Diane Keaton Movies
After rising to fame in a series of hit Woody Allen comedies, Diane Keaton went on to enjoy a successful film career both as an actress and as a director. Born Diane Hall on January 5, 1946, in Los Angeles, she studied acting at Manhattan's Neighborhood Playhouse School of the Theater and in 1968 understudied in Hair. On Broadway she met actor/director Allen and appeared in his 1969 stage hit Play It Again, Sam. In 1970, Keaton made her film debut in the comedy Lovers and Other Strangers and rose to fame as the paramour of Al Pacino's Michael Corleone in the 1972 blockbuster The Godfather. That same year, she and Allen -- with whom Keaton had become romantically involved offscreen -- reprised Play It Again, Sam for the cameras, and in 1973 he directed her in Sleeper. The Godfather Part II followed, as did Allen's Love and Death. All of these films enjoyed great success, and Keaton stood on the verge of becoming a major star; however, when her next two pictures -- 1976's I Will, I Will for Now and Harry and Walter Go to New York -- both flopped, she returned to the stage to star in The Primary English Class.In 1977, Allen released his fourth film with Keaton, Annie Hall. A clearly autobiographical portrait of the couple's real-life romance, it was a landmark, bittersweet, soul-searching tale which brought a new level of sophistication to comedy in films. Not only did the film itself win an Academy Award for Best Picture, but Keaton garnered Best Actress honors. That same year, she also headlined the controversial drama Looking for Mr. Goodbar. Two more films with Allen, 1978's Bergmanesque Interiors and the 1979 masterpiece Manhattan followed; however, when the couple separated, Keaton began a romance with Warren Beatty, with whom she co-starred in the 1981 epic Reds; she earned a Best Actress nomination for her work in Beatty's film. Continuing to pursue more dramatic projects, she next co-starred in 1982's Shoot the Moon, followed by a pair of box-office disappointments, The Little Drummer Girl and Mrs. Soffel. The 1986 Crimes of the Heart was a minor success, and a year later she made her directorial debut with the documentary Heaven.
Keaton's next starring role in the domestic comedy Baby Boom (1987) was a smash, and after close to a decade apart, she and Allen reunited for Radio Days, in which she briefly appeared as a singer. Upon starring in 1988's disappointing The Good Mother, she began splitting her time between acting and directing. In between appearing in films including 1990's The Godfather Part III, 1991's hit Father of the Bride, and 1992's telefilm Running Mates, she helmed music videos, afterschool specials (1990's The Girl with the Crazy Brother), and TV features (1991's Wildflower). She even directed an episode of the David Lynch cult favorite Twin Peaks. After stepping in for Mia Farrow in Allen's 1993 picture Manhattan Murder Mystery, Keaton essayed the title role in the 1994 TV biopic Amelia Earhart: the Final Flight and in 1995 made her feature-length directorial debut with the quirky drama Unstrung Heroes. After co-starring with Bette Midler and Goldie Hawn in the 1996 comedy smash The First Wives Club, she earned another Oscar nomination for her work in Marvin's Room. In 1998, Keaton starred in The Only Thrill and followed that in 1999 with The Other Sister. She subsequently stepped into another familial role in 2000's Hanging Up with Meg Ryan and Lisa Kudrow.
Aside from a few scattered television appearances, 2001 and 2002 were relatively slow years for Keaton. Despite participating amongst a star-studded cast including veterans Goldie Hawn, Garry Shandling, Charlton Heston, and Warren Beatty, 2001's Town & Country was not particularly well-received among audiences or critics. In 2003, Keaton played Jack Nicholson's love interest in director Nancy Meyers's Something's Gotta Give (for which she received a Best Actress Oscar nomination) and executive produced director Gus Van Sant's avant-garde Elephant), which won Best Director and Golden Palm awards at the 2003 Cannes Film Festival. ~ Jason Ankeny, All Movie Guide
Lovers and Other Strangers became a "sleeper" hit, based on a play by Renée Taylor and Joseph Bologna. The story is essentially a series of vignettes and anecdotes, unified by an impending marriage. Father of the bride Hal (Gig Young) has problems with his long-suffering mistress, Cathy (Anne Jackson), who spends much of the film sitting on the toilet, crying her eyes out; Wilma (Anne Meara), the bride's sex-starved sister, can't wrest her husband, Johnny (Harry Guardino), away from the TV; and Frank (Richard S. Castellano), as the groom's father, slips comfortably into Bartlett's Familiar Quotations with his oft-repeated query "So what's the story?" Twelfth-billed Diane Keaton makes her film debut as a garrulous wedding guest. ~ Hal Erickson, All Movie Guide
- Starring:
- Bea Arthur, Bonnie Bedelia, (more)
- 1971
The Feds are hot on the trail of Arthur Blaisdell (Frank Hotchkiss) and Timothy Gage (Solomon Sturges), a pair of gunruners who break into a National Guard armory and steal several M1 rifles. The criminals' next move is to sell the weapons to a gang of extremists--but for what ultimate purpose? Featured prominently in the supporting cast is a decidedly pre-Annie Hall Diane Keaton. ~ Hal Erickson, All Movie Guide
Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don," the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family "business." A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.
After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels. ~ Karl Williams, All Movie Guide
After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels. ~ Karl Williams, All Movie Guide
- Starring:
- Marlon Brando, Al Pacino, (more)
Herbert Ross directed this adaptation of Woody Allen's hit Broadway play concerning a shy film critic who has trouble with women. Woody Allen plays Allan Felix, a writer for Film Quarterly consumed by movies, particularly his favorite film of all time, Casablanca. At the start of the film, Allan's wife Nancy (Susan Anspach) has just left him and is applying for a divorce. Unable to deal with this emotional turmoil, Allan seeks solace in the movies he loves, imagining Humphrey Bogart (Jerry Lacy) has dropped by his apartment to offer Allan advice on dealing with the ladies ("Dames are simple. I never met one that didn't understand a slap in the mouth or a slug from a forty-five"). Helping Allan meet new women are his good friends Dick (Tony Roberts) and Linda Christie (Diane Keaton). Dick and Linda fix him up with a succession of dates, all of which end disastrously because of Allan's nervousness and insecurity. Finally, Allan realizes that he has been spending more time with Linda than anyone else and he is becoming attracted to her -- she's the only woman he truly feels comfortable around. Linda proves unexpectedly receptive to Allan's advances, since Dick's workaholic ways leave Linda neglected and ignored. ~ Paul Brenner, All Movie Guide
- Starring:
- Woody Allen, Diane Keaton, (more)
In 1973, health-food store owner Miles Monroe (Woody Allen) enters the hospital for a routine gall bladder operation. When he expires on the operating table, Miles' sister requests permission to cryogenically freeze her brother's body. After 200 years, Miles is unwrapped by a group of scientists and awakens to a "brave new world" of deadening conformity, ruled with an iron fist by a never-seen leader. Miles is forced to flee for his life when the scientists -- actually a group of revolutionary activists -- are overpowered by the leader's police. He eludes the cops by pretending to be an android, and in this guise is sent to work at the home of Luna (Diane Keaton), a composer of greeting cards who thinks that the world of the future is perfect as it stands. There's more, but why spoil your fun? Sleeper is the most visual of Woody Allen's earlier films, and demonstrated a more pronounced rapport between Allen and his off- and onscreen leading lady Diane Keaton than had previously existed. The Dixieland score is performed by the Preservation Hall Jazz Band. ~ Hal Erickson, All Movie Guide
- Starring:
- Woody Allen, Diane Keaton, (more)
Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him -- a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Al Pacino, Robert Duvall, (more)
Woody Allen's Love and Death is purportedly a satire of all things Russian, from Leo Tolstoy and Fyodor Dostoyevsky novels to Sergei Eisenstein films, but it plays more like a spin on Bob Hope's Monsieur Beaucaire. Allen plays Boris, a 19th century Russian who falls in love with his distant (and married) cousin Sonja (Diane Keaton). Pressed into service with the Russian army during the war against Napoleon, Boris accidentally becomes a hero, then goes on to win a duel against a cuckolded husband (Harold Gould). He returns to Sonja, hoping to settle down on the Steppes somewhere, but Sonja has become fired up with patriotic fervor, insisting that Boris join a plot to kill Napoleon. Intellectual in-jokes abound in Love and Death, and other gags are basic Allen one-liners; for instance, after being congratulated for his lovemaking skills, Boris replies nonchalantly, "I practice a lot when I'm alone." The pseudo-Russian ambience of Love and Death is comically enhanced by the Sergey Prokofiev compositions on the musical track. ~ Hal Erickson, All Movie Guide
- Starring:
- Woody Allen, Diane Keaton, (more)
- 1976
- R
Norman Panama directed and wrote (along with Albert E. Lewin) this mediocre piece of fluff about unhappily divorced marriage partners. Elliot Gould stars as Les Bingham, who takes umbrage that his ex-wife Katie (Diane Keaton) has a new love in life. What Les doesn't realize is that her new paramour is lawyer Lou Springer (Paul Sorvino). When Katie's sister Sally (Candy Clark) arrives and tells the two about her new, hip '70s marriage contract, Les and Katie decide to try to get together again under a more liberal marriage contract, like Katie's sister. But, unfortunately for the couple, the contract is planted with the seeds of self-destruction, having been drafted by Lou. ~ Paul Brenner, All Movie Guide
- Starring:
- Elliott Gould, Diane Keaton, (more)
- 1976
- PG
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Harry and Walter Go to New York was born of the theory that, the more stars and money that you throw into a film, the better the film will be. The theory has seldom been proven true, and it certainly wasn't in this case. Harry (James Caan) and Walter (Elliot Gould) are a third-rate vaudeville team, playing tank towns in turn-of-the-century USA. Thrown into the hoosegow on a petty-theft charge, our heroes make the acquaintance of big-time crook Adam Worth (Michael Caine). Once they're sprung, Harry and Walter follow Worth to New York, with the intention of pulling off a huge bank robbery. Lissa Chestnut (Diane Keaton), a bird-brained suffragette, is also mixed up in the proceedings though she never seems certain of who or what her character is from one scene to the next. The film's one tangible asset is its meticulous re-creation of 1890s New York, courtesy of art director Harry Horner. ~ Hal Erickson, All Movie Guide
- Starring:
- James Caan, Elliott Gould, (more)
- 1977
- R
Adapted from Judith Rossner's best-selling novelization of a true story, Richard Brooks's melodrama turns one woman's search for a liberated life into a cautionary tale about promiscuity. After an affair with her college professor, no-longer-good Catholic girl Theresa Dunn (Diane Keaton) follows the lead of her hedonistic sister (Tuesday Weld) and moves out of her oppressive family home to forge a life of her own. A compassionate teacher of deaf children by day, Theresa metamorphoses into a sexually free cruiser of singles bars by night. She prefers the satisfying attentions of unpredictable, danger-tinged stud Tony Lopanto (Richard Gere) to the more noble intentions of social worker James (William Atherton), but she ditches anyone who prevents her from being her "own girl." As Theresa's life threatens to spin out of control, she makes a vow to clean up her existence once and for all. But before she makes the break, she goes to one more bar and brings home one more man (Tom Berenger). ~ Lucia Bozzola, All Movie Guide
- Starring:
- Diane Keaton, Tuesday Weld, (more)
Woody Allen's romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton, née Diane Hall). The twice-divorced Alvy knows that it's not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness. Annie wants to move to Los Angeles to find that fame that finally does in the relationship -- but not before Alvy gets in a few digs at vacuous, mantra-fixated California. Originally entitled Anhedonia (the inability to enjoy oneself), Annie Hall blended the slapstick and fantasy from such earlier Allen films as Sleeper (1973) and Bananas (1971) with the more autobiographical musings of his stand-up and written comedy, using an array of such movie techniques as talking heads, splitscreens, and subtitles. Within these gleeful formal experiments and sight gags, Allen and co-writer Marshall Brickman skewered 1970s solipsism, reversing the happy marriage of opposites found in classic screwball comedies. Hailed as Allen's most mature and personal film, Annie Hall beat out Star Wars for Best Picture and also won Oscars for Allen as director and writer and for Keaton as Best Actress; audiences enthusiastically responded to Allen's take on contemporary love and turned Keaton's rumpled menswear into a fashion trend. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Woody Allen, Diane Keaton, (more)
- 1977
Originally screened as a mini-series on the NBC television network, this epic-length feature combines the entirety of The Godfather and The Godfather Part II with 15 minutes of outtakes from the two films, recutting the material into chronological order (clarifying the complex structure of The Godfather Part II, which jumped back and forth between events that occurred before and after the narrative of the first film). The Godfather 1902-1959: The Complete Epic tells the tale of the Corleone Family, from the arrival of Vito Corleone in the U.S. as a boy and his rise to criminal power as a young man (played by Robert DeNiro) to the decline of his empire decades later. While some of the original material was censored for television broadcast, when The Godfather 1902-1959: The Complete Epic was later released on home video, the altered footage was restored to its original content. However, this proved not to be the final and complete document of the Corleone saga, as Francis Ford Coppola added another chapter to the story nine years later with the release of The Godfather Part III. ~ Mark Deming, All Movie Guide
- Starring:
- Al Pacino, Marlon Brando, (more)
Diane Keaton, Kristin Griffith, and Mary Beth Hurt play Renata, Flyn, and Joey, the grown daughters of wealthy Arthur (E.G. Marshall) and his emotionally disturbed wife, Eve (Geraldine Page). When Arthur leaves Eve, her three daughters rally around her. As it turns out, none of the daughters are ideally suited to provide an "anchor" for their distracted mother, but all four women are strengthened by their renewed relationship. Interiors received five Oscar nominations, including Best Director for Woody Allen, Best Original Screenplay for Allen, Best Actress for Geraldine Page, Best Supporting Actress for Maureen Stapleton (who plays Arthur's new love), and Best Art Direction for Mel Bourne and Daniel Robert. ~ Hal Erickson, All Movie Guide
- Starring:
- Kristin Griffith, Mary Beth Hurt, (more)
On the heels of Annie Hall, the Oscar-winning romantic comedy that rocketed Woody Allen to the front ranks of American filmmakers, Manhattan continued Allen's romantic obsessions in a slightly darker, more pessimistic vein. Allen stars as Isaac Davis, a TV comedy writer sick of the pap he is forced to churn out and harboring dreams of being the great American novelist. His love life is in barbed-wire territory: he is tormented by his second ex-wife Jill (Meryl Streep), a lesbian who has written a tell-all book about their marriage, and he is dating teenager Tracy (Mariel Hemingway), to whom he refuses to commit, and keeps hinting that a breakup may be imminent. Isaac's disillusioned (and married) best friend Yale (Michael Murphy) has begun an affair with the cerebral writer Mary Wilke (Diane Keaton). While Isaac makes a last minute, sink-or-swim decision to quit his job and devote all of his time to book writing, and neurotically moans about what the lack of a full time job will do to him ("My parents won't have as good of a seat in the synagogue," he moans. "They'll be far away from God... away from the action") Yale is crippled by his lack of resolve, as indicated by his inability to leave his wife Emily (Anne Byrne). Meanwhile, Isaac and {%Mary) begin to fall for one another. Tracy then tells Isaac the basic truth that none of his hung-up friends and past lovers fully realizes: "You have to have a little more faith in people." Manhattan is both a seriocomic dissection of perpetually dissatisfied New Yorkers and an ode to the city itself, filmed in glorious black-and-white by ace cinematographer Gordon Willis, and set to a score of rhapsodic George Gershwin music. ~ Hal Erickson, All Movie Guide
- Starring:
- Woody Allen, Diane Keaton, (more)
- 1981
This compilation of three classic films is an experimental program where they all run together on three screens simultaneously. ~ All Movie Guide
Few filmmakers other than Warren Beatty would have had the courage and vision to fashion an epic film from the life of famed American Communist John Reed (who is the only US citizen buried in the Kremlin). The film is an effort to humanize a political movement that has previously been depicted on screen in a series of unsubtle and prejudicial broad strokes. The film begins in 1915, when Reed (Beatty) makes the acquaintance of married Portland journalist Louise Bryant (Diane Keaton). So persuasive is Reed's point of view--and so charismatic is Reed himself-- that Bryant kicks over the traces and joins Reed and his fellow radicals. Among the famous personages depicted herein are Emma Goldman (Maureen Stapleton), Eugene O'Neill (Jack Nicholson) and Max Eastman (Richard Herrmann). The second half of this nearly-200-minute film skims through the years when Reed, now a Russian resident, becomes disillusioned by the harsh realities of Bolshevism. Despite the celebrity line-up of real-life "witnesses" to the events depicted in the film (ranging from novelist Henry Miller to comedian George Jessel!), historians took Reds to task for its oversimplification of events and its laundering of the notoriously promiscuous Louise Bryant. ~ Hal Erickson, All Movie Guide
- Starring:
- Warren Beatty, Diane Keaton, (more)
Director Alan Parker and writer Bo Goldman chronicle the emotional disintegration of an unhappy marriage. Albert Finney and Diane Keaton play George and Faith Dunlap, a seemingly happily married couple living with their four daughters in a converted farmhouse in Marin County, California. George is inwardly empty and decides to have an affair with Sandy (Karen Allen), who has doubts about how long their affair will last. Faith is also suffering from ennui and takes up with Frank Henderson (Peter Weller), the contractor for the Dunlap's tennis court. Frank, after discovering about Faith's affair, is in a confused state: he wants to leave and live with Sandy but doesn't want his wife to date other men and demands the love of his daughters -- all of whom now detest him. ~ Paul Brenner, All Movie Guide
- Starring:
- Albert Finney, Diane Keaton, (more)
- 1984
- R
Based on John Le Carré's novel by the same name, this story about Charlie (Diane Keaton) a female double agent working between the Palestinians and Israelis, loses some of the excitement and in-depth characterization engendered by the long novel -- mainly because the novel is hard to capture in a two-hour filmed format. But the action itself carries viewers along as Charlie ends up leaving England and her job as an actress in a Brit repertory company to meet Kurtz (Klaus Kinski) in Greece who recruits her as a spy. Charlie later has to handle her own emotions when she gets romantically involved with her Israeli contact (Yorgo Voyagis), though events move her quickly along to a Palestinian military camp near Beirut. Once she has passed herself off as a reliable Palestinian agent and completed her military training at the camp, she goes to Germany to hunt down a Palestinian terrorist (Sami Frey). Filled with a multitude of characters and locations, not to mention camera shots, the intensity of this story is dissipated somewhat by literally and figuratively covering a lot of territory, though the thread of the story itself is never lost. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Diane Keaton, Yorgo Voyagis, (more)
- 1984
What do you get when you cross Hitchcock and Renais? Douglas Davis' creation Psycho Mein Amour made up of the plots from Psycho and Hiroshima Mon Amour. ~ All Movie Guide
Based on a true story, Mrs. Soffel is set in Pittsburgh near the dawn of the 20th century. Peter Soffel (Edward Herrmann) is the warden of a top security prison, and his wife Kate (Diane Keaton) often comes by to read the Bible aloud to the inmates, despite her fragile health. While making her rounds, she makes the acquaintance of the Biddle Brothers, Ed (Mel Gibson) and Jack (Matthew Modine), who are sentenced to death for murder and robbery. Ed has become something of a celebrity thanks to his letter-writing campaign, in which he appeals in the letter-to-the-editor columns of the popular press to stay the execution of his brother and himself. His good looks, intelligence, and charm make a strong impression on Kate, whose marriage offers her little excitement. In time, Kate finds herself falling in love with Ed, and she discovers that she's unexpectedly receptive to his suggestion that she help him escape. Mrs. Soffel was the first American film from noted Australian filmmaker Gillian Armstrong. ~ Mark Deming, All Movie Guide
- Starring:
- Diane Keaton, Mel Gibson, (more)
Adapted from the Pulitzer Prize-winning play by Beth Henley (who also penned the screenplay), Crimes of the Heart stars three high-powered actresses as three high-strung sisters. Lenny (Diane Keaton), Meg (Jessica Lange) and Babe (Sissy Spacek) gather at Lenny's deep-South home for her birthday. Lenny, the oldest, can't seem to sustain a relationship with a man. Meg is an aspiring actress who hasn't progressed beyond commercial voice overs. And Babe is released on bond from jail after shooting her senator husband. Add to this information the fact that the girls' mother killed herself in Lenny's house, and that when Meg offhandedly expresses the wish that grouchy grandfather Hurd Hatfield would slip into a coma, he does, whereupon the sisters, despite every effort to treat the situation with proper sobriety, burst into helpless laughter over her "psychic" powers. ~ Hal Erickson, All Movie Guide
- Starring:
- Diane Keaton, Jessica Lange, (more)
The directorial debut of Diane Keaton, the eccentric 1987 documentary Heaven is a free-flowing examination of the images people hold of the afterlife. Rather than taking a historical or narrative approach, the film is built out of numerous segments, each of which centers around a single question: from the general "Are You Afraid to Die?" and "What is Heaven?" to more provocative queries such as "What is God Like?" and "Is There Sex in Heaven?". The bulk of the film consists of expressively lit interviews, about these questions, with a wide variety of individuals. The film searches out people of extremely different backgrounds, from elderly men and women to punkish teenagers. Religious beliefs represented range from intensely fundamentalist Christian preachers to New Age practitioners with a far more non-traditional image of heaven. These interviews are broken up by montages of stock footage, which present images of death and heaven as represented in classic (and not-so-classic) cinema and television. ~ Judd Blaise, All Movie Guide
Woody Allen's gentle and nostalgic tribute to the glory days of radio and coming-of-age during World War II plays like Fellini's Amarcord filtered through Neil Simon. The nominal star is Seth Green as Joe, a teenage Jewish boy, growing up with a house full of relatives in Brooklyn. Allen cuts between Joe's working class neighborhood of Rockaway Beach, Queens, and the glittery and glamorous world of radio in Manhattan. ~ Paul Brenner, All Movie Guide
- Starring:
- Mia Farrow, Seth Green, (more)
Management consultant Diane Keaton has no time in her life for anything except her high-profile job. All this changes when she inherits a 14-month-old infant from a pair of recently deceased-and very distant-relatives. Intending to put the child up for adoption, she discovers that she has grown fond of the kid and has begun to thrive on the responsibilities of motherhood. All of this, of course, jeopardizes Keaton's love life and professional standing, but all turns out well when the baby inadvertently leads to a whole new moneymaking agenda for our heroine. Capraesque in concept, Baby Boom avoids phony sentiment and obvious humor, emerging as one of the singular comic delights of the late 1980s. On great bit has Keaton "celebrating" a major business coup by surreptiously performing an under-the-table jig (a bit of business that dates back to the 1924 Reginald Denny comedy Skinner's Dress Suit). Baby Boom was spun off into a TV sitcom in 1989, with Kate Jackson filling Diane Keaton's designer shoes. ~ Hal Erickson, All Movie Guide
- Starring:
- Diane Keaton, Harold Ramis, (more)
Anna Dunlap (Diane Keaton) is a divorced mother living is Boston with her 6-year-old daughter Molly (Asia Viera). She supports herself and her daughter by working part time in a lab and teaching piano. Her ex-husband Brian (James Naughton) is a Washington lawyer who has since remarried. Anna meets Leo Cutter (Liam Neeson) and she and the Irish sculptor begin a torrid and passionate love affair. Molly walks in while the two are making love and lies down to sleep next to her mother, oblivious of their act of intimacy. Molly innocently relates the incident to Brian, and the livid lawyer sues for custody of the little girl. An ugly courtroom battle begins, with Leo being accused of molestation of a minor and Anna branded as an amoral, unfit mother. Her attorney Muth (Jason Robards) levels with Anna and tells her she must choose between Molly and her lover. Directed by Leonard Nimoy, this powerful drama is taken from the best-selling novel by Sue Miller. ~ Dan Pavlides, All Movie Guide
- Starring:
- Diane Keaton, Liam Neeson, (more)
