Erland Josephson Movies

After achieving international recognition in the 1950's with such films as Det Sjunde Inseglet (aka The Seventh Seal), Smultronstället (aka Wild Strawberries) and Sommarnattens Leende (aka Smiles of a Summer Night), Ingmar Berman became one of the world's best known filmmakers for his emotionally intense portraits of souls in crisis, but the man himself developed a reputation for zealously guarding his privacy throughout his long and distinguished career. In 2004, Bergman sat for a series of interviews with filmmaker Marie Nyreroed, a longtime friend and confidant, for a documentary produced for Swedish television, and the results became Bergman Complete, a three-part series which explored the man and his work in depth. The first segment focuses on Bergman's life as a filmmaker, as he discusses his best-known pictures and his working methods. Part two concentrates on Bergman's lesser-known career in the theater, which he rates higher than his work in the cinema, and features reminiscences from actor Erland Josephson. In the final chapter, Bergman invites the filmmakers into his home on Faro Island and talks about his private life, including his hobbies, the emotions that drive his work, and his personal weaknesses. After receiving its premiere on Swedish television, Bergman Complete played at a number of international film festivals, including the 2006 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Renowned actress-turned-director Liv Ullmann helms this bleak, nuanced film about marriage and betrayal penned by legendary filmmaker Ingmar Bergman. The story is straightforward -- Marianne Vogler (Lena Endre) is a beautiful actress who is married to Markus (Thomas Hanzon), whose job as an orchestra conductor requires numerous concerts abroad, and who dotes on their young daughter Isabelle (Michelle Gylemo). Yet when Marianne has an affair with family friend David (Kirster Henriksson), a film director with a volcanic temper and little regard to those around him, the fallout destroys the marriage and brings grief and suffering to all involved, particularly Isabelle. Ullman and Bergman frame this plot with a tale about an elderly director named Bergman (Erland Josephson, who played opposite Ullman in Bergman's landmark Scenes from a Marriage) who is trying to write a script about infidelity. In his austerely decorated house on a remote island, Bergman invites an actress, who may or may not be a figment of his imagination, to breathe life into the character of Marianne. The actress tells Bergman of Marianne's story through flashbacks. One evening, on the closing night of the play that Marianne was in -- and while Markus is abroad -- David arrives for dinner with her and ultimately sleeps, platonically, in her bed. This unplanned intimacy soon leads to a full blown affair, including a three week romantic getaway to Paris. When Markus finally discovers the couple in flagrante delicto, he demands an immediate divorce and custody of their daughter. This film was screened in competition at the 2000 Cannes Film Festival. ~ Jonathan Crow, All Movie Guide

Accepted practices and new ideas face off against each other in this historical drama about a father, his daughter, and a mysterious stranger. In Northern Sweden in 1820, the widowed Dr. Selander (Rolf Lassgard) lives with his 20-year-old daughter Maria (Johanna Sallstrom), who has been blind for the past decade. One day, a Danish traveler named Meisner (Ole Lemmeke) appears in town, claiming to be an expert magnetist who can use his skills to heal the sick. While many in town are sure Meisner is a con artist, Selander welcomes him into his home. After spending time with Maria, Meisner discovers that her blindness is a psychological response to a traumatic event -- she was raped by Russian soldiers when her town was sacked ten years before. Maria's sight returns, and Meisner claims it was the result of his skills in magnetism. This leads to a blossoming romance between Meisner and Maria, much to the annoyance of Stenius (Gard B. Eidsvold), a partner of Selander who also had his eye on the girl. Impressive production design and fine performances highlight this international production. ~ Mark Deming, All Movie Guide

Ingmar Bergman, at age 80, wrote and directed this Swedish TV movie based on his own family. The original Swedish title is a reference to Act V, Scene V of Macbeth. Divided into four parts and featuring a white-faced clown (Agneta Ekmanner) throughout, the drama begins in 1925 at Uppsala Psychiatric Hospital where middle-aged magician and inventor Carl Akerblom (Borje Ahlstedt) was institutionalized after the attempted murder of his attractive fiancee, Pauline Thibault (Marie Richardson of Stanley Kubrick's Eyes Wide Shut). Intrigued by talking pictures, charismatic Carl, Professor Vogler (Erland Josephson), Pauline, and various actors set out on a tour, arriving in a remote provincial village to perform a play about a relationship between Schubert and Mizzi Veith (who was not even born at the time of Schubert's death). During a snowstorm, the dozen who make up the audience include Carl's stepmother and his half-sister. Conflicts and confrontations ensue. Ahlstedt portrayed Uncle Carl in previous pictures, and other past Bergman characters can also be spotted here. Shown in the Certain Regard section at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

This medieval period drama from Norway is based on Scandinavian-author Sigrid Undset's classic novel. The story is set in Norway's Gudbrandsdal valley during the 14th century. The tale begins when Kristin is 7-years-old and living a peaceful, relatively happy life with her family. It has not always been so happy though, as her parents have already buried three sons and nearly lost Kristin's little sister in a logging accident. Though still quite young, Kristin has been betrothed to marry Simon Darre, a wealthy neighbor's son. Unfortunately, the young girl already prefers the company of Arne to Simon. Time passes and Kristin suffers an attempted rape in the forest. She is confused by the act and asks her family to send her to a convent. Later the young woman sees a handsome knight, Erlend Nikulausson, and falls head-over-heels. Unfortunately, Erlend has more pressing romantic problems trying to deal with his previous lover. ~ Sandra Brennan, All Movie Guide

Winner of the Grand Prize at the Cannes Film Festival, this drama centers on the Balkan conflict as viewed through the eyes of a filmmaker named A (Harvey Keitel). Director Theo Angelopoulos wrote the screenplay, drawing from personal experiences. A is a Greek émigré director who returns to his homeland after 35 years in the U.S., ostensibly to screen his latest film, which is so controversial that it attracts religious protests. In fact, A's real purpose is to search for three reels of undeveloped film that may be the first ever shot by pioneer Balkan filmmakers the Manakis brothers, who documented simple circa-1900 peasant life. A's Homeric journey includes flashbacks into past historical events. He travels by taxi to Albania, where he enlists the help of a film archivist (Maia Morgenstern, who plays all four female roles). She joins him on a train ride to Bucharest, Romania. An extensive flashback chronicles A's childhood under Communism in Bucharest. His next stop is Belgrade, the capital of Serbia, where he is directed to Sarajevo. Angelopoulos mixes scenes shot during the actual Balkan war with historic re-enactments and dreamscapes to examine the role of the artist in political upheaval. ~ Michael Betzold, All Movie Guide

This artistically produced Swedish philosophical drama, filmed in black-and-white, is adapted from Strindberg's 1902 play. Using a combination of Biblical reference, classic mythology, and poetry it depicts God's daughter as she reflects upon the state of humanity. Agnes descends from Heaven to survey earthbound mortals about the cause of their pain and sadness. Initially, Agnes is carefree, but she cannot remain unaffected by the surrounding tragedy and becomes more serious. She ends up marrying an impoverished and dour lawyer. They dwell in a claustrophobic cellar with their new baby. The feature film at the local cinema stars Victoria. A frequent movie-goer tells Agnes of his love for the beautiful actress Victoria. He soon gets to meet her. Agnes then meets a dark poet who warns her that if she continues to wade in the morass of human existence the effects upon her may be permanent. ~ Sandra Brennan, All Movie Guide

Based on the 1932 novel Mendel Philipsen and Son by Henri Nathansen, Sofie was adapted for the screen by celebrated actress Liv Ullmann, making her directorial debut. Beginning in Copenhagen during the late 1880s, Sofie (Karen-Lise Mynster) is a devoted Jewish daughter who falls in love with the Gentile painter Hojby (Jesper Christensen). Her parents, Semmy (Erland Josephson) and Frederikke (Ghita Nørby), don't approve of the relationship, so they encourage her to marry her mentally ill cousin, a Swedish shopkeeper named Jonas (Torben Zeller). She gives birth to a son, but their already loveless marriage becomes further complicated when Sofie develops an interest in her brother-in-law Gottleib (Stig Hoffmeyer). Jonas is inconsolable after the death of his mother (Kirsten Rolffes), so much so that Sofie has him institutionalized and takes over his business. Years later, Sofie returns to Copenhagen with her son to help her aging parents and attend an auction where she reunites with Hojby. ~ Andrea LeVasseur, All Movie Guide

Puzzle-master Peter Greenaway exposes another aspect of his peculiar obsessions to the filmgoing public. Prospero's Books uses Shakespeare as a foundation and then skips along to define its own lush territory. The books of the title are briefly referenced in The Tempest -- Prospero is a magician who gets to keep only a small fragment of his enormous library when he is exiled with his daughter to an enchanted island. In the film, Prospero is played by Sir John Gielgud. Indeed, everybody is voiced by Gielgud as he describes the events that unfold. But mostly, he describes the books, and as he does, the screen fills with florid calligraphies, astonishing diagrams, extravagant paintings, and lots and lots of naked people. ~ John Voorhees, All Movie Guide

Meeting Venus is based on a play cowritten by the film's director, Istvan Szabo. Glenn Close plays a celebrated Swedish opera star Karin Anderson who is slated to appear in an internationally-telecast production of Tannhauser. Ms. Anderson balks at the notion of working with obscure Hungarian conductor Zoltan Szanto. The much-anticipated production may never get off the ground, thanks to labor-management difficulties, intramural jealousies, and clashing egos. Admidst all this chaos, the mismatched Anderson and Szanto fall in love. Filmed in Budapest, Meeting Venus was far from a box-office hit thanks in great part to an inadequate advertising campaign; hopefully it will gain the wide audience it deserves on videocassette. (PS: Glenn Close's singing is dubbed by real-life opera luminary Kiri Te Kanawa. We tell you this because the lyp-synching is done so well that you might actually believe that Close is performing those arias herself). ~ Hal Erickson, All Movie Guide

The complex cross-currents of conflicting loyalties among the inhabitants of Palermo, Sicily, come across vividly in this romantic thriller. Wealthy young Ruggero is the American son of an Italian mother. He returns to Sicily for his mother's funeral and looks in on the reformatory for wayward girls that his mother gave money to. One of the girls, Lucia (Jo Champa) manages to catch his eye, and soon he is involved in sorting out his own and the girl's loyalties with regard to her mobster connections and his law-abiding affinities. Evenutally a short-term romance takes place between the two of them amid a welter of legal complications, but Lucia understands that they are from different worlds, and will not hear of marriage. ~ Clarke Fountain, All Movie Guide