Marin Karmitz Movies

Jacques Doillon's films tend to swing between studies of hysterical characters and explorations of youth. Petits frères belongs to the second category, but with a difference. Unlike some of his other work, such as Jeune Werther, this film is set in the poor suburbs. Thirteen-year old Talia is having problems with her stepfather, so she escapes with her dog in the direction of Pantin, where she hopes to find her friends. But they have already been placed in a home. The only people she meets are four boys who win her confidence and then steal her dog. She is so desperate to find Kim that she is ready to do anything. In her search for her dog, she discovers solidarity. ~ Gönül Dönmez-Colin, All Movie Guide

Romanian director Lucian Pintilie helmed this French-Romanian drama that opens on the outskirts of Budapest. Dimitri, aka Mitou (Costel Cascaval) raises pigs for a living, but he's due to begin two years of military service the next day. Clad in hot pants, waitress Elena, aka Norica (Dorina Chiriac) matches Mitou in knocking back shots of vodka. Although Norica is engaged to marry Gili, owner of the rundown roadside sausage stand where she works, she accompanies Mitou to his spare apartment. Resentful of his family and obsessed with Norica, the stubborn, headstrong Mitou is uncompromising and ready for a final showdown with authority figures. Shown at the 1998 Venice Film Festival. ~ Bhob Stewart, All Movie Guide

The 50th film from legendary French New Wave writer and director Claude Chabrol is a typically Hitchcockian comic thriller about a pair of con artists. Up to now, the duo of Betty (Isabelle Huppert) and Victor (Michel Serrault) have contented themselves to small scams at hotel conventions, such as spiking the drink of a gambler, then rolling him for his winnings after he follows the flirtatious Betty back to his room and passes out. It then develops that, for the past year, without telling Victor, Betty has been plotting an enormous score involving Maurice (François Cluzet), the treasurer of an international corporation, who's planning to abscond with a briefcase containing five million Swiss francs in syndicate money. Betty's plan is for Victor to swap an identical briefcase with Maurice's and walk away with the jackpot, but Victor becomes suspicious of Betty's solo venture. Is his once-loyal partner betraying him? What about Maurice, who's no fool, and his gangster bosses, who will surely want their money returned? A dizzying array of potential double-crosses muddles the question of who's grifting who in the Betty-Victor-Maurice triangle. Rien Ne Va Plus (1997) screened at several film festivals under the English-language title The Swindle. ~ Karl Williams, All Movie Guide

Gorgeously shot in the wide-open Siberian wilderness this outdoor adventure chronicles the dramatic escape of a big-city bred violinist from a Siberian labor camp. Underlying the action is the tale of a man who learns to become one with his environment rather than trying to dominate it. The story begins as enigmatic, Asian tribesman Toli comforts the starved violinist Dimitri that they will be escaping soon. They get their chance when a beautiful herd of Yakut horses begin grazing placidly near where the two are toiling. Sneaking away from the others, they grab tow hand steeds and race off. Unfortunately, Toli is mortally wounded. Just before he dies, he tells Dimitri that he is a powerful shaman and then hands the fiddler a protective amulet. In this way, Toli becomes Dimitri's guardian spirit. The city youth will need all the help he can get as he and his horse must traverse the unforgiving wilds and keep away from guards, alone. At times, he encounters others and in these moments the lines between the real and surreal become most unclear. ~ Sandra Brennan, All Movie Guide

When Catherine Lelievre (Jacqueline Bisset) hires mousy and taciturn Sophie (Sandrine Bonnaire) as a housemaid, she thinks that she found a treasure. Mr. Lelievre (Jean-Pierre Cassel) seems to agree with her, pointing out that the maid just has yet to learn how to serve dinner correctly. Wealthy liberals, they treat her generously enough and expect diligence and reliability in return. However, Sophie didn't tell her new employers that she is dyslexic, and very soon she has terrible troubles with even such supposedly ordinary things as shopping lists. She befriends outspoken postal clerk Jeanne (Isabelle Huppert), who occasionally helps her with the above-mentioned lists and tells her all sorts of gossip about the Lelievre family. Mr. Lelievre, who suspects that Jeanne opens their mail, tells Sophie that Jeanne was charged with the murder of her four-year-old daughter and though she was later acquitted, he can't believe in her innocence. Thus he forbids Sophie to invite Jeanne to the Lelievre house, and the tension between Sophie and her employers increases. What could have been a thriller in the hands of a different director, in the case of Claude Chabrol has become another witty and observant social commentary about the eternal confrontation between the rich and the poor. Ruth Rendell's novel A Judgement in Stone was previously filmed in 1986 in Canada. ~ Yuri German, All Movie Guide

This French drama about the relationship between an insanely jealous man and his wife took 30 years to make. Since its inception by the late director Henri-Georges Clouzot the film was plagued with bad luck. He began filming it in 1964. There are only two characters in the film and on the third day of shooting the female lead became gravely ill. Later during rehearsals with a new actress, the director had a heart attack. Though he lived until 1977, he never got around to finishing it. The script was passed on to producer Marin Karmitz by Clouzot's widow. Paul wanted to buy the beautiful resort hotel he worked at for 15 years. His happy and spirited wife Nelly goes along with it. She is already a mother and contented with her life. Paul, who incurred tremendous debts to get the hotel, is not so happy. He is stressed to the breaking point. After he suspects his wife of philandering he slowly goes insane. He also begins increasing his consumption of alcohol and sleeping pills. Their lives become a living hell. ~ Sandra Brennan, All Movie Guide

The concluding chapter in filmmaker Krzysztof Kieslowski's "Three Colors" trilogy, Red stars the luminous Irène Jacob as Valentine, a young student and fashion model who befriends a bitter former judge (Jean-Louis Trintignant, his character a proxy for Kieslowski himself). Their accidental meeting is just one of the many chance encounters woven through the narrative fabric of this feature, the most accomplished effort in Kieslowski's highly ambitious series. Like its predecessors, Red corresponds to a color of the French flag, as well as the color's symbolic attributes. The subject here is fraternity, and indeed, its central characters are all closely connected, their destinies locked on a collision course. The film's final scene even ties up the trilogy by bringing together the protagonists of the other features. ~ Jason Ankeny, All Movie Guide

Dramatized account of the 19th-century French painter Theodore Gericault, who joined the circus as a young man and came to develop a brilliant talent for painting horses. Writer/director Bartabas also stars as the circus master Franconi. ~ Nicole Gagne, All Movie Guide

Literary critics long regarded Gustave Flaubert's iconic French novel Madame Bovary as unfilmable (despite several attempts by Vincente Minnelli and others to bring it to the screen), but Nouvelle Vague architect Claude Chabrol set out to definitively prove them wrong with this Oscar-nominated feature adaptation from 1991, starring Isabelle Huppert (The Lacemaker). Huppert stars as Emma Bovary, a woman whose happiness depends exclusively on elements outside of herself. She spends her days indulging in flights of fancy and endless romantic longings, emotionally estranged from her good-natured but ignorant husband Charles (Jean-François Balmer) a physician whom she married as an escape from her landowner father's farm. Her fate seems poised to change when she meets and falls hard for Rodolphe Boulanger (Christophe Malavoy) - a lover who takes her to bed and then vows to elope with her. Pinning all of her hopes on this, she invests in a traveling costume that she's unable to afford (rendering herself completely in debt with a local millner), and plans to skip town with Rodolphe when the monies come due. Alas, Rodolphe, as it turns out, never planned to follow through with the elopement plans, and promptly abandons Emma, leaving her to face the dire consequences of her foolish decisions. ~ Nathan Southern, All Movie Guide

The life of Polish pediatrician Janusz Korczak (Wojtek Pszoniak) is the subject of Andrzej Wajda'a docudrama. Also known as an author who wrote primarily for young readers, Korczak's name became legend as a result of the Jewish orphanage he established in Warsaw. When the invasion of the Nazis in 1939 forced him to move his students to the ghetto, he struggled on without provisions or adequate space, refusing to give in to Nazi pressures. ~ Jason Ankeny, All Movie Guide

The women in this story are the customers of amateur abortionist Isabelle Huppert. The time is 1941, and the place is a Nazi-occupied French town. Struggling to survive, Huppert turns to illegally terminating unwanted pregnancies for a hefty fee. As her income increases, Huppert moves her family from their grimy surroundings to a posh apartment, sharing her digs with her new friend, prostitute Marie Trintignant. Completely seduced by her affluent lifestyle, Huppert ignores her shell-shocked husband Francois Cluzet, preferring to dally with Nazi collaborator Nils Tavernier. Things take a disastrous turn after one of Huppert's "customers" dies and her disgruntled husband turns her over to the authorities. Story of Women was inspired by the real-life tale of Marie-Louise Girard, who in 1943 was executed by the Vichy Government, who'd declared abortion as a Crime Against the State because it diminished the number of potential soldiers. ~ Hal Erickson, All Movie Guide

Roland Wolf (Robin Renucci) poses as a reporter to interview a popular television personality (Philippe Noiret) he believes is responsible for the disappearance of his sister. The struggling actress had taken a job as a companion to the star's sickly ward Catherine (Anne Brochet). Roland discovers Catherine is being drugged by her benefactor who has stolen her inheritance and possibly committed murder. ~ Dan Pavlides, All Movie Guide

Inspecteur Lavardin is a mellow, take-your-time Claude Chabrol effort of the 1980s, partly financed by French television. Jean Poiret had previously played the role of Inspector Jean Lavardin in the 1984 Chabrol film Poulet au Vinaigre (aka Cop au Vin). This story is built completely around the Lavardin character. The good inspector travels to a small coastal town to investigate the puzzling death of a well-known writer. In the course of his probings, Lavardin inadvertently uncovers several skeletons -- the kind that people keep hidden in their closets. Chabrol co-wrote the screenplay of Inspecteur Lavardin with Dominque Roulet. ~ Hal Erickson, All Movie Guide