Diane Keaton Movies
After rising to fame in a series of hit Woody Allen comedies, Diane Keaton went on to enjoy a successful film career both as an actress and as a director. Born Diane Hall on January 5, 1946, in Los Angeles, she studied acting at Manhattan's Neighborhood Playhouse School of the Theater and in 1968 understudied in Hair. On Broadway she met actor/director Allen and appeared in his 1969 stage hit Play It Again, Sam. In 1970, Keaton made her film debut in the comedy Lovers and Other Strangers and rose to fame as the paramour of Al Pacino's Michael Corleone in the 1972 blockbuster The Godfather. That same year, she and Allen -- with whom Keaton had become romantically involved offscreen -- reprised Play It Again, Sam for the cameras, and in 1973 he directed her in Sleeper. The Godfather Part II followed, as did Allen's Love and Death. All of these films enjoyed great success, and Keaton stood on the verge of becoming a major star; however, when her next two pictures -- 1976's I Will, I Will for Now and Harry and Walter Go to New York -- both flopped, she returned to the stage to star in The Primary English Class.In 1977, Allen released his fourth film with Keaton, Annie Hall. A clearly autobiographical portrait of the couple's real-life romance, it was a landmark, bittersweet, soul-searching tale which brought a new level of sophistication to comedy in films. Not only did the film itself win an Academy Award for Best Picture, but Keaton garnered Best Actress honors. That same year, she also headlined the controversial drama Looking for Mr. Goodbar. Two more films with Allen, 1978's Bergmanesque Interiors and the 1979 masterpiece Manhattan followed; however, when the couple separated, Keaton began a romance with Warren Beatty, with whom she co-starred in the 1981 epic Reds; she earned a Best Actress nomination for her work in Beatty's film. Continuing to pursue more dramatic projects, she next co-starred in 1982's Shoot the Moon, followed by a pair of box-office disappointments, The Little Drummer Girl and Mrs. Soffel. The 1986 Crimes of the Heart was a minor success, and a year later she made her directorial debut with the documentary Heaven.
Keaton's next starring role in the domestic comedy Baby Boom (1987) was a smash, and after close to a decade apart, she and Allen reunited for Radio Days, in which she briefly appeared as a singer. Upon starring in 1988's disappointing The Good Mother, she began splitting her time between acting and directing. In between appearing in films including 1990's The Godfather Part III, 1991's hit Father of the Bride, and 1992's telefilm Running Mates, she helmed music videos, afterschool specials (1990's The Girl with the Crazy Brother), and TV features (1991's Wildflower). She even directed an episode of the David Lynch cult favorite Twin Peaks. After stepping in for Mia Farrow in Allen's 1993 picture Manhattan Murder Mystery, Keaton essayed the title role in the 1994 TV biopic Amelia Earhart: the Final Flight and in 1995 made her feature-length directorial debut with the quirky drama Unstrung Heroes. After co-starring with Bette Midler and Goldie Hawn in the 1996 comedy smash The First Wives Club, she earned another Oscar nomination for her work in Marvin's Room. In 1998, Keaton starred in The Only Thrill and followed that in 1999 with The Other Sister. She subsequently stepped into another familial role in 2000's Hanging Up with Meg Ryan and Lisa Kudrow.
Aside from a few scattered television appearances, 2001 and 2002 were relatively slow years for Keaton. Despite participating amongst a star-studded cast including veterans Goldie Hawn, Garry Shandling, Charlton Heston, and Warren Beatty, 2001's Town & Country was not particularly well-received among audiences or critics. In 2003, Keaton played Jack Nicholson's love interest in director Nancy Meyers's Something's Gotta Give (for which she received a Best Actress Oscar nomination) and executive produced director Gus Van Sant's avant-garde Elephant), which won Best Director and Golden Palm awards at the 2003 Cannes Film Festival. ~ Jason Ankeny, All Movie Guide
- 1994
Made-for-television, this drama tells the story of real-life pioneer aviatrix Amelia Earhart. Diane Keaton stars as the famous American female pilot, who challenged social stereotypes and took to the air in the 1930s. In an attempt to fly around the world, Earhart's plane went missing in 1937 and was never recovered. Keaton was nominated for a Golden Globe, an Emmy and a SAG Award for her portrayal of this ground-breaking historical figure. ~ Bernadette McCallion, All Movie Guide
Woody Allen's romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton, née Diane Hall). The twice-divorced Alvy knows that it's not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness. Annie wants to move to Los Angeles to find that fame that finally does in the relationship -- but not before Alvy gets in a few digs at vacuous, mantra-fixated California. Originally entitled Anhedonia (the inability to enjoy oneself), Annie Hall blended the slapstick and fantasy from such earlier Allen films as Sleeper (1973) and Bananas (1971) with the more autobiographical musings of his stand-up and written comedy, using an array of such movie techniques as talking heads, splitscreens, and subtitles. Within these gleeful formal experiments and sight gags, Allen and co-writer Marshall Brickman skewered 1970s solipsism, reversing the happy marriage of opposites found in classic screwball comedies. Hailed as Allen's most mature and personal film, Annie Hall beat out Star Wars for Best Picture and also won Oscars for Allen as director and writer and for Keaton as Best Actress; audiences enthusiastically responded to Allen's take on contemporary love and turned Keaton's rumpled menswear into a fashion trend. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Woody Allen, Diane Keaton, (more)
Management consultant Diane Keaton has no time in her life for anything except her high-profile job. All this changes when she inherits a 14-month-old infant from a pair of recently deceased-and very distant-relatives. Intending to put the child up for adoption, she discovers that she has grown fond of the kid and has begun to thrive on the responsibilities of motherhood. All of this, of course, jeopardizes Keaton's love life and professional standing, but all turns out well when the baby inadvertently leads to a whole new moneymaking agenda for our heroine. Capraesque in concept, Baby Boom avoids phony sentiment and obvious humor, emerging as one of the singular comic delights of the late 1980s. On great bit has Keaton "celebrating" a major business coup by surreptiously performing an under-the-table jig (a bit of business that dates back to the 1924 Reginald Denny comedy Skinner's Dress Suit). Baby Boom was spun off into a TV sitcom in 1989, with Kate Jackson filling Diane Keaton's designer shoes. ~ Hal Erickson, All Movie Guide
- Starring:
- Diane Keaton, Harold Ramis, (more)
Diane Keaton stars as a unconditionally loving, but meddling, mother whose vain attempt to prevent her insecure youngest daughter from repeating the same mistakes that she made leads to a series of comic misunderstandings in director Michael Lehmann's affectionate family comedy. When it comes to the topic of motherhood, Daphne Wilder (Keaton) has seen it all. Her eldest daughter, Maggie (Lauren Graham), is a highly respected psychologist and her middle daughter, Mae (Piper Perabo), is both sexy and smart, but youngest Milly (Mandy Moore) just can't seem to get things right no matter how hard she tries. Recognizing that the romantic exploits of her charming-but-struggling youngest always seem to end in tears, concerned mother Daphne vows to find Millie the perfect man. Though she always means well, Daphne's misguided attempt to set her daughter up by placing a carefully worded personal ad proves once and for all that even the most well-intending of mothers can sometimes overstep their boundaries. ~ Jason Buchanan, All Movie Guide
- Starring:
- Diane Keaton, Mandy Moore, (more)
Adapted from the Pulitzer Prize-winning play by Beth Henley (who also penned the screenplay), Crimes of the Heart stars three high-powered actresses as three high-strung sisters. Lenny (Diane Keaton), Meg (Jessica Lange) and Babe (Sissy Spacek) gather at Lenny's deep-South home for her birthday. Lenny, the oldest, can't seem to sustain a relationship with a man. Meg is an aspiring actress who hasn't progressed beyond commercial voice overs. And Babe is released on bond from jail after shooting her senator husband. Add to this information the fact that the girls' mother killed herself in Lenny's house, and that when Meg offhandedly expresses the wish that grouchy grandfather Hurd Hatfield would slip into a coma, he does, whereupon the sisters, despite every effort to treat the situation with proper sobriety, burst into helpless laughter over her "psychic" powers. ~ Hal Erickson, All Movie Guide
- Starring:
- Diane Keaton, Jessica Lange, (more)
Based on the autobiographical book by novelist Beverly Lowry, the made-for-TV Crossed Over chronicles the unlikely friendship between Lowry and one of America's most notorious death-row inmates. Consumed by grief after the hit-and-run death of her 18-year-old son Peter (Nick Roth), Beverly Lowry (played by Diane Keaton, who also executive-produced the film) is unable to overcome her depression, despite the tender ministrations of her supportive husband Ethan (Maury Chaykin). But when a psychic informs her that her son's death was caused by a woman, Beverly obsessively begins researching the lives of other women who'd taken lives. The trail of information leads her to the infamous Karla Faye Tucker (Jennifer Jason Leigh), slated to become the first white woman executed for murder in Texas in 135 years. Although the film necessarily telescopes the facts (the actual relationship between Lowry and Tucker spanned nearly a decade), the film successfully details how Beverly's friendship with the doomed Karla enabled both women to expunge the demons within their respective souls. Filmed in Toronto, Crossed Over was originally aired by CBS on March 3, 2002. ~ Hal Erickson, All Movie Guide
- Starring:
- Jennifer Jason Leigh, Diane Keaton, (more)
Director Gus Van Sant returned to the low-key style of his early independent efforts with this semi-improvised exploration of how violence makes its way into a typical American high school. Eric (Eric Deulen) and Alex (Alex Frost) are two close friends who are students in a well-to-do suburb of Portland, OR. Eric and Alex are at once ordinary and misfits; while they seem to be confined to the edges of the clique-oriented social strata of high school, little about their behavior draws attention to itself. Or at least not during a typical school day; on their own time, the two boys are fascinated by Nazi iconography, enjoy violent video games, tentatively explore homoerotic desires, and coolly begin to make plans for an armed ambush of the school, drawing up working diagrams of the lunch room during study hall and buying rifles over the Internet. Drawing an expected degree of controversy, Elephant had its world premiere when it was screened in competition at the 2003 Cannes Film Festival, where it won both Best Director for Van Sant and the Golden Palm award. ~ Mark Deming, All Movie Guide
- Starring:
- Alex Frost, Eric Deulen, (more)
Steve Martin stars in this remake of the 1950 Vincente Minnelli classic as shoe executive George Banks, whose happily married existence hits a bump when he greets his daughter Annie (Kimberly Williams), home from a semester studying in Europe. She tells her father that she is engaged to be married. When the shocked George asks to whom, she says his name is Bryan (George Newbern) and that he is an "independent communications consultant." George is even more shocked when he finds out what the wedding will cost (when George goes through the card file for invited wedding guests and is told someone is deceased, George chirps, "He died? That's great!"). As George is ignored during the mad preparations for the wedding, he wistfully looks back to all the good times he has had with Annie and sadly looks forward to the time when he loses his little girl. ~ Paul Brenner, All Movie Guide
- Starring:
- Steve Martin, Diane Keaton, (more)
Just as the original 1950 version of Father of the Bride spawned a sequel, so did the 1991 remake; like its counterpart four decades earlier, this story concerns a father who learns that his anxieties are just beginning after his daughter takes the big walk down the aisle. George Banks (Steve Martin) has finally adjusted to the marriage of his daughter Annie (Kimberly Williams) when the fates drop a new bombshell on his head: Annie and her husband Bryan (George Newbern) announce that they're going to have a baby. While George's wife Nina (Diane Keaton) is happy enough about the news, George is thrown into an immediate mid-life crisis; while he and Nina were once discussing the possibility of selling the family home and moving to a place on the beach, George impulsively sells their home to Mr. Habib (Eugene Levy), a greedy land speculator. Now, with ten days to move, George gets even more unexpected news: Nina, who had earlier been fretting about the onset of menopause, has just learned that she's pregnant as well. George now has to deal with being a father again as well as becoming a grandparent, while he also figures out how to get the Banks family home back. Martin Short returns as Franck, the oddly accented wedding planner from Father of the Bride, who has moved into a new career organizing baby showers and redecorating homes. ~ Mark Deming, All Movie Guide
- Starring:
- Steve Martin, Diane Keaton, (more)
- 2009
Father of the Bride co-stars Steve Martin and Diane Keaton re-team in this comedy from a pitch by Martin for Paramount Pictures. ~ Jeremy Wheeler, All Movie Guide
- Starring:
- Steve Martin, Diane Keaton, (more)
Diane Keaton directed and starred in this comedy/drama about a family brought together by potential tragedy. In her mid-40s, Eve (Meg Ryan) minds her house, runs a business organizing parties and events for others, and looks after her father (Walter Matthau), an alcoholic former writer who has grown argumentative and increasingly difficult to handle. Eve's sisters -- Georgia (Keaton), who is a few years older and the editor of a successful fashion magazine, and Maddy (Lisa Kudrow), a few years younger and a working actress with a spot on a soap opera -- have also had to deal with Dad, but only by long distance when he makes one of his frequent telephone calls. Dad now doesn't have long to live, and the siblings must pull together and make peace with their father and each other. Sisters Nora Ephron and Delia Ephron adapted the screenplay from Delia's novel; the supporting cast includes Adam Arkin, Cloris Leachman, and Mary Steenburgen. ~ Mark Deming, All Movie Guide
- Starring:
- Meg Ryan, Diane Keaton, (more)
- 1976
- PG
- Add Harry and Walter Go to New York to QueueAdd Harry and Walter Go to New York to top of Queue
Harry and Walter Go to New York was born of the theory that, the more stars and money that you throw into a film, the better the film will be. The theory has seldom been proven true, and it certainly wasn't in this case. Harry (James Caan) and Walter (Elliot Gould) are a third-rate vaudeville team, playing tank towns in turn-of-the-century USA. Thrown into the hoosegow on a petty-theft charge, our heroes make the acquaintance of big-time crook Adam Worth (Michael Caine). Once they're sprung, Harry and Walter follow Worth to New York, with the intention of pulling off a huge bank robbery. Lissa Chestnut (Diane Keaton), a bird-brained suffragette, is also mixed up in the proceedings though she never seems certain of who or what her character is from one scene to the next. The film's one tangible asset is its meticulous re-creation of 1890s New York, courtesy of art director Harry Horner. ~ Hal Erickson, All Movie Guide
- Starring:
- James Caan, Elliott Gould, (more)
The directorial debut of Diane Keaton, the eccentric 1987 documentary Heaven is a free-flowing examination of the images people hold of the afterlife. Rather than taking a historical or narrative approach, the film is built out of numerous segments, each of which centers around a single question: from the general "Are You Afraid to Die?" and "What is Heaven?" to more provocative queries such as "What is God Like?" and "Is There Sex in Heaven?". The bulk of the film consists of expressively lit interviews, about these questions, with a wide variety of individuals. The film searches out people of extremely different backgrounds, from elderly men and women to punkish teenagers. Religious beliefs represented range from intensely fundamentalist Christian preachers to New Age practitioners with a far more non-traditional image of heaven. These interviews are broken up by montages of stock footage, which present images of death and heaven as represented in classic (and not-so-classic) cinema and television. ~ Judd Blaise, All Movie Guide
- 1976
- R
Norman Panama directed and wrote (along with Albert E. Lewin) this mediocre piece of fluff about unhappily divorced marriage partners. Elliot Gould stars as Les Bingham, who takes umbrage that his ex-wife Katie (Diane Keaton) has a new love in life. What Les doesn't realize is that her new paramour is lawyer Lou Springer (Paul Sorvino). When Katie's sister Sally (Candy Clark) arrives and tells the two about her new, hip '70s marriage contract, Les and Katie decide to try to get together again under a more liberal marriage contract, like Katie's sister. But, unfortunately for the couple, the contract is planted with the seeds of self-destruction, having been drafted by Lou. ~ Paul Brenner, All Movie Guide
- Starring:
- Elliott Gould, Diane Keaton, (more)
Diane Keaton, Kristin Griffith, and Mary Beth Hurt play Renata, Flyn, and Joey, the grown daughters of wealthy Arthur (E.G. Marshall) and his emotionally disturbed wife, Eve (Geraldine Page). When Arthur leaves Eve, her three daughters rally around her. As it turns out, none of the daughters are ideally suited to provide an "anchor" for their distracted mother, but all four women are strengthened by their renewed relationship. Interiors received five Oscar nominations, including Best Director for Woody Allen, Best Original Screenplay for Allen, Best Actress for Geraldine Page, Best Supporting Actress for Maureen Stapleton (who plays Arthur's new love), and Best Art Direction for Mel Bourne and Daniel Robert. ~ Hal Erickson, All Movie Guide
- Starring:
- Kristin Griffith, Mary Beth Hurt, (more)
This final installment in the Look Who's Talking trilogy is a combination of Make Room For Daddy and The Lady and the Tramp. In the six years since the original Look Who's Talking, Mikey and Julie are now old enough to speak for themselves, so the producers came up with a new gimmick -- talking dogs. The Ubriacco family adopts two surly dogs, Rocks (the voice of Danny DeVito), a street-smart mongrel, and Daphne (voice of Diane Keaton), a snobbish pure bred poodle. The story kicks in with Christmas rapidly approaching and Molly (Kirstie Alley) out of a job. Because of this, her husband James (John Travolta) must work doubly hard to impress his new boss, Samantha (Lysette Anthony). But Samantha, it seems, has hired James for more than what appears in his job description. Samantha contrives a plan to get James to her cabin in the North Woods on Christmas Eve, where she plans to seduce him. James' family races to rescue him from the snowbound cabin, but when their taxi skids off the snow-covered road, it is left to the primal instincts of Rocks and Daphne to save the day. ~ Paul Brenner, All Movie Guide
- Starring:
- John Travolta, Kirstie Alley, (more)
- 1977
- R
Adapted from Judith Rossner's best-selling novelization of a true story, Richard Brooks's melodrama turns one woman's search for a liberated life into a cautionary tale about promiscuity. After an affair with her college professor, no-longer-good Catholic girl Theresa Dunn (Diane Keaton) follows the lead of her hedonistic sister (Tuesday Weld) and moves out of her oppressive family home to forge a life of her own. A compassionate teacher of deaf children by day, Theresa metamorphoses into a sexually free cruiser of singles bars by night. She prefers the satisfying attentions of unpredictable, danger-tinged stud Tony Lopanto (Richard Gere) to the more noble intentions of social worker James (William Atherton), but she ditches anyone who prevents her from being her "own girl." As Theresa's life threatens to spin out of control, she makes a vow to clean up her existence once and for all. But before she makes the break, she goes to one more bar and brings home one more man (Tom Berenger). ~ Lucia Bozzola, All Movie Guide
- Starring:
- Diane Keaton, Tuesday Weld, (more)
Woody Allen's Love and Death is purportedly a satire of all things Russian, from Leo Tolstoy and Fyodor Dostoyevsky novels to Sergei Eisenstein films, but it plays more like a spin on Bob Hope's Monsieur Beaucaire. Allen plays Boris, a 19th century Russian who falls in love with his distant (and married) cousin Sonja (Diane Keaton). Pressed into service with the Russian army during the war against Napoleon, Boris accidentally becomes a hero, then goes on to win a duel against a cuckolded husband (Harold Gould). He returns to Sonja, hoping to settle down on the Steppes somewhere, but Sonja has become fired up with patriotic fervor, insisting that Boris join a plot to kill Napoleon. Intellectual in-jokes abound in Love and Death, and other gags are basic Allen one-liners; for instance, after being congratulated for his lovemaking skills, Boris replies nonchalantly, "I practice a lot when I'm alone." The pseudo-Russian ambience of Love and Death is comically enhanced by the Sergey Prokofiev compositions on the musical track. ~ Hal Erickson, All Movie Guide
- Starring:
- Woody Allen, Diane Keaton, (more)
Lovers and Other Strangers became a "sleeper" hit, based on a play by Renée Taylor and Joseph Bologna. The story is essentially a series of vignettes and anecdotes, unified by an impending marriage. Father of the bride Hal (Gig Young) has problems with his long-suffering mistress, Cathy (Anne Jackson), who spends much of the film sitting on the toilet, crying her eyes out; Wilma (Anne Meara), the bride's sex-starved sister, can't wrest her husband, Johnny (Harry Guardino), away from the TV; and Frank (Richard S. Castellano), as the groom's father, slips comfortably into Bartlett's Familiar Quotations with his oft-repeated query "So what's the story?" Twelfth-billed Diane Keaton makes her film debut as a garrulous wedding guest. ~ Hal Erickson, All Movie Guide
- Starring:
- Bea Arthur, Bonnie Bedelia, (more)
A woman who was used to the finer things in life is suddenly thrust back into the work force after her husband gets downsized in writer/director Callie Khouri's (Divine Secrets of the Ya-Ya Sisterhood) American adaptation of the hit British comedy Hot Money. Faced with the prospect of losing her home as her debt begins to mount, posh housewife Bridget (Diane Keaton) accepts a job on the midnight cleaning crew at a local branch of the Federal Reserve Bank. When the growing temptation of the cash that surrounds her night after night ultimately proves too powerful to resist, Bridget teams with two of the other cleaners for a criminal exercise in creative moneymaking. Queen Latifah and Katie Holmes co-star in a crime comedy inspired by actual events. ~ Jason Buchanan, All Movie Guide
- Starring:
- Diane Keaton, Queen Latifah, (more)
Jeff Daniels, Jon Heder, and Diane Keaton star in director Tim Hamilton's domestic comedy concerning a slacker who finds his status as man of the house challenged when his single mother begins dating a self-help guru. As the influence of youth gradually gives way to the wisdom of age, the stage is set for a confrontation from which only one side can emerge victorious. ~ Jason Buchanan, All Movie Guide
- Starring:
- Jon Heder, Diane Keaton, (more)
On the heels of Annie Hall, the Oscar-winning romantic comedy that rocketed Woody Allen to the front ranks of American filmmakers, Manhattan continued Allen's romantic obsessions in a slightly darker, more pessimistic vein. Allen stars as Isaac Davis, a TV comedy writer sick of the pap he is forced to churn out and harboring dreams of being the great American novelist. His love life is in barbed-wire territory: he is tormented by his second ex-wife Jill (Meryl Streep), a lesbian who has written a tell-all book about their marriage, and he is dating teenager Tracy (Mariel Hemingway), to whom he refuses to commit, and keeps hinting that a breakup may be imminent. Isaac's disillusioned (and married) best friend Yale (Michael Murphy) has begun an affair with the cerebral writer Mary Wilke (Diane Keaton). While Isaac makes a last minute, sink-or-swim decision to quit his job and devote all of his time to book writing, and neurotically moans about what the lack of a full time job will do to him ("My parents won't have as good of a seat in the synagogue," he moans. "They'll be far away from God... away from the action") Yale is crippled by his lack of resolve, as indicated by his inability to leave his wife Emily (Anne Byrne). Meanwhile, Isaac and {%Mary) begin to fall for one another. Tracy then tells Isaac the basic truth that none of his hung-up friends and past lovers fully realizes: "You have to have a little more faith in people." Manhattan is both a seriocomic dissection of perpetually dissatisfied New Yorkers and an ode to the city itself, filmed in glorious black-and-white by ace cinematographer Gordon Willis, and set to a score of rhapsodic George Gershwin music. ~ Hal Erickson, All Movie Guide
- Starring:
- Woody Allen, Diane Keaton, (more)
There's a real murder and a real mystery in Woody Allen's Manhattan Murder Mystery, but these plot pegs are used mainly to allow Allen to explore modern urban relationships. Allen plays a N.Y.C. book editor, Larry Lipton, married to Carol (Diane Keaton, who replaced Mia Farrow at the last minute, for reasons well publicized at the time). Carol is a free spirit, ever willing to try new experiences, but Larry is a wet blanket. When it begins to look like a neighbor has killed his wife, Carol is eager to investigate the mystery, but Larry thinks her suspicions are nonsensical and doesn't want to leave his apartment. Undaunted, Carol finds another "Nick Charles" in the form of family friend Ted (Alan Alda), who joins the investigation, and feels attracted to Carol and isn't afraid to let her know. Meanwhile, a writer under Larry's aegis (Anjelica Huston), who feels romantically drawn to him, also decides to join in the fun. Slightly jealous of Carol in the face of her budding relationship with Ted, Larry reluctantly agrees to go along on her clue-hunting expedition -- and it is he who discovers the corpse, who as it turns out was killed after Carol started poking around the apartment building. ~ Hal Erickson, All Movie Guide
- Starring:
- Woody Allen, Diane Keaton, (more)
Two sisters try to set their familial differences aside -- one in hopes of saving her own life -- in this drama with comic accents. Bessie (Diane Keaton) has lived in Florida for the past 20 years, where she's been caring for her chronically ill father Marvin (Hume Cronyn) and her Aunt Ruth (Gwen Verdon), who does not seem well aquatinted with reality. While Bessie's life has not been easy, she feels that it's rewarding in its way, and she's come to love her father very much. However, when Bessie is diagnosed with cancer, she's told that the only treatment likely to save her would be a bone marrow transplant from a close relative -- which leads Bessie to contact her sister Lee (Meryl Streep) for the first time since their father fell ill. Bessie and Lee have a number of issues with each other that they've never resolved, many concerning their responses to Marvin's illness (Bessie rushed to his side, while Lee preferred to stay away), and Lee's own life has been difficult. She's gotten herself out of a bad marriage, has only recently started supporting herself as a beautician, and has to raise two kids on her own. Ten-year-old Charlie (Hal Scardino) tries to simply ignore the chaos going on all round him, while Hank (Leonardo DiCaprio), a troubled 17-year-old, was recently institutionalized after burning down the family's home. As the straight-laced Bessie and the earthy Lee reestablish contact after two decades, they discover just how much emotional ground they have to cover before they can meet on common ground. Robert De Niro appears in a supporting role as Dr. Wally, Bessie's physician. Marvin's Room was based on the stage drama by Scott McPherson, which opened in 1990; McPherson himself was critically ill at the time -- he died two years later from complications relating to AIDS. ~ Mark Deming, All Movie Guide
- Starring:
- Meryl Streep, Leonardo DiCaprio, (more)
