Diane Keaton

Management consultant Diane Keaton has no time in her life for anything except her high-profile job. All this changes when she inherits a 14-month-old infant from a pair of recently deceased-and very distant-relatives. Intending to put the child up for adoption, she discovers that she has grown fond of the kid and has begun to thrive on the responsibilities of motherhood. All of this, of course, jeopardizes Keaton's love life and professional standing, but all turns out well when the baby inadvertently leads to a whole new moneymaking agenda for our heroine. Capraesque in concept, Baby Boom avoids phony sentiment and obvious humor, emerging as one of the singular comic delights of the late 1980s. On great bit has Keaton "celebrating" a major business coup by surreptiously performing an under-the-table jig (a bit of business that dates back to the 1924 Reginald Denny comedy Skinner's Dress Suit). Baby Boom was spun off into a TV sitcom in 1989, with Kate Jackson filling Diane Keaton's designer shoes. ~ Hal Erickson, All Movie Guide

Director Gus Van Sant returned to the low-key style of his early independent efforts with this semi-improvised exploration of how violence makes its way into a typical American high school. Eric (Eric Deulen) and Alex (Alex Frost) are two close friends who are students in a well-to-do suburb of Portland, OR. Eric and Alex are at once ordinary and misfits; while they seem to be confined to the edges of the clique-oriented social strata of high school, little about their behavior draws attention to itself. Or at least not during a typical school day; on their own time, the two boys are fascinated by Nazi iconography, enjoy violent video games, tentatively explore homoerotic desires, and coolly begin to make plans for an armed ambush of the school, drawing up working diagrams of the lunch room during study hall and buying rifles over the Internet. Drawing an expected degree of controversy, Elephant had its world premiere when it was screened in competition at the 2003 Cannes Film Festival, where it won both Best Director for Van Sant and the Golden Palm award. ~ Mark Deming, All Movie Guide

Just as the original 1950 version of Father of the Bride spawned a sequel, so did the 1991 remake; like its counterpart four decades earlier, this story concerns a father who learns that his anxieties are just beginning after his daughter takes the big walk down the aisle. George Banks (Steve Martin) has finally adjusted to the marriage of his daughter Annie (Kimberly Williams) when the fates drop a new bombshell on his head: Annie and her husband Bryan (George Newbern) announce that they're going to have a baby. While George's wife Nina (Diane Keaton) is happy enough about the news, George is thrown into an immediate mid-life crisis; while he and Nina were once discussing the possibility of selling the family home and moving to a place on the beach, George impulsively sells their home to Mr. Habib (Eugene Levy), a greedy land speculator. Now, with ten days to move, George gets even more unexpected news: Nina, who had earlier been fretting about the onset of menopause, has just learned that she's pregnant as well. George now has to deal with being a father again as well as becoming a grandparent, while he also figures out how to get the Banks family home back. Martin Short returns as Franck, the oddly accented wedding planner from Father of the Bride, who has moved into a new career organizing baby showers and redecorating homes. ~ Mark Deming, All Movie Guide

Diane Keaton directed and starred in this comedy/drama about a family brought together by potential tragedy. In her mid-40s, Eve (Meg Ryan) minds her house, runs a business organizing parties and events for others, and looks after her father (Walter Matthau), an alcoholic former writer who has grown argumentative and increasingly difficult to handle. Eve's sisters -- Georgia (Keaton), who is a few years older and the editor of a successful fashion magazine, and Maddy (Lisa Kudrow), a few years younger and a working actress with a spot on a soap opera -- have also had to deal with Dad, but only by long distance when he makes one of his frequent telephone calls. Dad now doesn't have long to live, and the siblings must pull together and make peace with their father and each other. Sisters Nora Ephron and Delia Ephron adapted the screenplay from Delia's novel; the supporting cast includes Adam Arkin, Cloris Leachman, and Mary Steenburgen. ~ Mark Deming, All Movie Guide

The directorial debut of Diane Keaton, the eccentric 1987 documentary Heaven is a free-flowing examination of the images people hold of the afterlife. Rather than taking a historical or narrative approach, the film is built out of numerous segments, each of which centers around a single question: from the general "Are You Afraid to Die?" and "What is Heaven?" to more provocative queries such as "What is God Like?" and "Is There Sex in Heaven?". The bulk of the film consists of expressively lit interviews, about these questions, with a wide variety of individuals. The film searches out people of extremely different backgrounds, from elderly men and women to punkish teenagers. Religious beliefs represented range from intensely fundamentalist Christian preachers to New Age practitioners with a far more non-traditional image of heaven. These interviews are broken up by montages of stock footage, which present images of death and heaven as represented in classic (and not-so-classic) cinema and television. ~ Judd Blaise, All Movie Guide

This final installment in the Look Who's Talking trilogy is a combination of Make Room For Daddy and The Lady and the Tramp. In the six years since the original Look Who's Talking, Mikey and Julie are now old enough to speak for themselves, so the producers came up with a new gimmick -- talking dogs. The Ubriacco family adopts two surly dogs, Rocks (the voice of Danny DeVito), a street-smart mongrel, and Daphne (voice of Diane Keaton), a snobbish pure bred poodle. The story kicks in with Christmas rapidly approaching and Molly (Kirstie Alley) out of a job. Because of this, her husband James (John Travolta) must work doubly hard to impress his new boss, Samantha (Lysette Anthony). But Samantha, it seems, has hired James for more than what appears in his job description. Samantha contrives a plan to get James to her cabin in the North Woods on Christmas Eve, where she plans to seduce him. James' family races to rescue him from the snowbound cabin, but when their taxi skids off the snow-covered road, it is left to the primal instincts of Rocks and Daphne to save the day. ~ Paul Brenner, All Movie Guide

A woman who was used to the finer things in life is suddenly thrust back into the work force after her husband gets downsized in writer/director Callie Khouri's (Divine Secrets of the Ya-Ya Sisterhood) American adaptation of the hit British comedy Hot Money. Faced with the prospect of losing her home as her debt begins to mount, posh housewife Bridget (Diane Keaton) accepts a job on the midnight cleaning crew at a local branch of the Federal Reserve Bank. When the growing temptation of the cash that surrounds her night after night ultimately proves too powerful to resist, Bridget teams with two of the other cleaners for a criminal exercise in creative moneymaking. Queen Latifah and Katie Holmes co-star in a crime comedy inspired by actual events. ~ Jason Buchanan, All Movie Guide

There's a real murder and a real mystery in Woody Allen's Manhattan Murder Mystery, but these plot pegs are used mainly to allow Allen to explore modern urban relationships. Allen plays a N.Y.C. book editor, Larry Lipton, married to Carol (Diane Keaton, who replaced Mia Farrow at the last minute, for reasons well publicized at the time). Carol is a free spirit, ever willing to try new experiences, but Larry is a wet blanket. When it begins to look like a neighbor has killed his wife, Carol is eager to investigate the mystery, but Larry thinks her suspicions are nonsensical and doesn't want to leave his apartment. Undaunted, Carol finds another "Nick Charles" in the form of family friend Ted (Alan Alda), who joins the investigation, and feels attracted to Carol and isn't afraid to let her know. Meanwhile, a writer under Larry's aegis (Anjelica Huston), who feels romantically drawn to him, also decides to join in the fun. Slightly jealous of Carol in the face of her budding relationship with Ted, Larry reluctantly agrees to go along on her clue-hunting expedition -- and it is he who discovers the corpse, who as it turns out was killed after Carol started poking around the apartment building. ~ Hal Erickson, All Movie Guide

Adapted by John Robert Hoffman from his own play, the made-for-TV Northern Lights stars Diane Keaton as Roberta Blumstein, a high-strung New Yorker whose well-ordered lifestyle is set on its ear with the arrival of a child. No, not Roberta's child, but the son of her recently deceased brother Frank. The kid's name is Jack, and he is no more fond of Roberta than she is of him--at least, not at first. Gradually, however, the two lost souls come to find each other in the most unlikeliest of places: A quaint New England community that Roberta would under normal circumstances have never been caught dead in. Although the original play was a one-character monologue, the TV version features scores of eccentric and lovable supporting characters--among them one Joe Scarlotti, played by author Hoffman, and Ben Rubadue, portrayed by Maury Chaykin, the star of the Diane Keaton-directed theatrical feature Unstrung Heroes. Produced for the Disney Channel, Northern Lights was originally telecast on August 23, 1997. ~ Hal Erickson, All Movie Guide

Having spent virtually all of her 15 years enwrapped in a sheltered, pampered existence, Lily Greeley McAllister (Alison Lohman) was not quite prepared for the emotional jolt attending the suicide of a strange man in the dining room of the Greeley family's luxurious Pasadena home. Lily was equally unprepared for the blasé, unconcerned reactions of the Greeleys to this appalling spectacle. Attempting to find out why the man killed himself and why no one seemed to care all that much, Lily began to methodically unearth a number of unsavory family secrets -- and in the process, put her own future in dire jeopardy. Mike White of Dawson's Creek, Freaks and Geeks, and Chuck and Buck fame was the guiding creative force behind this bizarre weekly blend of Beverly Hills 90210 and Dallas, while actress Diane Keaton helmed the series' pilot episode. Others in the cast included Natasha Gregson Wagner and Mark Valley as two branches of the Greeley family tree, and Dana Delany as Catherine McAllister. The 60-minute Pasadena debuted September 21, 2001, on the Fox Network. ~ Hal Erickson, All Movie Guide

Herbert Ross directed this adaptation of Woody Allen's hit Broadway play concerning a shy film critic who has trouble with women. Woody Allen plays Allan Felix, a writer for Film Quarterly consumed by movies, particularly his favorite film of all time, Casablanca. At the start of the film, Allan's wife Nancy (Susan Anspach) has just left him and is applying for a divorce. Unable to deal with this emotional turmoil, Allan seeks solace in the movies he loves, imagining Humphrey Bogart (Jerry Lacy) has dropped by his apartment to offer Allan advice on dealing with the ladies ("Dames are simple. I never met one that didn't understand a slap in the mouth or a slug from a forty-five"). Helping Allan meet new women are his good friends Dick (Tony Roberts) and Linda Christie (Diane Keaton). Dick and Linda fix him up with a succession of dates, all of which end disastrously because of Allan's nervousness and insecurity. Finally, Allan realizes that he has been spending more time with Linda than anyone else and he is becoming attracted to her -- she's the only woman he truly feels comfortable around. Linda proves unexpectedly receptive to Allan's advances, since Dick's workaholic ways leave Linda neglected and ignored. ~ Paul Brenner, All Movie Guide