Quincy Jones Movies
Born in Chicago, African-American composer/musician Quincy Jones grew up in Seattle. An alumnus of both the Berklee School and Boston's Schillinger school of music, the 17-year-old Jones became a trumpeter/arranger for Dizzy Gillespie, then toured with Lionel Hampton before organizing his own band. From the late '50s through 1968, Jones held down executive posts at Barclay Records of Paris and Mercury Records of Hollywood. The first of Jones' jazz-dominated movie scores was for 1965's The Pawnbroker; subsequent film assignments included In Cold Blood (1967), In the Heat of the Night (1967), The Wiz (1978) and The Color Purple (1984), which he co-produced. Equally active on the small screen, Jones composed theme and incidental music for the TV series I Spy and Ironside, and in 1978 won an Emmy for his work on the monumental miniseries Roots. A pioneer in the realm of music video, Jones produced and arranged the blockbuster Michael Jackson video Thriller, which earned him one of his two dozen-plus Grammies. Jones also organized and produced the all-star benefit video We Are the World, assembling a fantastic aggregation of top recording talent with the admonition "Check your vanity at the door." In 1990, Jones was the subject of the documentary film Listen Up. Quincy Jones was honored with the Jean Hersholt humanitarian award at the 1995 Academy Awards celebration. ~ Hal Erickson, All Movie Guide
Originally billed as merely $, Dollars stars top box office draws Warren Beatty and Goldie Hawn. Beatty plays a security whiz, employed in Hamburg, Germany. He devises a clever method of robbing the secret bank vaults of notorious criminals, reasoning that the crooks will never turn to the cops. The notion that the crooks may have a few words to say to him does not dissuade Beatty as he and gold-hearted hooker Hawn work out their carefully calculated, meticulously timed robbery. ~ Hal Erickson, All Movie Guide
- Starring:
- Warren Beatty, Goldie Hawn, (more)
- 1968
Director Anthony Mann's final film (Mann died during the filming, and the production was completed by the film's star, Laurence Harvey) is a kitchen-sink espionage drama with Harvey as Eberlin, a Russian spy and double-agent, homesick and pining for the Russian steppes. It is in this risky mood that Eberlin falls in love with the emaciated Caroline (Mia Farrow). Complications arise when he is directed to kill a Russian spy -- but the Russian spy happens to be himself. ~ Paul Brenner, All Movie Guide
- Starring:
- Laurence Harvey, Tom Courtenay, (more)
Mike Myers' phenomenally successful spy spoof gains a few more characters, a slew of celebrity cameos, and even more free-associative laughs in this third installment of the popular franchise. Austin Powers in Goldmember continues the exploits of the swinging-'60s leftover, who, as the film opens, is busy critiquing a big-budget Hollywood production of his life story, replete with a 20-million-dollar star in the lead role and a slew of John Woo-style action scenes. But not far from the soundstage lurks arch nemesis Dr. Evil (Myers), who has opened up a talent agency representing some of the industry's biggest stars -- all the while channeling their profits into a diabolical world-destruction plan with the unfortunate code name Preparation H. Dr. Evil presents a distraction to Austin by kidnapping his similarly swingin' father, Nigel Powers, and transporting him back in time to 1975. Travelling there to save his father -- and in turn win back his dad's sometimes-errant affection -- Austin comes across the alluring superspy Foxxy Cleopatra (Beyonce Knowles). The three of them travel back to the present day, where they join forces to battle Dr. Evil and his posse of nefarious evil-doers, including the trusty clone Mini-Me (Verne Troyer); his snotty son, Scott (Seth Green); the inimitable Fat Bastard (Myers); and the eponymous new addition to the fold: the epidermis-obsessed, precious-metal-fortified Dutchman called Goldmember (Myers). ~ Michael Hastings, All Movie Guide
- Starring:
- Mike Myers, Beyoncé Knowles, (more)
- 1967
An exclusive LA country club provides the setting for this sudsy melodrama that centers on a handsome assistant golf pro and the women that love him. One woman is particularly desperate to have him. It also follows the efforts of a conniving former-caddy to take the assistant's job. ~ Sandra Brennan, All Movie Guide
- Starring:
- Robert Wagner, Anjanette Comer, (more)
Documentary filmmaker Peter Spirer directed this follow-up to his film Beef. Just like the first movie, Beef II studies the many feuds that both fuel and plague the world of hip-hop music. Featuring narration by actor Keith David (Platoon, Clockers), the film features interview with such rap stars as Cypress Hill, 50 Cent, Nelly, Ice Cube, Sticky Fingaz, and many others. ~ Matthew Tobey, All Movie Guide
- 2006
A coproduction of the BET network and filmmaker-musical producer QDIII (aka Quincy Jones III, Beef: The Series offered insight and intimate detail vis-à-vis the many "celebrity conflicts" which permeated showbiz in general and the Hip Hop field in particular. Amoong those featured were the well-publicized (and sometimes not so well-publicized) feuds between Kobe and Shaq, 50 Cent and Ja Rule, R. Kelly and Jay Z, Li'l Romeo and Bow Wow, former Dogg Pound colleagues Daz and Kurupt, and--perhaps inevitably, since this was a cable series--the battle between Dave Chapelle and Comedy Central. Though viewers tuned in to watch the sparks (and insults) fly, producer QD3 insisted that it was not his purpose to "promote negativity", and went out of his way to bring many of the cobatants together on neutral ground to air their differences in a mature, level-headed fashion. Beef: The Series premiered on October 4, 2006. ~ Hal Erickson, All Movie Guide
- 1989
Narrated by Burt Lancaster, Benny Carter: Symphony in Riffs provides a comprehensive overview of the life and career of jazz saxophonist Benny Carter. Widely known as one of the originators of the big band sound, Carter's influence can still be heard in modern jazz and big band performances. ~ Tracie Cooper, All Movie Guide
"Consider the possibilities," read the ads for Paul Mazursky's 1969 satirical comedy about what happens when the sexual revolution hits affluent bourgeois life. After a weekend of "beautiful" emotional honesty at an Esalen-type retreat, married wannabe hipsters Bob (Robert Culp) and Carol (Natalie Wood) return to their well-heeled Los Angeles life determined to apply the principles of free love and complete openness to their marriage. To the respective curiosity and repulsion of their married best friends, Ted (Elliott Gould) and Alice (Dyan Cannon), Bob and Carol have affairs that they happily reveal to everyone. Inspired by all that openness during the quartet's trip to Vegas, Ted admits an affair of his own, provoking the outraged Alice to demand that this new ethos be taken to its obvious conclusion: a mate-sharing foursome. Once they're bedded down and ready to go, however, they start to have second thoughts. Without sacrificing authenticity for comedy, first-time director Mazursky and co-writer/producer Larry Tucker delve into the confusion of the Eisenhower generation when faced with the temptations of the counterculture. Too old to be hippies and too young to be fogies, the would-be California swingers sincerely attempt to try on the lifestyle, but it never looks quite right. A then-controversial example of the New Permissiveness both onscreen and off, Bob & Carol debuted at the New York Film Festival to great praise, particularly for Gould and Cannon. Whether they wanted to laugh at their elders' faux looseness or see what their peers might be doing, audiences turned Bob & Carol into a substantial hit, and its observations about marriage and sex remain humorously sharp even if the encounter group jargon is past its vogue. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Natalie Wood, Robert Culp, (more)
As originally screened at the Tribeca Film Festival, at the Cannes Film Festival, and on Turner Classic Movies, the mammoth, epic-length documentary Brando chronicles in encyclopedic detail (and with a consistently reverent overtone) the life and career of the man widely regarded as the most formidable American actor of the 20th century - famous for not only reshaping, but reinventing the craft of film acting and teaching audiences how to view a motion picture performance. Divided into chronological, thematically-unified segments, the film first treats Marlon Brando's dysfunctional upbringing - his alcoholic mother, his abusive father, his stint at a military academy - before charting his acting tutelage at the behest of Stella Adler and his early cinematic and theatrical roles, including work for Elia Kazan, who famously made many aggressive (and unsuccessful) attempts to discipline the headstrong actor onscreen. Throughout this segment, many Hollywood A-list actors appear - among them, Al Pacino, Johnny Depp and Robert Duvall - expostulating at length on Brando's influence over their approaches to performance, and attempting with great effort to define the elusive style known as "method acting" that Brando helped to create. The second half of the documentary moves into Brando's career during the '70s, '80s and '90s, covering the production of The Godfather, the actor's noteworthy political activism, and his tumultuous personal life. Francis Ford Coppola, who of course teamed with Brando for the first Godfather installment and for Apocalypse Now, is noticeably absent from the proceedings. ~ Nathan Southern, All Movie Guide
- Starring:
- Al Pacino, Johnny Depp, (more)
Sidney Poitier stars as John Kane, a heavenly emissary who pays a visit to the Alabama town where he was born. Making it his mission to purge the community of all hatred and prejudice, "Brother John" is nothing less than the Messiah returned to earth. Trouble is, he's black, and it's Alabama-so who's going to pay attention? Will Greer costars as a local town doctor. ~ Hal Erickson, All Movie Guide
Goldie Hawn won an Oscar for her performance as a Greenwich Village free spirit in Cactus Flower. Middle-aged dentist Winston (Walter Matthau) is enjoying an affair with Toni (Goldie Hawn) but doesn't want to be hemmed in by marriage. He prevails upon his non-glamorous assistant Stephanie (Ingrid Bergman) to pose as his wife so as to keep from campaigning for a ring. Then, to justify his "infidelity," Winston talks his pal (Jack Weston) into pretending to be Stephanie's illicit lover. Flattered by all the attention, Stephanie begins to "doll up." Confronted by a newly gorgeous Stephanie, Winston realizes that his Dream Girl has been right there in his office all along. As for Toni, she ends up in the arms of a writer (Rick Lenz), who has loved her since Reel One. Cactus Flower was adapted by Billy Wilder's frequent collaborator I.A.L. Diamond from the play by Abe Burrows -- which in turn was adapted from a French farce. ~ Hal Erickson, All Movie Guide
- Starring:
- Walter Matthau, Ingrid Bergman, (more)
- 2008
Interviews with Wyclef Jean, Quincy Jones, and Andy Garcia offer insight into the rich legacy of legendary Cuban vocalist Celia Cruz in this documentary exploring how one woman's voice shattered the barriers of racism and sexism across the globe. ~ Jason Buchanan, All Movie Guide
- 1997
In 1976, Stevie Wonder released Songs in the Key of Life, a stunningly ambitious two-record-set that is still regarded as the finest hour in Wonder's remarkable career. This documentary (produced for VH1's "Classic Albums" series) traces this history of this masterpiece of pop and R&B, from its initial inspiration to the recording sessions with some of the industry's top talent. Stevie Wonder discusses the creation of this album, with additional reminiscences from Motown founder Berry Gordy, Herbie Hancock, Quincy Jones, and several of the musicians who played on the sessions. ~ Mark Deming, All Movie Guide
- 1972
- PG
This sequel to Cotton Comes to Harlem (1970) brings back Coffin Ed Johnson (Raymond St. Jacques) and Gravedigger Jones (Godfrey Cambridge), two freewheeling African-American police detectives working the beat in Harlem. Joe (Peter DeAnda) is a famous photographer who has mounted a crusade to drive drug dealers out of Harlem, but his intentions are hardly civic-minded; he hopes that by cutting out as much competition as possible, he can take over the business and corner the neighborhood's dope market. Caspar (Maxwell Glanville), one of Harlem's biggest dealers, is the only one who has figured out Joe's angle, and he carefully guards his territory. When a few local dealers begin turning up dead, Joe announces that the ghost of a powerful Harlem gangster, Charleston Blue, has returned to clean up the neighborhood; the small-time dope men are a suspicious lot, and many of them flee the city. But Coffin Ed and Gravedigger know that something fishy is going on, and they struggle to get the goods on Joe and Caspar, as well as solving the mystery of Charleston Blue. Like its predecessor, Come Back Charleston Blue was based on a novel by crime writer Chester Himes. ~ Mark Deming, All Movie Guide
- Starring:
- Godfrey Cambridge, Raymond St. Jacques, (more)
- 1967
Carl Reiner's semi-autobiographical novel Enter Laughing makes a largely successful transition to the screen. Reni Santoni plays the Reiner character, here named David Kolowitz. A machinist's apprentice in Depression-era New York, David dreams of becoming the new Ronald Colman. Defying the wishes of his parents (Shelley Winters, David Opatoshu), David lands a nonpaying job in a seedy theatrical production directed by broken-down ham Marlowe (Jose Ferrer). That the young aspiring actor knows nothing about his "craft" is evident the moment he speaks his first stage direction--"Enter Laughing"--as if it were a line of dialogue. Helped along by Marlowe's sex-starved daughter Angela (Elaine May), David manages to survive the rehearsal period, but his first public performance threatens to become a disaster when he can't find the entrance to the set. Still and all, David makes it through the play, cheered along by his now-supportive parents. Blessed with a marvelous supporting cast--including Jack Gilford, Don Rickles, Janet Margolin and veteran black comedian Mantan Moreland--Enter Laughing is a riot, especially for those viewers who have ever participated in amateur theatricals themselves. Only Reni Santoni fails to ring true as David Kolowitz (a role played on stage by Alan Arkin), though he has a few choice scenes, especially his impromptu performance on a subway. Watch for Rob Reiner in his film debut as a clumsy, self-conscious actor. ~ Hal Erickson, All Movie Guide
- Starring:
- José Ferrer, Reni Santoni, (more)
- 1999
- G
- Add Fantasia 2000 to Queue
Initially released to IMAX theaters at the crescendo of millennial fever and 60 years after the original Fantasia, Fantasia 2000 was meant to revitalize Walt Disney's goal of a constantly evolving film, with new segments replacing old ones with each re-release. Only The Sorcerer's Apprentice remains, with seven new shorts. Angular, abstracted butterfly-like shapes fly through the air in Beethoven's Symphony No. 5; computer-animated whales take flight in Respighi's Pines of Rome; Al Hirschfeld's caricatures of New York life come alive in George Gershwin's Rhapsody in Blue; Hans Christian Andersen's The Steadfast Tin Soldier is retold with computer animation against Dmitri Shostakovich's Piano Concerto No. 2, Allegro, Opus 102; frantic flamingos try to stop their yo-yoing comrade in Camille Saint-Saëns' Carnival of the Animals, Finale; Donald and Daisy Duck play Noah and his wife trying to manage the ark to Sir Edward Elgar's Pomp and Circumstance; and the cycle of life, death, and rebirth are celebrated in Stravinsky's Firebird Suite. ~ Emru Townsend, All Movie Guide
- Starring:
- Steve Martin, Itzhak Perlman, (more)
- 1985
- R
Writer-director Richard Brooks' final film features a weak script and poor acting but high energy direction in a tale of compulsive gambling in Las Vegas. Ryan O'Neal stars as Taggart, a sports reporter obsessed with gambling. As Taggart gets deeper and deeper into debt, he compounds his problems with assorted loansharks and gambling operators. Taggart has already lost his wife because of his compulsive gambling, but he takes up with big-timer Charley (Giancarlo Giannini), hoping to make a killing and settle the score. ~ Paul Brenner, All Movie Guide
- Starring:
- Ryan O'Neal, Catherine Hicks, (more)
This documentary compiles 20 different film and television appearances by the distinctive singer Peggy Lee. She is seen and heard performing such classics as "Fever," "Wind Beneath My Wings," "A Fine Romance," "Big Spender," and "Is That All There Is." ~ Perry Seibert, All Movie Guide
- 2006
- Add Finesse Mitchell: Snap Famous - Live to QueueAdd Finesse Mitchell: Snap Famous - Live to top of Queue
You've laughed at his "Weekend Update" rants, now watch Saturday Night Live star Finesse Mitchell as he takes the stage to riff on everything from his unconventional childhood to the pitfalls of dating, the silliness of celebrities, and the basic absurdities of day-to-day life. ~ Jason Buchanan, All Movie Guide
- Starring:
- Finesse Mitchell
When it was released in 1968, For Love of Ivy was the first mainstream Hollywood film to depict a mature romantic relationship between a black man and woman. Sidney Poitier stars as Jack Parks, a trucking executive who runs an illegal travelling casino out of one of his vehicles. Abbey Lincoln co-stars as Ivy Moore, the much-valued maid of the white Austin household. To make sure that Ivy won't quit her job, Frank Austin (Carroll O'Connor) blackmails Poitier into romancing her. He eventually falls in love with Ivy for real, but not before she's discovered that he's little more than a "hired hand" in affairs of the heart. Beau Bridges costars as amiable hippie Tim Austin, the only truly likeable member of his snooty, upper-crust clan. Robert Alan Aurthur based his screenplay on an original story by star Sidney Poiter. ~ Hal Erickson, All Movie Guide
- Starring:
- Sidney Poitier, Abbey Lincoln, (more)
- 1985
Initially influenced by the jazz stylings of, among others, crooner Bing Crosby, Frank Sinatra (1915-1998) developed his own distinct sound and style. This video offers a view from inside the recording booth as "Old Blue Eyes" lays down some tracks. Viewers get to see "The Chairman of the Board" perform renditions of "The Best of Everything," "Until the Real Thing Comes Along," "It's All Right With Me," "How Do You Keep the Music Playing," "A Hundred Years From Today," "After You've Gone," "Teach Me Tonight," "If I Should Lose You," "Stormy Weather," "Mack the Knife," and "L.A. Is My Lady."- ~ Steve Blackburn, All Movie Guide
- 1965
After this show originally aired in 1965 on a closed-circuit TV transmission under the title The Frank Sinatra Spectacular, an edited version was screened during 1997 in the NYC/L.A. theaters of the Museum of Television & Radio as The Rat Pack Captured: The Only Television Performance. The 90-minute version telecast on Nick at Nite's TV Land in 1998 was part of The Museum of Television & Radio Showcase series. The show is the only known concert recording of the Rat Pack, capturing the on-stage antics and raucous camaraderie that Frank Sinatra, Sammy Davis Jr., and Dean Martin made famous at the Sands Hotel in Las Vegas during the five years following their appearance together in the Vegas casino caper comedy Ocean's 11 (1960). On June 20, 1965, Frank Sinatra organized a "summit meeting" of the Rat Pack in St. Louis as a benefit for Dismas House of St. Louis, the first halfway house for ex-convicts. Staged at St. Louis' Kiel Opera House, the evening was televised via closed-circuit to select locations, where ticket buyers watched the live performance on screen. Martin, Davis, and Sinatra each take turns in the spotlight for a selection of songs. After Davis goes galvanic with his drums and vocal on "I've Got You Under My Skin," he ring-a-dings comedic chimes with ten impressions during "One for My Baby." With Quincy Jones leading the Count Basie Orchestra, the Sinatra standards include "Luck Be a Lady," "You Make Me Feel So Young," and "Get Me to the Church on Time." Sinatra is hip, compelling, and very relaxed -- despite heckling from the wings by Davis and Martin during one Sinatra number. For the finale, the trio was joined by a somewhat stiff and uncomfortable looking Johnny Carson (substituting for the Rat Pack's Joey Bishop, ailing with a bad back). At that time, Carson had been the Tonight Show host for less than three years. Sharing the stage for 15 minutes, the four unleashed gags, comedy antics, and impressions -- closing with "Birth of the Blues." This program was discovered by producer Paul Brownstein who saw a St. Louis clip of Sinatra and Davis (donated from Sinatra family archives) while watching the CBS Sinatra birthday special (Sinatra at 50). Brownstein saw two TV cameras at the edge of the stage, which led him to believe the entire performance had been televised and recorded. After extensive research, he eventually located a copy of the show sitting in a closet of a secretary's office at Dismas House, where it had been since 1965. The Rat Pack Captured was presented as part of the MT&R and Nick at Nite's ongoing "Lost" program campaign, a collaborative effort to locate programs for which no tapes are known to exist. In the spring of 1996, the two organizations launched a campaign to heighten awareness of the need to preserve television programming. In 1997, the MT&R's president Robert M. Batscha commented, "The Rat Pack helped define the swinging Sixties, and the Museum is thrilled that this singular television performance of this talented trio will now, through the generosity of Dismas House of St. Louis, become part of our permanent collection." The permanent collection of the Museum of Television & Radio now includes over 75,000 radio/TV shows and commercials. The original uncut 1965 show, available for viewing by the public on MT&R consoles in LA and NYC, also includes performances by Count Basie, the Step Brothers, Kaye Stevens, and Trini Lopez, and the MT&R collection has both versions. The broadcast TV debut on TV Land (Monday, April 20, 1998) indicated yet another title in ads (Frank Dean & Sammy in Concert!). With no set schedule, The Museum of Television & Radio Showcase TV series has also included Peter Falk's Emmy-winning performance in The Price of Tomatoes (1962), previously lost works of James Dean, and the award-winning documentary Primary (1960). ~ Bhob Stewart, All Movie Guide
- Starring:
- Frank Sinatra, Dean Martin, (more)
Hip-hop star 50 Cent makes his movie debut in this hard-edged urban drama inspired by the rapper's own life. Marcus (Curtis "50 Cent" Jackson, aka 50 Cent) grew up in a tough New York neighborhood and was left to fend for himself after the death of his mother when he was a kid. Marcus fell in with a powerful crime boss (Bill Duke) who gave him an opportunity to make a good living -- by selling drugs. While Marcus has misgivings about his life of crime and has an interest in expressing himself as a rap artist, his success as a dealer makes it hard for him to get away from the life. However, when a heist goes wrong and Marcus is shot several times, he has a change of heart and decides to leave his old life behind. He begins pursuing his dream of making it in music, and with the support of his girlfriend (Joy Bryant) he begins recording a demo tape. Marcus' new songs are inspired by the gritty realities of his old life on the street, but just as it looks like he might be able to land a record deal, he discovers that some of his old business associates aren't too happy about Marcus telling folks about their actions. Get Rich or Die Tryin' was directed by Jim Sheridan, best known for his tough but atmospheric stories of life in Ireland (In The Name of the Father, My Left Foot). ~ Mark Deming, All Movie Guide
- Starring:
- Curtis "50 Cent" Jackson
