Ruth Prawer Jhabvala Movies
Novelist and screenwriter Ruth Prawer Jhabvala was born Ruth Prawer in Cologne, Germany, on May 7, 1927. The daughter of Polish-Jewish parents, she came to England as a young refugee with her family in 1939. After attending London University, where she studied English, Prawer married Indian architect C.S.H. Jhabvala in 1951 and moved to New Delhi. It was there that she began writing; during the mid-'50s, most of her novels and short stories were published in England -- many of her stories centered on the culture clash between the Indians and the British colonialists. By the mid-'60s, Jhabvala was writing screenplays and had begun a long, productive association with the filmmaking team of James Ivory and Ismail Merchant, who first collaborated with her on their filmed version of her novel The Householder (1962). Her work with the two resulted in a number of distinguished films that focused on post-colonialist life. In 1984, after their usual type of film began to lose popularity, the three changed tactics, and Jhabvala began adapting period novels, particularly those of Henry James and E.M. Forster. This change, exemplified by films such as The Bostonians (1984) and A Room with a View (1985), brought Merchant, Ivory, and Jhabvala acclaim from both critics and audiences alike. The latter film also won Jhabvala a Best Adapted Screenplay Oscar; she also won in 1992 for her adaptation of Forster's Howards End. She was again nominated for the same award the following year for her screenplay for Merchant Ivory's adaptation of Kazuo Ishiguro's The Remains of the Day.Though she primarily works with Merchant Ivory -- by century's end, Jhabvala had collaborated with them three more times on Jefferson in Paris (1995), Surviving Picasso (1996), and A Soldier's Daughter Never Cries (1998) -- she has also written for others, as evidenced by her screenplay for John Schlesinger's Madame Sousatzka (1988). ~ Sandra Brennan, All Movie Guide- 2008
- PG13
James Ivory's adaptation of Peter Cameron's The City of Your Final Destination tells the story of how the family of a writer makes sense of their past decades after the author commits suicide. The plot begins when a graduate student approaches the writer's offspring about access to their father's papers so that a biography about the man can be written. ~ Perry Seibert, All Movie Guide
- Starring:
- Omar Metwally, Anthony Hopkins, (more)
Based on the 1997 National Book Award-nominated novel of the same name by Diane Johnson (co-writer of the script for Stanley Kubrick's The Shining), Le Divorce is a romantic comedy from director James Ivory. Revisiting the "Americans in France" theme that Ivory explored in 1998's A Soldier's Daughter Never Cries, the film stars Kate Hudson as Isabel Walker. When she receives word that her pregnant poetess sister Roxy (Naomi Watts) has been left by her philandering French husband, artist Charles-Henri de Persand (Melvil Poupaud), Isabel offers her help and moral support. As the depressive Roxy struggles with the separation proceedings -- which include the rights to ownership of a work of art that's a family heirloom -- Isabel takes a job with author Olivia Pace and has a fling with the bohemian Yves (Romain Duris). But things get complicated when the younger, more impudent sister decides instead to pursue Charles' uncle, the snooty, married diplomat Edgar (Thierry Lhermitte), and when a mysterious man (Matthew Modine) starts stalking Roxy. Eventually, the rest of the plucky Walker clan has to come to the aid of the siblings. Stockard Channing and Sam Waterston co-star. ~ Matthew Tobey, All Movie Guide
- Starring:
- Kate Hudson, Naomi Watts, (more)
The distinguished director/producer/writer team of James Ivory, Ismail Merchant, and Ruth Prawer Jhabvala returns to the works of 19th century novelist Henry James in this adaptation of his tale of love and treachery. Wealthy American art collector Adam Verver (Nick Nolte) is traveling Europe with his daughter Maggie (Kate Beckinsale) following the death of his wife. In their travels, Adam and Maggie encounter Mrs. Assingham (Anjelica Huston), an American socialite who enjoys playing matchmaker, whether or not her subjects are interested. She introduces Maggie to Prince Amerigo (Jeremy Northam), a handsome but penniless member of Italian royalty, and after a bit of prodding, they announce their intention to marry. Mrs. Assingham also pushes Adam into a relationship with Charlotte (Uma Thurman), a close friend of Maggie, and they too decide to wed. However, no one else knows that Amerigo and Charlotte were once lovers, who broke off their relationship because he couldn't marry a commoner with no money. Their passion is eventually too strong to resist, and they embark on an adulterous affair, which becomes even more dangerous when Mrs. Assingham learns of it. The Golden Bowl was Merchant/Ivory/Jhabvala's third film based on a James novel, following The Europeans (1979) and The Bostonians (1984). ~ Mark Deming, All Movie Guide
- Starring:
- Uma Thurman, Jeremy Northam, (more)
- 1998
- R
- Add A Soldier's Daughter Never Cries to QueueAdd A Soldier's Daughter Never Cries to top of Queue
James Ivory directed this drama adapted from Kaylie Jones's 1990 autobiographical novel in which the character Bill Willis is based on her father, James Jones, author of From Here to Eternity and A Thin Red Line. Ruth Prawer Jhabvala's screenplay about expatriate Americans in Paris during the 1960s/1970s offers a portrait of a normal family (as opposed to the dysfunctional families of The Ice Storm and many other 1990s films), seen from the point of view of daughter Channe. Her father is Bill Willis (Kris Kristofferson), a successful novelist and WWII veteran who's married to enthusiastic poker-player Marcella (Barbara Hershey). Divided like the sections of a novel, the story's first chapter is titled, "Billy," in which French orphan Benoit (Samuel Gruen) is brought to the Willis household for adoption, while his unmarried biological mother (Virginie Ledoyen) writes about him in her diary. Six-year-old Benoit has been shipped through so many orphanages and foster homes that he doesn't unpack his suitcase. Benoit's presence prompts the young Channe (Luisa Conlon) to turn to her protective Portuguese nanny Candida (Dominique Blanc). After Benoit becomes acclimated to his new family, he asks that his name be changed to Billy. In the second segment "Francis" a strong friendship develops between Channe (Leelee Sobieski) and fatherless Francis Fortescue (Anthony Roth Costanzo). Obsessed with opera, Francis lives with his expatriate British mother (Jane Birkin). The family's French idyll is disrupted when Bill Willis plans a return to the United States because he wants American doctors to treat his bad heart. The closing act "Daddy" takes place in North Carolina during the 1970s as Bill's health worsens, Billy (Jesse Bradford) grows up, and an alienated Channe seeks acceptance through sex. A bedridden Bill dictates his fiction to Channe, who transcribes tapes and types his manuscript pages. During intimate conversations about boys and sex, Willis helps his daughter find her footing on the path of life. This movie arrived only 14 weeks prior to the release of Terrence Malick's 1998 adaptation of the elder Jones' The Thin Red Line. Shown at 1998 film fests (Venice, Toronto). ~ Bhob Stewart, All Movie Guide
- Starring:
- Kris Kristofferson, Barbara Hershey, (more)
- 1996
- R
This unusual biography of the renowned Spanish artist Pablo Picasso is a Merchant-Ivory film. The team of director James Ivory, producer Ismail Merchant, and screenwriter Ruth Prawer Jhabvala has been responsible for many period dramas, including A Room with a View and Howard's End. The story of Picasso's remarkable misanthropy is told as experienced by his mistress Francoise Gilot (Natasha McElhone). Francoise was Picasso's lover from 1944 to 1954, and they had two children together, Claude and Paloma. The film shows Picasso (Anthony Hopkins) as a notorious womanizer, with flashbacks revealing his relationships with his wife Olga (Jane Lapotaire), the artist Dora Marr (Julianne Moore), and Marie-Therese Walter (Susannah Harker), an earthy type who sees the artist only on Sundays. Hopkins powerfully portrays Picasso as an artistic genius with an appalling habit of using and abusing women. He not only cheats on his wife but two-times his mistresses. Francoise has survived an abusive relationship with her father (Bob Peck), and she is 40 years younger than Picasso when they become lovers. The film was supposed to be based on Gilot's book Life with Picasso, but the filmmakers were unable to get the rights to it, so they settled for basing the film on Arianna Huffington's Picasso: Creator and Destroyer. The movie also uses imitations rather than Picasso's real paintings. ~ Michael Betzold, All Movie Guide
- Starring:
- Anthony Hopkins, Natascha McElhone, (more)
Best known for their historical epics that examine class and social issues in British life through a thick lens of tasteful production design and good manners, director James Ivory and producer Ismail Merchant set their sights on an American protagonist for a change with Jefferson in Paris. As the title suggests, Jefferson in Paris deals with the five years that Thomas Jefferson (Nick Nolte) spent as U.S. ambassador to France prior to the French Revolution; while Jefferson is sympathetic to the revolutionary forces in France, he's become well enough acquainted with the ruling aristocracy that he finds himself torn between the two sides of the issue. Jefferson, a recent widower, also becomes friends with Maria Cosway (Greta Scacchi), who is married to a foppish British artist; while it's obvious the two are in love, neither is in a position to do anything about their infatuation. And while Jefferson's daughter Patsy (Gwyneth Paltrow) loves her father, she's very upset with him when he sends her to a convent school. In this midst of this personal turmoil, Jefferson's younger daughter Polly (Estelle Eonnet) arrives in Paris, with her slave Sally Hemmings (Thandie Newton) in tow. Attractive and bright (if uneducated), Sally catches Jefferson's eye, and a friendship develops that grows into something deeper; in time, Sally becomes pregnant, and her family claims that Jefferson is the father. At the time Jefferson In Paris was released, the question of Sally Hemmings' relationship with Thomas Jefferson was a matter of lively historical debate; since then, genetic evidence has shown that, while Jefferson's paternity can't be proved beyond a doubt, it is likely that he did father children with Hemmings. ~ Mark Deming, All Movie Guide
- Starring:
- Nick Nolte, Greta Scacchi, (more)
Filmed with the usual meticulous attention to period and detail of films from Ismail Merchant and James Ivory, The Remains of the Day is based on a novel by Kazuo Ishiguro. Anthony Hopkins plays Stevens, the "perfect" butler to a prosperous British household of the 1930s. He is so unswervingly devoted to serving his master, a well-meaning but callow British lord (James Fox), that he shuts himself off from all emotions and familial relationships. New housekeeper Miss Kenton (Emma Thompson) tries to warm him up and awaken his humanity. But when duty calls, Stevens won't even attend his own dying father's last moments on earth. The butler also refuses to acknowledge the fact that his master is showing signs of pro-Nazi sentiments. Disillusioned by Hitler's duplicity, the master dies an embittered man, and only then does Stevens come to realize how his own silence has helped bring about this sad situation. Years later, regretting his lost opportunities in life, he tries once more to make contact with Miss Kenton, the only person who'd ever cared enough to seek out the human being inside the butler's cold veneer. ~ Hal Erickson, All Movie Guide
- Starring:
- Anthony Hopkins, Emma Thompson, (more)
One of the best Ismail Merchant/James Ivory films, this adaptation of E. M. Forster's classic 1910 novel shows in careful detail the injuriously rigid British class consciousness of the early 20th century. The film's catalyst is "poor relation" Margaret Schlegel (Emma Thompson), who inherits part of the estate of Ruth Wilcox (Vanessa Redgrave), an upper-class woman whom she had befriended. The film's principal characters are divided by caste: aristocratic industrial Henry Wilcox (Anthony Hopkins); middle-echelon Margaret and her sister Helen (Helena Bonham Carter); and working-class clerk Leonard Bast (Sam West) and his wife (Nicola Duffett). The personal and social conflicts among these characters ultimately result in tragedy for Bast and disgrace for Wilcox, but the film's wider theme remains the need, in the words of the novel's famous epigram, to "only connect" with other people, despite boundaries of gender, class, or petty grievance. Filmed on a proudly modest budget, Howards End offers sets, spectacles, and costumes as lavish as in any historical epic. Nominated for 9 Oscars, including Best Picture and Best Director, the film took home awards for Thompson as Best Actress, Ruth Prawer Jhabvala's adapted screenplay, and Luciana Arrighi's art direction. ~ Hal Erickson, All Movie Guide
- Starring:
- Anthony Hopkins, Emma Thompson, (more)
Mr. and Mrs. Bridge (played by real-life "Mr. and Mrs." Paul Newman and Joanne Woodward) are well-to-do residents of Kansas City in the 1940s. So far as the Bridges are concerned, however, it's the 1920s, with Mr. Bridge treating his wife like property, regarding his grown children as if they're still adolescents, and habitually voting against that upstart Roosevelt. Though the underlying painfulness of such an archaic arrangement is never ignored, Mr. Bridges' obstinancy is for the most part amusing. The scene that seemed to please the audience most was the one in which Mr. Bridge orders Mrs. Bridge not to leave their table at their country club despite tornado warnings (they sit quietly in the deserted dining room while the building shakes and shudders). As for Mrs. Bridge, her "life" is totally defined by those around her--which in any other film would be a tragedy, but which here seems a logical extension of all that's gone before. Based on two separate novels by Evan S. Connell, Mr. & Mrs. Bridge is a rare excursion into Americana by the Ismail Merchant-James Ivory team. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Newman, Joanne Woodward, (more)
- 1988
- PG13
Shirley MacLaine is Madame Sousatzka, an aging piano instructor of Russian extraction. Entrenched in a dilapidated London rooming house, the Madame gives lessons only to the most gifted. She does not stop at mere instruction; Sousatzka insists that her pupils conduct their lives in the same genteel, cultured manner in which she was raised. Her prize student at the moment is an East Indian teenage boy (Navin Chowdhry), who forms a strong and loving bond with the old woman. Director John Schlesinger occasionally cuts away from the Madame and her pupil to allow comic space for the other tenants in Ashcroft's building, including an erstwhile songstress (Twiggy) and a gay osteopath (Geoffrey Baydlon). Navim Chowdhry's mother is played by Shabana Azmi, an important star of Indian films. ~ Hal Erickson, All Movie Guide
- Starring:
- Shirley MacLaine, Navin Chowdhry, (more)
Director James Ivory brings his subdued, "Masterpiece Theater" style to a forbidden subject -- homosexual love. Maurice is based on E.M. Forster's suppressed 1914 novel that was held back from publication until after his death. The film takes place at Cambridge, before World War I, when homosexuality was outlawed in Great Britain. Clive (Hugh Grant), an aristocratic Englishman with a life of privilege, suddenly shocks his close friend Maurice (James Wilby) by declaring his love for him. Maurice is initially stunned by the pronouncement, but in the end finds himself giving Clive a passionate kiss and telling him that he loves him as well. Clive, in the stiff-upper-lip British manner, considers their love to be more of an intellectual concept, but Maurice becomes passionate about the affair. Clive, afraid of being exposed as a homosexual, backs off and breaks up with Maurice for marriage, family, and politics. Maurice is crestfallen, but then he has a passionate affair with Clive's gamekeeper, Scudder (Rupert Graves), and Maurice and Scudder decide to risk their reputations by openly living together as lovers. ~ Paul Brenner, All Movie Guide
- Starring:
- James Wilby, Hugh Grant, (more)
Adapted by Ruth Prawer Jhabvala from the novel by E.M. Forster, A Room with a View is a shining example of Merchant-Ivory's ability to achieve maximum quality and opulence at minimum cost. Set during the Edwardian Era, the film stars Helena Bonham Carter as Lucy Honeychurch, who like all proper young British ladies is compelled to tour Europe in the company of an older chaperone -- in this instance, her spinster cousin Charlotte Bartlett (Maggie Smith). While in Italy, the ladies make the acquaintance of a wide variety of personalities; the most fascinating of their fellow tourists -- at least in Lucy's eyes -- is free-spirited George Emerson (Julian Sands). Aware that her cousin is becoming too familiar with Emerson, Charlotte demands that Lucy return to England posthaste. Lucy complacently settles for the tiresomely traditional courtship of nerdish Cecil Vyse (Daniel Day-Lewis) -- and then Mr. Emerson moves into the neighborhood. Lucy now finds herself on the horns of a dilemma: Should she opt for a safe, proper marriage to Cecil, or the bohemian unpredictability of the charismatic Emerson? A winner of three Academy Awards, A Room with a View is not what one could call fast-moving, but fans of the Merchant-Ivory team will enjoy luxuriating in the film's leisurely pace and stimulating cast of characters. ~ Hal Erickson, All Movie Guide
- Starring:
- Maggie Smith, Helena Bonham Carter, (more)
Adapted by Ruth Prawer Jhabvala from the novel by Henry James, Merchant/Ivory's The Bostonians is set among the Back Bay uppercrust of the 19th century. Basil Ransom (Christopher Reeve), bored by his opulent lifestyle and his "proper" friends, is fascinated by his cousin, outspoken suffragette Olive Chancellor (Vanessa Redgrave). Basil and Olive's mutual friend is likeable, gregarious Verena Tannant (Madeleine Potter). Soon a triangle develops, albeit an unorthodox one: Basil and Olive both find themselves pursuing Verena, Basil because he is in love with her, and Olive because she wants to exploit Verena's social connections and gift for public speaking to promote her own political ideology. Lurking in the background is Verena's true love, poor-but-honest attorney Henry Burrage (John Van Ness). ~ Hal Erickson, All Movie Guide
- Starring:
- Christopher Reeve, Vanessa Redgrave, (more)
The Merchant-Ivory team adopts a semi-documentary stance in Courtesans of Bombay. Though several scenes are dramatized, this film is essentially an unadorned look at prostitution in modern India. The film details the impoverished conditions that would prompt otherwise chaste Indian women to seek out employment as "performers"--a euphemism for the World's Oldest Profession, though they do indeed give public dancing and singing performances as a sideline. Indian actress Saeed Jeffrey heads the cast of this Ruth Prawer Jhabvala-scripted "docudrama." Courtesans of Bombay was made for British television, and original telecast in those late hours ostensibly off limits to younger viewers. ~ Hal Erickson, All Movie Guide
- Starring:
- Saeed Jaffrey, Zohra Segal, (more)
Two women, related but separated by one generation and 60 years, have parallel experiences in the evocative mystical environment of India in this period drama from producer Ismail Merchant and director James Ivory. Although a little slow-paced for some, and slightly confusing because the stories of the two women are intercut, the scenery and script evoke a time and place that mesmerize. Based on the 1975 novel by Ruth Prawer Jhabvala, a long-time collaborator in Merchant-Ivory Productions, the story begins with Ann (Julie Christie) who discovers some letters written by her grandfather's first wife Olivia (Greta Scacchi) that open up a whole new world as Ann travels to India to continue researching her grandmother's past. The letters reveal that when she was young, the free-spirited grandmother fell in love with an Indian nobleman (Shashi Kapoor) and left her husband -- an administrator in the British colonial government -- for her lover. After Ann arrives in India, her life and the modern rush of cars and people are played off against flashbacks to Olivia's life in a colonial setting. When the environment of each woman is compared and the nature of their momentous decisions placed side-by-side, their rites of passage and the society that dominated their choices stand out in high relief. Ruth Prawer Jhabvala won "Best Adapted Screenplay" at the 1983 British Academy Awards for her script of Heat And Dust. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Julie Christie, Christopher Cazenove, (more)
No relation to the 1949 Somerset Maugham "omnibus" film of the same name, 1981's Quartet is based on the roman a clef by Jean Rhys. Though the names are changed, it is clearly the story of Rhys' romance with Ford Maddox Ford in 1920s Paris. The titular quartet consists of novelist Isabelle Adjani, her Polish husband Anthony Higgins, wealthy philanderer Alan Bates and Bates' artist wife Maggie Smith. Though she's been indulgent of Higgins's past indiscretions, Smith isn't keen on her husband carrying on an affair with Adjani under their own roof. Meanwhile, Higgins sits in prison, jailed for his various petty thefts. Once Higgins is released, he learns about the Bates-Adjani-Smith contretemps. When the dust settles, it is Adjani who suffers the most. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Bates, Maggie Smith, (more)
The Ismail Merchant-James Ivory team generated this account of a pair of teachers battling for the rights to produce an unpublished Jane Austen play. ~ Jason Ankeny, All Movie Guide
- Starring:
- Anne Baxter, Robert Powell, (more)
In the middle of the 19th century, the stern and somewhat puritanical values of native New Englanders were little changed from early Colonial times. In this adaptation of Henry James' novel The Europeans, The Countess Eugenia (Lee Remick) and her brother Robert (Robin Ellis) are expatriate Americans who have grown up mainly in Europe. They have also grown accustomed to living well and have returned to see their New England relatives to try and take advantage of their prosperity by contracting an advantageous marriage with one of their wealthy cousins. The American cousins see them as charming, well-educated, and shockingly dissolute. Despite some successes, Eugenia is unable to achieve her objectives, but Robert fares somewhat better. ~ Clarke Fountain, All Movie Guide
- Starring:
- Lee Remick, Robin Ellis, (more)
- 1978
- Add Hullabaloo Over Georgie and Bonnie's Pictures to QueueAdd Hullabaloo Over Georgie and Bonnie's Pictures to top of Queue
Produced for British TV by the Merchant-Ivory-Jhabvala triumvirate, this India-based comedy was released theatrically in the US. Victor Banerjee, best known to American audiences for his star turn in David Lean's A Passage to India, plays a young rajah named George, while Aparna Sen portrays his sister Bonnie. Brother and sister are the proud possessors of a priceless collection of miniature paintings, which makes them the target of every critic, appraiser and huckster in the art world. George can't understand the "hullabaloo;" to him, art is a picture of a naked woman. Still, he finds himself in a tricky bargaining position as British gentlewoman Peggy Ashcroft (who also would appear in Passage to India) and wealthy American Clark Pine pull out their checkbooks and square off over the ownership of George and Bonnie's pictures. ~ Hal Erickson, All Movie Guide
- Starring:
- Peggy Ashcroft, Victor Banerjee, (more)
New York's Roseland ballroom was in 1977 the traditional gathering place of senior citizens who wanted briefly to relive the good old days. Appropriately, the cast of Merchant/Ivory's Roseland includes a quartet of always-welcome showbiz veterans: Teresa Wright, Lou Jacobi, Helen Gallagher. The episodic storyline is unified by an unending flow of vintage hit songs, including "Slow Boat to China", "Stranger in Paradise" and "Rockin' Chair". The most effective vignette involves cleaning-lady Skala, whose minimum-wage job supports her weekly ballroom nostalgia-fests. The film was written by Merchant-Ivory perennial Ruth Prawer Jhabvala. ~ Hal Erickson, All Movie Guide
- Starring:
- Teresa Wright, Lou Jacobi, (more)
- 1975
Autobiography of a Princess represents the return to East Indian themes by the team of Ismail Merchant and James Ivory after the unsuccessful Hollywood-based The Wild Party (1973). The basic Merchant/Ivory "props", including landed gentry, old folks taking unnatural interest in the goings-on of young folks, period costumes and reams of upper-class dialogue are here in abundance. The elderly character is James Mason, playing the former tutor of the father of Indian princess Mahur Jaffrey. For nearly an hour, tutor and princess discourse over their experiences in colonial India. Made for television, Autobiography of a Princess may be a yawnfest for non-fans of the Merchant/Ivory output, but the opportunity to see the brilliant Indian actress Mahur Jaffrey in full artistic flower should not be missed. ~ Hal Erickson, All Movie Guide
- Starring:
- James Mason, Madhur Jaffrey, (more)
Bombay Talkie was, together with Shakespeare Wallah, the property that brought worldwide recognition to the Merchant-Ivory filmmaking team. Jennifer Kendal plays a British writer, seeking out new adventures in India. The writer comes across actor Shashi Kapoor and his director Zia Mohyeddin and has romantic relations with both, thereby opening up a culture-clash can of worms. The script is by Merchant-Ivory perennial Ruth Prawer Jhabvala. ~ Hal Erickson, All Movie Guide
- Starring:
- Jennifer Kendal, Shashi Kapoor, (more)
- 1969
Tom Pickle (Michael York) is the British rock star who travels to India to learn the sitar from Ustad Zafar Khan (Uptal Dutt). Much to the dismay of his aggressive agent Chris (Barry Foster), he leaves the money-making music world behind to learn about the exotic Indian instrument. Khan believes Tom lacks focus but has the talent, and a young hippie girl arrives (Rita Tushingham) who has the focus but not the natural talent that Tom possesses. There is a romantic angle between the hippie-girl Jenny and Tom, but it is more implied than demonstrated. Soon the Guru Khan is besieged by women who all try to capture his attention. He becomes frustrated over the lack of spiritual commitment of his students, as the rocker contemplates his return to swinging London town. ~ Dan Pavlides, All Movie Guide
- Starring:
- Michael York, Utpal Dutt, (more)
Lizzie (Felicity Kendal) is an actress in a Shakespearean theater troupe that has seen better days. The troupe tours India to dwindling crowds who are less interested in all things British in the wake of Indian independence. When she has an affair with the Indian playboy Sanju (Shashi Kapoor), Lizzie feels the wrath of her disapproving father Tony (Geoffrey Kendal) and her mother Carla (Laura Liddell). Madhur Jaffrey plays the role of the Indian actress Manjula in this romantic drama with musical score from Satyajit Ray. ~ Dan Pavlides, All Movie Guide
- Starring:
- Shashi Kapoor, Felicity Kendal, (more)
The Householder was the very first collaboration between producer Ismael Merchant and James Ivory. A pleasant, low-key domestic comedy, the film details the travails of a young married couple. The husband (Shashi Kapoor) had wanted no part of the arranged marriage in the first place: now he must not only deal with a virtual stranger for a wife, but also a passle of financial headaches. Despite the unfamiliarity of the surroundings, American filmgoers should recognize several universal truths in this touching tale. The script was the handiwork of Ruth Prawer Jhabvala, adapted from her own novel; Jhabvala would remain a valuable member of the Merchant-Ivory aggregation. Offering an uncredited assist in the editing room was none other than legendary Indian filmmaker Satyajit Ray. ~ Hal Erickson, All Movie Guide
- Starring:
- Shashi Kapoor, Leela Naidu, (more)
