Erland Josephson Movies

This historical drama chronicles the struggle of Swedish businessman Raoul Wallenberg (Stella Skarsgard), as he fought valiantly to save the lives of the Jewish residents of Nazi-occupied Budapest. ~ Iotis Erlewine, All Movie Guide

In Philip Kaufman's surprisingly successful film adaptation of Czech author Milan Kundera's demanding 1984 bestseller, Daniel Day-Lewis stars as Tomas, an overly amorous Prague surgeon, while Juliette Binoche plays Tereza, the waiflike beauty whom he marries. Even though he's supposedly committed, Tomas continues his wanton womanizing, notably with his silken mistress Sabina (Lena Olin). Escaping the 1968 Russian invasion of Prague by heading for Geneva, Sabina takes up with another man and unexpectedly develops a friendship with Tereza. Meanwhile, Tomas, who previously was interested only in sex, becomes politicized by the collapse of Czechoslovakia's Dubcek regime. The Unbearable Lightness of Being may be too leisurely for some viewers, but other viewers may feel the same warm sense of inner satisfaction that is felt after finishing a good, long novel. ~ Hal Erickson, All Movie Guide

Based on a true story, Istvan Szabo's Hanussen centers on an Austrian soldier (Klaus Maria Brandauer) who becomes clairvoyant after he is shot in the head during World War I. He is able to read minds and predict the future. Before long, he has foreseen Hitler and the Nazis' rise to power, and he soon finds himself in danger. Hanussen is the third of Szabo and Brandauer's collaborations, following Mephisto and Colonel Redl. ~ Stephen Thomas Erlewine, All Movie Guide

This somber drama chronicles the writings of Paltiel Kossover (Michel Jonasz), a Rumanian Jew who was incarcerated in a Stalinist prison. Zupanev (Erland Josephson) is a sympathetic court registrar who smuggles the documents and later presents them to the poet's son Grisha (Vincent David). ~ Dan Pavlides, All Movie Guide

Physician Robert Briand (Robin Renucci) runs a leper colony in the 15th century that takes in new residents who suffer from the ravages of syphilis. When the beautiful Marie-Blanche (Isabelle Pasco) is brought to the grim, prison-like facility, Robert finds she displays no apparent signs of disease. He risks everything when he falls in love with the woman and makes plans to run away with her. Erland Josephson plays Robert's father, with Piera Degli Esposti as Robert's faithful assistant Terese. ~ Dan Pavlides, All Movie Guide

Based on a true story that happened in 1921, this drama features a frivolous opera company, their relationships with one another, and their rehearsals of Franz Lehar's "Mazurka Blu" just before their theater is bombed. While Greta, the leading lady (Senta Berger), is being romanced by Milan's Chief of Police (Erland Josephson), a right-wing terrorist group that supports Mussolini is planning to bomb the opera's theater and blame it on Communists. Success means that the local government will have a good excuse to give free rein to the fascists and indirectly help Mussolini come to power. ~ Eleanor Mannikka, All Movie Guide

This well-executed biographical docudrama is a plunge into the madness (and the sanity) of a writer living life on its rawest edges. Agnes Von Krusenstjarna (Stina Ekbland) was a Swedish novelist (1894-1940) whose works ranged from the idyllically romantic to crushingly sardonic, sexually explicit autobiography. Von Krusenstjarna teamed up with the eccentric bisexual David Sprengel (Erland Josephson) and continued to suffer bouts of mental instability that Sprengel felt were best cured by sexual abandon. Von Krusenstjarna was not a model of emotional health when she first met Sprengel. She had inherited madness from her family while at the same time passionately rebelled against the narrow-minded mores of her genteel but poor parents. With his own wildly unorthodox behavior, Sprengel both helped and hindered Von Krusenstjarna throughout their turbulent relationship. Audiences will be enthralled by the clash of Von Krusenstjarna's inner and outer realities, but should be aware there is an abundance of sexually explicit material here. ~ Eleanor Mannikka, All Movie Guide

In this melodrama about love in wartime, Angela (Ida-Lotta Backman) is a Finnish nurse in Lapland who begins a torrid affair with Thomas Schmidt (Mathieu Carriere), a wounded German army captain. Their love for each other is verboten in Finland, where the Germans occupy northern Lapland until the end of the war. Finland had formed a brief alliance with Germany to fight an invading Russia in the winter of 1939, but when the Russians won that battle and took more than 16,000 square miles of land away from Finland, it was too late to successfully rout the Germans from Finnish soil. So for the entire war, the Finns were fighting Germany on their own national territory -- which makes the love affair between a Finnish nurse and German soldier a very complex issue. While Angela receives different reactions from her friends, acquaintances, and relatives, she continues on with her love for the German, against odds which are greater as time goes by. If director Eija-Elina Bergholm had had a larger budget and more time, the scope of this story could have been fully developed as the epic it was meant to be, instead of remaining at the level of a shorter and slightly less-satisfactory television film. ~ Eleanor Mannikka, All Movie Guide

In this made-for-television detective story set in the early 1930s, a missing Swedish millionaire is the target of a journalist who sets out to discover exactly what happened to the man and whether or not he is still alive. The biggest lead he has is the millionaire's attractive mistress, and the story takes off from there. Although the pace is slow and the ending no great surprise, the average TV-viewer would find this mystery entertaining by small-screen standards. ~ Eleanor Mannikka, All Movie Guide

Nostalghia is Russian director Andrei Tarkovsky's enigmatic work about a writer (Oleg Yankovsky) who, trapped by his fame and an unhappy marriage, seeks out his cultural past in Italy. Here he meets Erland Josephson, a local pariah who declares that the world is coming to an end. The writer finds this prophecy curiously more alluring than the possibility of a dead-end future. Nostalghia won the Grand Prix de Creation and the International Critics Prize at the 1984 Cannes Film Festival. ~ Hal Erickson, All Movie Guide

Though he made allusions to his own life in all of his films, Fanny and Alexander was the first overtly autobiographical film by Ingmar Bergman. Taking his time throughout (188 minutes to be exact), Bergman recreates several episodes from his youth, using as conduits the fictional Ekdahl family. Alexander, the director's alter ego, is first seen at age 10 at a joyous and informal Christmas gathering of relatives and servants. Fanny is Alexander's sister; both suffer an emotional shakedown when their recently-widowed mother (Ewa Froling) marries a cold and distant minister. Stripped of their creature comforts and relaxed family atmosphere, Fanny and Alexander suddenly find their childhood unendurable. The kids' grandmother (Gunn Wallgren) "kidnaps" Fanny and Alexander for the purpose of showering them with the first kindness and affection that they've had since their father's death. This "purge" of the darker elements of Fanny and Alexander's existence is accomplished at the unintentional (but applaudable) cost of the hated stepfather's life. Ingmar Bergman insisted that Fanny and Alexander, originally a multipart television series pared down to feature-film length, represented his final theatrical film, though within a year after its release he was busy with several additional Swedish TV projects, and his final work, the 2003 Saraband (also produced for Swedish television), eventually received global theatrical distribution. Oscars went to Fanny and Alexander for Best Foreign Film, Best Cinematography (Sven Nykvist), Best Costume Design and Best Art Direction/Set Decoration. ~ Hal Erickson, All Movie Guide

Marilyn Jordan (Susan Anspach), an American-born housewife, mother, and socialite living in Sweden, is crumbling under the weight of her own existence. She deeply resents her husband Martin's (Erland Josephson) frequent holiday absences and his indifferent attitude toward their two children ("If they are going to grow up in today's world," he admits, "it's about time they faced the fact that nobody keeps promises anymore"). Moreover, Marilyn's eccentric father (who believes he is Buffalo Bill and fires off guns in the house to prove it) and her children -- who hatch an outrageous plan to set up a dating service for senior citizens -- start to drive her completely around the bend. Marilyn feels herself domestically imprisoned -- encased in a bell jar. Her subsequent behavior grows not simply eccentric, but irrational and then comically outrageous. She cooks wiener schnitzel for the entire family, but eats it all herself; unsuccessfully attempts to poison the family beagle; and -- convinced that insects are attacking her during the night -- showers the plant above her bed with bug repellent, much to Martin's consternation. Finally, irritated by Martin's sexual indifference to her, Marilyn manages to get his attention in a last, desperate move by setting his bed on fire late one night. Deeply concerned, Martin consults psychologist Dr. Pazardjian (Per Oscarsson), who does little to help Marilyn and (indeed) turns out to be even nuttier than any of the members of the Jordan family. Via a comic security mix-up, Marilyn later becomes stranded at the Stockholm airport and hitches a ride with a band of horny Yugoslavian immigrants celebrating the new year; they take her to their ZanziBar nightclub for a couple of days, where she begins to break out of her domestic prison by engaging in a torrid extramarital affair with randy Slavic zookeeper Montenegro and by performing as a one-time chaunteuse on-stage. Eventually, Marilyn's family beckons for her to return -- but her brush with independence has made her a very different woman, indeed. Montenegro marked controversial writer/director Dusan Makavejev's English-language debut, and earned widespread critical raves for Anspach's career-defining performance. ~ Nathan Southern, All Movie Guide