Clytie Jessop Movies
- 1986
Laurel and Emma are sisters, two young women who are, for a change, extremely happy exactly where they are, which is in a college town in the Blue Mountains of Australia. Their happiness is rudely ended when their mother, Anna, decides to relocate them to the spare and (to the girls) grossly uninteresting bush country of Australia. Their new school is extremely backwards and boring, and what is worse, their mother seems to have grown quite erratic, given to emotional fits and bouts of drinking. They lack the experience and imagination, perhaps, to understand the toll World War II is taking on her. ~ Clarke Fountain, Rovi
- Starring:
- Lee Remick, Miranda Otto, (more)
The Torture Garden is an "omnibus" chiller, adapted from four short stories by Robert Bloch (Psycho). Each is introduced by Burgess Meredith, playing a sinister carnival barker by the name of Dr. Diabolo. The doctor's audience consists of five people, four of whom are apprised of their ultimate fates as Diabolo weaves his stories. In "Enoch," a young playboy falls under the spell of a cannibalistic cat. In "Terror Over Hollywood," a famous movie star is revealed to be an android. In "Mr. Steinway," the "villain" is a killer piano. And in "The Man Who Collected Poe," the title character murders another collector over a valuable Poe manuscript--only to receive retribution from ol' Edgar himself. If we told you anything about the fifth person in Meredith's audience, we'd be giving away the ending, wouldn't we now? The individual episodes tend to rise and fall depending upon the strength of their stars. Among those present in Torture Garden are horror-flick regulars Jack Palance, Peter Cushing, Robert Hutton, Michael Ripper and Niall McGinniss. No, this isn't a Hammer Production; it was put together by Hammer's principal British rival of the 1960s, Amicus Films. ~ Hal Erickson, Rovi
- Starring:
- Jack Palance, Burgess Meredith, (more)
- 1963
Legendary cinematographer (Freddie Francis) directed this Hammer horror film of madness and murder. The story concerns young Janet (Jennie Linden), a student at finishing school who is suffering from a series of recurring nightmares, having witnessed her mother stabbing her father to death. When her nightmares intensify, Janet is brought to the home of her guardian, Henry Baxter (David Knight). Henry is not home, but Janet is put into the care of his live-in nurse, Grace (Moira Redmond). Janet's nightmares continue, in which she sees a woman in white beckoning her into her parents' bedroom. Following the apparition, Janet sees the woman lying in bed, with a knife sticking from her chest. When Henry returns home, he is told by the doctors that Janet should be confined to a mental institution. Henry refuses, but the arrival of Henry's wife changes all that -- when Janet sees Henry's wife, who resembles the woman from her dreams, she grabs a knife and stabs her to death. Janet is committed to an institution for the criminally insane. However, it turns out that Grace had deliberately disguised herself as the woman in white to drive Janet over the brink and kill Henry's wife, so that they could be married. Henry and Grace get married, but Grace then receives reports that Janet has escaped from the institution and is returning to Henry's estate, bent on revenge. ~ Paul Brenner, Rovi
- Starring:
- David Knight, Moira Redmond, (more)
In this lugubrious but brilliantly realized adaptation of Henry James' classic novella The Turn of the Screw, 19th century British governess Miss Giddens (Deborah Kerr) arrives at a bleak mansion to take care of Flora (Pamela Franklin) and Miles (Martin Stephens), the wealthy household's two children. Outwardly the children are little darlings, but the governess begins to feel that there's something unwholesome behind those beatific smiles. After several disturbing examples of the children's evil impulses, Miss Giddens gets information from the housekeeper (Megs Jenkins) that suggests that the children may be possessed by malign spirits -- or are all these events just the products of Miss Giddens's own imagination? The best and most frightening vignette in The Innocents occurs when the governess casually kisses young Miles, then recoils in horror when she realizes that someone other than Miles has kissed her back. Unlike many CinemaScope productions, The Innocents plays better in the claustrophobic confines of the TV screen. ~ Hal Erickson, Rovi
- Starring:
- Deborah Kerr, Megs Jenkins, (more)
