Mark Johnson Movies

Director Barry Levinson attempts to repeat the success of several recent, low-budget British imports such as The Full Monty (1997), Waking Ned Devine (1998), and Saving Grace (2000) with this comedy about a pair of prison barbers trying to make a success of a hairpiece business in Northern Ireland. Colm (Barry McEvoy), a Catholic, and George (Brian F. O'Byrne), a Protestant, are friends who toil away in a lackluster job cutting the hair of convicts in a prison for the insane where Colm's girlfriend Bronagh (Anna Friel) also works. When the two lads hear of a prisoner nicknamed The Scalper (Billy Connolly), they learn that he was the only seller of hairpieces in the country, and decide to begin crafting their own toupees for sale as a way to start their own business. As they ply their wares through the war-torn country, the friends are not above using their respective religions to make sales, but competition soon arrives in the form of Toupee or Not Toupee, a rival company, and a race to be the first outfit to sell 30 units quickly ensues. Politics, business, and religious beliefs soon intersect to cause big trouble for both men. Actor McEvoy also wrote the script for An Everlasting Piece, loosely basing his character on his real-life father. ~ Karl Williams, All Movie Guide

A team of intrepid adventurers travels through the outer reaches of the galaxy, each week finding excitement and adventure on Galaxy Quest! Or at least that's the way it was in the mid-1970s, when brave if reckless Captain Peter Quincy Taggart, lovely Lieutenant Tawny Madison, and inscrutable alien Dr. Lazarus were the leaders of an interstellar law enforcement team on the TV series of that name. Twenty years later, the show is still in reruns, and Jason Nesmith (Tim Allen), Gwen DeMarco (Sigourney Weaver), and Alexander Dane (Alan Rickman) prop up their sagging careers by making appearances at sci-fi conventions, where they grudgingly shake hands and give autographs for the show's socially inept following. However, it turns out that nerdy sci-fi fans aren't the only ones watching: somewhere in another solar system, a group of alien rebels living under a regime of violence and repression have picked up broadcasts of Galaxy Quest, and they aren't aware that it's fiction. They travel to Earth and encounter the Galaxy Quest cast, who figure that they're just another bunch of guys who like to dress funny. However, they soon realize that they're being hired not for another autograph-signing session but for a real-life outer space rescue mission. Galaxy Quest was directed by Dean Parisot, who had a background in TV directing before his theatrical debut with the dark comedy Home Fries. ~ Mark Deming, All Movie Guide

Dean Parisot, who won a live-action short Oscar, made his feature directorial debut with this black comedy from a producer team that included Barry Levinson and Lawrence Kasdan. A philandering stepdad is the victim of vengeful Mrs. Lever (Catherine O'Hara), who sends her sons out to scare him to death. Cobra helicopter pilots Dorian (Luke Wilson) and Angus (Jake Busey) accomplish this by strafing the forest at night as the stepdad runs in terror. No one knows that pregnant Burger-Matic cashier Sally (Drew Barrymore) was the stepdad's mistress. However, since Burger-Matic and Cobra headsets share the same radio frequency, the notion surfaces that maybe Burger-Matic workers overheard something; Angus suggests that Dorian take a job at the fast-food joint in order to determine just who knows what. Once on the job, however, the situation gets twisted after Dorian falls hard for Sally. The chain-smoking Mrs. Jackson (Shelley Duvall), Sally's trailer-trash mother, turns up, as does her redneck father, Red (Lanny Flaherty). In an inside film reference, Angus mentions the classic "Lamb to the Slaughter" episode of Alfred Hitchcock Presents. Shown at the 1998 Toronto Film Festival. ~ Bhob Stewart, All Movie Guide

This drama about an undercover cop who learns the hidden dangers of working his way inside the mob was based on a true story. Joe Pistone (Johnny Depp) is an FBI agent who is given an assignment to infiltrate the Mafia; calling himself Donnie Brasco, he befriends Lefty Ruggiero (Al Pacino), a low-level mob hit man whose personal life is in tatters. Lefty's marriage is falling apart, his son is a junkie, and his health is failing, which only adds to his growing disillusionment about having spent 30 years with the Mafia (and killing 26 people) with little to show for it. But in Donnie, Lefty sees someone who can succeed where he failed; he takes the young man under his wing, and under Lefty's tutelage Donnie quickly rises through the ranks of organized crime; however, the longer he plays the role of the gangster, the more Joe Pistone finds himself becoming Donnie Brasco in his increasingly rare off hours; it drives a wedge between himself and his wife (Anne Heche) and children, and Joe realizes that a break in character among the hoodlums he's come to know could mean a death sentence for himself and his family. Just as importantly, Joe has come to regard Lefty as a close and trusted friend, and Joe realizes that when the day comes where he has to turn in his Mob associates, he'll be ending Lefty's life as surely as if he put a slug in his head himself. The supporting cast includes Michael Madsen as Sonny, Lefty's boss, and Bruno Kirby as Nicky, one of Sonny's henchmen. The real-life Joe Pistone today lives under an assumed name with a 500,000-dollar contract on his life still in effect. ~ Mark Deming, All Movie Guide

Clad in a blonde wig, Joe Pesci stars as the title character, a luckless actor. Unable to make it in the real showbiz world, Jimmy starts fantasizing about fame and fortune. His delusions eventually turn into reality when, through a fluke, Jimmy becomes known to one and all as "Jericho," a Robin Hood-like vigilante. Victoria Abril appears in a supporting role and the film's climax features a number of cameo performances. ~ Hal Erickson, All Movie Guide

After a childhood spat drove brothers Wilder (Arliss Howard) and Wallace (Dennis Quaid) apart, they went their separate ways, until a chance meeting brought them back together again. Gifted with a psychic ability to spark fires, Wilder supresses his gift, marries the lovely Vida (Debra Winger), and attempts to lead a normal life. However, he runs into his brother, who is using his powers to work as a carnival attraction, and their reunion leads to disaster when the brothers begin to compete for Vida's attention. ~ Iotis Erlewine, All Movie Guide

Barry Levinson directed this cautionary fantasy fable--a triumph of production design--concerning the clash between benevolent, funny toys and malevolent, violent war toys and video games. Donald O'Connor is the kindly, gentle Kenneth Zevo, founder of Zevo Toys. The workers love him and the love they feel for Zevo comes through in the lovingly cute toys they produce. His son Leslie (Robin Williams) is an eccentric inventor who concentrates on coming up with different styles of plastic vomit and over-sized ears. His addle-headed daughter Alsatia (Joan Cusack) enjoys trying out all of Leslie's inventions. But their innocent, idyllic existence is soon to be shattered. Kenneth is dying and he is reluctant to bequeath the factory to the immature hands of Leslie and Alsatia. He finally decides to pass on his factory to his three-star general brother (Michael Gambon), reasoning that the general will run the factory efficiently and prod Leslie and Alsatia into adulthood. When Kenneth dies, the general and his army surplus son Patrick (LL Cool J) immediately turn Zevo Toys into an oppressive fascistic environment. The general also stops production of the innocent Zevo products and forces the workers to manufacture violent interactive video games and sadistic war toys. Leslie must rouse himself out of his over-long childhood to preserve the tradition of Zevo Toys. Although Toys did not fare well at the box office, it features a stunning combination of production design by Ferdinando Scarfiotti and art direction by Edward Richardson. ~ Paul Brenner, All Movie Guide

Steve Soderbergh did a 180 degree turnaround from his debut film sex, lies, and videotape with Kafka, a stark art-film fable for literature majors. Jeremy Irons plays a fictional Franz Kafka, living in Prague in 1919. By day, Kafka works in a massive, impersonal insurance company. At night, he spends his time alone writing stories about men who turn into giant cockroaches. Although quiet and solitary, he becomes a suspect in a murder investigation conducted by Inspector Grubach (Armin Mueller-Stahl) when a friend of his turns up dead. Rather than being harassed by Grubach, Kafka decides to investigate his friend's murder on his own. Kafka speaks to his dead friend's girlfriend, Gabriela (Theresa Russell) and talks with gravestone carver Bizzlebek (Jeroen Krabbe). Kafka follows the clues to the Castle, a menacing tower that casts its shadow over the city and houses files on everything. He winds his way through the cellars and tunnels of the Castle, where he encounters the evil and insidious Dr. Murnau (Ian Holm), whom he hopes holds the solution to the murder. ~ Paul Brenner, All Movie Guide

Self-centered, avaricious Californian Charlie Babbitt (Tom Cruise) is informed that his long-estranged father has died. Expecting at least a portion of the elder Babbitt's $3 million estate, Charlie learns that all he's inherited is his dad's prize roses and a 1949 Buick Roadmaster. Discovering that the $3 million is being held in trust for an unidentified party, Charlie heads to his home town of Cincinnati to ascertain who that party is. It turns out that the beneficiary is Raymond Babbitt (Dustin Hoffman), the autistic-savant older brother that Charlie never knew he had. Able to memorize reams of trivia and add, subtract, multiply, and divide without a second's hesitation, Raymond is otherwise incapable of functioning as a normal human being. Aghast that Raymond is to receive his father's entire legacy, Charlie tries to cut a deal with Raymond's guardian. When this fails, Charlie "borrows" Raymond from the institution where he lives, hoping to use his brother as leverage to claim half the fortune. During their subsequent cross-country odyssey, Charlie is forced to accommodate Raymond's various autistic idiosyncracies, not the least of which is his insistence on adhering to a rigid daily schedule: he must, for example, watch People's Court and Jeopardy every day at the same time, no matter what. On hitting Las Vegas, Charlie hopes to harness Raymond's finely-honed mathematical skills to win big at the gaming tables; but this exploitation of his brother's affliction compels Charlie to reassess his own values, or lack thereof. A longtime pet project of star Dustin Hoffman, Rain Man was turned down by several high-profile directors before Barry Levinson took on the challenge of bringing Ronald Bass' screenplay to fruition (Levinson also appears in the film as a psychiatrist). All three men won Oscars, and the movie won Best Picture. ~ Hal Erickson, All Movie Guide

The film begins in 1965, when disc jockey Adrian Cronauer (Robin Williams) is assigned to take over the AFR's Saigon radio broadcasts. In contrast to the dull, by-rote announcers that have preceded him, Cronauer is a bundle of dynamite, heralding each broadcast with a loud "Goooooood morning, Vietnaaaaam," playing whatever records tickle his fancy (even those not officially sanctioned by his hidebound superiors), and indulging in wild flights of improvisational fancy. Cronauer's immediate superior Lt. Hauk (Bruno Kirby), whose own notions of humor are puerile and pathetic, jealously attempts to dethrone Vietnam's favorite rock jock. Fortunately, Cronauer's popularity is such that he enjoys the full protection of the higher-ups. But when Cronauer, after experiencing the horrors of war first-hand, insists upon telling his listeners the truth instead of the official government line, he is instantly replaced by the unfunny Hauk and must struggle to get back on the air. ~ Hal Erickson, All Movie Guide

The film version of The Natural pulls off the neat trick of conveying the spirit of the Bernard Malamud novel upon which it is based, even while changing both the outcome and the meaning of Malamud's closing chapters. In his first film appearance in four years, Robert Redford plays Roy Hobbs, a farm boy with a hankering to be a great baseball player. With his faithful homemade bat "Wonderboy" in hand, Roy heads to the big city. En route, he arouses the fascination of the mysterious Harriet Bird (Barbara Hershey). Luring the boy to a hotel room, Harriet asks Roy what he wants out of life. Roy brashly responds he wants to be "the best there is," whereupon Harriet whips out a gun and shoots Roy down. Sixteen years later, a humbler Roy Hobbs emerges from the bush leagues to become a 35-year-old "rookie" on the 1939 lineup of the New York Knights. He soon becomes the team's star player, and in so doing once more attracts enigmatic woman Memo Paris (Kim Basinger), the glamorous niece of the Knights' manager Pop Fisher (Wilford Brimley) and the mistress of Rothstein-like gambler Gus Sands (a curiously unbilled Darren McGavin). Roy's fascination with Memo compromises his ability to play, but this time he finds salvation in the form the angelic Iris Gaines (Glenn Close), his childhood sweetheart. From this point forward, the script for The Natural bears very little resemblance to the Malamud original. Without giving anything away, it can be said that Roy Hobbs is given a once-in-a-lifetime opportunity to compensate for the mistakes of his youth, despite the demonic intrusion of inexplicably spiteful sports writer Max Mercy (Robert Duvall). The Natural elevates the art of slow-motion photography to new heights; while this technique would become precious and boring in later baseball films, it works beautifully here, as does the decision by director Barry Levinson and cinematographer Caleb Deschanel to convey the symbolism inherent in the story in purely visual rather than blatantly verbal terms. (If the characters told you that the story was a retelling of the Camelot legend in baseball terms, would you have watched?) Another plus is the pastoral theme music by Randy Newman, which has been well utilized on sports broadcasts and "human interest" TV documentaries ever since. The baseball scenes in The Natural were staged at War Memorial Stadium in Buffalo, New York. ~ Hal Erickson, All Movie Guide

New York City detective Steve Burns Al Pacino receives orders from Captain Edelson Paul Sorvino to solve a series of brutal murders in the gay community. Steve scours the gay bars that caters to same-sex sadomasochism in a desperate attempt to solve the crime. As he infiltrates the scene, he slowly comes loose from the moorings of his own reality, and an innocent victim is tortured by the cops in an effort to exact a confession. The story is based on actual murders that took place between 1962 and 1979. The film gained considerable publicity because of the controversial subject matter while censor argued between an X and R rating for the feature. ~ Dan Pavlides, All Movie Guide

No one can escape from Alcatraz, right? Try telling that to lifer Frank Morris (Clint Eastwood). This Donald Siegel-directed nailbiter is a reenactment of Frank Morris' 1962 attempt to bust himself and two other cons out of The Rock. Eastwood, as Morris, tilts with nasty warden Patrick McGoohan for a while, befriends several fellow prisoners, and picks the guys with whom he'll make his escape. Among his break-out buddies are the Anglin Brothers (Fred Ward and Jack Thibeau), with whom he'd served in other lockups, and several others who've got their own special reasons to despise the sadistic McGoohan. Filmed on location at the newly renovated Alcatraz, Escape From Alcatraz was another box-office winner for the Eastwood/Siegel combo. ~ Hal Erickson, All Movie Guide