Elinor Karpf Movies
- 1979
Frank is Frank Miller (Art Carney), a 65 year old newspaper man. His letters are to his oldest son Richard (Mike Farrell), and they're decidedly on the vitriolic side. Frank, you see, was involuntarily retired from his job and replaced by a computer. But with the help and support of his wife Betty (Maureen Stapleton), Frank bucks the system and comes out on top. The script of the made-for-TV Letters from Frank was flexible enough to allow for a wide range of ages in the supporting cast, from seventysomething veterans Margaret Hamilton and Lew Ayres to 19-year-old relative newcomer Michael J. Fox (billed ninth, without the "J"). ~ Hal Erickson, Rovi
Though not actually a film addressing the evil lure of cream-filled chocolate cakes, this amusingly cheesy made-for-TV opus from director Curtis Harrington pits a relatively normal suburban family against a slavering, demonically-possessed German shepherd whose hunger for human souls far exceeds that of the normal household pet. Although not above resorting to the usual throat-maulings, the satanic psycho-pup's preferred method of attack is to supernaturally cause the deaths of various friends and neighbors, in a style reminiscent of The Omen. Though the gory potential of this scenario is obviously dulled by the TV-movie format, there are enough implied shocks and chills to keep up the pace -- particularly a grueling scene in which Dad finds himself unable to resist the urge to plunge his hand into a spinning lawnmower blade, while the possessed pooch looks on with tongue-wagging glee. ~ Cavett Binion, Rovi
- 1976
One of four dramatic miniseries carried by NBC under the blanket title Best Sellers, Captains and the Kings was adapted from a novel by Taylor Caldwell. Covering a time span from 1857 to 1912, this was the saga of the Irish-immigrant Armagh clan, with emphasis on the rags-to-riches career of Joseph Armagh (Richard Jordan). Achieving fame and prominence (if not full-fledged social acceptance) through a Byzantine series of investments in the oil industry, the elder Armagh was obsessed with the notion of having one of his sons become the first Irish-Catholic President of the United States (does this story sound vaguely familiar?). Along the way, Joseph and his offspring indulged in innumerable romantic liaisons, extramarital and otherwise. Featured in the all-star cast is Patty Duke Astin, who won an Emmy award for her portrayal of Bernadette Hennessey Armagh. Captains and the Kings was broadcast from September 30 to November 18, 1976 in seven installments, two of which ran 120 minutes, and the other six lasting 60 minutes -- a total of nine hours' air time in all. ~ Hal Erickson, Rovi
Gilbert Wright's novel Madman's Chain had already been adapted to television by Alcoa/Goodyear Theatre by the time that Cry in the Wilderness premiered March 26, 1974. While the first version, titled Chain and the River, was a moderately suspenseful half hour, Cry in the Wilderness manages to keep viewers on the very edges of their seats for a full 74 minutes. George Kennedy stars as a farmer who is bitten by a rabid skunk. To protect his family from the madness that he is sure will overtake him, Kennedy has his wife Joanna Pettet chain him to a post in their barn. Left alone, Kennedy discovers that the dam has burst, and that his farm will soon be consumed by flood. The climactic deluge was largely (and superbly) created in the lab by special effects maestro Albert Whitlock. Cry in the Wilderness premiered March 26, 1974. ~ Hal Erickson, Rovi
- 1973
Young Joey Grant (Ike Eisenmann) is thrown for a loop when his parents (played by Beau Bridges and Margaret Blye) split up. Even worse, Joey's dad has been ordered out of the house, and must take up residence in a hotel room. What happens following this traumatic incident is told (sometimes literally) from Joey's point-of-view -- and don't expect everything to be tied up in a nice, neat, "happily ever after" package. My Dad Lives in a Downtown Hotel was adapted from Peggy Mann's book of the same name. ~ Rovi
- Starring:
- Beau Bridges, Margaret Blye, (more)
- 1972
Dennis Weaver plays a tow-truck driver sent to prison on a trumped-up charges of attempted murder. Out after serving four years, Weaver finds himself a reluctant loner. His wife has died, and his two sons have disappeared. In seeking out his boys, Weaver also keeps an eye out for the man responsible for railroading him into jail. Whenever the script or the character threaten to lapse into cliche, The Rolling Man compensates with attractive camerawork taking full advantage of the Southern California landscape. This TV movie had all the earmarks of a pilot for a series, but there's no evidence to back up this suspicion. ~ Hal Erickson, Rovi
- 1972
Incorporating themes from horror films of both the '50s and the '70s, this suspenseful TV movie stars Cornel Wilde and Jennifer Salt as an archaeologist and his daughter, who discover a strange skull on display at a roadside tourist trap. After the museum owner is killed during an attack from an unseen foe, the pair are subsequently pursued across the American Southwest by a tribe of humanoid creatures that bear a striking resemblance to the gargoyles of myth, leading to a manic game of cat-and-mouse across the desert. This enjoyably spooky film essentially riffs on this one-note premise for over 70 minutes -- sort of an inversion of Night of the Living Dead's claustrophobic scenario -- and fortunately comes off quite well thanks to superb use of the desert locations, an eerie score, uniformly good performances, and Emmy award-winning monster costumes from Stan Winston. A young Scott Glenn appears as a roguish biker who throws in with the good guys after taking a shine to the professor's daughter. ~ Cavett Binion, Rovi
- 1971
Scheduled to give evidence in a Federal trial, Chief Ironside (Raymond Burr) is all too aware that there are those who hope to silence him before he can appear in court. In fact, the Chief gets word from the grapevine that a professional assassin has been hired to shut him up permanently. What makes this episode unique is that the coldblooded, super-efficient contract killer (James Olson) is depicted in his "off-hours" as a warm and loving family man (whose wife, incidentally, is played by future Happy Days costar Marion Ross). ~ Hal Erickson, Rovi
- 1971
Suddenly Single is an assembly-line ABC Movie of the Week, given extra value by its attractive star lineup. The ball gets rolling when pharmacist Hal Holbrook is served divorce papers rather than dinner by his wife. Having been out of circulation since his marriage, the handsome but befuddled Holbrook plunges into the '70s singles scene. Comedy alternates with drama until the letdown finale, which may have been acceptable in October of 1971 but is most unsatisfying when seen today. The all-TV cast includes Harvey Korman and Cloris Leachman here seen at their least excessive in their pre-Mel Brooks days. ~ Hal Erickson, Rovi
- 1971
In this airborne disaster movie, a passenger and a flight attendant are forced to fly a commercial jet when the passengers and crew are incapacitated by food poisoning. Later they are rescued by a courageous ex-combat helicopter pilot who helps them land the giant bird. ~ Sandra Brennan, Rovi
Looking like a high-school junior, Michael Douglas plays a college professor in Adam at 6 AM. Tired of academia, Douglas opts for the supposed tranquility of rural Missouri. After working as farm hand for a few weeks, he realizes that his "normal" neighbors are as screwed up as any of his more sophisticated friends. To punch up the film's leisurely screenplay, a great deal of sex talk is injected, which may have sounded daring in 1970 but which plays like an episode of Married: With Children nowadays. Adam at 6 AM is blessed with a superb supporting cast: among the secondary actors is 1940s leading lady Anne Gwynne, making a one-time-only film comeback. ~ Hal Erickson, Rovi
- Starring:
- Michael Douglas, Lee Purcell, (more)
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