Fred Johnson Movies
This comedy is set in an Irish mansion and centers on its enigmatic owner. ~ Sandra Brennan, All Movie Guide
The blarney is as thick as the characters' brogues in You Can't Beat the Irish. Jack Warner stars as lazy but enterprising Irish paterfamilias Bartley Murnahan. To support his family, Bartley has hit upon a foolproof scam. By arranging a series of subtle subterfuges, he convinces his neighbors that he has fallen heir to a huge fortune. Before long, Bartley is the cock of the walk, never having to pay a cent for anything because all the local merchants assume he's going to reimburse them tenfold when the legacy is settled. The beautiful part of the scheme is that Bartley himself never has to tell a lie: he merely relies upon the gullibility and greed of those around him. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Warner, Barbara Mullen, (more)
Three generations of a Scottish clan are chronicled in this melodramatic saga. The film starts with the death of a sickly med student in a Glasgow slum. His fiancee also dies in childbirth. Her brother, who survives, begins raising her baby girl who grows up to have an affair with a lab assistant. Her "father" disapprove and threatens to destroy the wedding. She retaliates by poisoning him and then gets married. She bears a son. Unfortunately she has never recovered from the guilt of her earlier murder and ends up taking her own life. Later her son grows up to discover a vaccine for a fatal disease. ~ Sandra Brennan, All Movie Guide
- Starring:
- Richard Todd, Glynis Johns, (more)
The brilliant British documentary filmmaker Paul Rotha made his feature-film debut with 1950's No Resting Place. Filmed on location in Ireland, the film is a lightly fictionalized study of that country's itinerant workmen. Michael Gough plays tinker Alec Kyle, whose life is thrown into turmoil when he accidentally kills a man. Kyle spends the rest of the film evading Guard Mannigan (Noel Purcell), a civil servant who relies on instinct rather than scientific deduction to get his man. Without ever trying to elicit sympathy for his characters, director Rotha manages to compellingly detail the miserable living and working conditions of Ireland's nomad artisans. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael Gough, Eithne Dunne, (more)
Widely considered to be the definitive of the many film versions of Charles Dickens' classic novel is this 1951 British adaptation, starring Alastair Sim (entitled "Scrooge" in its U.K. release). Sim plays Ebenezer Scrooge, a London miser who, despite his wealth, refuses to make charitable contributions and treats his sole employee, Bob Cratchit, as an indentured servant. On Christmas Eve, Scrooge is visited by the ghost of his late business partner, Jacob Marley, who was as selfish as Scrooge in life and has been condemned to an eternity of wandering the Earth in shackles. Marley informs Scrooge that he's to receive a trio of spirits that night who will take him on a journey through Christmases Past, Present, and Yet to Come. As Scrooge encounters each apparition, he is taken on a tour of his life and realizes what a wretch he is, transformed by greed from an idealistic youth into an embittered ogre. Infused with a new, cheery outlook, Scrooge sets about earning his redemption. ~ Karl Williams, All Movie Guide
- Starring:
- Alastair Sim, Kathleen Harrison, (more)
Just before directing the comedy classic The Lavender Hill Mob, Charles Crichton dashed off the romantic melodrama Dance Hall. The story takes place in a London dance emporium, frequented by the local working girls. Natasha Parry stars as Eve, whose marriage to Phil (Donald Houston) is imperiled when she takes a different partner for an upcoming dance contest. Her reasoning is that Phil is a lousy dancer, but she loves him all the same; Phil, however, is the jealous type, who doesn't quite see things Eve's way. Among the familiar faces floating by in Dance Hall are Bonar Colleano, Diana Dors, and Petula Clark (yes, her career went back that far). ~ Hal Erickson, All Movie Guide
- Starring:
- Natasha Parry, Jane Hylton, (more)
The Naked Heart was also released as Maria Chapdelaine, which also happened to be the title of its source, a novel by Louis Hemon. Adapter-director Marc Allegret has fashioned the material into a vehicle for one of his most successful discoveries, Michele Morgan. This is the story of a young woman whose romantic fantasies begin spilling over into actuality. The film's novelty value is its setting: a remote village in Northern Canada. Filmed simultaneously in French and English-language versions, The Naked Heart was produced independently on a tiny budget; while the seams begin to show towards the end, for the most part the film works. ~ Hal Erickson, All Movie Guide
- Starring:
- Michèle Morgan, Kieron Moore, (more)
Adam and Evelyne stars Stewart Granger and Jean Simmons, who were husband and wife in the 1950s. Granger plays a "sang froid" gambler with little room for emotional entanglements in his life. When his best friend dies, Granger agrees to adopt the friend's daughter. She grows up to be Jean Simmons; Granger falls in love, but says nothing about his feelings because Jean accepts him as her real father. The denouement is right out of Daddy Long Legs, but is still effective within its new framework. When Adam and Evelyne made the Atlantic crossing and opened in the US, it was retitled Adam and Evelyn. Who knows why? ~ Hal Erickson, All Movie Guide
- Starring:
- Stewart Granger, Jean Simmons, (more)
In this slick melodrama, a sort of film-noir for women, a nightclub singer has an affair with an unhappily married San Francisco doctor. Though the physician desperately wants to leave his wife, he lacks the courage to ask for a divorce. In retaliation, the singer accepts an offer to move East and start up a new club in New York. Lost without the singer, the doctor is without option until his partner suddenly dies. With a burst of inspiration, he fakes his own death and flees to New York. Later, he is horrified to learn that his death has been officially declared a homicide, and so he goes into hiding in the singer's apartment. To cope with his fear and the increasing success of his lover, the physician begins drinking heavily. This only makes him paranoid and more depressed and he begins to suspect his lover is having an affair. Upon confronting the "lover," a fight ensues, the doctor wins, and thinking he killed his rival, he takes off -- only to end up in a horrible traffic accident that leaves his face unrecognizable. Though plastic surgery gives him a new identity, it is at that time that he is arrested and sent back to California to stand trial for his own murder. Rather than burden his family with the shock that he is still alive, the doctor insists that his lover keep mum, and he stoically goes to trial where he is sentenced to Death Row. Beautifully photographed by James Wong Howe in typically expressionistic style, the film focuses on the desperation and entrapment of the characters and expresses a true bleak, fatalistic film-noir sensibility which makes this film unique in the genre. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ann Sheridan, Kent Smith, (more)
As the title indicates, Hi-De-Ho is a vehicle for entertainer Cab Calloway. The star plays a bandleader (what else?) who is torn between two lovers: his jealous girlfriend Jenni leGon and his crafty manager Ida James. leGon hires a gangland assassin to take Calloway for a ride, but at the last moment has a change of heart and tries to prevent the murder. She stops a bullet meant for Calloway, allowing James to claim him for the final clinch. Produced for what we termed "colored theatres" in 1947, the all-black Hi-De-Ho is not what one could call expensive (many of the sets shimmer and shake as the actors stroll by) but the songs are first-rate. ~ Hal Erickson, All Movie Guide
- Starring:
- Cab Calloway, Ida James, (more)
In this costume drama, a woman finds herself the prize in a battle between two jealous brothers. Eventually she marries the suave one, but finds that he is most displeased by her inability to behave in a matter he deems appropriate for a woman of her station. The sad wife takes her troubles to the other brother who suggests she divorce her husband and take up with him. She ignores the advice and reconciles with her man. The angered brother then poisons the husband and tries to get the wife blamed for the death. ~ Sandra Brennan, All Movie Guide
- Starring:
- Sally Gray, Eric Portman, (more)
The exigencies of the first Hollywood "Red Scare", fomented by the Martin Dies committee, prompted the US Senate Civil Liberties Committee to produce Native Land, a 1942 paean to the Four Freedoms. Narrated by Paul Robeson, the film employs a cast of familiar if not stellar character actors in a story of how certain enemies within the US have done their best to suppress their fellow citizens' rights to freedom of speech, freedom of religion, freedom of assembly and freedom from want. The villains are the usual run of fat-cat capitalists, bigoted "patriots" and strikebreakers, while the heroes and heroines are farmers, sharecroppers, union leaders, minorities and the like. The screenplay leans towards the dogmatic at times, but the actors are sincere and the rousing musical score by Marc Blitztein (and old hand at this sort of agit-prop entertainment) is first-rate. Not suprisingly, many of the contributors to Native Land--Art Smith, Howard Da Silva et. al.-ended up being blacklisted during the Communist "Witch Hunt" of the 1950s. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Johnson, Mary George, (more)













