Harry Keller Movies

In the third episode of Walt Disney's 17-part miniseries Tales of Texas John Slaughter, Slaughter (Tom Tryon) and another Texas ranger are sent to a bank to pick up the ranger's payroll. Unfortunately, the bank is held up by the vicious Barko gang, who kill Slaughter's comrade and leave him beaten and unconscious. Upon recovering, Slaughter takes it upon himself to bring in the leader of the gang -- Mrs. Barko (Beverly Garland), a sadistic murderer who holds her husband and his henchmen in thrall. Originally telecast as part of the Walt Disney Presents anthology, "Killers From Kansas" and the subsequent episode "Showdown at Sandoval" were edited together in 1961 and released overseas as the "feature film" Gunfight at Sandoval. ~ Hal Erickson, Rovi

In the ninth episode of Walt Disney's 17-part miniseries Tales of Texas John Slaughter, John (Tom Tryon) and his friend, Kentucky horse breeder Ashley Carstairs (Darryl Hickman), arrive in Tombstone, AZ, with their newly purchased cattle herd. Hoping to establish a new ranch on open land, Slaughter runs afoul of ruthless cattle baron Ike Clanton (James Westerfield). John and Ashley are also briefly taken prisoner by feisty Viola Howell (Betty Lynn), who accuses them of thievery. "Range War at Tombstone" originally aired as part of the Walt Disney Presents anthology. ~ Hal Erickson, Rovi

In the seventh episode of Walt Disney's 17-part miniseries Tales of Texas John Slaughter, the recently widowed Slaughter (Tom Tryon) arrives in New Mexico to purchase a herd of cattle and bring it back to Tombstone, where hungry silver miners will pay top dollar. Upon his arrival, he is talked into participating in a wild-horse roundup by Easterner Ashley Carstairs (Darryl Hickman), who hopes to breed Thoroughbreds for steeplechase racing in Kentucky. Ultimately, however, John and Ashley are stranded in the desert without horses or water, thanks to machinations of an outlaw and the capriciousness of an unbridled stallion. Originally telecast as part of the Walt Disney Presents anthology, "The Robber Stallion" was the first of a two-part story, culminating with the subsequent week's episode, "Wild Horse Revenge." ~ Hal Erickson, Rovi

One of producer Walt Disney's more blatant efforts to duplicate the success of his early TV miniseries Davy Crockett, the eight-part Swamp Fox featured another flamboyant frontiersman hero who wore coonskin-style headgear and whose adventures were introduced with a catchy, memorable theme song. Based on a book by Dr. Robert D. Bass, The Swamp Fox stars Leslie Nielsen as real-life American patriot Francis Marion, a wealthy landowner who during the Revolutionary War led a hardy band of guerilla fighters against the Redcoats and pro-British tories in his native South Carolina. The villain of the piece (at least in the first few episodes) was another actual historical figure, the ruthless Banastre Tarleton (John Sutton), an officer in the British Green Dragoons (Marion and Tarleton later served as the models for the hero and villain, respectively, of the 1999 Mel Gibson film Patriot). In the first episode, Marion is prevailed upon by his friends and neighbors to help free South Carolina from the grip of British rule. His task is made difficult by the fact that his sweetheart, Mary Videaux (Joy Page), is from a pro-Tory family. "The Birth of the Swamp Fox" originally aired as part of the Walt Disney Presents anthology. ~ Hal Erickson, Rovi

In its promotional material for the 1959 theatrical feature Darby O'Gill and the Little People, the Disney studio went into whimsical overdrive, hoping to convince the younger viewers that the leprechauns appearing in the film were not merely normal-sized actors made small via special effects, but instead the genuine article. As part of this delightful deception, the weekly Walt Disney Presents TV anthology offered an episode in which Walt Disney explained how he personally persuaded the King of the Leprechauns to appear in his film. It all begins when actor Pat O'Brien, returning from a trip to Ireland, regales Walt Disney with stories of the "little people" of the Emerald Isle. Banking on the fact that he is himself half-Irish, Walt travels to Old Erin to see for himself. After conferring with a local "shanachie," or storyteller (played by Darby O'Gill's titular star Albert Sharpe), Disney is granted an audience with his majesty himself, King Brian (Jimmy O'Dea) -- who has quite a healthy ego for one so tiny. This episode expertly blends new footage with previews from the upcoming film, which among other actors features a young Sean Connery (who was so obscure a performer at the time that he isn't even billed in the TV Guide listings!) While the actual Darby O'Gill scenes were directed by Robert Stevenson, the new transitional scenes were helmed by Harry Keller -- who after handling retakes of Orson Welles' Touch of Evil had no trouble seamlessly matching Stevenson's distinctive style. ~ Hal Erickson, Rovi

In the second episode of Walt Disney's 17-part miniseries Tales of Texas John Slaughter, newly installed Texas ranger Slaughter (Tom Tryon) has succeeded in rounding up the last members of Frank Davis' outlaw gang. Unfortunately, Davis (Robert Middleton) has been released on bail and has fled to Laredo. Together with fellow ranger Ben Jenkins (Harry Carey Jr.), Slaughter tracks Davis down to his new hideout, where he is conferring with five other outlaw bosses in hopes of creating a vast criminal empire. Originally telecast as part of the Walt Disney Presents anthology, "Ambush at Laredo" was in 1960 edited together with the previous episode "Texas John Slaughter", and released theatrically overseas as a "feature film", also titled Texas John Slaughter. ~ Hal Erickson, Rovi

Though the fact was played down by the Universal-International publicity department, Step Down to Terror (aka The Silent Stranger) is a remake of the 1943 Alfred Hitchcock masterpiece Shadow of a Doubt. Charles Drake plays Johnny Williams, a psychotic serial killer who returns to his hometown to visit his mother (Josephine Hutchinson) and widowed sister-in-law Helen (Colleen Miller), both of whom are ignorant of his criminal past. Johnny hopes to settle down and start life anew, but Helen, her suspicions aroused by visiting detective Mike Randall (Rod Taylor), discovers the truth about her beloved brother-in-law. Failing to talk Helen out of turning him in, Johnny methodically plots her murder. Will Randall show up in the proverbial nick of time? Shadow of a Doubt was remade again, under its original title, as a 1991 TV movie. ~ Hal Erickson, Rovi

Fred MacMurray is the beleagured hero of the Universal western Day of the Badman. MacMurray plays circuit judge Jim Scott, who rides into town to pass sentence on convicted killer Jake Hayes (Lee Van Cleef). Unfortunately, it doesn't look as though Hayes will stay in jail long enough for the trial: the town's sheriff (John Ericson) is an ineffectual weakling, willing to bend to the wishes of the killer's powerful father Charlie Hayes (Robert Middleton). The elder Hayes demands that his son merely be "banished" from town, and to that end he terrorizes the townsfolk into honoring his wishes. But Hayes hasn't reckoned with Judge Scott, who is not so easily bullied and cowed. The judge passes a sentence of death--and he's well equipped to mete out that punishment himself! ~ Hal Erickson, Rovi

Fred MacMurray plays the head of an outlaw band trying to escape across the Mexican border. The gang is able to elude the law and to navigate the rough terrain, but the flight comes to a halt in an all-but-deserted desert town. Here MacMurray and company are forced to stave off an Indian attack, during which several of the bandits prove to be less venal than they seem. The buildup to the attack seems to take forever, indicating that the producers may have had High Noon and Gunfight at the OK Corrall. It's likely that Fred MacMurray would have ground out budget westerns for the remainder of his career had not Walt Disney and My Three Sons come along. ~ Hal Erickson, Rovi

In this western, the many travails of a wagonmaster on a Westward trek are chronicled. ~ Sandra Brennan, Rovi

Rex Allen, the last of Republic's singing cowboys, stars in Red River Shore. This time, it's up to Allen to prevent a major oil scam. The potential suckers have been enticed into the deal on the reputation of a recently deceased local hero. The problem here is to rout the crooks without dragging the dead man's name through the mud. Fortunately, providence, and the screenwriters, take a hand in things. Though Rex Allen usually gets the girl -- in this case, Lyn Thomas -- the romantic angle this time is handled by young swain Bill Phipps. ~ Hal Erickson, Rovi

Considered by many the weakest of Wayne Morris' latter-day B-Westerns, The Marksman features the no longer svelte star as a U. S. Marshall chasing down the gang of rustlers that killed his colleague (I. Stanford Jolley). Masquerading as a harmless prospector, Morris uses a rifle complete with telescopic lens and wins not only the day but also lovely authoress Elena Verdugo. This film was nearly the last hurrah for series B-Western, Wayne Morris and the even less remembered John Carpenter fighting for the dubious honor of being the genre's final hero. ~ Hans J. Wollstein, Rovi