the 1930s, and its musical remake, Cross My Heart, isn't much of an improvement. Betty Hutton steps into the old Carole Lombard role as Peggy, a compulsive liar who'll do anything to help her attorney fiance Oliver Clarke (Sonny Tufts) get ahead. When it looks as though an unsolved murder case will be Clarke's ticket to success, Peggy, sticking her tongue in her cheek (as she always does when she's about to tell a whopper), glibly confesses to the killing. Peggy's plan is to allow her boyfriend to prove her innocence, thereby cementing his reputation as a man of integrity-but things don't go quite as planned. The subsequent trial is enlivened by the antics of looney Russian actor Peter (Michael Chekhov), who may or may not be the actual murderer. Betty Hutton's song numbers are just about as mediocre as the rest of the film. ~ Hal Erickson, All Movie Guide

Paul Muni is a prominent physician who is kidnapped by gangsters and forced to tend the needs of head crook Barton MacLaine. MacLaine takes a liking to the intellectual doctor and allows him to go home after his job is done. Muni finds himself the reluctant "staff physician" for the gangster, thus is periodically spirited away from his practice to look after the criminal. He has given his word not to "rat" on the crooks, but he can't sit idly by while the gangsters loot the city. Muni foils the crooks by injecting them with a drug which induces temporary blindness. Dr. Socrates was remade in 1939 as King of the Underworld, with Humphrey Bogart as the gangster boss and actress Kay Francis in Paul Muni's role (with surprisingly few dialogue alterations to accommodate the gender switch!) ~ Hal Erickson, All Movie Guide

Frances Farmer plays the daughter of an honest and ethical newspaper publisher (Charlie Ruggles). She wants to become a reporter herself, but when her Dad refuses to give her an easy break, Frances goes to work for a rival "tell all" tabloid. Her irresponsible reporting causes a highly respected citizen to commit suicide, and also loses her the respect of her father. But when Frances gets "over her head" in tracking down a killer, her father comes to the rescue. Taking a bullet meant for his daughter, Ruggles dies in her arms, but not before advising her in how to report this late-breaking event: "Write it simply and clearly and keep the paragraphs short." ~ Hal Erickson, All Movie Guide

In this crime drama, an innocent wife has no idea that her husband makes his living by hijacking trucks. When she finds out that she has been implicated in the crimes, she takes off with a chauffeur. Later she falls for a handsome artist and by the end of the story, after some tragedy occurs, she ends up clearing her name. ~ Sandra Brennan, All Movie Guide

Fugitive in the Sky closely resembles such earlier aviation programmers as 13 Hours by Air and Absolute Quiet. Once again, a plane-load of diverse passengers is hijacked by a fugitive criminal, who this time forces the plane to land during a dust storm. This incident opens a whole new can of worms concerning a still-unsolved murder case, which seemingly involves everyone on the plane. The carefully disguised killer is revealed in a devilishly clever (and cinematically inventive) manner, though the identity of this worthy is inadvertently tipped off in the opening credits. This is the sort of "good, little picture" which, once seen in childhood, is never forgotten. ~ Hal Erickson, All Movie Guide

Goodbye Love is a lampoon of what was once designated the "alimony racket." Refusing to meet his wife's exorbitant alimony demands, Sidney Blackmer volunteers to go to jail, where he finds that his cellmate is his own valet (Charlie Ruggles), incarcerated because he can't make his alimony payments. Finally able to raise enough money to secure his freedom, Ruggles heads to Atlantic City, where he makes the acquaintance of a gold-digger Veree Teasdale. Eventually Teasdale marries Blackmer for the express purpose of later divorcing him and claiming his bank account. When Blackmer learns the truth, he enlists the aid of Ruggles and newspaperman Ray Walker to get even with both his past and present wife. The frivolous storyline requires Charlie Ruggles to pose as a British nobleman and a big-game hunter, which he does with his usual comic aplomb. The final production of Jefferson Pictures Corporation, Goodbye Love was released by RKO Radio. ~ Hal Erickson, All Movie Guide