Michael Kearney Movies

Canadian filmmaker Andy Jones both directs and stars in the whimsically acid Adventures of Faustus Bidgood. Faustus (Jones) is a clerk in the St. Johns, Newfoundland department of education. He dreams of becoming ruler of Newfoundland and staging a secession from Canada (the film is rife with pointed comments about the island province's governmental travails). Back in the real world, Faustus' boss Robert Joy plans to indoctrinate the citizenry of Newfoundland with a cultish geometric theory known as Total Education, but Joy may be foiled at any minute by the revelation of his earlier career as a flamenco dancer. Greg Malone pops in and out of the proceedings as a combination angel/demon who acts as everyone's conscience. It took Andy Jones ten years to finance and film The Adventures of Faustus Bidgood, which may explain why the film mounts its horse and rides madly off in all directions at once. ~ Hal Erickson, Rovi

Based on the Pulitzer Prize-winning play by Paul Zindel, this is a joint effort of husband and wife team Joanne Woodward and Paul Newman. Produced and directed by Newman, Woodward portrays the eccentric young widow who is raising her two disparate daughters in an atmosphere of bitterness, hatred and over-protection that threatens their very growth and development. Embittered and misandristic, she raises her daughters in an atmosphere of hate that leaves them as depressed and neurotic as she is. The title of the movie comes from her anger at her daughter's science teacher for encouraging her to expose marigolds to gamma rays as a science project. Her experiment shows how radiation sometimes kills growing marigolds, but sometimes it causes them to grow even more beautiful. This experiment becomes a metaphor for her own life, as she struggles to bloom in a household deadened by her mother's alcoholism and her sister's lethargy. ~ Tana Hobart, Rovi

John Cheever's "misery in suburbia" short stories, brief and to the point, have always proven excellent TV fodder. Director Frank Perry's The Swimmer, adapted for the screen by Perry's wife Eleanor, is a rare, and for the most part successful, attempt at offering a Cheever story in feature-length form. Dressed only in swimming trunks throughout the film, Burt Lancaster plays a wealthy, middle-aged advertising man, embarked on a long and revelatory journey through suburban Connecticut. Lancaster slowly makes his way to his split-level home by travelling from house to house, and from swimming pool to swimming pool. At each stop, Lancaster comes face to face with an incident in his past. Informing Kim Hunter that he once harbored a secret love for her, Lancaster is mildly upset by Hunter's indifference. Elderly Cornelia Otis Skinner is incensed at Lancaster's intrusion in her backyard and orders him to leave. At the next home, Lancaster tries to seduce the nubile Janet Landgard, who'd once baby-sat for his daughters, but she runs away in horror. And so it goes: as each subsequent suburbanite peels off his self-protective veneer, Lancaster grows more and more disillusioned with what he thought was his ideal lifestyle. The more intensely painful episode is the confrontation between Lancaster and ex-mistress Janice Rule (this scene was directed, without credit, by Sydney Pollack). Thoroughly defeated, the all-but-naked Lancaster laboriously makes his way through the Connecticut woods in a blinding rainstorm, desperately seeking out his own home where he fully expects his "loving" wife and daughters to greet him. Not this time. Dismissed as too self-consciously "arty" at the time of its release, The Swimmer's reputation increased over the decades following its release thanks to constant late-night TV exposure. The film represents the first movie work of 22-year-old composer Marvin Hamlisch. ~ Hal Erickson, Rovi