James Burke Movies

June Bride is based on Feature for June, a play by Eileen Tighe and Graeme Lorimer. Bette Davis plays the businesslike editor of a fashionable woman's magazine, who plans a feature on a "typical" midwestern marriage. She assigns her aide (and former fiance) Robert Montgomery to cover the story, a task he feels is beneath him. Even so, Montgomery keeps his mouth shut as Davis and her assistants Fay Bainter and Mary Wickes descend upon the hapless family of the bride and re-arrange the household so that it will be more "appealing" to the magazine's devoted readers. Unable to stand any more of this, Montgomery devilishly upsets the apple cart: he convinces the younger sister (Betty Lynn) of the bride (Barbara Bates) to elope with the groom (Raymond Roe), for whom the sister carries a torch. Infuriated by Montgomery's intervention, Davis fires him on the spot. She later relents, realizing that the change in marital plans will make an even better story than her original concept. In so doing, Davis finally admits that she's still in love with the cheeky Montgomery. One of the better Bette Davis vehicles of the late 1940s, June Bride is chock full of brisk, bright dialogue and appealing characters. Debbie Reynolds makes her film debut in the teeny-tiny part of a friend of the bride. ~ Hal Erickson, All Movie Guide

Texas, Brooklyn and Heaven deserves a historical footnote as director William Castle's only comedy western. Future Wild Bill Hickok star Guy Madison plays Eddie Taylor, a lonesome cowboy who falls in love with city-gal Perry Dunkin (Diana Lynn). The couple "meets cute" in Brooklyn, where the two have migrated to seek their fortunes. The plot veers into Runyonesque territory as Eddie tries to write the Great American Play, while Perry "adopts" pickpocket Mandy (Florence Bates) to pose as her mother. The loosely structured storyline permits several entertaining diversions, including a trip to Coney Island and a wild episode at a Brooklyn riding academy which hero and heroine have been conned into purchasing. Audie Murphy makes his second film appearance in a near-microscopic role. Based on a Saturday Evening Post story by Barry Benefield, Texas, Brooklyn and Heaven was released in England as The Girl From Texas. ~ Hal Erickson, All Movie Guide

In this aerial melodrama, four brothers working as stunt pilots for a flying circus leave their jobs to become mail pilots. Because their job requires that they constantly travel, they are advised to not settle down with wives and kids. Still, one pilot falls in love and marries. Unfortunately, the woman dislikes his brothers and constantly worries that he will be killed during a flight. Her fears are not unfounded and much tragedy ensues as the story unfolds. ~ Sandra Brennan, All Movie Guide

A semi-sequel to Here Comes Mr. Jordan, Columbia's Down to Earth is a camp- and kitsch-lover's delight. More beautiful than ever, Rita Hayworth stars as Terpsichore, the Goddess of Dance. From her perch Up Above, Terpsichore discovers that Broadway producer Danny Miller (Larry Parks) intends to put together a musical satire, lampooning herself and her fellow Greek Gods. Eliciting the aid of Heavenly emissary Mr. Jordan (Roland Culver, taking over from the earlier film's Claude Rains), Terpsichore descends to Earth in human form, landing a role in Miller's play. Through her bewitching influence, Miller agrees to abandon his plans for a satire, transforming his production into a portentiously serious "work of art"-which lays a large and noxious egg with the opening-night crowd. Somehow, our ethereal heroine manages to set things right, but there's still one nagging problem: Will she, a goddess, ever be permitted to fall in love with a mere mortal like Miller? Repeating their Here Comes Mr. Jordan roles, James Gleason and Edward Everett Horton appear respectively as the eternally flustered Max Corkle (formerly a fight promoter, now a theatrical agent) and the pompous, rule-bound Heavenly messenger #7013. Silly but immensely entertaining, Down to Earth was remade as the sillier but decidedly less entertaining Xanadu in 1980. ~ Hal Erickson, All Movie Guide

In the sixth and final Thin Man whodunit, Nick (William Powell) and Nora Charles (Myrna Loy) look into the mysterious killing of bandleader Tommy Drake (Phillip Reed). The police quickly hone in on the owner of a gambling ship, Phil Brant (Bruce Cowling), who was about to lose Drake's band to a competitor. Also among the many and varied suspects are: Phil's new wife, socialite Janet Thayar (Jayne Meadows); the band's voluptuous vocalist, Fran Page (Gloria Grahame); and the troubled clarinetist, Buddy Hollis (Don Taylor). With the assistance of jive-talking "Clinker" Krause (Keenan Wynn) and the clever terrier Asta, Nick and Nora are soon able to gather all the suspects at the reopening of the floating gaming establishment. In between the skullduggery and the usual wisecracks, Gloria Grahame performs a sultry version of Herb Magidson and Ben Oakland's "You're Not So Easy to Forget." ~ Hans J. Wollstein, All Movie Guide

Nightmare Alley is the sordid tale of a conniving young man who, in the words of one of the film's supporting characters, ends up low because he aimed so high. Drifter Tyrone Power sweet-talks his way into a job as barker for a rundown carnival. He is fascinated by an illegal side-show attraction called "The Geek," a near-lunatic who bites the heads off live chickens and then is "paid off" with a cheap bottle of rotgut and a warm place to sleep it off. Otherwise, Power's attention is focussed on a beautiful if slightly stupid carnival performer (Coleen Gray) who works in an "electricity" act with an equally dense strongman (Mike Mazurki). Power also befriends an alcoholic mentalist (Ian Keith), who demonstrates how easy it is to fool an audience into thinking that his mind reading is genuine. When the mentalist dies after accidentally drinking wood alcohol, Power works his way into the confidence of the performer's widow (Joan Blondell), who teaches Power all the tricks and code words of the mind-reading racket. Power walks out on Blondell in favor of Cathy Downs, who marries him and becomes his partner in a classy nightclub mentalist act. But Power is dissatisfied with show business, and with the help of a beautiful but shifty psychiatrist (Helen Walker) he convinces several wealthy people that he can communicate with their dead loved ones...for a price. One elderly millionaire (Taylor Holmes) offers Power a fortune if he can conjure up the spirit of the millionaire's dead daughter. Power enlists his wife to impersonate the deceased girl, but at the crucial moment she has an attack of conscience and exposes the fraud. His career ruined, Power goes to the crooked psychiatrist for help, but she laughs in his face and calls the cops. He escapes the law by going on the bum, and before long is a drunken derelict. When he approaches a carnival for work, he is told that there is only one job open...as a "geek." When asked if he wants the job, the defeated Power replies "Mister, I was born for it." Based on a lurid bestseller by William Lindsay Gresham, Nightmare Alley was Tyrone Power's attempt to break away from romantic leads in favor of roles with more substance. The picture wasn't a success, but it proved that Power was more than just a pretty face. ~ Hal Erickson, All Movie Guide

Although Bowery Bombshell was the third entry in Monogram's "Bowery Boys" series, it was released second in several regions. The trouble begins when Sach (Huntz Hall) is photographed leaving a bank at the same time as a group of bank robbers. The police think that Sach was involved with the crooks, forcing him to stay under wraps while his pal Slip (Leo Gorcey) and the rest of the Bowery Boys try to track down the genuine thieves. Posing as out-of-town gangsters, Slip and his pals win the confidence of slick gang boss Ace Deuce (Sheldon Leonard), but their subterfuge is destined to fail, and fail spectacularly. The story goes off on a new tangent towards the end when Ace's hulking henchman Moose McCall (Wee Willie Davis) accidentally swallows an experimental explosive, thereby turning himself into a human bomb. A moderately funny entry in the series, Bowery Bombshell might have been better with less plot and more logic. ~ Hal Erickson, All Movie Guide

California began life as a remake of Paramount's silent western epic The Covered Wagon, but by the time it emerged on-screen in 1946, the project had metamorphosed into a standard Technicolor frontier "spectacular", concentrating more on star power than anything else. Set during the 1848 mass migration to California, the film stars Ray Milland as Army deserter Jonathan Trumbo and Barbara Stanwyck as "shady lady" Lily Bishop. Since it is clear from the outside that the purportedly disreputable Trumbo and Lily will emerge as the film's true hero and heroine, it is easy to ignore the melodramatic plot convolutions and concentrate on the outsized, well-directed wagon train sequences. George Coulouris has a few ripe moments as a sagebrush Hitler who intends to set up his own despotic empire in California, while Barry Fitzgerald does his usual Irish-blarney routine as an itinerant farmer. As a bonus, Barbara Stanwyck sings a couple of newly-minted "cowboy" songs. ~ Hal Erickson, All Movie Guide

Owen Wister's 1902 novel was made into a movie several times, most notably in 1929, with Gary Cooper starring. This 1946 remake of the often-filmed saga gave Joel McCrea the title role as the standing-tall cowboy in Wyoming. The Virginian and his best friend Steve (Sonny Tufts) are rivals for the affections of Molly Wood (Barbara Britton), a schoolteacher who has migrated from the East and finds herself intimidated by the rough morality of the West. Steve is after a quick buck and hooks up with a nefarious cattle rustler, Trampas (Brian Donlevy). The Virginian warns his friend not to take up the life of crime, but to no avail. Much gunplay ensues. ~ Michael Betzold, All Movie Guide

Though Jack Benny made a cottage industry out of joking about the purported rottenness of his 1945 vehicle Horn Blows at Midnght, the film is in fact a delightful comedy-fantasy-certainly not Benny's best film, but far from his worst. While dozing off during a radio broadcast, studio musician Athaniel (Benny) dreams he's a trumpet player in Heaven's celestial orchestra. At the behest of glamorous angel Elizabeth (Alexis Smith), Athaniel is brought into the lavish chambers of The Chief (Guy Kibbee), who has a job for our hapless hero. It seems that The Front Office, dissatisfied with the state of things on planet Earth ("just a six-day job"), has decided to destroy the tiny globe. Athaniel is to go down to New York City and blow his trumpet at midnight, thereby heralding the end of the world. Unfortunately he botches the job and remains stuck on earth as a "fallen angel" along with previous Heavenly dropouts Osidro (Allyn Joslyn) and and Doremus (John Alexander). Having persuaded The Chief to give Athaniel a second chance, Elizabeth herself comes to Earth to make sure that her sweetheart successfully completes his mission. Alas, the impoverished Athaniel has used his precious trumpet to pay for a meal, thereby setting off a chain reaction of comic complications, culminating with a Harold Lloyd-like climax wherein Athaniel is but one of six people precariously dangling from a skyscraper ledge. Evidence exists that the "dream" framework and slapstick finale of Horn Blows at Midnight were last-minute additions: A 1949 radio version of the Sam Hellman-James V. Kern screenplay is quite different, with a more sentimental and "meaningful" finale. Whatever the case, the screen version of Horn Blows at Midnight delivers plenty of laughs for Benny fans and casual viewers alike. Alas, the film proved a box-office disappointment, which was injurious for Benny's film career but a boon to his radio and TV shows, which thrived on derisive Horn Blows at Midnight jokes for the next two decades! ~ Hal Erickson, All Movie Guide

This mammoth musical is at base the story of two sailors on leave in Hollywood. Brash Joseph Brady (Gene Kelly) has promised his shy pal Clarence Doolittle (Frank Sinatra) that he will introduce Clarence to all the glamorous movie starlets whom he allegedly knows so well. Actually, the only actress whom Joseph meets is bit player Susan Abbott (Kathryn Grayson). He arranges for the golden-throated Susan to be auditioned by musician José Iturbi, but when she seems to want to return the favor romantically, Brady tries to foist the girl off on Clarence. But Clarence only has eyes for a fellow Brooklynite (Pamela Britton). Also involved in the plot machinations is runaway orphan Donald Martin (Dean Stockwell). Featuring Kelly dancing with such partners as a cartoon mouse (courtesy of MGM's house animators Bill Hanna and Joseph Barbera), Anchors Aweigh was a huge hit in 1945, assuring audiences future Gene Kelly/Frank Sinatra teamings. ~ Hal Erickson, All Movie Guide

William Gargan and Margaret Lindsay, stars of Columbia's "Ellery Queen" series, were reunited for the like-minded comedy/mystery No Place for a Lady. Gargan plays private eye Jess Arno, while Lindsay is Jess' ever-faithful, long-suffering fiancee June Terry. The plot gets under way when a valuable collection of tires (vital to the War effort of course) are stolen by a wealthy widow-who subsequently ends up murdered. Suspicion falls upon Dolly Adair (Phyllis Brooks), but Arno isn't satisfied with this and eventually ferrets out the real killer. While it's not fair to reveal the murderer, it should be noted that the cast includes such whodunit veterans as Edward Norris, Dick Purcell and Jerome Cowan. ~ Hal Erickson, All Movie Guide

No relation to the 1950 Frank Capra film of the same name, the 1943 Technicolor musical Riding High is a by-the-numbers vehicle for Dorothy Lamour and Dick Powell. Lamour stars as Ann Castle, a former burlesque queen who heads westward to claim her father's silver mine. Powell plays mining engineer Steve Baird, who like Ann has a vested interest in the worked-out mine. With the help of genial counterfeiter Mortimer J. Slocum (Victor Moore), Steve and Ann are able to peddle mining stock, thus saving her from bankruptcy. The stockholders are in a lynching mood when it appears that they've been flim-flammed, but a last minute "miracle" saves the day. Featured in the cast are Paramount stalwarts Cass Daley and Gil Lamb, the former doing her quasi-Martha Raye act and the latter swallowing his harmonica for the millionth time. Production values are excellent and the songs are exuberantly performed; it's only in its hackneyed plot that Riding High slows to a clip-clop. ~ Hal Erickson, All Movie Guide