Aben Kandel Movies
Aben Kandel was a versatile playwright, screenwriter and novelist who penned a variety of material ranging from high-toned comedies to vulgar exploitation. Several of his novels have been adapted into feature films including Vaudeville (1927), Black Sun (1929) and City for Conquest (1936). He also had one of his Broadway productions Hot Money made into a feature in 1935. Kandel first broke into screenwriting while helping to adapt the play Dinner at Eight into a film along with three other noted scenarists including Herman Mankiewicz. In 1935 he wrote his own screenplays Manhattan Moon and She Gets Her Man. In the late 1950s, Kandel began penning exploitation scripts for producer Herman Cohen. Among those are two Joan Crawford horror features, Berserk! (1963) and Trog(1970). ~ Sandra Brennan, All Movie Guide
Another slice of processed cheese from Herman Cohen, producer of Trog and other such wonders. This cheap occult programmer (ostensibly based on the novel Infernal Idol by Henry Seymour) stars Jack Palance as a demented art dealer & antique-shop owner who performs nightly rituals in honor of the African god Chuku, whom he believes will reward him with unimaginable wealth and power if he merely offers up the occasional human sacrifice or two. His methods are fairly creative, ranging from impalement, slashing and burning, to scaring people to death with an ooga-booga fright mask. What could have been boring, exploitive drivel is elevated to passable mediocrity by an over-the-top performance from the leering Palance and occasionally stylish touches from slumming director Freddie Francis, but most viewers will be left wondering why they bothered at all. ~ Cavett Binion, All Movie Guide
Anthropologist Dr. Brockton (Joan Crawford) believes she has discovered the missing link in this flat science fiction drama. The creature is found in a cave and brought to her laboratory to undergo tests for her research. The hairy beast with the face of a monkey loves classical music and hates rock & roll. When one of the slack-jawed yokels opens his cage, he escapes and goes on a killing rampage as he tries to return to his cave. In a gentle moment with a little girl, the beast shows a tender side that recalls a scene from Frankenstein. Soon troops are called in, despite Brockton's protest to entomb the creature by dynamiting the entrance to the cave. This was the last film for Joan Crawford, an inglorious way to end a legendary film career. ~ Dan Pavlides, All Movie Guide
- Starring:
- Joan Crawford, Michael Gough, (more)
- 1967
One of the lower points of Joan Crawford's latter-day career curve (though nothing to compare with the later embarrassment of Trog!), this lurid, low-rent thriller nevertheless gives Crawford the opportunity to chew acres of scenery in a campy Marlene Dietrich-style get-up. She portrays the ringmaster of a cheesy traveling circus troupe whose stars are being whacked in a variety of flamboyant ways (many of which are depicted in the garish trailer, particularly Michael Gough's spike-in-the-head scene). Despite the exploitation potential in this lurid Grand Guignol scenario, this film is fairly light on scares or gore -- and far too heavy on circus stock footage. A sequel of sorts to producer Herman Cohen's Horrors of the Black Museum, this one is a slight improvement, thanks to Crawford's outrageous, over-the-top performance. ~ Cavett Binion, All Movie Guide
- Starring:
- Joan Crawford, Ty Hardin, (more)
- 1965
Comedian Ken Murray plays it straight as THRUSH agent Anton Korbel, who stashes the evil organization's $60 million treasury in the vault of his own casino. To break into the vault and destroy the THRUSH millions, UNCLE agents Solo and Illya enlist the aide of duplicitous burglar-alarm expert Marcel Rudolph (Dan O'Herlihy) and cliché-spouting Minneapolis girl Susan Callaway (Marlyn Mason). First telecast on January 18, 1965, "The Fiddlesticks Affair" was scripted by Peter A. Fields, from a story by Aben Kandel. The background music was by Lalo Schifrin, who later devoted his talents to another classic espionage series, Mission: Impossible. ~ Hal Erickson, All Movie Guide
- 1963
This violent, gore-filled, effective horror tale by director Robert Gordon is about a totally wacko private zoo keeper, Michael Conrad (Michael Gough) whose literal worship of the animals he tends -- especially the cat species -- starkly contrasts with his cold-blooded disregard for human life. Conrad has a mute son Carl (Rod Lauren) with a simmering Oedipal hatred, and a wife who should have left him eons ago. Whenever Conrad gets miffed with anyone coming a little too close to his private affairs he simply feeds the hapless victim to the animals. It seems inevitable that if the animals do not get him, then the human species will. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Michael Gough, Jeanne Cooper, (more)
A British botanist goes bananas after he discovers a serum that turns his cuddly chimpanzee subject into a ferocious gorilla-sized ape. To further his hideous experiment, the scientist mesmerizes the chimp and sends into London to kill all of his former enemies. One of those he has killed is the lover of the girl the doctor wants for himself. This doesn't set well with the botanist's assistant and current gal who gets even by giving Konga the giant chimp an enormous amount of the strange serum and turns him into a Godzilla-sized monster. Just before going on a deadly rampage, the super-sized ape grabs the bad doctor in one of his enormous hands. Fortunately, the British army and all of its weaponry are able to stop the chimp before he destroys the town. ~ Sandra Brennan, All Movie Guide
- Starring:
- Michael Gough, Margo Johns, (more)
- 1960
This episode boasts the presence of two "Lieutenant Columbos": Thomas Mitchell, who created the role of disheveled detective Columbo in a 1960 theatrical production, and Peter Falk, who made the character internationally famous in a popular TV series. Mitchell is cast as Milo Sullivan, a gangland banker who supplies loans for various criminal operations--albeit with certain strings attached. Having a score to settle with Sullivan, hoodlum Duke Mullen (Peter Falk) tries to undercut his operation by pretending to fall in love with Milo's niece Louise O'Hara (Virginia Vincent). Meanwhile, Elliot Ness (Robert Stack) patiently awaits the inevitable downfall of both men. ~ Hal Erickson, All Movie Guide
In this spooky film, three American exchange students visit an English castle purported to be haunted. The lads want to see if the local legend is true. At sundown the boys are accosted by a spirit who leaps down from a portrait. He asks the lads if they will help a second ghost locate his missing head. They agree to help, but they find themselves plagued by a third spirit. ~ Sandra Brennan, All Movie Guide
The power of hypnotism provides the basis of this film that was released in "Hypnovision" (yet another promotional gimmick) A budding and frustrated mystery writer takes extreme steps to insure that his latest thriller contains accurate descriptions of horrible murders in this gory horror thriller. He decides that the best way to do this is to set up and witness similar murders first- hand, so, not wanting to bloody his own hands, he hypnotizes his assistant, turns him into a deformed monster and has him do the dirty work using a few devilishly clever gadgets that include binoculars equipped with spring-loaded spikes, a secret guillotine poised above a young woman's bed, and deadly ice tongs. Afterward, the writer drops the bodies in a vat of acid. Several people die before the assistant rebels and gets bloody revenge. ~ Sandra Brennan, All Movie Guide
- Starring:
- Michael Gough, June Cunningham, (more)
- 1958
Like many American International films of its era, How to Make a Monster was sold to distributors on the basis of its title alone: only after theatrical play dates had been established did anyone get around to writing a script! Robert H. Harris plays Pete Drummond, who according to the script has been chief makeup man at American-International for 25 years, or approximately 20 years before the studio was actually established. When the studio is sold, Pete is brusquely informed that neither he nor his monster creations -- notably the Teenage Werewolf and Teenage Frankenstein -- will be required any longer, inasmuch as American International is going to concentrate on musicals from now on. Angered and humiliated, Pete takes revenge on the callous studio heads by hypnotizing a couple of actors (Gary Clarke and Gary Conway) into believing that they're genuine monsters. Under Pete's control, the two thespians begin committing murders left and right, wreaking havoc throughout the American International lot. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert H. Harris, Gary Conway, (more)
- 1957
From the folks who brought you I Was a Teenage Werewolf comes this relentlessly shlocky variation on the Frankenstein legend. Whit Bissell stars as Professor Frankenstein, descendant of you-know-who, who harbors a few radical theories about limb transplantation. Laughed at by students and colleagues alike, the good professor intends to prove the efficacy of his theories in his own lab at home--keeping an alligator as a "pet" to dispose of discarded body parts. When a carful of teenagers crashes near his home, Frankenstein and his assistant Carlton (Robert Burton) gather up the bodies and begin stitching up the fragments, adding a few chunks of flesh recovered from a convenient plane wreck. The result is a teenaged monster (Gary Conway) with a bad attitude. Already a bit off in the coop to begin with, Professor Frankenstein goes completely bonkers, using the monster to dispose of such awkward witnesses as the professor's fiancee Margaret (Phyllis Coates). The film's final burst of violence is filmed in color, for no discernable reason. If for nothing else, I Was a Teenage Frankenstein would be memorable for Professor F's deathless line to his sullen creation: "Answer me! You have a civil tongue in your head! I know, I sewed it in there!" ~ Hal Erickson, All Movie Guide
- Starring:
- Whit Bissell, Phyllis Coates, (more)
- 1956
In this suspenseful detective yarn, an insurance investigator finds himself unbearably bored by his routine life and decides to become a criminal. Following the robbery he engineers, he begins to investigate the theft himself. Unfortunately, he is trailed by a determined railroad cop, a dear friend who remains professional despite the mixed emotions he feels. The film is the feature debut of TV actor Jack Klugman. ~ Sandra Brennan, All Movie Guide
- Starring:
- Mark Stevens, King Calder, (more)
- 1956
Yiddish Theater favorite Moishe Oysher heads the cast of the English-language Singing in the Dark. Oysher plays Leo, a concentration-camp survivor suffering from amnesia. He manages to ayed by Evelyne Cormand (acting) and Annie Feibermeyer (singing), and so forth. Because director H. W. Kolm-Vetee can't seem to make up his mind what approach to take with the material at hand, the audience is likewise confused. The English subtitles for Don Juan were written by film historian and essayist Herman G. Weinberg, best known for his biographical studies of Ernst Lubitsch and Erich von Stroheim. ~ Hal Erickson, All Movie Guide
- Starring:
- Moishe Oysher, Joey Adams, (more)
In the words of its star Leonard Nimoy, Kid Monk Baroni was the sort of film that "made unknowns out of celebrities." The young Nimoy is actually quite good as the title character, a boxer whose misshapen face has earned him the unwelcome nickname "Monk." Formerly an unregenerate street punk, Baroni is set on the proper path by parish priest Father Callahan (Richard Rober). Unfortunately, a run-in with his old gang forces Baroni to skip town. He becomes a professional pugilist under the aegis of manager Hellman (Bruce Cabot), taking out his pent-up frustrations in the ring. Able to afford plastic surgery, Baroni buys himself a handsome new face--and, with it, a dangerously oversized ego. Hoping to protect his new face from harm, Baroni washes out in the boxing ring, but redemption--and a lasting romance with Emily Brooks (Allene Roberts)--await just around the corner. Kid Monk Baroni was well-directed by Harold Schuster, whose previous efforts included My Friend Flicka and So Dear to My Heart. A flop at the box office, the film did nothing for the career of Leonard Nimoy, who was obliged to spend the next 15 years in relative obscurity before attaining a second chance at big-time stardom with TV's Star Trek. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Rober, Bruce Cabot, (more)
- 1952
Based on The Mexican, a novel by Jack London, this is the story of a young man whose family, girlfriend and village were destroyed by the forces of a ruthless dictator. When he joins the revolutionaries who are seeking his overthrow, he finds that his boxing abilities are perhaps a means for him to make a contribution to the effort. He takes on a big-prized match with one of the best Mexican fighters to help subsidize the guerrilla efforts. Along the way, romance takes its course in the ranks of the revolutionaries. ~ Tana Hobart, All Movie Guide
- Starring:
- Richard Conte, Vanessa Brown, (more)
- 1948
MGM's all-purpose title The Big City was deployed once more for this treacly 1948 drama. To prevent orphaned Midge (Margaret O'Brien) from being sent to an institution, Protestant minister Andrews (Robert Preston), Jewish cantor Feldman (Danny Thomas) and Catholic cop Patrick O'Donnell (George Murphy) jointly "adopt" the girl. Midge grows up in Feldman's home, and all is rosy until O'Donnell, on the verge of marrying funloving "Shoe-Shoe" Bailey (Betty Garrett in her film debut), announces that he wants to take full custody of the child. It's up to Midge herself, with the help of kindly Judge Abercrombie (Edward Arnold), to sort things out. Meanwhile, the Reverend Andrews finds romance in the shapely form of Florence Bartlett (Karin Booth). Though it's hard to forget that Danny Thomas was one of show business' most prominent Catholics, he delivers a convincing performance as the tune-happy Cantor Feldman, at one point foregoing his usual Kol Nidres in favor of a rousing cowboy song! ~ Hal Erickson, All Movie Guide
- Starring:
- Margaret O'Brien, Robert Preston, (more)
- 1943
Another of a wartime cycle of Hollywood films lauding the praises of America's Soviet allies, Three Russian Girls is a remake of Russia's The Girl From Stalingrad. Set just after the Nazi invasion of the Soviet Union in 1941, the film stars Anna Sten as Natasha, a Red Cross volunteer who is dispatched to a field hospital located in an old pre-revolution mansion. American test pilot John Hill (Kent Smith), who'd been in Russia on a goodwill mission, is wounded in battle and brought to the hospital. As he slowly recovers from his wounds, Hill falls in love with Natasha. A last-act crisis develops when the hospital personnel are forced to move immediately to Leningrad as the Nazis advance. Most of the "counter attack" scenes that follow were obviously lifted from the original Girl from Stalingrad. For the record, the other two "Russian girls" are played by Mimi Forsaythe and Cathy Frye. ~ Hal Erickson, All Movie Guide
- Starring:
- Anna Sten, Kent Smith, (more)
- 1943
Ann Miller goes through her usual twinkle-toed paces in the quickie Columbia musical What's Buzzin', Cousin? The pencil-thin plotline involves attorney Jimmie Ross (John Hubbard), who moonlights as a singer with the Freddie Martin Orchestra. Using his legal and showbiz know-how, Jimmie revitalizes a broken-down hotel owned by Ann Crawford (Ann Miller) and her family. Musical highlights include Freddie Martin's swing rendition of Liszt's second Hungarian Rhapsody, and Ann Miller's terpsichorial interpretation of the bond-rally standard "18.75." Were it not for the presence of Miller and Martin, What's Buzzin' Cousin? would be utterly forgettable. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Miller, John Hubbard, (more)
- 1943
The Iron Major is the saga of WW1 hero-cum-football coach Frank Cavanaugh, played with his usual no-nonsense professionalism by Pat O'Brien. Leaving home and hearth behind to serve his country in the Great War, Cavanaugh goes on to lead the Dartmouth, Boston College and Fordham football teams to victory. His credo throughout is "Love of God?Love of Country?Love of Family"-inspiriational words indeed in war-torn 1943. Based on the memoirs of Cavanaugh's wife Florence (played in the film by Ruth Warrick), The Iron Major suffers from repetition and overkill. But, as Humphrey Bogart once said in an unrelated interview, "Pat O'Brien was good? Pat was always good." ~ Hal Erickson, All Movie Guide
- Starring:
- Pat O'Brien, Ruth Warrick, (more)
There are three key characters in Anatole Litvak's filmization of Aben Kandel's novel City for Conquest, as opposed to the six or more in the book -- but the real star, to a large extent, is New York City and its entire population. For purposes of the movie, however, the dramatic arc is linked to James Cagney, as honest, unpretentious truck driver Danny Kenny, whose life is involved with two other people -- his kid brother, Ed (Arthur Kennedy), a gifted musician trying to survive in the rough-and-tumble world of New York's Lower East Side, and Peggy Nash (Ann Sheridan), the neighborhood girl from the Lower East Side whom he's loved, one way or another, since he was a kid. Danny is happy doing what he does, driving a truck, but when Ed's scholarship is cut in half, he reluctantly takes an offer of a boxing match to raise the cash he needs, going into the ring under the fighting name "Young Samson." At about the same time, Peggy -- who loves to dance -- has her head turned by Murray Burns (Anthony Quinn), an ambitious but sleazy aspiring professional dancer. Eventually Peggy goes into partnership with Murray and is ultimately driven by her own ambition to leave Danny after she accepts his marriage proposal. By now, he's getting up in the boxing world, and in his bitterness over losing Peggy he accepts a bout for the world's welterweight championship. He's not overmatched as a boxer, but the money involved in this fight is just too big for it to be honest, and Danny is left all but blinded when his opponent's handlers slip resin dust onto his gloves. Danny is left seemingly a shell of a man, though he's content with his lot in life as far as it goes. He doesn't want any special attention or favors from anyone; the only thing he would like, though he's too proud to admit it, would be for Peggy to come back. But by now her dancing career with Murray has fallen apart, and she's too tortured by guilt, over the sequence of events she helped start, to come near Danny. It falls to Ed, who has never given up composing, to express the inexpressibles that each of these characters feels through his music. His first major classical work is a symphony ostensibly about New York City, which he conducts in its premiere at Carnegie Hall; but it's also about Danny and his life, and his dreams. ~ Bruce Eder, All Movie Guide
- Starring:
- James Cagney, Ann Sheridan, (more)
- 1939
Though running a mere 75 minutes, Rio has enough plot for ten movies. Basil Rathbone and Sigrid Gurie, previously teamed in The Adventures of Marco Polo, head the cast as crooked French financier Paul Reynard and his wife Irene. Sentenced to a ten-year term in a French penal colony for bank fraud, Paul wonders if his wife will remain faithful to him. At first glance it seems that he has nothing to worry about: Irene and family friend Dirk (Victor McLaglen) head to Rio to arrange for Paul's escape, with Dirk vowing to shield Irene from any and all sexual predators. But once she's landed in the Brazilian capital, Irene falls in love with red-blooded American engineer Bill Gregory (Robert Cummings). Upon emerging from his dank prison cell, Paul realizes that he's lost his wife forever to a better man. Seeking revenge, he prepares to shoot Bill in cold blood, but good old Dirk intervenes, paving the way for a happy ending -- for everyone but Paul, that is. Though he plays a thoroughly unsavory character, Basil Rathbone ends up the most sympathetic person in the film, and as such he's the only real reason to sit through the melodramatic convolutions of Rio. ~ Hal Erickson, All Movie Guide
- Starring:
- Basil Rathbone, Victor McLaglen, (more)
- 1937
This hard-hitting Warner Bros. courtroom drama begins with the usual "Any resemblance to actual persons, living or dead, is coincidental" disclaimer. Filmgoers with long memories, however, recognized Robert Rossen and Aben Kandel's screenplay as a blow-by-blow recreation of the Leo Frank-Mary Phagan case of 1915. Phagan, a 14-year-old employee in a Marietta, GA pencil factory, was found murdered. The bulk of the evidence pointed to a black janitor (who actually confessed to the crime years after the fact), but race-baiting Atlanta newspaper publisher Tom Watson decided to go after Leo Frank, the Northern Jew who owned the factory where Mary worked. "We can lynch a nigger any time," the politically ambitious Watson is alleged to have said, "but when do we get a chance to hang a Yankee Jew?" Thanks largely to Watson's "guilt by headline" campaign, and to Fulton County's cooperative solicitor general, Frank was found guilty and sentenced to death. Georgia Governor John M. Slaton, who all along smelled something fishy in the case, commuted Frank's case to life imprisonment (and was ruined politically as a result). En route to prison, Frank was abducted by a mob and lynched, an incident that boosted the prestige of the Georgia Ku Klux Klan. Aben Kandel dramatized this appalling miscarriage of justice in his novel Death in the Deep South, which served as the basis for They Won't Forget. In Mervyn LeRoy's film version, Lana Turner (in a star-making turn) plays Mary Clay, a teen-aged typing school student who dresses garishly and flirts with every man she meets. Mary is later found murdered; the last person to see her alive was her teacher, recently arrived Northerner Robert Hale (Edward Norris). Once more, a black janitor (played as a superstitious moron by Clinton Rosemond) is the most likely suspect, but the ambitious district attorney (Claude Rains) seems sincere in his belief that Hale is guilty. Once Hale is sentenced to death, the governor, played by Paul Everton, commutes his sentence, serene in the belief that, once his career is finished, he'll be able to retire peacefully (real-life governor Slaton did not go down so benignly). Except for the removal of the original case's anti-Semitic elements, They Won't Forget is stark, powerhouse filmmaking, one of the best of Warners' "social protest" films of the 1930s. It was remade as the 1987 TV movie The Murder of Mary Phagan starring Jack Lemmon, Kevin Spacey, Peter Gallagher, and Charles S. Dutton (as well as as the unsuccessful 1998 Broadway musical Parade). ~ Hal Erickson, All Movie Guide
- Starring:
- Claude Rains, Edward Norris, (more)
- 1937
In this satire of British-American relations, Edward G. Robinson stars as Dan Armstrong, a hard-sell American saleman whose company sends him to England to learn how to tone down his act. There he meets some distant relatives, the aristocrats Sir Peter and Lady Challoner (Arthur Wontner and Annie Esmond). They invite him to their mansion for the weekend, where among the house guests are the penniless aristocrats the Duke and Duchess of Glenavon (Nigel Bruce and Constance Collier) and their daughter Lady Patricia (Luli Deste), as well as a conniving stockbroker, Henry Graham Manningdale (Ralph Richardson). The Duke and Duchess own only an apparently worthless mine in Rhodesia that supposedly contains a metal called magnelite. Manningdale says that he will develop the mine in exchange for permission to marry Lady Patricia. Armstrong also has designs on Patricia, however, and he engineers a scheme to start a company and sell stock in the mine. ~ Michael Betzold, All Movie Guide
- Starring:
- Edward G. Robinson, Luli Deste, (more)
- 1936
Tailor-made for the talents of fast-talking James Dunn, Come Closer, Folks stars Dunn as sidewalk pitchman Jim Keene. Our hero manages to wangle a "legitimate" job as a small-town department-store sales clerk, instantly falling in love with boss's daughter Peggy Woods (Marian Marsh). When the store is threatened with bankruptcy, Jim enlists the aid of his fellow street hucksters to drum up business with their patented hard-sell methods, a strategy that gets him promoted to assistant manager. Eventually he runs afoul of the law, but Jim manages to smooth-talk the jury into letting him off the hook. Come Closer, Folks is another of those Columbia "B"-pictures which showed up incessantly on TV in the 1950s and 1960s then suddenly vanished when audiences demanded "newer" pictures. ~ Hal Erickson, All Movie Guide
- Starring:
- James Dunn, Marian Marsh, (more)
- 1936
Secretary Carol Baldwin (Jean Arthur) is in love with her boss, health-magazine publisher Fred Gilbert (George Brent). So what else is new? Well, for starters, Carol isn't terribly attractive, so Fred pays but little attention to her. Gee, nothing new here, come to think of it. Well, how about this: Carol undergoes a glamour treatment and wins Fred away from his dumb-blonde tootsie Maizie West (Dorothea Kent). Suffice to say that this cookie-cutter romantic comedy rises and falls on the appeal of its two talented stars. ~ Hal Erickson, All Movie Guide
- Starring:
- Jean Arthur, George Brent, (more)
