Gray Johnson Movies

It took nearly two years after its completion for Big Trouble to reach the big screen. Peter Falk and Alan Arkin are respectively cast as a shady wheeler-dealer and an uptight family man. Strapped for the cash necessary to send his son to Yale, Arkin reluctantly enters into a murder scheme with Beverly D'Angelo. She is married to Falk, who, though he hasn't got long to live due to a heart ailment, may very well spend every penny D'Angelo has before he expires. Arkin is persuaded to kill Falk before this happens, then split the money with D'Angelo. To Arkin's amazement he finds himself the victim of a carefully prepared confidence scam engineered by Falk and D'Angelo. Now that he has a hold over Arkin, Falk gets the poor fellow mixed up in yet another "perfect crime". ~ Hal Erickson, All Movie Guide

This low-budget entry into the sword-and-sorcery cycle of the early '80s wasn't successful during its initial release, but has steadily built a strong cult following over the years. The Beastmaster tells the story of Dar (Marc Singer), the son of a king who was stolen from his mother's womb by a witch under the command of vicious sorcerer Maax (Rip Torn). A poor villager saves Dar from being sacrificed and raises him as his own son, teaching Dar how to fight and witnessing the boy's ability to telepathically communicate with animals. Their happiness is destroyed when their village is attacked by the evil Jun horde, a race of beast-like warriors controlled by Maax. Dar vows revenge and journeys to his father's former kingdom to destroy Maax. Along the way, he falls in love with gorgeous slave girl Kiri (Tanya Roberts) and teams up with former royal guard Seth (John Amos). Dar also uses his powers to enlist the aid of an eagle, a panther and two adorable ferrets named Kodo and Podo. Together, Dar and his unlikely but brave team square off with Maax in an impressive two-part finale that involves a swordfight on the side of a pyramid and a showdown with the Jun horde near a flaming moat. The resulting film was full of action and eccentric surprises, but failed to make an impression at a box office already glutted with fantasy films. However, The Beastmaster eventually became a serious cult favorite thanks to home video and extensive exposure on cable (it is the second most aired movie on TBS after Gone With the Wind). This enduring popularity led to two sequels and a syndicated television series chronicling the further adventures of Dar. ~ Donald Guarisco, All Movie Guide

For better or worse, The Gumball Rally was the catalyst for a short-lived cycle of "illegal cross-country race" flicks. As thick-headed cop Roscoe (Norman Burton) does his best to stop the titular rally, a vast and varied contingent of contestants prepare to burn rubber from New York to California. The best-looking of the racers is played by top-billed Michael Sarrazin; Franco, a delightfully narcissistic Italian road jockey played by Raul Julia, also competes. Producer/director Chuck Bail was formerly a stunt coordinator, which helps to explain the incessant car crashes and near-misses in the film. Surprisingly, the doggedly low-budget Gumball Rally was produced by First Artists, a company formed by such major stars as Dustin Hoffman, Barbra Streisand, and Steve McQueen for the purpose of creating "prestige" film fare. ~ Hal Erickson, All Movie Guide

With a barrage of cinematic distancing devices at hand (flashbacks and flash-forwards, super-imposed titles, missing frames, projectionist cue-marks placed in the wrong locations in a film reel), Dennis Hopper concocts a hallucinatory acid-trip concerning an American movie company making a western in Peru. In a remote mountain village in Peru, a Hollywood film company wraps up shooting a western and returns to California. Staying behind is a young stunt man, Kansas (Dennis Hopper). In the village, he takes up with the resident whore, Maria (Stella Garcia). At this point, the film flash-forwards to Kansas being crucified by the villagers. Back in the old time frame, the Peruvians decide that they want to make their own movie. Not having the necessary film equipment, but plenty of local raw material, the villagers construct the needed cameras, microphones, and sound recorders out of bamboo, and although the equipment is faked, the villagers substitute real, bloody violence for the make-believe violence of Hollywood. During this eruption of violence in the Peruvian village, the local priest (Tomas Milian) blames Kansas for the carnage. The priest decides that movies are the root of all worldly evil and convinces the villagers to seize Kansas. ~ Paul Brenner, All Movie Guide