Vernon Keays Movies

Whirlwind Raiders differs from the usual run of Charles Starrett westerns only in the fact that it wasn't directed by the series' principal helmsman Ray Nazarro. Starrett is cast as ace rodeo rider Steve Lanning, who, when the need presents itself, assumes the guise of that masked justice-defender, The Durango Kid. The villains this time are s ia band of Texas law officers who use their authority to rob and plunder. When Steve figures out who's the "head man" behind the crooks, he dons his Durango mask and metes out justice. Featured in the cast is 10-year-old Don Kay Reynolds, aka Little Brown Jug, who was concurrently playing "Little Beaver" in the Red Ryder western series. ~ Hal Erickson, All Movie Guide

The Durango Kid (Charles Starrett) comes to the aid of a young preacher (Tex Harding), who is battling a gang of land grabbers operating out of Dusty Gulch. As it turns out, The Kid, alias Steve Ranson, has a personal quarrel with town boss Blaze Howard (John Calvert), who had his brother, the marshal, killed. But as Steve, Tex and comedy sidekick Cannonball (Dub Taylor) learn, Howard isn't calling the shots at all but is taking orders from someone completely above suspicion. In a rare contemplative moment, Tex Harding and leading lady Mildred Law sing the Reverend W.B. Stevens' "Farther Along" while Bob Wills and His Texas Playboys interrupt the action with Wills and Tommy Duncan's swinging "Stay a Little Longer" and "Dev'lish Mary". ~ Hans J. Wollstein, All Movie Guide

In this musical western, the Three Stooges' Moe plays the straight man while Curly and Larry play a pair of aspiring Broadway performers who work as bumbling ranch hands. ~ Sandra Brennan, All Movie Guide

A New-York-bound hitchhiker is hit by a car. The driver, a successful art dealer, stops and finds that he has hit a beautiful girl. He takes her to his home and later learns that she was to be a dancer. As she recovers she cannot help but notice that her benefactor and his stepdaughter both seem a little touched. The suspense comes in when she figures out that the greedy dealer is planning to kill all his female relatives in order to receive a large inheritance. ~ Sandra Brennan, All Movie Guide

U.S. marshal Ritter arrives in town to round up bandits who are attempting to fix the local elections. ~ All Movie Guide

The Utah Kid was a late entry in Monogram's "Trail Blazers" series. These low-budget westerns usually featured three cowboy stars; this time, however, there are only two, Bob Steele and Hoot Gibson. Though neither star is a spring chicken, Steele is the younger of the two, so he's the "Utah Kid" by default. The plot, involving a gang of crooks who go around fixing rodeo results, was designed to accommodate yards and yards of stock footage. Onetime D.W. Griffith heavy Ralph Lewis plays a supporting role in this 55-minute sagebrusher. ~ Hal Erickson, All Movie Guide

A college student's passion for swinging music leads him to found his own band. When he starts spending more time playing music than studying, his father, a prominent hotelier, steps in and sends the lad to a dude ranch in Arizona. Undeterred, the boy brings the band with him. Once there, he encounters a pretty girl. Unfortunately, her father owns a rival hotel chain. Fortunately, after much singing, dancing and misunderstanding, the two young people finally manage to fall in love. Though only an hour long, the film is packed with 16 popular songs. ~ Sandra Brennan, All Movie Guide

Tom Destry (James Stewart), son of a legendary frontier peacekeeper, doesn't believe in gunplay. Thus he becomes the object of widespread ridicule when he rides into the wide-open town of Bottleneck, the personal fiefdom of the crooked Kent (Brian Donlevy). His detractors laugh even louder when Destry signs on as deputy to drunken sheriff Wash Dimsdale (Charles Winninger). But the laughter subsides when Destry casually proves himself a crack shot, despite his abhorrence of firearms. Later, when saloon chanteuse Frenchy (Marlene Dietrich), Kent's gal, takes umbrage at Destry's indifferent reaction to her charms, she vows to make a fool of the new deputy. A huge moneymaker, Destry Rides Again served as a spectacular comeback for Marlene Dietrich, who two years earlier had been written off as "box office poison." ~ Hal Erickson, All Movie Guide

British supporting actor Tyrell Davis earned a rare starring role in this low-budget family drama from Poverty Row company Action Pictures. Davis plays Count Emile Borosko, an impoverished European nobleman who comes to the aid of his unfortunate in-laws, a family of former society swells living above their means. But when Emile tries to get a job and support the family, his girlfriend, Connie (Helen Foster), accuses him unfairly of dallying with wealthy Vi Rantler (Dorothy Granger). Ill and desperate, Connie's father, John Lawton (John Ince), comtemplates suicide before Emile suddenly learns that his millionaire uncle has died. With newfound wealth, the noble Emile can finally provide for the needy Lawtons and marry the girl he loves. ~ Hans J. Wollstein, All Movie Guide

Contrary to popular belief, Clara Bow was already Paramount's biggest box-office draw when she starred in this delightful rags-to-riches comedy. But It, from the fertile mind of bizarre best-selling author Elinor Glyn, remains perhaps the quintessential Bow picture. Not that the story of a poor shopgirl falling for her rich employer was anything new (by 1927, Bow could play that role in her sleep), but It came complete with one of the best publicity campaigns in Hollywood history. Glyn herself publicly pointed to Bow as the personification of It, "that quality possessed by some which draws all others with its magnetic force." Paramount made sure that Glyn's lofty description of the word sunk in and even convinced the author to explain It in the film to leading man Antonio Moreno (who, according to Glyn, simply oozed It as well). The lightweight comedy behind all this hoopla centered on little Betty Lou Spence, a vivacious salesgirl invited to dinner at the Ritz by foppish wastrel and self-described "old fruit" "Monty" Montgomery (William Austin in one of those roles later personified by Edward Everett Horton). Betty is not paying attention to her dinner companion, however, but is ogling department store heir Cyrus Waltham (Moreno). He notices her too, and takes the salesgirl on a whirlwind tour of Coney Island. But when Betty is mistakenly assumed to be the unmarried mother of an infant (actually her roommate Molly's), stern Cyrus no longer sees her as proper marriage material. Betty, of course, gets her man in the end and Waltham's snooty girlfriend ("other woman" specialist Jacqueline Gadsden) ends up in the drink. Delivering all the vivacious punch expected of a Bow comedy, It takes time out for a couple of rather poignant scenes. With the hindsight that Brooklyn's own Bow was never fully accepted by Hollywood society despite her stardom, it is touching to watch Betty being ostracized at the snobbish Ritz; and Bow is never more affecting than when she realizes that Moreno is offering diamonds and pearls instead of marriage. Priscilla Bonner, as Bow's drab, single-mother roommate, adds a touch of realism to her brief role, enviously observing Betty's frivolity. If It only added to Bow's brilliant success, the film did little for the intelligent Bonner. To the end of her life, Bonner maintained that accepting featured billing in It lost her any chance of true stardom. A very young Gary Cooper, has a bit as a reporter and director Josef Von Sternberg reputedly took over for Clarence Badger during a brief illness. Despite its rather trite Cinderella plot, It magnificently demonstrates why Bow's guileless flapper came to define an entire decade. It is heartbreaking to realize that her decline had already set in, and Bow's very public troubles and eventual career destruction were lurking right around the corner! ~ Hans J. Wollstein, All Movie Guide