Mary Page Keller Movies

Oliver (Ewan McGregor) is an illustrator with a history of failed relationships. Growing up, he spent much of his time with his eccentric mother, Georgia (Mary Page Keller), while his father, Hal (Christopher Plummer), supported the arts as the curator of a local museum. Though Oliver's parents never divorced, as a young boy he always sensed a distance between them -- a distance, Oliver discovers following his mother's death years later, that resulted from the fact that his father had lived most of his life as a closeted homosexual. With his wife gone and his son grown up, 75-year-old Hal decides to finally embrace his sexuality and takes a young boyfriend (Goran Visnjic). When Hal's health takes a turn for the worse, Oliver steps up to care for him while recalling quiet conversations and eventful trips to the museum with his unpredictable mother -- a dyed-in-the-wool eccentric. Gradually, Oliver begins to see his father in a whole new light. Later, Oliver falls for pretty French actress Anna (Mélanie Laurent) after a chance meeting at a costume party. The more intimate Oliver and Anna become, the more they both realize they share one defining character flaw -- the moment any relationship turns serious, they run away. For Oliver it means shutting himself in and obsessing over his work; for Anna it's as easy as checking into another empty hotel room in yet another strange city -- one of the perks, as it were, of having an itinerant job. After moving in together, the dysfunctional couple realizes that overcoming their hard-wired relationship issues is more difficult than either of them expected. ~ Jason Buchanan, Rovi

Master chef Emeril Lagasse, the garrulous star of one of cable TV's most popular cooking shows, played "himself" in this eponymously titled NBC sitcom. The story lines revolved around the behind-the-scenes intrigues attending Emeril's weekly TV series and his clashes with his virtually all-female production staff: producer Cassandra Gilman (Lisa Ann Walter), stage manager Melva LeBlanc (Sherri Shepard), and fussy food stylist B.D. Benson (Carrie Preston). Further yocks were generated by Emeril's domestic travails with his agent, Jerry McKenney (Robert Urich), and his funky teenaged son, James (James Laffety), who worked as an intern on the TV show. Lagasse's trademarked catch phrase "Bam!" was not unexpectedly hauled out at the slightest provocation, usually when the writing failed to come up to the usual standards of executive producers Harry Thomason and Linda Bloodworth-Thomason. Its scheduled September 18, 2001, debut date was postponed by news coverage of the World Trade Center tragedy, and Emeril finally emerged from the oven on September 25, 2001. ~ Hal Erickson, Rovi

The lives of a down-and-out but loving and optimistic Florida couple change dramatically when their desperately impoverished relatives abduct the 11-year-old son of a wealthy businessman and bring the child to their house. When Lucas and Roberta find that Roberta's sister Carrie and her husband Carl have kidnapped little John Wesley Danforth from a little-league game, their first instinct is to call the cops and send the boy back home. But Carl is in dire financial straits and desperately needs the ransom money. He pulls out a loaded gun and forces Lucas and Roberta to become accessories to the crime. Meanwhile, the boy's upstanding father August Danforth hires a private detective. Against the advice of the investigator, he then agrees to pay the $100,000 that Carl demands. When it is time to pick up the loot, Carl remains at home with Roberta and the boy and forces Lucas to accompany Carrie to get the money. While they are gone, Roberta engineers an escape for herself and John Wesley.

As soon as Lucas returns with the money, the three speed off in a truck. Lucas and Roberta want to take John Wesley straight to the police, but he refuses to go. Shortly thereafter, they learn the shocking reason why: it seems that his fine, well-respected father is a child batterer. All John Wesley wants is to be reunited with his estranged mother in Louisiana. When faced with the child's obvious suffering, the good-hearted couple feel they have no choice but to obey his wishes. This puts all three of them plus the mother in grave danger for not only has the vengeful August called in the FBI, but the dangerously enraged Carl and Roberta are rapidly closing in on them. In order to survive, the four fugitives make one final effort to make it to the safety of Mexico. ~ Sandra Brennan, Rovi

This taut suspenser juggles perspectives of patriotism, media roles and the relationship between government officials and their economic interests. After a journalist covers a story about a secret military transaction between an American aerospace engineer and a Japanese agent, she continues her investigation with the help of a private eye. Before long, she figures out that she is merely a pawn and nothing around her is as it seems to be--including the people she has trusted. ~ Kristie Hassen, Rovi

In this entry in the long-running mystery series, Perry Mason takes the case for a TV reporter falsely accused of killing the station's ego-maniacal anchorman. ~ Sandra Brennan, Rovi

In this romantic drama set on the Hawaiian Islands, a police detective pursues both some ruthless criminal and a comely prosecuting attorney. ~ Sandra Brennan, Rovi

Harry Anderson makes his second appearance in the role made famous in the 1960s by Fred MacMurray in The Absent-Minded Professor: Trading Places. While working on yet another "miracle" formula, Anderson is talked into briefly trading jobs with his ex-roomate Ed Begley Jr., a research computer. As usual, the professor gets in over his head, and before long he's chased around by all sorts of mysterious characters. The gimmick this time is a "mystery invention" disguised as a tennis ball. The Absent-Minded Professor: Trading Places first aired February 26, 1989, as a two-hour episode of TV's The Magical World of Disney. ~ Hal Erickson, Rovi