Gabriel Katzka Movies

Adapted from a long novel by Pat Conroy, the story is shortened to focus on a harrowing account of institutional racism in the 1960s American South. David Keith stars as Will McLean, a senior student at the fictional Carolina Military Institute. When the school admits its first black student, McLean is confidentially charged with making sure that the newcomer's initiation does not get too violent. Yet that is exactly what happens, and McLean becomes alarmed when it seems like someone is out to kill his new charge. McLean's own investigation of the matter uncovers an elusive group of sadistic students who will go to any length to control their school. ~ Bernadette McCallion, Rovi

Tom Burman's innovative prosthetic special effects (used to greater effect in later horror films) are the saving grace of The Beast Within. The premise concerns a couple honeymooning in Mississippi. Caroline (Bibi Besch) is brutally raped by a hairy, sub-human monster and gives birth to a child named Michael (Paul Clemens), who appears normal until he hits his teens. At 17, Michael begins to feel strange, and his parents take him back to Mississippi to find out if his problems are related to Caroline's long-ago rape. Once in Mississippi, Michael transforms into a ravenous insect-like creature that roams the countryside, disemboweling innocent victims and feasting on their torsos. ~ Paul Brenner, Rovi

This "prequel" to the Newman/Redford vehicle Butch Cassidy and the Sundance Kid was written by TV sitcom veteran Allan Burns and stars Tom Berenger as Butch and William Katt as Sundance. The film, per its title, traces the formative days of Butch and Sundance's careers as soft-hearted western outlaws, and their creation of the Hole-in-the-Wall Gang. There's no Etta Place this time around; the fictional heroine, named Mary, is played by Jill Eikenberry. Only Jeff Corey, as Sheriff Ray Bledsoe, repeats his role from the original film. ~ Hal Erickson, Rovi

Thoroughly disillusioned by the Vietnam War, John, a journalist (Michael Moriarty), turns to heroin smuggling. Acting as John's go-between is the equally burnt-out Ray (Nick Nolte), who delivers the narcotics stateside to the journalist's wife, Marge (Tuesday Weld). Soon, however, Ray and Marge are on the lam, chased down by the minions of crooked narcotics agent Antheil (Anthony Zerbe). Who'll Stop the Rain? was based on Robert Stone's award-winning novel Dog Soldiers. ~ Hal Erickson, Rovi

On a quiet midday in New York, along the Lexington Avenue subway line, the train designated "Pelham One Two Three" -- so named for its station of origin and time of departure -- makes its way down the East Side of Manhattan. One by one, three men board the train, and at 28th Street, a fourth man approaches the motorman (James Broderick) and points a pistol at him, ordering him to unlock the door to his cab and admit the man waiting there; meanwhile, another man points a gun at the conductor and threatens to kill him unless he holds the doors open and then closes them when the man talking to the motorman is aboard. Once on board, "Mr. Blue" (Robert Shaw) and "Mr. Green" (Martin Balsam) halt the train between stations, while "Mr. Brown" (Earl Hindeman) and "Mr. Gray" (Hector Elizondo) seal off the lead car. With Mr. Green at the controls, the front car is separated and isolated in the tunnel with 17 passengers aboard, and then Mr. Blue presents their demands over the radio: one million dollars in cash, within one hour, or they will start shooting one passenger each minute. On the other end, Transit Police Lieutenant Zachary Garber (Walter Matthau) must overcome his initial disbelief to deal with this threat, amid the confusion of a subway system that's chaotic even when it's running normally. With the mayor reluctantly aboard to pay the ransom, Garber must keep the hijackers from carrying out their threat while the money is transported, and keep the hotheads around him and on the police force under control -- and figure out how they intend to get away with a million dollars from inside a subway tunnel with police on all sides. ~ Bruce Eder, Rovi

A cavalry unit in Colorado is conducting two important cargoes to Fort Reunion, home of the 11th Colorado Volunteers: Cresta Marybelle Lee (Candice Bergen), the fiancée of an officer in the unit until two years ago, when she was taken by the Cheyenne, and who just escaped; and Captain Battles (Dana Elcar), the paymaster, with a strongbox containing gold. The men are tired -- almost asleep in their saddles -- and frustrated, and doubly so by the presence of Cresta, whose beauty and reputation (by virtue of living two years with "savages") is driving them to distraction; all except for Honus Gant (Peter Strauss), a neophyte trooper and wide-eyed innocent. The detachment is ambushed by a Cheyenne war party and the only survivors are Cresta and Honus, who learn to tolerate each other as they struggle across the wilderness and the desert in search of help. An encounter with white trader Isaac Q. Cumber (Donald Pleasence), a profiteer who is running guns to the Indians, nearly results in their deaths, and Honus is seriously wounded.

Cresta goes off in search of help and is picked up by a cavalry scout and brought to the 11th Colorado, whose commanding officer, Col. Iverson (John Anderson), is planning a punitive strike against a peaceful Cheyenne encampment over the massacre of the paymaster's party. Cresta tries to secure help for Honus but Iverson is too busy planning bloodshed, and her fiancé, Lt. McNair (Bob Carraway), is just too eager to pick up where he left off with her to listen to her warnings. She rides out on her own and returns to the village where she'd spent the previous two years, while Honus manages to survive to reach Iverson. He ends up along for the assault on the village, which takes place despite the chieftain Spotted Wolf (Jorge Rivera) flying a flag of truce and an American flag given him at a previous negotiation with the whites. The Native Americans defend themselves when fired upon with artillery and rifles, and all hell breaks lose -- virtually all of the men in the village are killed in the first assault, and then the soldiers spot the women, children, and old men, and there begins an orgy of rape, mutilation, beheadings, dismemberment, and torture before Honus' horrified eyes by joyously shrieking soldiers. Cresta kills a soldier who tries to rape her and intends to die with her Native American family but is pulled out, only to watch the slaughter continue. In the end, Honus is left to be marched back to Fort Reunion as a prisoner for trying to stop the killing, and Iverson expresses pride and satisfaction at what he's done, while Cresta and a tiny handful of survivors -- almost all old men and women -- watch in mute horror and anger. ~ Bruce Eder, Rovi

James Garner is so good as Raymond Chandler's philosophical gumshoe Philip Marlowe that you forget he's totally wrong for the part. Based on Chandler's The Little Sister, Marlowe involves the detective's efforts to locate the missing brother of Orfamay Quest (Sharon Farrell). He follows the clues to two men who deny any knowledge of the brother's existence. Since both men soon find themselves on the wrong end of an ice pick, Marlowe deduces that there's more to this caper than a mere missing-person case. The plot thickens as more "dramatis personae" are added to the intrigues, including TV star Gayle Hunnicutt, Hunnicutt's gangster boyfriend H.M. Wynant and stripper Rita Moreno. A pre-stardom Bruce Lee shows up as a karate-happy thug who lays waste to Marlowe's office shortly before suffering a spectacular demise. It is preferable to view Marlowe in videocassette or theatrical form; the commercial TV print cuts so much out that viewers are left with virtually nothing but protection leader and a few close-ups of James Garner. ~ Hal Erickson, Rovi