Erland Josephson Movies

A Yugoslavian tourist in Africa buys a flute from a very sick man at a bazaar, unwittingly picking up the dread disease of smallpox in the process. When the tourist passes through the controls at Belgrade airport, he is already feeling the effects of the sickness and ends up in a ward at a hospital while the doctors try to diagnose his condition. The chief doctor misdiagnoses the man's illness and as a consequence, the smallpox spreads like wildfire -- to the little boy in a bed near him, to an unfortunate plumber, to the nursing staff -- and he dies before these others also succumb, within a matter of hours. The doctor who guessed wrong about the man's condition locks himself up in his office for protection and injects himself with serum as a safety measure. Meanwhile, after much bumbling along, the place is quarantined and the World Health Organization has someone arrive in a space suit to decontaminate the hospital and end the epidemic. Though what has happened to the flute that started the deaths? Some remaining scenes clue the viewers in to this unsettling question. ~ Eleanor Mannikka, All Movie Guide

Victor Sjostrom (1879-1960) was one of the better-known Swedish actors and directors, and this is a well-balanced documentary on his film work, his general artistic history, and his relationships with colleagues such as Ingmar Bergman. Scenes from his early silents (Terje Vigen, Phantom Carriage ) illustrate his skills in that era, still photographs chronicle some of his work from his Hollywood period (1923-1930), and Ingmar Bergman comments on the years in which he and Sjostrom knew each other (1940s-1950s), worked together (Wild Strawberries, 1957), and also had their differences. ~ Eleanor Mannikka, All Movie Guide

Middle-aged newlyweds Larry (John Saxon) and Barbara (Lynda Day George) spend their honeymoon at a palatial Caribbean mansion, unaware that it is inhabited by the vengeful spirit of a notorious voodoo witch queen who was murdered a century ago. The woman's evil spirit promptly begins precipitating a variety of violent deaths in accordance with a diabolical ritual intended to bring her back to life -- a process which is ultimately consummated by taking possession of George's body. Writer/director Herb Freed's good use of the tropical locations and a moody score by Pino Donaggio provide some interest, though the stilted dialogue and sluggish pacing defeat any real suspense. ~ Cavett Binion, All Movie Guide

This effective drama about crisis and change in an unorthodox family is directed by Franco Brusati, best known for his earlier Bread and Chocolate. Marta (Hella Petri) lives in a large country estate after retiring from her career as an opera singer. She is not alone. Two women live with her, Claudia (Eleonora Giorgi) and Anna (Mariangela Melato), of uncertain familial ties, though perhaps nieces. Claudia and Anna are established in a lesbian affair and both depend on Marta like daughters would depend on a mother. Marta's brother Nicky (Erland Josephson) and his lover Picchio (David Pontremoli) arrive one day because Marta wants to take the two couples for a brief trip to Venice. Circumstances conspire to change those plans as one crisis after another, as well as a tragedy, make Claudia, Anna, and Nicky rethink their dependent behavior. ~ Eleanor Mannikka, All Movie Guide

The intertwined lives of people of both Polish and German extraction who live on the pre-World War II border between the two countries are explored in this drama. Valeska is the Polish/German matriarch of a family living on the German side of the border. Her son is involved with the Hitler youth, but nonetheless keeps secret the presence on family land of a Jew who is hiding from the authorities. When the son inadvertently kills a soldier to prevent his sister from being raped, he runs away after borrowing money from the Jewish man. When soldiers come to the family's door looking for the missing soldier who had been billeted there, the Jewish man commits suicide. In another episode, one of the family's daughters marries a German soldier in a ceremony presided over by a Polish priest. ~ Clarke Fountain, All Movie Guide

Ingrid Bergman, the Swedish expatriate who became one of Hollywood's greatest stars, and Ingmar Bergman, one of the world's most acclaimed filmmakers and Sweden's most honored director, worked together for the first and only time in this intensely personal drama about the troubled relationship between a mother and daughter. Charlotte (Ingrid Bergman) is an acclaimed concert pianist who is visiting her daughter Eva (Liv Ullmann), the wife of a parson in a rural community, for the first time in seven years. While Charlotte and Eva struggle to be civil, there is a deep emotional gulf between them. Eva resents her mother for not caring enough for her as a child, feeling that Charlotte was more interested in her career and her other daughter, Helena (Lena Nyman), who is severely handicapped and can only communicate through inarticulate noises. Charlotte, on the other hand, is uncomfortable with the fact that Helena now lives with Eva, and she is still coming to terms with the emotional devastation of her husband's recent death. Herbstsonate, released in America as Autumn Sonata, earned Ingrid Bergman some of the most enthusiastic acclaim of her career; she received an Oscar nomination for Best Actress, and she won the same honor from the National Board of Review and the New York Film Critics Circle. It was also her last theatrical release; she would appear in only one more project, a TV movie about the life of Golda Meir, before her death in 1982. ~ Mark Deming, All Movie Guide

Liv Ullmann plays Dr. Jenny Isakson, a psychiatrist who is taking a vacation while her husband Dr. Erik Isakson (Sven Lindberg) is elsewhere. Haunted by visions of an old woman, Jenny suffers from profound, inexplicable depression. Desperately in search of a escape from her doldrums, she has an affair with married doctor Tomas Jacobi (Erland Josephson). This only serves to spark an attack of hysteria for Jenny. Again visited by hallucinations of the old woman, she attempts suicide. While hovering between life and death, she imagines she sees all the people who've been influential in her life, and rails against them for causing her neuroses. Only while recovering does she learn who the spectral old woman is and why she is undergoing so harrowing an emotional experience. Like his later Scenes From a Marriage, Bergman's Face to Face (Ansikte mot ansikte) originated as a multipart TV series, which was then pared down into a two-hour-plus feature film. ~ Hal Erickson, All Movie Guide

Despite having sponsored films by Ingmar Bergman, and many others, director Kenne Fant was subjected to an incredible amount of ad hominem abuse when he released this film. Fant, an actor and later a director, managed to offend many sensitive types during his chairmanship of the State Film Institute and of Svensk Filminsustri AB. The futuristic story concerns the persecution of a schoolteacher who commits the crime of encouraging his students to think for themselves and uses an example from physics to illustrate his point. ~ Clarke Fountain, All Movie Guide

Cries and Whispers stars Liv Ullman and Ingrid Thulin as the sisters of dying cancer patient Harriet Andersson. Both sisters have already had brushes with death: Ullman has had an affair which prompted her husband's suicide, while Thulin has long wanted to do away with herself, at one point mutilating her own vagina out of self-hatred. As for Andersson, she has been in pain so long that she feels as though she's in the midst of death-in-life. With her two sisters wrapped up in their own problems, Harriet turns to her housekeeper Kari Sylwan for comfort; Sylwan has herself suffered the death of a child, and has developed a philosophical attitude towards impending doom. One of the most influential moments of the film -- when two of the sisters share the innermost thoughts that they'd kept from one another for so many years -- is filmed without benefit of dialogue, with the music of Chopin (enhanced by cinematographer Sven Nykvist's carefully selected camera angles) "speaking" for the ladies. While Cries and Whispers only won the Oscar for cinematography, the film did very well for itself in international awards contests. ~ Hal Erickson, All Movie Guide

The Hour of the Wolf (original Swedish title: Vargtimmen) is Ingmar Bergman's spin on the demons that plague his fellow creative artists. Max von Sydow plays a painter who, while spending a summer in seclusion with his pregnant wife Liv Ullmann, is visited by bizarre and disturbing visions. Before long, Ullmann is also experiencing her husband's hallucinations; one of these, an old, faceless woman, advises Ullmann to read Von Sydow's diary. Doing so, Ullmann discovers that her husband has been cheating on her with Ingrid Thulin. In the subsequent domestic squabble, Von Sydow shoots and wounds his wife. The artist's punishment for this behavior is to have his lover, now dead, spring back to life and humiliate him in full view of Ullmann. Hour of the Wolf has something to say about the dangers of artists becoming too self-centered and self-involved; one hopes that most artists are not as thoroughly punished (or punishable) as Max Von Sydow. ~ Hal Erickson, All Movie Guide

This Swedish feminist drama focuses upon three women in a traveling troupe of thespians performing Aristophanes' Lysistrata. Each of the women has some serious problems and fears to overcome. The husband of one has two lovers. The lover of another will not marry her, and the third's husband stays home to care for the kids. ~ Sandra Brennan, All Movie Guide

What is so rare, and cherishable, as an Ingmar Bergman comedy? All These Women concerns the sexual misadventures of cello-playing Jarl Kulle. Amidst his many romantic pursuits, the egotistical Kulle endeavors to get his life story published, "bribing" a writer by agreeing to perform the latter's musical compositions. Bergman regulars Eva Dahlbeck, Harriet Andersson and Bibi Andersson costar in All These Women, while the screenplay was cowritten by another stalwart member of the director's stock company, Erland Josephson. Originally titled For Att Inte Talla om alla dessa Kvindor, All These Women is better known in English-speaking countries as Now About All These Women. ~ Hal Erickson, All Movie Guide