Werner Janssen Movies
- 1981
Although the Actors Studio and Lee Strasberg have been famous for many decades in the U.S., this documentary is the first film to go into the studio and record sessions with actors, showing Strasberg in action. Aside from interviews with Strasberg, he is also seen responding to filmed performances of Eleonora Duse and other Hollywood giants of times gone by, and interacting with others as a mentor and friend. Even Strasberg's inspiration, Konstantin Stanislavsky himself, is shown talking about acting with two students toward the end of his life. Jane Fonda explains how she benefitted by Strasberg's instruction, and the results of his efforts are shown in clips of James Dean and Marlon Brando, two of his more famous students. By the time the final segment of the documentary has closed, viewers have a much better idea of why Lee Strasberg was so successful with hundreds of actors over the long span of his professional life. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Lee Strasberg, Ellen Burstyn, (more)
- 1958
Using his own money, actor Franchot Tone mounted this courageous film version of Anton Chekhov's Uncle Vanya. The cast is the same as the one seen in Tone's stage production of 1956, with one exception: Signe Hassso, who'd played Elena on stage, is replaced by Tone's then-wife, Dolores Dorn-Heft. Translated by Stark Young, the screenplay follows the Chekhov original faithfully: Tone is cast as Dr. Astroff, who falls in love with a woman beyond his reach. All the while, Sonia (Peggy McCoy), the woman who loves Astroff, is neglected and ignored. The titular Uncle Vanya (George Voskovec) watches the passing parade of humanity, embittered over the opportunities missed in his own life. The sets are cardboard and the lighting inconsistent, but the acting in Uncle Vanya is first rate. Completed in 1958, the film did not receive a general release until 1960. ~ Hal Erickson, All Movie Guide
- Starring:
- Franchot Tone, Dolores Dorn, (more)
Sharkishly handsome Zachary Scott is right in his element in the Eagle-Lion melodrama Ruthless. Told in flashback, this is the story of the rise and fall of unscrupulous financier Horace Vendig (Scott). Hiding behind a veneer of respectability, Vendig steps on and rolls over anyone who stands in his way, including his lifelong friend Vic Lambdin (Louis Hayward), utilities executive Buck Mansfield (Sydney Greenstreet) and various and sundry women, among them Susan Duane (Martha Vickers) and Christine Mansfield (Lucille Bremer). Poor Diana Lynn is subjected to Vendig's cruelties twice, in the dual role of Martha Burnside and Mallory Flagg. It is a tribute to the acting skills of Zachary Scott that he makes his despicable character somehow likeable and, in the end, rather pathetic. Based on a novel by Dayton Stoddart, Ruthless, like many Eagle-Lion films of its period, was topheavy with loaned-out Warner Bros. contract players. It was also one of the few big-budgeted projects helmed by "cult" director Edgar G. Ulmer. ~ Hal Erickson, All Movie Guide
- Starring:
- Zachary Scott, Joyce Arling, (more)
- 1946
The title and content are one in the same in Toccata and Fugue in D Minor. Running 10 minutes, the film is a visual record of a performance of the Bach composition, under the baton of Werner Janssen. Originally written for keyboard, the "Toccata" was orchestrated by Lucien Cailet, a protégé of Leopold Stokowski, who'd likewise performed the piece in 1940's Fantasia. To break up the presumed monotony of a stage presentation, the film "illustrates" the music with shots of sunlight, mountain peaks, forests and snowstorms. Released through United Artists, the film was produced by David L. Loew, who was also represented in 1946 by the Marx Brothers vehicle A Night in Casablanca. ~ Hal Erickson, All Movie Guide
After a five-year absence, the Marx Brothers returned to the screen in the independently-produced effort A Night in Casablanca. Originally conceived as a parody of Casablanca (with character names like "Humphrey Bogus" and "Lowen Behold"), the film emerged as a spoof of wartime melodramas in general. Someone has been methodically murdering the managers of the Hotel Casablanca, and that someone is escaped Nazi war criminal Heinrich Stubel (Sig Ruman). Disguised as a Count Pfefferman, Stubel intends to reclaim the stolen art treasures that he's hidden in a secret room somewhere in the hotel, and the only way he can do this undetected is by bumping off the managers and taking over the hotel himself. The newest manager of Hotel Casablanca is former motel proprietor Ronald Kornblow (Groucho Marx), who, blissfully unaware that he's been hired only because no one else will take the job, immediately takes charge in his own inimitably inept fashion. Corbacchio (Chico Marx), owner of the Yellow Camel company, appoints himself as Kornblow's bodyguard, aided and abetted by Stubel's mute valet Rusty (Harpo Marx). In his efforts to kill Kornblow, Stubel dispatches femme fatale Beatrice Reiner (Lisette Verea) to romance the lecherous manager, leading to a hilarious recreation of a key comedy sequence in the Marxes' earlier A Day at the Races. Arrested on a trumped-up charge, Kornblow, Corbacchio and Rusty escape in time to foil Stubel and his stooges. As in most Marx Brothers epics, A Night in Casablanca includes a tiresome romantic subplot, this time involving disgraced French flyer (Pierre) and his faithful sweetheart Annette (Lois Collier). Though hampered by listless direction and witless one-liners, A Night in Casablanca contains enough hilarity to compensate for its many flaws; some of the best visual gags were conceived by an uncredited Frank Tashlin, including Harpo's legendary "holding up the building" bit. ~ Hal Erickson, All Movie Guide
- Starring:
- Groucho Marx, Harpo Marx, (more)
A Guest in the House is an involving psychological melodrama, well directed and acted, concerning a young woman's obsessive love. Evelyn (Anne Baxter), an emotionally vulnerable and unstable woman, stays at the home of her doctor Dan Proctor (Scott McKay). There she meets and falls in love with his brother, Douglas (Ralph Bellamy), who is happily married to Ann (Ruth Warrick). Evelyn then sets forth to break up the happy marriage and win the love of Douglas -- with tragic results. A Guest in the House directed by John Brahm, aided by Andre De Toth and Lewis Milestone, who are uncredited, is a sensitive, well-acted melodrama. Baxter gives a fine performance as the unstable young woman, who cannot overcome her obsessions. The fine musical score, composed by Werner Janssen, was nominated for an Academy Award. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Anne Baxter, Ralph Bellamy, (more)
It's every man for himself when Charles Laughton bites into the role of infamous 17th century pirate captain William Kidd. Hoping to further increase his ill-gotten gains, Captain Kidd inveigles King William III (Henry Daniel) into appointing him the "patriotic" protector of a valuable treasure ship. Ostensibly hired to fend off enemy vessels, Kidd intends to steal the ship's cargo for himself with the aid of his swarthy lieutenants William Moore (Gilbert Roland) and Orange Povy (John Carradine). The romantic subplot is carried by "honest" brigand Adam Merry (Randolph Scott) and kidnapped noblewoman Lady Ann Falconer (Barbara Britton). Charles Laughton reprised his part in the 1952 farce Abbott and Costello Meet Captain Kidd. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Laughton, Randolph Scott, (more)
The Southerner was Jean Renoir's favorite of his American films. Shot on location, the film stars Zachary Scott as a sharecropper who yearns for a place of his own. On a tiny, scraggly patch of land, Scott tries to make a go of things, along with his wife Betty Field, his grandmother Beulah Bondi, and his children Jean Vanderwilt (aka Bunny Sunshine) and Jay Gilpin. Though a proud, independent man, Scott is forced by circumstance to seek help from neighboring farmer J. Carroll Naish, whose life experience have left him bitter and vituperative. The two men become enemies, but are reunited by their mutual love of fishing. Scott suffers a setback when a rainstorm destroys his cotton crop. He is about to go wearily back to working for others (specifically, factory owner Charles Kemper, who also narrates the film) when he is convinced by his never-say-die family to persevere on his own. Director Jean Renoir also wrote the script for The Southerner--in fluent English rather than French, as mental exercise. Told at a leisurely, unhurried pace, the film is the one American Renoir effort that comes closest to his "slice of life" dramas of the 1930s. The Southerner was not a box office hit, but did win the effusive praise of critics, not to mention the Venice Film Festival "best picture" award. ~ Hal Erickson, All Movie Guide
- Starring:
- Zachary Scott, Betty Field, (more)
- 1940
The 66-minute documentary Lights Out in Europe offers a compact overview of WWII and the events leading up to the conflict. Many of the newsreel clips were culled from coverage of the London blitz, and of the evacuation of the city's children to the rural regions. Also included are several stomach-churning vignettes of the carnage in Poland following the Nazi invasion. Many of the images in Lights Out in Europe had never previously been seen by American audiences due to the stringency of European censorship. The film was written by James Hilton (of Goodbye Mr. Chips fame) and narrated by Frederic March, with music provided by Werner Janssen. ~ Hal Erickson, All Movie Guide
The successful producer-director combination of Walter Wanger and Tay Garnett served up another winner with Slightly Honorable. Adapted from F. G. Presnell's novel Send Another Coffin, the story concerns the efforts made by corrupt politician Cushing (Edward Arnold) to frame honest attorney John Webb (Pat O'Brien) for the murder of Alma Brehmer (Claire Dodd). In concert with his diligent and apparently slow-witted assistant Rus Sampson (Broderick Crawford), Webb hopes to squelch Cushing's plan by locating the real murderer-who turns out to be a lot closer to Webb than he'd ever imagined. Ruth Terry has one of her best screen roles as a birdbrained nightclub hoofer who helps Webb clear himself. Like many Walter Wanger productions of the period, Slightly Honorable is currently available on the public-domain video market. ~ Hal Erickson, All Movie Guide
- Starring:
- Pat O'Brien, Edward Arnold, (more)
- 1940
Producer Walter Wanger's House Across the Bay serves as an excellent showcase for Wanger's then-wife Joan Bennett. She is cast as nightclub singer Brenda Bentley, the wife of high-rolling gambler Steve Lawrett (George Raft). When Steve is railroaded into Alcatraz by duplicitous attorney Slant Kolma (Lloyd Nolan), Brenda promises to remain faithful to her husband during his incarceration, even going so far as to purchase an apartment "across the bay" from the island prison so that she can be near him. But while Steve is serving his time, he discovers that Brenda has succumbed to the charms (and innate decency) of handsome Tim Nolan (Walter Pidgeon). Enraged, Steve vows to kill Nolan, staging a daring escape attempt to realize his goal. But will Steve be able to get off "the rock" in one piece, succeeding where so many others have failed? ~ Hal Erickson, All Movie Guide
- Starring:
- George Raft, Joan Bennett, (more)
- 1939
This romance is set during the Dartmouth College Winter Carnival and follows the exploits of a woman recently divorced from a count who has returned to her alma mater for the annual carnival. A former carnival queen, she watches as her lovely little sister vies for the title. She also flirts with her stodgy old boy friend, a professor. Romance blooms amid the din and colorful activities. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ann Sheridan, Richard Carlson, (more)
Anita's (Loretta Young) life seems to be progressing nicely. She's engaged to Don Barnes (Broderick Crawford), a wealthy man that will give her all the stability and comfort a woman could desire. But then she meets a magician with the unlikely name of The Great Arturo (David Niven), who performs a singular feat of magic -- he sweeps her off her feet. Promptly dropping Barnes, she weds Arturo and travels the globe as his assistant. After some time, however, the magic begins to wear off and Anita longs for a simpler life, perhaps on a quite farmhouse in the country. She's also a bit put out by Arturo's flirting with other women, but what really worries her are the dangerous stunts he has added to his repertoire. Realizing it is time for her to do something, she pulls a little magic of her own and disappear, forcing Artuto to set off on a lively chase to find her. ~ Craig Butler, All Movie Guide
- Starring:
- Loretta Young, David Niven, (more)
Since the United States was officially neutral in the Spanish Civil War, the struggle of the Loyalists against Franco's forces didn't find much favor in Hollywood; this drama, produced by Walter Wanger, was one of the few films to deal with the conflict, albeit in watered-down terms. Marco (Henry Fonda) is a simple farmer driven from his land by troops of invading soldiers; in an act of defiance, he makes a speech declaring the need for freedom from tyranny, and soon Marco's fellow peasants are following him as their leader. Marco becomes a member of the Loyalist forces, and his strong words and fierce beliefs allow him to rise through the ranks and become a key member of the struggle. While stationed in a city under blockade, Marco becomes acquainted with Norma (Madeleine Carroll), who serves as a spy for armies allied with Franco; her sympathies are less with his policies than for the safety of her family, who live in an occupied territory. Despite their differences, the two become close when they're trapped in a building during a bombing raid; eventually Norma finds herself swayed by Marco's impassioned call to stop the murder of the innocent people of Spain. While producer Wanger was one of the few people in Hollywood who felt strongly enough about the situation in Spain to put it on film, the resulting picture doesn't say much about the specific political issues involved in the fight against Franco, and the troops Marco and his men encounter wear uniforms designed not to resemble those of any actual countries, for fear of offending nations that sided with Franco. Despite this, Blockade was deemed a strong enough leftist tract to be used against screenwriter John Howard Lawson when he was blacklisted in the 1950s. ~ Mark Deming, All Movie Guide
- Starring:
- Madeleine Carroll, Henry Fonda, (more)
- 1936
General Yang (Akim Tamiroff) is a politically ambitious Chinese bandit who holds the Northern districts in a grip of terror. Yang is opposed by O'Hara (Gary Cooper), an American mercenary who fights on behalf of the peasants. When he is entrusted with a large sum of money to buy guns, O'Hara becomes the target of Yang and his minions. Betrayed by a cowardly Caucasian (Porter Hall), O'Hara nonetheless falls in love with his betrayer's daughter Judy (Madeline Carroll). Yang captures both O'Hara and Judy and spirits them away on his junk, where the General intends to torture O'Hara so as to find out where the money is. A bizarre and gloomy ending caps this atmospheric thriller, adapted from Charles G. Booth's best-selling novel by Clifford Odets--who, along with director Lewis Milestone, novelist John O'Hara and Hollywood columnist Sidney Skolsky, appears as an extra in one scene. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Madeleine Carroll, (more)
