Marin Karmitz Movies

Iranian filmmaker Abbas Kiarostami has often concerned himself with children striving to make the best of difficult circumstances, and this documentary finds him capturing a real-life corollary to the fictional tales of his best-known work. At the request of the United Nations International Fund for Agricultural Development, Kiarostami traveled to Africa to make a film about the work of the Uganda Women's Effort to Save Orphans, a volunteer group established to provide food, shelter, and care for the more than one-and-a-half-million children left to fend for themselves in a nation torn apart by war, poverty, and the AIDS epidemic. While Kiarostami's first visit was planned so he could see the country and map out what he would film, he brought along some digital video equipment, and upon arrival, he was so struck by what he saw that he immediately began to record the events around him, in which the tragedies of this struggling nation were contrasted with the warmth and boundless optimism of the children looking for a better life. ABC Africa received its North American premiere at the 2001 DoubleTake Documentary Film Festival. ~ Mark Deming, All Movie Guide

Directed by Raphae Nadjari, Apartment 5C follows several individuals trying to survive within the inner cities of New York. Nicky (Tinkerbell) and Uri (Ori Pfeffer), two Israelis with expired U.S. visas, are making ends meet by robbing local stores at gunpoint. The couple becomes a little overexcited with their gun in their Brooklyn apartment one evening, and Nicky is accidentally shot in the leg. Uri leaves in a panic, never to return. Luckily for Nicky, the building's maintenance person (Richard Epson) takes pity on her, and agrees to care for her while her leg heals. This leads to a relationship between the two; one which Harold's (Epson) wheelchair bound brother-in-law (Jeff Ware) doesn't approve of. Max (Ware) is determined to put a stop to the budding romance, which Nicky and Harold predictably do not take lightly, leading to a violent conclusion for the trio. ~ Tracie Cooper, All Movie Guide

One year after director Yilmaz Guney escaped from a Turkish prison, he started shooting his film the Wall on the injustices of the military regime in Turkey and at the same time, director Patrick Blossier began shooting this documentary on the techniques used by Guney to elicit the best performances from his actors. Guney himself comes across as often angry and impatient; he slaps a young actor so as to make him cry for a scene and shows about as much warmth as December in Moscow. Unfortunately, none of this contributes to garnering sympathy for his anti-military cause. ~ Eleanor Mannikka, All Movie Guide

The first chapter in Polish filmmaker Krzysztof Kieslowski's "Three Colors" trilogy, Blue stars Juliette Binoche as Julie, the lone survivor of an automobile crash that killed her husband, a famed composer, and their only child. Despondent, Julie attempts suicide, but she cannot bring herself to take her own life. Instead, she sets about starting over, purging all remnants of her former existence in an attempt to sever her ties to the past. A piece in the trio of films loosely inspired by the colors of the French flag and their corresponding symbolic qualities, the basic focus of Blue is liberty. ~ Jason Ankeny, All Movie Guide

American filmmaker Lodge Kerrigan (Clean, Shaven) directed this French production, set in New York. Dublin native Claire (Katrin Cartlidge of Naked and Career Girls) is a New York prostitute constantly working to eliminate her debt to menacing Roland Cain (Colm Meaney), who's known her since she was a child. After the death of her mother, Claire sets out to unleash her pent-up feelings and gain control of her life. She meets a guy in a bar and has sex, is befriended by calm cabbie Elton (Vincent D'Onofrio), visits her Newark cousin, plays with her niece, and eventually tells Elton that she wants to have a baby. Atonal score by Ahrin Mishan and Simon Fisher. Shown in competition at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

Coup Pour Coup is a film about a worker's strike at a textile plant, and is written and enacted by the actual striking workers. This film was a collaborative and collective effort. Videotapes of upcoming scenes were discussed by the workers, and camera angles as well as dramatic refinements were agreed on before any film was exposed. Given that the film presents the worker's point of view and is a largely amateur effort, reviewers found it surprisingly effective as a dramatic piece. One interesting feature of the film, and of the strike itself, is that it was organized and led by women. While there had been male union leaders, they were bypassed or ousted for their lack of leadership, understanding, or negotiating skills. ~ Clarke Fountain, All Movie Guide

This episodic French comedy chronicles 10 minutes in the lives of seven people living in the same apartment block. The stories are set in early May at 7:50 p.m., ten minutes before the name of the new president of France is to be announced on television. The episodes are all presented in real time and as they progress, they eventually come together and give the viewer a complete picture of all that is happening in that single building. Within are scenes of a Mideast wedding that disintegrates into a brawl, an unemployed executive who cracks under stress and accidentally shoots his wife, and a pretty nurse who makes bold sexual advances to her biker-neighbor after she goes to borrow a cup of flour. ~ Sandra Brennan, All Movie Guide

The always innovative Taviani Brothers pay homage to another unique filmmaker, D. W. Griffith, in Good Morning, Babylon. Vincent Spano and Joaquim de Almeida star as Nicola and Andrea Bonnano, the latest in a long line of Tuscany-born cathedral builders. Emigrating to America, the brothers settle in Los Angeles in 1915, even as director Griffith (Charles Dance) is preparing his epic production Intolerance. The boys are hired to help construct the massive sets for the film's Babylonian sequence (hence the title), for no other reason than the fact that Griffith is impressed by Italian craftsmanship. As the film progresses, Nicola and Andrea assimilate to their new surroundings, even launching a romance with a pair of pretty movie extras. On the verge of continuing the family tradition, the boys' ambitions are cut short by events well beyond their control. Still, their past artistic accomplishments, like those of their forebears, survive the ages -- but only on the ethereal silver screen. ~ Hal Erickson, All Movie Guide

Inspecteur Lavardin is a mellow, take-your-time Claude Chabrol effort of the 1980s, partly financed by French television. Jean Poiret had previously played the role of Inspector Jean Lavardin in the 1984 Chabrol film Poulet au Vinaigre (aka Cop au Vin). This story is built completely around the Lavardin character. The good inspector travels to a small coastal town to investigate the puzzling death of a well-known writer. In the course of his probings, Lavardin inadvertently uncovers several skeletons -- the kind that people keep hidden in their closets. Chabrol co-wrote the screenplay of Inspecteur Lavardin with Dominque Roulet. ~ Hal Erickson, All Movie Guide

This French drama about the relationship between an insanely jealous man and his wife took 30 years to make. Since its inception by the late director Henri-Georges Clouzot the film was plagued with bad luck. He began filming it in 1964. There are only two characters in the film and on the third day of shooting the female lead became gravely ill. Later during rehearsals with a new actress, the director had a heart attack. Though he lived until 1977, he never got around to finishing it. The script was passed on to producer Marin Karmitz by Clouzot's widow. Paul wanted to buy the beautiful resort hotel he worked at for 15 years. His happy and spirited wife Nelly goes along with it. She is already a mother and contented with her life. Paul, who incurred tremendous debts to get the hotel, is not so happy. He is stressed to the breaking point. After he suspects his wife of philandering he slowly goes insane. He also begins increasing his consumption of alcohol and sleeping pills. Their lives become a living hell. ~ Sandra Brennan, All Movie Guide

When Catherine Lelievre (Jacqueline Bisset) hires mousy and taciturn Sophie (Sandrine Bonnaire) as a housemaid, she thinks that she found a treasure. Mr. Lelievre (Jean-Pierre Cassel) seems to agree with her, pointing out that the maid just has yet to learn how to serve dinner correctly. Wealthy liberals, they treat her generously enough and expect diligence and reliability in return. However, Sophie didn't tell her new employers that she is dyslexic, and very soon she has terrible troubles with even such supposedly ordinary things as shopping lists. She befriends outspoken postal clerk Jeanne (Isabelle Huppert), who occasionally helps her with the above-mentioned lists and tells her all sorts of gossip about the Lelievre family. Mr. Lelievre, who suspects that Jeanne opens their mail, tells Sophie that Jeanne was charged with the murder of her four-year-old daughter and though she was later acquitted, he can't believe in her innocence. Thus he forbids Sophie to invite Jeanne to the Lelievre house, and the tension between Sophie and her employers increases. What could have been a thriller in the hands of a different director, in the case of Claude Chabrol has become another witty and observant social commentary about the eternal confrontation between the rich and the poor. Ruth Rendell's novel A Judgement in Stone was previously filmed in 1986 in Canada. ~ Yuri German, All Movie Guide