Maurice Jarre Movies

Ron Silver stars as Herman, a Holocaust survivor who believes that his wife Tamara (Anjelica Huston) perished in the concentration camps. He marries fellow immigrant Yadwiga (Margaret Sophie Stein), whose family sheltered him from the Nazis, and resettles in the Coney Island area of New York. Not all that devoted to Yadwiga, Herman begins an affair with Masha (Lena Olin), who becomes pregnant by him. Reasoning that, since Yadwiga is a gentile, his marriage is not legal in the eyes of his religion, Herman marries Masha as well. The triangle metamorphoses into a quadrangle when Tamara, who was not killed after all, reappears. Olin and Huston were both nominated for Best Supporting Actress Academy Awards. ~ Hal Erickson, All Movie Guide

Discharged from Vietnam, John Lithgow and his army buddies have trouble fitting into a hostile home-front society. Rather than endure dirty looks and taunts of "baby killer," Lithgow and his friends wander aimlessly all through the Pacific Northwest. Several years pass, during which time Lithgow's estranged son Ralph Maccio grows to manhood. Finally emerging from his self-imposed exile, Lithgow begins searching for the son he's never known. ~ Hal Erickson, All Movie Guide

If it is possible for a film to be "in heat", then Zalman King's Wildfire is that film. Teenagers Steven Bauer and Linda Fiorentino have their wedding plans shelved indefinitely when Bauer is imprisoned for bank robbery. Upon his release, Bauer learns that Linda is a wife and mother, with no intention of reverting to her previous lifestyle. All this changes when Bauer breaks parole and goes on a crime spree. Turned on by danger, Linda becomes Bonnie to Bauer's Clyde. Maurice Jarre's orgasmic musical score enhances the steamy eroticism of this typical Zalman King wet dream. ~ Hal Erickson, All Movie Guide

The Palanquin of Tears was a feature film adaptation of a French Canadian television series, made as a joint effort of Canadian, French, and Chinese production entities. It tells the true story of Chinese classical pianist Chow Ching Lie, beginning in Shanghai just before the Maoist revolution of 1949. Though raised in a wealthy family, which provided her with education and piano training, she is married off at the age of 13 in order to provide her family with an heir. We are shown the injustice of the social system of pre-Mao China, in which a bride is considered the property of her husband's family. Although the Red Chinese Army liberates Shanghai, she continues to honor the marriage commitment. The sensitive, talented Lie is forced to endure many indignities, primarily at the hands of her overbearing mother-in-law. Eventually she is able to free herself from this domestic bondage and embark on a career as a concert pianist. The heroine is portrayed by three different actresses, primarily teenager Tu Huai Qing. Quing Yi plays the adult pianist, who, in the film's framing device, we see at a Paris concert awaiting a reunion with her father after decades of separation. ~ Clarke Fountain, All Movie Guide

Giulia E Guilia, also released as Julia and Julia, is an unusual, interesting film by director Peter Del Monte, a nightmare vision of a world where nothing can be counted on and where truth is relative. The plot unfolds as a series of surprises, the first surprise being central to the entire plot. The story begins on Julia's (Kathleen Turner) wedding day when she is to be married to her Paolo (Gabriel Byrne). After the wedding, Julia and her new husband are involved in a car accident. From then on, the construction of the story, both clever and perverse, defies explanation, with an inner logic of its own. Julia finds that she can be sure of nothing nor can the viewer. This is both the strength and basic flaw of the movie. The movie will fascinate some viewers while confusing others. Nevertheless, the movie is a superb directorial achievement by Monte, making his English language debut. It should also be noted that this is the first feature shot entirely in high definition television technique and then transferred to film, with generally excellent results. ~ Linda Rasmussen, All Movie Guide

No Way Out is told in flashback as Naval officer Tom Farrell (Kevin Costner) is grilled by his superiors regarding a recent "unpleasantness." While at a Washington party, Tom meets Susan Atwel (Sean Young), and they're soon sharing a steamy love scene in the back of a limo (marvelously parodied in 1993's Hot Shots! Part Deux). Several months pass before Tom meets Susan again; he discovers she's the mistress of the US Secretary of Defense David Brice (Gene Hackman). When Susan is murdered by Brice, his loyal aide (Will Patton) dutifully destroys the evidence and invents the fallacious theory that a KGB mole was responsible. Tom is assigned to locate that mole -- a perilous situation, since Tom knows that no such mole exists, but must go along with the charade since he was the last person who was seen with Susan. ~ Hal Erickson, All Movie Guide

The made-for-TV The Murder of Mary Phagan is an account of the real-life events fictionalized in the 1937 theatrical feature They Won't Forget. In 1913, Atlanta-area teenager Mary Phagan (Wendy J. Cooke) is found murdered. Although the evidence points to another suspect (who years later confessed to the crime), the authorities choose to bring charges against Leo Frank (Peter Gallagher), a Jewish "outsider" who owns the pencil factory where Mary worked. Prosecutor Hugh Dorsey (Richard Jordan) capitalizes on the anti-Semitism rampant in the South, hoping to ride the Frank case into a higher political office. He is aided in his scheme by equally unprincipled journalist Wes Brent (Kevin Spacey). Only Georgia-governor John Slaton (Jack Lemmon) perceives the bigotry and opportunism at the base of Dorsey's case. Within the limits of his power, and at the risk of destroying his own political career, Slaton tries to see that justice is served. Alas, the decision has already been made to railroad Leo Frank to the electric chair -- or into the hands of a lynch mob. Originally presented in two parts, The Murder of Mary Phagan was first broadcast January 24 and 26, 1988. ~ Hal Erickson, All Movie Guide

A futuristic dystopia is the setting for this tale about good versus evil and a magical space-sphere out to reestablish a civilized society. An orphanage in a bleak and deserted landscape imprisons a large group of youngsters who have divided into good and bad groups. One day, while competing at roller-skate ball, the teams come across a bowling-ball-sized sphere named Bodhi (a Sanskrit word equivalent to "enlightened compassion"). Bodhi communicates with the good kids, but the bad ones cannot understand the sphere's electronic burbles. The nasty Darstar (Adrian Pasdar) steals Bodhi and heads out into the forbidden world beyond the orphanage. ~ Eleanor Mannikka, All Movie Guide

Daryl Duke directed this epic adventure, based on James Clavell's best-selling novel, concerning the battle for control of the China trade in early 19th-century Hong Kong. The film takes place in 1842 on the China Coast, where the Chinese object to the British imperialist policy of buying opium from the Chinese and then selling it back to them at a higher price. As a result, British warships arrive to pound the recalcitrant Chinese into submission. The outcome of the assault is a treaty giving England the right to operate Hong Kong as a free-port. The problem is who will become the Tai-Pan, or British merchant ruler of Hong Kong? The battle lines for the position are drawn between two swashbucklers -- Dirk Struan (Bryan Brown), a skipping and jumping buccaneer, and Tyler Brock (John Stanton), a weaselly cheat. Brock makes the first move by forcing Straun into bankruptcy, but, thanks to the help of the local prostitute May-May (Joan Chen), who has a score to settle with Brock, Straun is able to raise the money at the last minute. This enrages Brock, who remains bitter through the years and finally confronts Straun in a climactic sword fight. ~ Paul Brenner, All Movie Guide

About 15 years after the events of Mad Max 2, nuclear war has finally destroyed what little was left of civilization. Grizzled and older, former cop Max (Mel Gibson) roams the Australian desert in a camel-drawn vehicle -- until father-and-son thieves Jebediah Sr. (Bruce Spence) and Jr. (Adam Cockburn) use their jury-rigged airplane to steal his possessions and means of transportation. Max soon winds up in Bartertown, a cesspool of post-apocalyptic capitalism powered by methane-rich pig manure and overseen by two competing overlords, Aunty Entity (Tina Turner) and Master (Angelo Rossitto), a crafty midget who rides around on the back of his hulking underling, Blaster (Paul Larsson). Seeking to re-equip himself, Max strikes a deal with the haughty Aunty to kill Blaster in ritualized combat inside Thunderdome, a giant jungle gym where Bartertown's conflicts are played out in a postmodern update of blood and circuses. Although Max manages to fell the mighty Blaster, he refuses to kill him after realizing the brute is actually a retarded boy. Aunty's henchmen murder Blaster nonetheless, then punish Max for violating the law that "Two men enter, one man leaves." Lashed to the back of a hapless pack animal and sent out into a sandstorm, a near-death Max is rescued by a band of tribal children and teens. The descendants of the victims of an airplane crash, the kids inhabit a lush valley and wait for the day when Captain Walker, the plane's pilot, will return to lead them back to civilization. Some of the children, refusing to believe that Max isn't Walker and that the glorious cities of their mythology no longer exist, set off in search of civilization on their own. Max and three tribe members must then rescue their friends from Bordertown and the clutches of Aunty Entity -- a quest that ends in a lengthy desert chase sequence that echoes the first two Mad Max films. Spence also appeared in Mad Max 2 in a different role, that of the Gyro Captain. ~ Brian J. Dillard, All Movie Guide

In this update of James Whale's classic The Bride of Frankenstein, pop star Sting furthers his burgeoning film career by portraying cinema's signature mad scientist. Disgusted by his dim-witted and ugly original creation (Clancy Brown), Dr. Frankenstein sets out to animate an improved version. Though lovely on the outside, Eva (Jennifer Beals) begins her new life as little more than an animal. With the help of his trusty housekeeper (Geraldine Page), however, Frankenstein soon grooms the beautiful zombie into a reasonable facsimile of an upper-class debutante. He's unprepared, however, when his ward displays a mind -- and sexual urges -- of her own. Meanwhile, the good doctor's discarded original creation assumes the name of Viktor and takes to the road. Befriended by an enterprising dwarf named Rinaldo (David Rappaport), Viktor becomes a circus performer but continues to pine after his bride. Connected to her psychically, he soon makes his way back to the scene of their mutual creation. There, he finds the girl embroiled in a love triangle between a callow suitor (Cary Elwes) and Frankenstein himself. In addition to its iconic '80s leads, The Bride boasts a famous supporting cast that includes gay memoirist Quentin Crisp and '60s model Veruschka. ~ Brian J. Dillard, All Movie Guide

This lavish retelling of the story of the Hebrew strong man and history's most famous lady barber was based in part on the Old Testament, in part on Eric Linkletter's book Husband of Delilah, and in great part on the same-named 1949 Cecil B. DeMille movie epic. Newcomer Anthony Hamilton stars as Samson, who uses his awesome strength--not to mention the jawbone of an ass--to safeguard his fellow Hebrews from the persecution of the Philistines in the 11th Century BC. Fascinated by Samson, Philistine harlot Delilah (Belinda Bauer) pretends to fall in love with him so that she may learn the source of his muscle power. Upon discovering that his mightiness stems from his flowing mane of hair, Delilah drugs Samson's wine and pulls out the shears. Bald and blinded, Samson is transformed from the savior of his people into an enslaved object of Philistine ridicule. But redemption is at hand, and by film's end practically the entire cast has been entombed in the rubble wrought by Samson's final, desperate feat of strength. Victor Mature, who of course played Samson in the 1949 film, was coaxed out of retirment to portray Samson's father, while Max Von Sydow, who Biblical-movie credits include the part of Jesus in The Greatest Story Ever Told, delivers an impressively subtle performance as the Philistine governor. Filmed in Mexico, Samson and Delilah originally aired April 1, 1984, on ABC. ~ Hal Erickson, All Movie Guide