Lionel Jeffries Movies

Made for British television, this is a black comedy/drama concerning the exploits of five elderly people whose friendship during one long Christmas holiday is sorely tested. The film features a notable cast of distinguished performers from stage and film. ~ Mark Hockley, Rovi

In assembling the 1990 TV-movie version of Jekyll and Hyde, writer/director David Wickes recycled many of the elements of his 1988 adaptation of Jack the Ripper--including props, costumes, sets, and star Michael Caine. Caine goes through the standard motions as kindly Henry Jekyll, who dabbles where Men Must Not and unleashes his beastly alter ego Mr. Hyde. Anything new here? Well, the character of Dr. Lanyon, Jekyll's best friend in the original Robert Louis Stevenson story, has been rewritten as his worst enemy. Joss Ackland plays the vitriolic Lanyon, while Cheryl Ladd shows up as a newly fabricated love interest. Jekyll and Hyde has some neat makeup transformations, but otherwise is just the same old cloak 'n' fang jazz seen in so many earlier incarnations of the venerable Stevenson yarn. ~ Hal Erickson, Rovi

Danny, the Champion of the World is set in rural England. Nasty country squire Robbie Coltrane, who owns half the land, covets the other half. His principal opponents are a father-and-son team of farmers. The warm relationship between the two "good guys" hardly needs to be forced, since the roles are played by Jeremy Irons and his real-life son Samuel. Cyril Cusack and Jean Marsh also appear in this colorful comedy-drama. Produced for British television, Danny, the Champion of the World was based on a story by Roald Dahl. ~ Hal Erickson, Rovi

The beloved novel by Anthony Hope is shown here in its sixth film adaptation. In this story, Peter Sellers is Rudolf IV, the reigning monarch of the tiny nation of Ruritania. One day, while flying in a hot air balloon, a champagne cork sends him plummeting to his death. The rightful heir, who is to be crowned Rudolf V (also Peter Sellers), is kidnapped by Duke Michael (Jeremy Kemp), who is next in line for the throne. Luckily, the good guys find Syd (Peter Sellers once again), a London taxi-driver who closely resembles the kidnapped heir. While impersonating the monarch-to-be, Syd falls in love with the prince's fiancee Princess Flavia (Lynne Frederick). Neither a box-office nor a critical success, this amiable 1979 swashbuckler nonetheless features fine performances by Peter Sellers, who died in 1980. ~ Clarke Fountain, Rovi

Novelist George MacDonald Fraser penned the script for this swashbuckling, picaresque adventure tale. The story is based on one of the books in his "Harry Flashman" series, loose sequels to "Tom Brown's Schooldays" that followed that story's central bully character through his checkered post-graduate military career. Malcolm McDowell plays Captain Harry Flashman, a cowardly, lascivious poseur who desperately seeks entry into high European society. Recognizing an opportunity to advance their own sinister political agendas, scheming Otto Von Bismarck (Oliver Reed) and Rudi Von Sternberg (Alan Bates) convince Flashman to masquerade as a Prussian noble and marry a beautiful duchess (Britt Ekland), a flawed plan to which Flashman agrees. Inevitably, the transparent ruse is discovered, and Flashman is forced to try to escape across 19th century Europe, narrowly missing one disaster after another and experiencing first-hand some of history's most momentous events. Director Richard Lester and Fraser used similar baroque settings, tongue-in-cheek characterizations, elaborate stunts and breakneck pacing for The Three Musketeers (1973) and its sequel, The Four Musketeers (1974) with similar efficacy. Fraser would try again with analogous material three years later with Crossed Swords (1978), a lavish version of The Prince and the Pauper by Mark Twain. ~ Karl Williams, Rovi

When actor Lionel Jeffries turned to directing in the 1970s, he exhibited a preference for whimsy, as witness The Railway Children. Jeffries' Baxter is a notable exception to this rule, though, as with his other directorial efforts, he shows a keen sensitivity for the travails of troubled youngsters. Scott Jacoby plays Baxter, a boy with a marked speech impediment. His affliction worsens as his parents' marriage disintegrates. Patricia Neal plays a dedicated speech therapist who realizes that Baxter's problems go deeper than his inability to speak normally. Baxter was scripted by "Golden Age" TV veteran Reginald Rose. ~ Hal Erickson, Rovi

In this English film, a group of orphans visiting the home of a wealthy, retired singer (Shelley Winters) discover that the woman is hiding a disturbing secret. ~ Iotis Erlewine, Rovi

British character actor Lionel Jeffries both directed The Railway Children and adapted its screenplay from the novel by E. Nesbit. Dinah Sheridan plays the mother of three children who must live in reduced circumstances when her husband (Ian Cuthbertson), a government official, is arrested on a false charge of treason. The kids adapt rather well to their new environment, a community located on the edges of a railway. They befriend a kindly porter (Bernard Cribbins) and a wealthy gent (William Mervyn), both of whom strive to prove their father's innocence. ~ Hal Erickson, Rovi

Child Bride was the original release title for the British Charles Bronson vehicle Lola (which in some areas bore a third title, Twinky). Bronson plays a middle-aged author who falls in love with 16-year-old Susan George. Their subsequent marriage causes such friction with George's family that she and Bronson are compelled to move from London to New York. Here the marriage is roundly condemned by Bronson's family. Before this can be ironed out, Bronson and George realize that their marriage was a mistake from the get-go, and they gradually drift apart. Filmed in 1969, Lola didn't receive a widespread release until 1971. ~ Hal Erickson, Rovi

Joshua Logan directs this lavish version of the Alan Jay Lerner and Frederick Loewe Broadway success with Richard Harris, Vanessa Redgrave, and Franco Nero in the lead roles originally portrayed on Broadway by Richard Burton, Julie Andrews, and Robert Goulet. The musical, based on T.H. White's The Once and Future King, chronicles the legend of King Arthur (Richard Harris) and his tortured love affair with his queen Guenevere (Vanessa Redgrave). Arthur first encounters Guenevere, on the day of their wedding, in the enchanted forest surrounding Camelot. After the wedding, Arthur's bliss at his marriage to the lovely Guenevere prompts him to establish the Knights of the Round Table, a lofty order of chivalry in which all the member knights are bound by a desire the help the oppressed, keeping faith with trust and honor. Such is the fame of the Knights of the Round Table that a young French knight, Lancelot Du Lac (Franco Nero), seeks to join the order. Lancelot quickly becomes the most celebrated of all the knights, and Guenevere, aloof at first, falls in love with him. Although both have a deep love for Arthur, their passion knows no bounds, and they begin an illicit love affair behind Arthur's back. Arthur ignores the rumors circling around him, but when his illegitimate son, Mordred (David Hemmings) arrives at Camelot, he exposes Lancelot and Guenevere during a tryst. Lancelot escapes, but Guenevere is sentenced to be burned at the stake. Lancelot rescues her at the last minute, and Arthur prepares for battle, his dreams of an idealistic Camelot shattered. ~ Paul Brenner, Rovi

A domineering mother and her sheltered son fly face first into love, murder, and the meaning of family in this black comedy based on Arthur Kopit's Broadway play. Wealthy Madame Rosepettle (Rosalind Russell) and 25-year-old Jonathan (Robert Morse) arrive at the Port Royal Hotel on a tiny Caribbean island with the man of the family in tow, literally; he's been dead for many years and his stuffed corpse travels with them in a coffin. Madame is the kind of woman who keeps piranhas and Venus Flytrap plants as pets, and controls her son's life down to deciding what meal he'll have for breakfast, lunch, and dinner (a hamburger and a maraschino cherry). Jonathan is kept indoors at all times and isn't allowed to mix with the outside world, though the hotel "babysitter," Rosalie (Barbara Harris), slips in through the window and flirts with the easily rattled young man. Madame is being courted by drunken millionaire Commodore Roseabove (Hugh Griffith), and while she welcomes his advances, her attention is diverted by trying to make sure that her son stays "pure." Rosalie isn't one to be put off by the meddling matriarch, so she doubles her efforts to get at Jonathan, who wants Rosalie too but might be pushed over the edge by the attention. ~ Fred Beldin, Rovi