Mick Jones Movies

The New York Dolls were a rock band who titled their second studio album Too Much Too Soon, and it summed up the band's career all too well. Playing hard, swaggering rock & roll that anticipated the aural chaos of punk five years before the Sex Pistols became a cause célèbre, and boasting an androgynous fashion statement that made David Bowie look timid, the Dolls made headlines and earned a loyal cult following between 1971 and 1976, but their look and sound were too extreme for the mass audience at the time, and the fact that several members of the band had serious drug and alcohol problems hardly helped matters. After the New York Dolls finally fell apart in 1977, singer David Johansen went on to a successful solo career (scoring hit records under the alter ego Buster Poindexter), lead guitarist Johnny Thunders and drummer Jerry Nolan kept the band's sound alive in the Heartbreakers, and guitarist Syl Sylvain cut a few solo albums and occasionally worked with Johansen. But bassist Arthur Kane struggled for years to get his musical career back on track while battling alcoholism, with little success on either front. In 1989, after a stay in the hospital, a clean and sober Kane embraced the Mormon faith, and through his contacts in the church he got a job working in a Mormon genealogy library in Los Angeles. Despite his quiet new life, Kane's greatest dream was to someday play a reunion show with the New York Dolls, and in 2004 his wish unexpectedly became a reality when British pop icon Morrissey invited the surviving members of the band to appear at a prestigious music festival he was curating. Filmmaker Greg Whiteley knew Kane as a fellow Mormon, and New York Doll is a documentary about the ups and downs of Kane's life in music, how his faith came into his life, and his unexpected return to the rock & roll stage at the age of 55. ~ Mark Deming, All Movie Guide

Director Robert K. Weiss gives a good accounting of himself in his first feature-length effort Amongst Friends. The film is set in an affluent Long Island neighborhood, the home of boyhood chums Patrick McGaw, Steve Parlavecchio, and Joseph Lindsey. With too much time on their hands, the kids turn to crime for "kicks". Events snowball into a climactic life-or-death drug deal, which threatens to end in disaster when one of the boys capriciously pulls a double cross. Barely released in 1993, Amongst Friends will probably get more play in future years thanks to the presence in the cast of Oscar-winner Mira Sorvino. ~ Hal Erickson, All Movie Guide

Teenaged Ferris Bueller (Matthew Broderick) is a legend in his own time thanks to his uncanny skill at cutting classes and getting away with it. Intending to make one last grand duck-out before graduation, Ferris calls in sick, "borrows" a Ferrari, and embarks on a one-day bacchanal through the streets of Chicago. Dogging Ferris' trail at every turn is high-school principal Rooney (Jeffrey Jones), determined to catch Bueller in the act of class-cutting. Writer/director John Hughes once again tries to wed satire, slapstick, and social commentary, as Ferris Bueller's Day Off starts like a house afire and goes on to make "serious" points about status-seeking and casual parental cruelties. It brightens up considerably in the last few moments, when Ferris' tattletale sister (Jennifer Grey) decides to align herself with her merry prankster sibling. A huge moneymaker, Ferris Bueller's Day Off eventually spawned a TV sitcom. ~ Hal Erickson, All Movie Guide

The political and social turmoil of Great Britain at the dawn of the Margaret Thatcher Era provides a backdrop for this improvisational drama featuring extensive live footage of punk trailblazers the Clash. Ray (Ray Gange) is a layabout punk rock fan whose interests appear to be beer, the Clash, picking up girls and avoiding a real job -- in that order. Ray works part time behind the counter at an adult bookstore to supplement his dole payments, but he'd like to become a roadie for the Clash, though his pal Joe (Joe Strummer), the group's singer and rhythm guitarist, doesn't have an opening for him; the fact Ray is openly suspicious of the band's leftist political stance probably doesn't help matters much. After Ray steps up to help the band during some trouble at a Rock Against Racism rally, Johnny (Johnny Green), the Clash's road manager, invites him to join their road crew for some upcoming dates in the North of England. While Ray's enthusiasm for the band is unquestioned, he doesn't have much of a taste for the hard work that goes into putting on the Clash's live show, and lead guitarist Mick (Mick Jones) makes it clear he doesn't trust Ray. As the Clash steadily climb from the punk underground into mainstream success, the band has less use for Ray's drunken antics, and eventually he's let go. Meanwhile, a pair of West Indian youths from the same London ghettos that Ray calls home become victims of the British legal system when a petty theft lands them in jail. Rude Boy was shot over the course of the Clash's two British tours of 1978 and during the sessions for their second album Give 'Em Enough Rope; it was the first and last film for Ray Gange, who relocated to the United States not long after making Rude Boy. ~ Mark Deming, All Movie Guide