Alan Johnson Movies
Despite its target audience, the tale of Peter Pan offers a plethora of darker implications ranging from the natural fear of aging and responsibility to discovering sexuality despite the strong inclination to resist all that clashes with youth. A far cry from Steven Spielberg's Hook, director Damion Dietz taps into this seldom seen side of Pan in Neverland. When a seductive Peter Pan (Rick Sparks) and his vocally reluctant sidekick Tinkerbell (Kari Wahlgren) convince adopted siblings Wendy (Melany Bell), Michael (Marcus Reynaga), and John Darling (Wil Wheaton) to join him in Neverland, they had no idea that their destination was a deteriorating amusement park serving as home to scads of confused and startlingly attractive youths. Once there, the Darling family becomes victim to Chief Hook's (Gary Kelley) plot. Obsessed with the youth and beauty of Peter Pan, the disgruntled park maintenance man (Kelley) jumps at the opportunity to kidnap the lost boys after Tinkerbell reveals their location in a drug-induced stupor, realizing that only such an action would prompt a face-off with Peter. ~ Tracie Cooper, All Movie Guide
- Starring:
- Rick Sparks, Melany Bell, (more)
- 1997
After seven weeks of reruns and pre-emptions, ER resumed its third season on April 10, 1997, with a steady string of new episodes. In this one, Greene (Anthony Edwards) is accused of favoring a white patient over a black one when both teenagers arrive at the same time in the ER with gunshot wounds. Elsewhere, Jeanie (Gloria Reuben) discovers by accident that Carla (Lisa Nicole Carson) is pregnant with Benson's (Eriq La Salle) baby; Carol (Julianna Margulies) suspects that an 18-year-old patient was drugged and date-raped; and Carter (Noah Wyle) devotes his entire shift to a case that has already been written off as hopeless. ~ Hal Erickson, All Movie Guide
Mel Brooks does it again with this send-up of vampire films. That Leslie Nielson plays the great blood-sucking count gives viewers a good idea as to what they are in for. This Dracula takes himself very seriously despite the fact that he's a bit of a klutz with a tendency to slip in the bat guano that adorns his castle floor. Staying very close to Bram Stoker's original story, Brooks also pays sly homage to other major vampire film classics, including Nosferatu. Though silly but subtle gags abound in this outing, Brooks has taken great care to recreate the late 19th-century atmosphere in rich detail and harkens back to Hammer horror movies popular during the '50s and '60s. ~ Sandra Brennan, All Movie Guide
- Starring:
- Leslie Nielsen, Peter MacNicol, (more)
John Goodman is cast as the Sultan of Swat, whose excesses -- especially drinking -- and private demons can (in this context) be excused in view of his genuine love of baseball. The facts never get in the way of a good story for screenwriter John Fusco; we're even offered the umpteenth rehash of "Little Johnny", the largely fanciful tale of the invalid boy who promises to get well if Babe hits him a homer (as in Pride of the Yankees, the cured Johnny makes return a appearance as grownup). The most amusing fabrication is the casting of narrow James Cromwell as the Babe's orphanage mentor Brother Mathias, who in real life weighed 300 pounds. Many of the characters are composites, notably Bruce Boxleitner's Jumpin' Joe Dugan. At least Ruth's two wives--Trini Alvarado as Helen, who suffers Babe's many peccadilloes and dies under strange circumstances, and Kelly McGillis as Claire, who keeps Babe on a very short leash-are depicted with a modicum of accuracy. The baseball sequences are well handled (though there could have been less slo-mo) while Elmer Bernstein's charmingly old-fashioned musical score is right in tune with the film's approach to its subject. The Babe is rated PG; had this been the whole truth and nothing but, and R rating would probably have been in order. ~ Hal Erickson, All Movie Guide
- Starring:
- John Goodman, Kelly McGillis, (more)
- 1992
In the conclusion of a two-part story (originally networkcast as a single hour-long installment), the competition heats up between congressional candidate Christine (Markie Post) and her tough-as-nails opponent (Nancy Marchand). Dan (John Larroquette) has less fun as a sexual surrogate than he anticipated. And Mac's (Charlie Robinson) home video of Bull's wedding becomes a "Rocky Horror"-like cult favorite at a local movie house! ~ Hal Erickson, All Movie Guide
Set during the Watts riots of the mid-'60s, the made-for-cable Heat Wave follows the story of Los Angeles Times reporter Robert Richardson (Blair Underwood), who was the only journalist on staff able to cover the story, since White reporters were unable to gain access to the area and the rioters. ~ Stephen Thomas Erlewine, All Movie Guide
- Starring:
- Blair Underwood, Cicely Tyson, (more)
- 1989
In the conclusion of a two-part story, Harry (Harry Anderson) is placed in protective custody after incurring the wrath of mob boss Marty Cologne. Unfortunately, Harry's life is in the hands of Tim Bond (Timothy Stack), arguably the klutziest Federal agent in the history of law enforcement. At the same time, Harry tries to adjust to the news that former mental patient Buddy (John Astin) is his biological father! ~ Hal Erickson, All Movie Guide
- 1988
This plodding, amateurish horror film is basically a snow-capped variation on the standard stalk-and-slash killer formula. Six vacationers check into a posh ski resort where they are systematically slain, apparently in retribution for the accidental death of one of their friends years before. Despite a few inventive death scenes (by icicle, ski pole, snowplow, etc.), slasher-movie buffs looking for genre staples of bare nubile flesh, gushing gore and a high body count will be left out in the cold, as this is yet another late-80s exploitation thriller that contains no thrills (unless one counts the frequent ski footage) and hardly bothers to exploit anything. ~ Cavett Binion, All Movie Guide
- Starring:
- Debra A. Deliso, Doug Stevenson, (more)
- 1987
- R
An alcoholic Vietnam vet who has lost both his wife and his job as a cop while struggling to adjust to civilian life in southern California heads out for unintentionally hilarious revenge against the newly immigrated Vietnamese drug lord who slaughtered his best friend and his family in this campy "Rambo-esque" actioner. ~ Sandra Brennan, All Movie Guide
- 1986
- PG13
A futuristic dystopia is the setting for this tale about good versus evil and a magical space-sphere out to reestablish a civilized society. An orphanage in a bleak and deserted landscape imprisons a large group of youngsters who have divided into good and bad groups. One day, while competing at roller-skate ball, the teams come across a bowling-ball-sized sphere named Bodhi (a Sanskrit word equivalent to "enlightened compassion"). Bodhi communicates with the good kids, but the bad ones cannot understand the sphere's electronic burbles. The nasty Darstar (Adrian Pasdar) steals Bodhi and heads out into the forbidden world beyond the orphanage. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Richard Jordan, Jami Gertz, (more)
- 1983
- PG
Mel Brooks and his real-life wife Anne Bancroft play Frederick and Anna Bronski, musical comedy stars in 1939 Poland. The highlight of the Bronskis' act is Frederick's imitation of Adolf Hitler, but he is forced to eliminate this turn for fear of offending the Nazis. Meanwhile, Anna enters into a harmless flirtation with Polish bomber pilot Andre Sobinski (Tim Matheson). The pilot's nightly signal to visit Anna in her dressing room is "To Be or Not to Be," spoken by Bronski during the Shakespearean portion of his act. When the Germans march into Warsaw, the Bronskis and the rest of their troupe are forced into hiding (notably the homosexual Lupinski, played by Lewis J. Stadlen, who is forced to endure the humiliation of wearing a pink star). Flying for the Polish resistance in England, Sobinski asks kindly Professor Seletzky (Jose Ferrer) to deliver his "To Be or Not to Be" message to Anna. When Seletzky doesn't seem to recognize the name of Anne Bronski, Warsaw's biggest star, Sobinski suspects that something is amiss. Sure enough, Seletzky is a Nazi spy, heading to Warsaw to help Col. "Concentration Camp" Ehrhardt (Oscar-nominated Charles Durning) destroy the underground movement. Parachuting into Poland, Sobinski enlists the aid of the Bronski troupe to foil the Nazis. What follows is an uproarious series of disguises and deceptions, capped by Bronski's impersonation of Der Fuhrer. ~ Hal Erickson, All Movie Guide
- Starring:
- Mel Brooks, Anne Bancroft, (more)
- 1981
- R
- Add History of the World -- Part I to QueueAdd History of the World -- Part I to top of Queue
Mel Brooks produced, directed, wrote, and starred in this episodic comedy in the spirit of Monty Python and the 1957 studio travesty The Story of Mankind. The film is divided into five sequences that play like blue-toned Eddie Cantor vaudeville sketches -- "The Dawn of Man," "The Stone Age," The Spanish Inquisition," "The Bible," and "The Future." Also included is a Brooksian depiction of The Last Supper and a long-winded sequence about the French Revolution. The film starts with a 2001: A Space Odyssey parody, narrated by Orson Welles, in which a collection of ape-men learn to stand erect (in more ways than one). The Stone Age reveals the origins of both the first homo sapien and homosexual marriages. Brooks then appears in an Old Testament sequence as Moses, descending from Mount Sinai with three heavy stone tablets bearing the 15 Commandments; after he drops one of these tablets, the laws of God become 10 Commandments. The Roman period picks up with Brooks as Comicus, attempting to get a gig as a "stand-up philosopher" at Caesar's Palace. The Spanish Inquisition is a musical production number with monks torturing Jews to lively Broadway musical strains. The final French revolution section is a broad parody of The Man in the Iron Mask story. The film closes with coming attractions of "History of the World, Part II" that features a rousing Star Wars parody (anticipating Space Balls) called "Jews in Space" that includes a jaunty theme song. ~ Paul Brenner, All Movie Guide
- Starring:
- Mel Brooks, Dom DeLuise, (more)
- 1975
- PG
- Add The Adventures of Sherlock Holmes' Smarter Brother to QueueAdd The Adventures of Sherlock Holmes' Smarter Brother to top of Queue
Comic actor Gene Wilder made his debut as a writer and director in this period comedy in which he plays Sigerson Holmes, the older bother of famous detective Sherlock Holmes. For years, Sigerson has been living in his little brother's shadow, and he is convinced that he must constantly prove his superiority to his brother in all things at all times. Of course, he often fails, but one can't argue with his determination. In this story, Sherlock (Douglas Wilmer) and his faithful assistant, Watson (Thorley Walters), are called away from England on an assignment, and Sherlock asks Sigerson if he wouldn't mind looking into a case for him. With typically misguided enthusiasm, Sigerson is hot on the trail of a cache of missing government documents, whose theft may be the dirty work of the wicked Moriarty (Leo McKern). Sigerson is assisted in his investigation by Olville Sacker (Marty Feldman), a bumbling Scotland Yard detective who claims to have photographic hearing, and the mysterious and seductive Jenny Hill (Madeline Kahn). Gene Wilder rose to fame in the offbeat comedies of director Mel Brooks, so it was fitting that, for his first film as a director, Wilder cast Brooks in a cameo role (he's heard but not seen after discovering that the door he chose had the tiger, not the lady). ~ Mark Deming, All Movie Guide
- Starring:
- Gene Wilder, Madeline Kahn, (more)
Vulgar, crude, and occasionally scandalous in its racial humor, this hilarious bad-taste spoof of Westerns, co-written by Richard Pryor, features Cleavon Little as the first black sheriff of a stunned town scheduled for demolition by an encroaching railroad. Little and co-star Gene Wilder have great chemistry, and the delightful supporting cast includes Harvey Korman, Slim Pickens, and Madeline Kahn as a chanteuse modelled on Marlene Dietrich. As in Young Frankenstein (1974), Silent Movie (1976), and High Anxiety (1977), director/writer Mel Brooks gives a burlesque spin to a classic Hollywood movie genre; in his own manic, Borscht Belt way, Brooks was a central player in revising classic genres in light of Seventies values and attitudes, an effort most often associated with such directors as Robert Altman and Peter Bogdanovich . Some of this film's sequences, notably a gaseous bean dinner around a campfire, have become comedy classics. ~ Robert Firsching, All Movie Guide
- Starring:
- Cleavon Little, Gene Wilder, (more)
Theatrical producer Max Bialystock (Zero Mostel) was once the toast of Broadway. Now he lives in his seedy office, cadging cash contributions from wealthy old ladies in exchange for sexual favors. Even worse, he's reduced to wearing a cardboard belt. Max's new accountant, Leo Bloom (Gene Wilder), the soul of honesty, suggests that Max produce a hit to try to recoup his losses, but Max knows that it's too late for that. Offhandedly, Leo muses that, if Max found investors for a flop, he could legally keep all the extra money. Suddenly, Max's eyes light up -- and in that moment, Leo Bloom is gloriously corruptible. "I want everything I've ever seen in the movies!" cries Leo as Max embraces him. Together, Max and Leo conspire to select the worst play, the worst playwright, the worst director, and the worst actor to collaborate on their guaranteed flop. That play is Springtime for Hitler, "a delightful romp...with Adolf Hitler and Eva Braun." The playwright is Franz Liebkind (Kenneth Mars), an unreconstructed Nazi who, in drunken delirium, insists that Hitler was a better painter than Churchill -- "He could paint an entire apartment in one afternoon, two coats!" The director is pompous transvestite Roger De Bris (Christopher Hewett), who is preparing to go to a costume party garbed as Marie Antoinette when Max and Leo come calling ("Max, Max, he's wearing a dress"). And the star, selected after extensive auditions, is hippie-freak Lorenzo St. DuBois (Dick Shawn) -- "L.S.D." for short.
At the end of several weeks, Max has sold 25,000 percent of the show; and, as a finishing touch, Max bribes the opening-night critics for a favorable review, knowing full well that such a gesture is the kiss of death. The curtains part, and Springtime for Hitler opens with perhaps the most tasteless production number in the history of films. At the end of this extravaganza, the audience sits in dumbfounded silence. Gleefully, Max and Leo repair to a corner bar to celebrate their failure. But then.... The first directorial effort of Mel Brooks, The Producers didn't do so well on its first release, but since that time it has taken its place as one of the all-time great movie comedies. ~ Hal Erickson, All Movie Guide
At the end of several weeks, Max has sold 25,000 percent of the show; and, as a finishing touch, Max bribes the opening-night critics for a favorable review, knowing full well that such a gesture is the kiss of death. The curtains part, and Springtime for Hitler opens with perhaps the most tasteless production number in the history of films. At the end of this extravaganza, the audience sits in dumbfounded silence. Gleefully, Max and Leo repair to a corner bar to celebrate their failure. But then.... The first directorial effort of Mel Brooks, The Producers didn't do so well on its first release, but since that time it has taken its place as one of the all-time great movie comedies. ~ Hal Erickson, All Movie Guide
- Starring:
- Zero Mostel, Gene Wilder, (more)
