Talbot Jennings Movies

The slow pacing of this fanciful tale about the life and one reputed love of the Spanish artist Francisco Goya makes for an uneven drama. Anthony Franciosa is the artist, and Ava Gardner plays his paramour, the Duchess of Alba. While the Prime Minister of Spain schemes to betray his country to Napoleon's forces and the Spanish Inquisition is winding to a close (overplayed here) Goya is trying to survive the pangs of love he feels for the aloof Duchess. In reality, the artist was seriously ill during this period -- in the last decade of the 18th century -- and actually went deaf. But reality is set aside for high romance, as the pair of star-crossed lovers take center stage over art and politics. ~ Eleanor Mannikka, Rovi

Tyrone Power is a Dutchman, and Susan Hayward is an Irish lass. If you believe that, then the rest of Untamed will go down a lot easier. Power is a Boer calvary commander attempting to bring peace to his South African homeland. He has an affair with Hayward, a married woman whose husband is killed during a Zulu attack. While rescuing the survivors, Power runs afoul of Dutch farmer Richard Egan, who insists that Hayward is his property. Egan turns bandit, targeting the diamond mines. Power is bound and determined to stop Egan--and, it is hoped, to clear the path towards lasting happiness with Hayward. The Untamed is a CinemaScope adaptation of a novel by Helga Moray. ~ Hal Erickson, Rovi

Refreshingly, the tropical melodrama Pearl of the South Pacific never takes itself too seriously. Virginia Mayo heads the cast as a phony missionary, in cahoots with crooks Dennis Morgan and David Farrar. The trio intend to make off with a fortune in black pearls, which rests in an underwater shrine guarded by a huge octopus. On the verge of accomplishing the heist, the threesome are attacked by the local natives, who by now have glommed onto Virginia's duplicity. Only two of the three schemers survive the attack, but those two intend to turn over a new leaf once they return to civilization. The lovely legs of leading lady Virginia Mayo are given generous screen time throughout most the proceedings, allowing the viewer to ignore the frequently imbecilic dialogue. ~ Hal Erickson, Rovi

Clark Gable is the largely nonheroic hero of the sprawling western Across the Wide Missouri. A cunning trapper who lives purely by his wits, Gable avoids being scalped by the Blackfoot Indians by marrying Maria Elena Marques, the chief's daughter. This marriage of convenience also allows Gable to trap to his heart's content in Blackfoot territory. After bearing a child, Marques is killed by a warring tribe; the opportunistic Gable at first considers abandoning the child, but at long last does right by the boy. Adolphe Menjou steals the show as an eternally inebriated French trapper, while Ricardo Montalban and J. Carroll Naish are convincing (and noncondescending) in their Native American characterizations. Evidently, Across the Wide Missouri tested poorly when it was first previewed: the final release version runs a surprisingly brief 78 minutes, with narrator Howard Keel (who otherwise does not appear) filling in the continuity gaps. ~ Hal Erickson, Rovi

Landfall takes place during the early portions of WWII. RAF pilot Rick (Michael Denison) is transferred to another squadron after sinking a British sub during a bombing raid. Disgraced, Rick has no one to turn to, save for sympathetic barmaid Mona (Patricia Plunkett). With her help, the pilot is able to find out the truth behind his "fatal error" and clear his name. Landfall was based on a novel by Nevil Shute, of On the Beach fame. ~ Hal Erickson, Rovi

Daphne du Maurier's novel formed the basis for this romantic adventure saga. Lady Dona St. Columb (Joan Fontaine), an English noblewoman, is unhappily married to the weak-willed Harry St. Columb (Ralph Forbes), while Harry's sinister best friend Lord Rockingham (Basil Rathbone) makes no secret of his desire for her. When she discovers the ship of a French pirate, Jean Benoit Aubrey (Arturo DeCordova), docked near her estate, she makes the acquaintance of the dashing buccaneer, and she soon finds herself infatuated with him. Dona impulsively joins Jean as he stages a raid against wealthy landowner Lord Godolphin (Nigel Bruce); when Dona learns that Harry and Rockingham plan to capture the pirate, she stages a dinner party to distract them and then sends word to Jean that he is in danger. Jean soon appears at the St. Columb estate, putting Harry and Rockingham behind bars and urging Dona to run away with him. She declines, choosing not to follow her heart but to instead stay home to raise her children; however, Rockingham overhears this conversation and uses it to blackmail Dona into having his way with her. Frenchman's Creek earned an Academy Award for Sam V. Comer's set decoration and design. ~ Mark Deming, Rovi

Kenneth Roberts' fact-based novel Northwest Passage would seem too raw and explicit a book to be considered for an MGM film adaptation-much less one in Technicolor. Amazingly, MGM retained many of the grim episodes from the Roberts' novel, though - thanks to the Hays Code - most are discussed rather than shown. The film is set in 1759, when the headstrong and gifted young artist Langdon Towne (Robert Young) is expelled from Harvard much to the chagrin of his parents and his fiancee, Elizabeth Browne (Ruth Hussey). Towne and his tough-as-nails sidekick, Hunk Marriner (Walter Brennan) get soused one night in a pub and - while intoxicated - viciously insult Elizabeth's father, Rev. Browne (Louis Hector). The two men are nearly arraigned for the incident, but escape just in time and ultimately wind up at the camp of famed Indian hunter Major Robert Rogers (Spencer Tracy). Rogers then invites Towne to join his troupe as a cartographer, and suggests that Marriner tag along. Together, the hundreds of Indian fighters under Rogers's aegis team up and chart their way through the wilderness, headed straight for St. Francis, the base of the French-supported Abenaki tribe, notorious for bloodily wiping out British-controlled colonies, after which they will forge the titular 'northwest passage' to the Pacific. Along the route, the boys counter such obstacles as traitorous Native American guides and exploding gunpowder. Metro Goldwyn-Mayer originally slated this production for Tracy, Wallace Beery, Robert Taylor and Franchot Tone, but only Tracy signed on; the studio reeled in Brennan and Young as last-minute additions, to support Tracy's lead. Northwest Passage marked Vidor's first Technicolor film. William V. Skall and Sidney Wagner received Oscar nominations for their outstanding cinematographic work on the film. Nineteen years after its premiere, Northwest Passage later became an NBC TV series between 1959-60, starring Keith Larsen in the Tracy role, Buddy "Jed Clampett" Ebsen in the Brennan role, and Don Burnett in the Young role. ~ Hal Erickson, Rovi

In the 1830s, despite the development of the steamboat at the outset of the 19th century, all trans-Atlantic travel was still done by sailing ships. David Gillespie (Douglas Fairbanks Jr.) is first mate on one of the fastest of such ships, commanded by Captain Oliver (George Bancroft), but he is sickened and wary of the loss of life of sailing men caused by the limitations of sail. He meets John Shaw (Will Fyffe), a Liverpool-based machinist who insists that he has a design for an engine and a ship that will allow safe trans-Atlantic travel by steam power, and the two go into partnership -- but Gillespie must contend with the resistance of Shaw's headstrong and skeptical daughter, Mary (Margaret Lockwood), as well as the resistance of bankers and other shipbuilders to the new ideas he represents. All of this pleases Mary, who, despite her love of her father and attraction to Gillespie, regards herself as practical-minded and wants her father safely back working for his old employer on a steady salary, instead of pursuing what she regards as impossible goals. Gillespie gets the backing and Shaw builds his engine, but his ship is burned in an accidental fire, and all looks lost until a sympathetic backer proposes fitting the engine to an existing vessel, and suddenly Shaw is a real threat to the shipping establishment. They try to stop him in the courts, and when that fails, the race is on from Liverpool to New York, between Shaw's steam-powered ship and Gillespie's sail-driven former ship, with Mary aboard to look out for her father and Gillespie, and the future of ocean travel in the balance. ~ Bruce Eder, Rovi

Based on Donald Davis and Owen Davis' stage-adaptation of Pearl S. Buck's sprawling novel, Sidney Franklin's The Good Earth is the story of a Chinese farming couple whose lives are torn apart by poverty, greed, and nature. Paul Muni stars as Wang Lung a hardworking, but poor, farmer who weds freed-slave O-Lan (Luise Rainer). They struggle to build a life together, but after finally finding success, a plague of locusts descends upon their land, bringing a true test of the couple's perseverance. For her performance, Luise Rainer won the second of back-to-back Best Actress Oscars, while cinematographer Karl Freund took home an Academy Award for his photography work. The Good Earth was the final film production of Irving Thalberg, who died before the film was completed. ~ Matthew Tobey, Rovi

The 1932 publication of Charles Nordhoff and James Norton Hall's Mutiny on the Bounty sparked a revival of interest in the titular 1789 ship mutiny, and this 1935 MGM movie version won the Oscar for Best Picture. Clark Gable stars as Fletcher Christian, first mate of the infamous HMS Bounty, skippered by Captain William Bligh (Charles Laughton), the cruelest taskmaster on the Seven Seas. Bligh's villainy knows no bounds: he is even willing to flog a dead man if it will strengthen his hold over the crew. Christian despises Bligh and is sailing on the Bounty under protest. During the journey back to England, Bligh's cruelties become more than Christian can bear; and after the captain indirectly causes the death of the ship's doctor, the crew stages a mutiny, with Christian in charge. Bligh and a handful of officers loyal to him are set adrift in an open boat. Through sheer force of will, he guides the tiny vessel on a 49-day, 4000-mile journey to the Dutch East Indies without losing a man. Historians differ on whether Captain Bligh was truly such a monster or Christian such a paragon of virtue (some believe that the mutiny was largely inspired by Christian's lust for the Tahitian girls). The movie struck gold at the box office, and, in addition to the Best Picture Oscar, Gable, Laughton, and Franchot Tone as one of the Bounty's crew were all nominated for Best Actor (they all lost to Victor McLaglan in The Informer). The film was remade in 1962 and adapted into the "revisionist" 1984 feature The Bounty with Mel Gibson as Fletcher Christian and Anthony Hopkins as Captain Bligh. ~ Hal Erickson, Rovi