Lionel Jeffries Movies

This uneven black comedy went into production as My Last Duchess. It then went through three title changes, representing, in the words of historian Leslie Halliwell, "a descending order of wit": Arrividerci, Baby, Drop Dead, Darling, and You Just Kill Me! Tony Curtis plays a charming contemporary Bluebeard who murders a succession of wives in order to fatten his bank account. At the beginning of the film, the 42-year-old Curtis, decked out in Buster Browns, does in his own stepmother. The remaining murders alternate between moderately amusing and just plain silly; our favorite scene is the disposal of Zsa Zsa Gabor, but that's just on basic principles. Curtis finally meets his match in a much-married widow who plots his demise (a plot point which, incidentally, was planned and abandoned for Chaplin's far superior Monsieur Verdoux). Director Ken Hughes and Ronald Harwood based their screenplay upon the Richard Deming novel The Careful Man. ~ Hal Erickson, All Movie Guide

At the beginning of The Secret of My Success, dimwitted Arthur Tate (James Booth) is a local village bobby who always follows his mother's advice to "help other people, and never look for the evil in them" -- perhaps not the best advice for an officer of the law. Tate soon finds himself investigating a murder case involving the husband of a local dressmaker Stella Stevens. She uses her wiles to trick Tate into unwittingly disposing of the body -- but Tate's mother uses her own wiles to discover a connection between the dressmaker and the local magistrate. With this knowledge, she secures a promotion for her inept son. Tate next becomes involved with a baroness Honor Blackman who it turns out is breeding vicious, gigantic spiders. Tate's mother once again intercedes behind the scenes, and soon her son finds himself working for the President of a Latin American country -- and also involved with a revolutionary Shirley Jones, who is plotting to overthrow the President. Tate's mother again secretly comes to her son's aid, and as the film end, Tate has become the country's new ruler. ~ Craig Butler, All Movie Guide

The last of Margaret Rutherford's "Miss Marple" films, Murder Ahoy is the only one of the series not based on an Agatha Christie original. The setting this time is a boat that has been purchased by a trusteeship to serve as a home for wayward kids. One of the trustees, Cecil Ffolly-Hardwicke (Henry Longhurst), dies while attending a meeting held aboard the boat. The police write the death off as "natural causes," but another trustee, our Miss Marple (Rutherford), suspects otherwise. Doing a little sleuthing on her own, she discovers that outwardly respectable Lionel Jeffries is using the boat as a "training school" for aspiring criminals, a la Fagin. This would seem to explain why Hardwicke was murdered, but Jeffries is much too obvious a suspect--as Miss Marple discovers nearly too late. Margaret Rutherford's husband Stringer Davis is back again as Miss Marple's platonic middle-aged friend Mr. Stringer. ~ Hal Erickson, All Movie Guide

Its the Cavaliers vs. the Copperheads in this costume drama set during the 17th-century British Civil War. Our sympathies are supposed to be with Oliver Cromwell's underground troops--and they are, since the arrogant Cromwell isn't around to comprise his followers' heroism. Lionel Jeffries, loyal to Cromwell, is confounded by his daughter June Thorburn's fidelity to the Throne. Oliver Reed co-stars as Jeffries' right-hand man and June's boyfriend. Crimson Blade does little to clarify the complex issues attending the war, but it delivers the goods in the action department. ~ Hal Erickson, All Movie Guide

It's Bob Hope as phony explorer Matt Merriwether, who promotes himself as an expert on the dark continent, basing his exploration of the African subcontinent on old diaries of his uncle. When an American space capsule crashes in an uncharted region of Africa, Merriwether, based on his alleged expert knowledge of the region, is selected to recover the capsule. Joining Merriwether and his pre-Kervorkian suicide kit, is security agent Frederica Larsen (Edie Adams). Hot on their heels are Russian agents Luba (Anita Ekberg) and Dr. Ezra Mungo (Lionel Jeffries), who want to get to the space capsule first. ~ Paul Brenner, All Movie Guide

Terry-Thomas stars in this British comedy as J. Barker-Rynde, a detective assigned to look into some dirty dealings at a health club. The supporting cast includes Lionel Jeffries, Eric Sykes, and Dennis Price. ~ Mark Deming, All Movie Guide

In this western-style film, set in South Africa, circa the late 1900s, a local police sergeant finds himself pursued by the "The Hellions"--a man and his four sons. Unfortunately for the sergeant, the townspeople will not help to save him and his wife. He ignores his wife's plea that he quit his job and leave. After some time, he finally forces a storekeeper to assist him. Soon the rest of the townsfolk begin lending their assistance. ~ Sandra Brennan, All Movie Guide

This uneven farce by director Richard Quine has its hilarious and witty moments as American diplomat William Gridley (Jack Lemmon) inadvertently gets caught up in a jewel theft and mayhem. After William lands in London to take up his new position and get settled in his new digs, he becomes involved with his gorgeous landlady Carlye Hardwicke (Kim Novak). Carlye's husband is missing, and she is suspected of doing him in. But then he unexpectedly comes back home where an argument with Carlye over some jewels makes him as dead as everyone had assumed -- with her wielding the murder weapon. Carlye is eventually acquitted thanks to a witness who has designs on the jewels herself -- but the story is far from over. First there is an exciting helicopter ride and a wild chase to decide just who will end up with the loot. ~ Eleanor Mannikka, All Movie Guide

Released in the US in 1963, the British Let's Get Married was actually filmed three years earlier. Anthony Newley plays a medical student who buckles under pressure. Hoping to get accustomed to dealing with people, he takes a job as a delivery boy. While thus employed, he meets and marries model Anne Aubrey, who's been impregnated by her previous beau. When Aubrey goes into early labor, Newley's first impulse is to panic. Will this prove to be his emotional coming of age-or his Waterloo? Based on a novel by Ken Taylor, this lightweight effort allows both Newley and Aubrey to sing a few sprightly tunes. ~ Hal Erickson, All Movie Guide

Please Turn Over is an updated British variation on a theme put forth by the old Hollywood film Theodora Goes Wild. A bored young teenage girl (Julia Lockwood) causes a scandal when she pens a torrid bestseller. Those close to the girl recognize themselves as characters in the book; all they can hope for is that no one else does. But as the girl's fame escalates, her friends and family enter the realm of notoriety--which turns out not to be so bad after all. Clearly inspired by the Peyton Place brouhaha, Please Turn Over was based on the long-running West End stage farce Book of the Month by Basil Thomas. ~ Hal Erickson, All Movie Guide

Gordon Scott's fifth and last appearance as Tarzan came in this 1960 installment of the long-running movie series featuring the adventures of the legendary ape man. Neither Jane nor son Boy appear in the film. Tarzan is hired to escort a hardened criminal, Coy Banton (Jock Mahoney), through the jungle so that he can be turned over to the police. Also in the party are a group of British visitors including Ames (Lionel Jeffries), whose wife Fay (Betta St. John) falls in love with the prisoner Banton. Tarzan must stop the jungle party from fighting amongst themselves. After this film, Mahoney replaced Scott as Tarzan in subsequent movies, while Scott made several Italian movies playing the role of Hercules. ~ Michael Betzold, All Movie Guide

This is a crime-comedy-musical romance by director Ken Hughes that has an identity problem. Bert (Anthony Newley) is an electrician who gives the wrong people a "song and dance" about his supposed expertise as a cat burglar and now he has to pay the piper. The gang of young thieves brings him into their plans for a big heist and there is no obvious way Bert can get out of it. Just when things get serious, Bert or someone else then literally breaks into a song and dance routine -- hard to smoothly integrate with the comic sequences and serious moments that have gone before. ~ Eleanor Mannikka, All Movie Guide