Norman Jewison Movies

Norman Jewison's blackly satirical look at the American justice system has gained in stature as one of the more incisive social commentaries of its time. Al Pacino plays Arthur Kirkland, an incorruptible attorney who attempts to initiate reforms in the Maryland justice system. Kirkland is haunted by the fates of two past clients, one of whom committed suicide in jail; the other is still alive but is locked up on a trumped-up traffic violation. The ability of power and money to distort the pursuit of justice becomes all too clear as Kirkland finds out how deeply the rot has spread. He finally retaliates by representing a repulsive judge (John Forsythe) accused of rape. Pacino's and Forsythe's performances are intense and powerful. Many critics found the film biting and almost painful in its razor-sharp indictment of the justice system, while others declared the script too outrageous. ~ Don Kaye, All Movie Guide

Inspired by the Herman Melville novel Billy Budd, writer Charles Fuller created the Pulitzer Prize-winning A Soldier's Play, which he then adapted into this film drama in 1984, for socially conscious, liberal director Norman Jewison. In the racially-divided 1940s, Fort Neal, Louisiana, is a military base where black soldiers are sent not to fight in WWII but to play baseball against other armed forces teams. The murder of a black sergeant, Waters (Adolph Caesar) brings an investigator, Captain Davenport (Howard E. Rollins, Jr.) to the base. Davenport, the first black officer that most of the men have ever met, suspects that a pair of white men were responsible for Waters' death, but his probe reveals that nearly everyone, regardless of skin color, had ample reason to kill the loathsome but pitiable Waters. The cast of A Soldier's Story features early supporting performances from several African-American actors who would go on to greater prominence, including Denzel Washington, David Alan Grier, and Robert Townsend. The film was nominated for three Oscars: Best Picture, Best Supporting Actor (Caesar) and Best Adapted Screenplay. ~ Karl Williams, All Movie Guide

We'd rather not speculate over how much of Best Friends is autobiographical. We'll just note that this story of a male-female screenwriting team was written by real-life married scenarists Barry Levinson and Valerie Curtin. Lovers as well as collaborators, scriveners Richard Babson (Burt Reynolds) and Paula McCullen (Goldie Hawn) decide to make their union legal. Predictably enough, they discover that their relationship goes straight downhill after they say "I do." The stars are far less interesting than the supporting cast, including Jessica Tandy and Barnard Hughes as Hawn's parents, Audra Lindley and Keenan Wynn as Reynolds' folks, Ron Silver as an avaricious producer (no names, please!), and Richard Libertini as a Mexican justice of the peace. ~ Hal Erickson, All Movie Guide

Albert Franklin (Haley Joel Osment) is the son of stage magician Lorraine Franklin, and has learned to do a few magic tricks of his own. However, when his mother dies and he is sent to live with his aunt Harriet (Whoopi Goldberg), it becomes clear that for him the boundary between stage magic and the real kind is just a bit fuzzy. This is fortunate, because the young man needs a friend. The friend magically appears in the form of a spirit (Gerard Depardieu) calling himself "Bogus," who helps him figure out how to meet the challenge of relating to his very preoccupied aunt. She is more concerned with keeping her restaurant supply company afloat than she is with her new ward. Things change when she, too, catches a glimpse of the spirit. ~ Clarke Fountain, All Movie Guide

A happily married couple discover their friends are not as happy as they thought, and they begin to wonder how sound their own relationship can be, in this made-for-cable adaptation of the Pulitzer Prize-winning play by Donald Margulies. Gabe (Dennis Quaid) and Karen (Andie MacDowell) are a pair of wedded food writers who more than a decade ago introduced their close friends Tom (Greg Kinnear) and Beth (Toni Collette). Tom and Beth fell in love and got married, but one night as Gabe and Karen are making dinner, they receive startling news from Beth -- Tom has left her for another woman, and the two are filing for divorce. Gabe and Karen soon feel as if they are being forced to take sides in the heated battle between Tom and Beth, and as the combative couple separates and both parties move on to new relationships, Gabe and Karen find themselves taking a long, hard look at their own marriage -- and they're not sure how happy they are with what they find. Directed by Norman Jewison, Dinner With Friends was produced for the HBO premium cable network, where it premiered on August 11, 2001. ~ Mark Deming, All Movie Guide

F.I.S.T. is author Norman Jewison's chronicle of an innocent and idealistic young man corrupted by power and success as seen through the rise of the United States labor movement. Sylvester Stallone plays a Jimmy Hoffa-inspired figure who rises through the union ranks during turbulent labor times. The film begins in 1937 during the burgeoning of the labor movement. Johnny Kovak (Sylvester Stallone) works on the dock unloading trucks for Win Talbot's (Henry Wilcoxon) trucking company. He turns to organizing the truckers for union representative Mike Monahan (Richard Herd). When Monahan is killed in a fight by strong-arm men hired by the company, Johnny becomes involved with Vince Doyle (Kevin Conway), the local gangster. After an angry response by the union, culminating in a massive riot, Johnny firmly aligns himself with Doyle, and the mob gets its meathooks further into the union. Thanks to the infusion of mob support, the union grows rich and powerful, along with Johnny. By the end of the 1950s, Johnny has so much power that he even manages to blackmail international union leader Max Graham (Peter Boyle) out of his job. Johnny is sitting on top of the world -- that is, until crusading United States senator Andrew Madison (Rod Steiger) targets Johnny's union for a federal investigation. ~ Paul Brenner, All Movie Guide

In this latest of a long string of underground films, Lothar Lambert has chosen to parody himself and the underground film industry, flying Ulrike S. to New York and Toronto for sequences in which she talks to the well-established movie director Norman Jewison (Moonstruck, Agnes of God) about mainstream work and to other underground filmmakers about their projects. Finally, Ulrike decides to chuck the whole business and go back to what she was doing in the first place -- working at a drug store. ~ Eleanor Mannikka, All Movie Guide

We first see Asian cave dweller John Lone as he wanders around what seems to be his natural habitat of some 10,000 years ago. Soon we learn that Lone is in a controlled environment in a scientific lab--and that his frozen body was recently discovered during an expedition to the North Pole (hence the nickname "Iceman"). Scientists Lindsay Crouse and Timothy Hutton hope to learn to communicate with Lone, and in so doing discover life was truly like for our neanderthal ancestors. The other, less altruistic scientists want to dissect Lone and analyze his innards. With Hutton's help, Lone escapes, but soon both men realize that there's really no place for "the Iceman" in modern society. Though the settings are convincingly arctic, Iceman was filmed in Manitoba. ~ Hal Erickson, All Movie Guide

The winner of the 1967 Oscar for Best Picture (as well as four other Oscars), In the Heat of the Night is set in a small Mississippi town where an unusual murder has been committed. Rod Steiger plays sheriff Bill Gillespie, a good lawman despite his racial prejudices. When Virgil Tibbs (Sidney Poitier), a well-dressed northern African-American, comes to town, Gillespie instinctively puts him under arrest as a murder suspect. Tibbs reveals himself to be a Philadelphia police detective; after he and Gillespie come to a grudging understanding of one another, Tibbs offers to help in Gillespie's investigation. As the case progresses, both Gillespie and Tibbs betray a tendency to jump to culture-dictated conclusions. Still, the case is solved thanks to the informal teamwork of the two law officers. Based on the novel by John Ball, In the Heat of the Night inspired two sequels, both starring Poiter as Virgil Tibbs. In 1987, a TV series version of In the Heat of the Night appeared, with Carroll O'Connor as Gillespie and Howard Rollins as Tibbs. ~ Hal Erickson, All Movie Guide

In this collection of clips from The Judy Garland Show, which ran for 26 episodes on CBS television in 1963 and 1964, the legendary singer and actress performs a number of songs, several of them collaborations with up-and-comer Barbra Streisand, grand dame Ethel Merman, and Garland's own daughter, the then-teenaged Liza Minnelli. Garland's solos include several of her signature numbers, from "I'm Nobody's Baby," which she performed as a fresh-faced MGM star in 1940's Andy Hardy Meets Debutante, to "The Man That Got Away," written especially for 1954's comeback vehicle A Star Is Born. Garland and Streisand alternate friendly banter about hating each other's talent with solo renditions and two extended medleys. The most famous of these pairings is their show-stopping combination of the standards "Get Happy" and "Happy Days Are Here Again"; Garland had performed the former in 1950's Summer Stock, while Streisand recorded the latter the same year the program aired. In another segment, Merman appears in the middle of the audience and joins Streisand and Garland for a leather-lunged rendition of "There's No Business Like Show Business." The Merman and Streisand footage was taped on October 4, 1963, for episode nine of Garland's eponymous program. A sequence featuring three duets and lots of clowning with Minnelli was taped a few months earlier, on July 16, for episode three. Several years after her program was cancelled, Garland was set to play Helen Lawson, a character based on Merman, for the film version of Jacqueline Susann's Valley of the Dolls; she was replaced, however, by Susan Hayward. Streisand would go on to star in her own remake of A Star Is Born, while Minnelli would mine her mother's legacy in her own repertoire. ~ Brian J. Dillard, All Movie Guide

When there's a full moon over Brooklyn, anything can happen, and everything happens in the neighborhood where widowed bookkeeper Loretta Castorini (Cher) lives. First, Loretta agrees to marry a man she does not love, Johnny Cammareri (Danny Aiello), simply because he knows how to propose properly. Before the wedding can take place, Cammareri must visit his dying mother in Sicily. In his absence, Loretta is supposed to try to patch up the differences between Johnny and his brother, bakery operator Ronny Cammareri (Nicolas Cage). Having never forgiven Johnny for indirectly causing the accident that crippled him, Ronny flies into a rage whenever his brother's name is mentioned. He does, however, fall for Loretta like a ton of bricks. After a torrid affair, Loretta tries to avoid Ronny out of respect to Johnny, but he's just too fascinating to resist. Meanwhile, Loretta's father (Vincent Gardenia) is fooling around with his mistress Mona (Anita Gillette), while Loretta's mother (Olympia Dukakis) is wooed by a college professor (John Mahoney). These brief flings are forgiven and forgotten, but there's still the delicate situation of Loretta being in love with her future brother-in-law. A now-classic romantic comedy, Moonstruck won Oscars for Cher, Olympia Dukakis, and screenwriter John Patrick Shanley. ~ Hal Erickson, All Movie Guide

A woman throws caution to the wind in the pursuit of the man of her dreams -- whom she's never met -- in this romantic comedy. Eleven-year-old Faith (Tammy Minoff) and her cousin Kate (Jessica Hertel) are playing with a Ouiji Board when Faith asks who she will marry -- the magic oracle answers "DAMON BRADLEY," and Faith is convinced that she will one day meet this ideal love. Fifteen years later, Faith (Marisa Tomei) has yet to meet her perfect man and has settled for Dwayne (John Benjamin Hickey), a sweet but boring foot doctor whom she's engaged to marry, with Kate (Bonnie Hunt) helping her plan the festivities. The day before the ceremony, Faith gets a call from one of the groom's friends, who won't be able to attend because he's travelling to Italy instead -- and his name is Damon Bradley. Convinced that fate is trying to tell her something, Faith hops on the next flight to Venice, where she searches for the elusive Damon, and along the way meets the charming Peter Wright (Robert Downey, Jr.). This was Tomei and Downey's second romantic pairing, following their roles in the biopic Chaplin. ~ Mark Deming, All Movie Guide

In the television miniseries Picture Windows, a number of acclaimed Hollywood directors and top stars team up for short stories about love. In "Soir Bleu," directed by Norman Jewison, Tully (Alan Arkin) is a clown who has fallen in love with a married woman. To make matters more complex, her husband is the manager of the circus Tully works for. He also beats her, and Tully is desperate to do something to free her from her awful predicament. Peter Bogdanovich directs "Song of Songs," in which George Segal plays Ted, who runs a bakery and has both a wife (Sally Kirkland) and a mistress (Brooke Adams). Soon Ted learns the hard way about the difference between love and lust. And in "Language of the Heart," directed by Jonathan Kaplan, an aging orchestra conductor (Michael Lerner) uses the wisdom of his years to help bring together a poor but gifted busker and a lovely young dancer. Picture Windows was originally produced for the Showtime premium cable network. ~ Mark Deming, All Movie Guide