Joseph Kane Movies

This independent racing feature was filmed around the Nashville area. The mob has their eye on the stock-car-racing circuit. The owners of the track have hired a publicity man to smooth things over between the two top racers in the interests of promotion. Bobby (Tom Kirk) is the brooding car jockey at odds with longtime nemesis Gary (Ray Strickland). The two not only compete on the racetrack, but both are moving in fast on the same girl, the lovely brunette Shelley (Brenda Benet). One will get the girl, the other will be content to go back to the farm and leave life in the fast lane behind. Brenda Benet was once romantically linked with the late Bobby Fuller (I Fought The Law). She moved on to soap-opera fame in the 1970s before tragically taking her own life. ~ Dan Pavlides, Rovi

In this tuneful country-western comedy, a talent scout discovers a potential star when he overhears a gas pump jockey singing in a rural filling station. The young attendant is eager to go to Nashville, but unfortunately, he is petrified on stage. Later an agent signs him on and decides to help him out by dressing him up as Abe Lincoln and getting him to sing rock & roll. The audience is totally offended and the US President personally requests a meeting with the boy's father to try and persuade the lad to give up his sacrilegious act.The father does just that right in front of a New York audience during the taping of a television show. Chastened, the son sings a pro-America song and receives rave reviews. After that he returns to the gas station to resume his country living. Songs include: "Country Boy," "Cry, Cry Lily," "A Little Hunk of America," "Somewhere," "First Kiss," "She Passed My Way," "Draggin' the River," "Baby, They're Playing Our Song," "Fifteen Cents' Worth of Pinto Beans," and ""Cindy."" ~ Sandra Brennan, Rovi

Engineer Philip Diedshiemer (John Beal) arrives in Virginia City, where, in partnership with Adam Cartwright, he creates a timbering system called "square set," which is designed to make the Deep Silver Mines safe from cave-ins. Trouble ensues when the mine owners refuse to pay Diedshiemer for his efforts. Also in the cast are Mala Powers as Helene, R.G. Armstrong as Andrew Holloway, Charles Cooper as Gil Fenton, Paul Birch as Tregallis, Robert Osterloh as Casey, Howard Negley as Dr. Wesley, and silent-film veteran Mae Marsh as a townswoman. Written by Thomas Thompson, "The Philip Diedshiemer Story" was first broadcast on October 31, 1959. ~ Hal Erickson, Rovi

A former fighter's younger brother decides that he too wants to enter the squared circle and so leaves his native Maine to try his luck in New York. Things go well until he finds himself entangled with mobsters who try to convince him to throw his fights. Meanwhile, his big brother, who simply vanished a few years after stubbornly refusing to take a dive during a major fight, hears about his younger sibling's dilemma and shows up to stop him. He succeeds, but the gangsters go for brutal revenge. Fortunately, a sportswriter hears about the mess and calls in the cops. ~ Sandra Brennan, Rovi

In this dark drama a hapless hitchhiker takes a ride with a drunk driver who takes him to his house. There he meets the driver's wife and murder ensues. ~ Sandra Brennan, Rovi

In this western, passengers of a stagecoach endure danger and hardship as they travel across the Arizona territory. They are protected from renegade Indians by a sheriff who lies concealed on top of the coach. ~ Sandra Brennan, Rovi

Every time Republic Pictures head honcho Herbert J. Yates starred his minimally talented wife Vera Ralston in a film, the studio's stockholders began trembling in their boots. Like most of its predecessors, the 1957 Ralston vehicle Spoilers of the Forest just barely made back its cost. Vera plays Joan Milna, who shares several thousand acres of valuable Montana timberland with her stepfather (John Alderson). Coveting Joan's property, lumber baron Eric Warren (Ray Collins) sends out his foreman Boyd Caldwell (Rod Cameron) to persuade her to sell. Instead, Caldwell falls in love with the girl, vowing to protect her trees from the eco-unfriendly Warren. Republic's wide-screen Naturama process is shown to good advantage throughout Spoilers of the Forest. ~ Hal Erickson, Rovi

Thunder over Arizona was the second Republic feature to be lensed in the shortlived Naturama widescreen process. Running a compact 75 minutes, the film is motivated by greed. The hero of the proceedings is Tim Mallory (Skip Homeier), an easygoing cowboy who is mistaken for a notorious gunman. Before he can clear up the misunderstanding, Tim has fallen in with group of corrupt local officials, who intend to wrest control of a valuable silver mine from its rightful owner, pretty Fay Warren (Kristine Miller). For a while, it seems as though the "good guy" is actually one of the villains, but appearances are deceiving. The film's subtext-that lust for wealth can destroy the souls of otherwise decent people-is cleverly if unsubtly woven into the proceedigns. ~ Hal Erickson, Rovi

Though running 90 minutes, Road to Denver moves along at a much faster clip than most Republic "A" westerns. John Payne and Skip Homeier star as the Mayhew brothers, Bill and Sam. Tired of pulling his headstrong younger brother Sam out of his various scrapes, Bill heads off to Denver alone. Here he takes a job as a stagecoach driver for livery stable owner John Sutton (Ray Middleton). Meanwhile, Sam falls in with crooked saloonkeeper Jim Donovan (Lee J. Cobb), the secret head of an outlaw gang. Inevitably, Bill and Sam find themselves on opposite ends of the law--not to mention rivals for the affections of Sutton's daughter Elizabeth (Mona Freeman). Andy Clyde, who hadn't been seen in a big-budget film in years, steals the show as a believeably comic stablehand. Also featured is Lee Van Cleef in one of his then-typical "laconic bad guy" roles. ~ Hal Erickson, Rovi

This "modern" western stars Rod Cameron as opportunistic Korean war veteran Tully Gibbs. Posing as a friend of the late son of mine owner Kevin Russel (Chill Wills), Tully intends to work the mine for all it's worth and then pull out. By and by, Tully slowly turns honest, but the same cannot be said of rival miner Ben Hodes (John Russell). Coming clean with Russell, Tully takes it upon himself to protect the mine from Hodes' evil schemes. The feminine angle is provided by Joan Leslie as Sarah Moffit, the sweetheart of Russel's deceased son, who eventually finds happiness in Tully's arms. Of interest are two supporting players, Jim Davis and Kristine Miller; both were concurrently starring on the weekly TV series Stories of the Century. ~ Hal Erickson, Rovi

The oft-filmed Zane Grey yarn The Vanishing American is given respectful treatment in this Republic "A" production. Eliminating Grey's premise that the American Indian's downfall was all part of Nature's scheme of things, the film begins in the late 19th century, with Scott Brady starring as Navajo protagonist Blandy. Embittered not only by deceitful whites but also by renegade Apaches, Blandy hopes to prevent further decimation of his people by stemming the activities of crooked Indian agent Blucher (Gene Lockhart) and duplicitious trader Morgan (Forrest Tucker). Blandy's allies include white landowner Marian Warner (Audrey Totter), whose open rangeland is dearly coveted by the nefarious Blucher and Morgan. Among the genuine Native Americans making cameo appearances are Jay "Tonto" Silverheels and Charles Stevens. ~ Hal Erickson, Rovi

Republic "regulars" Rod Cameron, Arleen Whelan and Forrest Tucker star in the A-minus western San Antone. During the Civil War, Texan Carl Miller (Rod Cameron) adopts a neutral stance regarding the conflict. Miller is branded a coward by Brian Culver (Forrest Tucker), a Confederate blowhard whose bravado masks his own cowardice. The animosity between the two men reaches the boiling point after the war, when Culver kills Miller's father. Soon afterwards, Culver finds himself the prisoner of Mexican rebel leader Chino Figueroa (Rudolpho Acosta). Miller heads to Mexico to rescue Culver -- not out of altruism, but so that he can kill Culver himself. Reversing the usual typecasting procedure, leading-lady Arleen Whelan is the villainess, while second lead Katy Jurado, cast as Figueroa's sister, plays a sympathetic role. San Antone was adapted by Steve Fisher (I Wake Up Screaming) from a novel by Curt Carroll. ~ Hal Erickson, Rovi