Joseph Janni Movies

In this unusual spaghetti western departure for exploitation filmmaker Paolo Cavara (La Tarantola dal Ventre Nero), two friends help Sam Houston work for Texas statehood. Johnny Ears (Franco Nero) and his deaf-mute sidekick Erastus "Deaf" Smith (Anthony Quinn) go after a Mexican general (Franco Graziosi) under orders from Germany to agitate the populace. The film looks terrific, thanks to cinematography by Tonino Delli Colli (Once Upon a Time in America), but is often lacking in the story department. Perhaps part of the blame belongs to co-screenwriter Harry Essex, fresh off the dreadful sci-fi flop Octaman (1971). Pamela Tiffin appears as a prostitute, and the film co-stars Tom Felleghy and Renato Romano. ~ Robert Firsching, Rovi

This British film examines the choices individuals must make when confronted with a romantic relationship which is rewarding but does not offer them everything they want. In this sympathetic and psychologically precise drama, Alexandra Greville (Glenda Jackson), "Alex" to her friends, has a younger man as her sometime lover, the young sculptor Bob Elkin (Murray Head). Elkin is completely open about the fact that he is also the lover of her acquaintance, Dr. Daniel Hirsch (Peter Finch). These relationships continue in some kind of equilibrium until Alex and Bob agree to house-sit the children of a couple known to the three of them. In their roles, neither Head nor Finch "swished," or otherwise catered to homosexual stereotypes, and theirs was considered to be a groundbreaking, sympathetic portrayal of this kind of relationship, not condescending in any way. One highlight of the film is a scene in which Dr. Hirsch attends the Bar Mitzvah of his nephew. This critically well-received movie was unexpectedly successful at the box office. The film's director and screenwriter, as well as Jackson and Finch, were nominated for Academy Awards. ~ Clarke Fountain, Rovi

Acclaimed British neo-realist filmmaker Ken Loach made his theatrical debut with this bleak kitchen-sink drama. Joy (Carol White) leads a life that makes her name seem like some sort of a cruel joke. Her husband Tom (John Bindon) is a second-rate burglar who shows neither her nor their infant child much affection. When Tom is jailed for theft, Joy is left on her own, until Tom's best friend Dave (Terence Stamp) invites her to stay with him. Dave is warm and caring in a way that Tom is not, and love begins to blossom between them. However, Dave also supports himself as a thief, and when he's arrested and put behind bars, Joy is left back where she started. Joy takes a job as a barmaid to support herself, and she is persuaded to pose nude for a photographer to bring in some extra money; she files for divorce from Tom and begins seeing other men. However, Tom wants to give their marriage another chance once he's released from prison, much to Joy's chagrin. Several clips with Terence Stamp were later used in The Limey (1999) to illustrate the earlier life of Stamp's character in that film. ~ Mark Deming, Rovi

A popular British comic strip series served as inspiration for this light-hearted espionage adventure, which if nothing else certainly shows the marks of its origins in the mid-1960s. A large departure for director Joseph Losey, better known for brooding interpretations of Harold Pinter works (The Servant, Accident), the film is emphatically bright and colorful, taking on at times a nearly psychedelic feel. The strangeness is emphasized by the unusual casting, including Italian star Monica Vitti in her first English-speaking role as the title character and Dirk Bogarde, playing against type as her arch-nemesis. Essentially everything is played for its camp value, including the rather convoluted, James Bond-like plot, which concerns the hijacking of a shipment of diamonds heading for the Middle East. Like its mod-era sets and costumes, this unusual, inconsistent effort is certainly intriguing and attractive, but might seem rather dated to some. ~ Judd Blaise, Rovi

Billy Fisher (Tom Courtenay) is known to his blue-collar British mates as Billy Liar because of his vivid imagination. This film version of the Keith Waterhouse-Willis Hall stage play "visualizes" some of Billy's more outrageous fabrications. He periodically escapes the drudgery of his job at a funeral parlor by conjuring up impossible adventures, usually involving the conquest of women. In one of her first film roles, Julie Christie plays one of two "real" girls who wish that Billy would come down to earth and pop the question. Following this film adaptation, Billy Liar was transformed into a stage musical, and later resurfaced as a British TV series. ~ Hal Erickson, Rovi

A typical light comedy based on a novel by Richard Gordon, The Captain's Table has director Jack Lee at its own helm, riding high on the success of his 1956 A Town Like Alice. Captain Ebbs (John Gregson) brings a part of his freighter experience with him as he takes charge of an ocean liner for the first time. He soon finds that the tactics that worked on the freighter do not work here, though his crew could use some discipline. His purser has sticky fingers, his chief officer has a roving eye, and the steward has his own problems. And then there are passengers like the secret heiress, the charming widow, the temptress, the would-be novelist, and the offensive VIP. Eventually, the captain catches on to the nuances of his new role, confident that he and the "Love Boat" can weather any storm. ~ Eleanor Mannikka, Rovi

One of several feature film versions of the late 19th century novel by Rolf Boldrewood, this frontier adventure is set not in the Wild West of the U.S., but in the equally untamed Australian Outback of the same era. Two brothers, Jim (David McCallum) and Dick Marsten (Ronald Lewis) follow in their father's footsteps by leaving home to seek adventure as gunfighters. They become outlaws in the roving band led by stylish Captain Starlight (Peter Finch), who leads them on a series of escapades robbing banks and rustling cattle. Though they find the excitement and romance they craved, the Marstens soon become disillusioned with a life on the run and begin to wish that they could resume the mantle of honest, hard-working citizens. Unfortunately, events transpire to put the entire Starlight gang out of operation before the brothers can recommence their formerly law-abiding ways. Produced by Britain's Rank Organization, Robbery Under Arms (1957) was followed by a television series remake in 1985 and a handful of other films set against the colorful backdrop of the Australian frontier, including The Man from Snowy River (1982) and Quigley Down Under (1990). ~ Karl Williams, Rovi

Ian Carmichael plays the "white sheep" in a family of successful thieves. Everyone in the clan has made a healthy career out of crime except poor Ian, so he decides to redeem himself with a single spectacular caper. Somehow this involves a passel of Arabs and an unctuous TV news team, all of whom converge in a slapstick free-for-all. Jailed, Carmichael realizes that he's doomed to honesty, and vows to pursue the straight and narrow with leading lady Belinda Lee. Though a British film, The Big Money seems geared exclusively for American audiences with its garish Technicolor, hyperactive musical score and sledgehammer humor. Made in 1956, the film wasn't widely shown in the US until it was released to television in 1962. ~ Hal Erickson, Rovi

The British Something Money Can't Buy offers a few smaller-scale variations on themes previously explored in the 1946 Hollywood Oscar-winner The Best Years of Our Lives. Harry Wilding (Anthony Steel), a high-ranking wartime military officer, has trouble adjusting to his go-nowhere civilian job and the monotony of his home life. Harry's wife Anne (Patricia Roc) tries to make things easier for her husband, but there are no easy answers to his plight. The inherent drama of the situation is leavened by moments of gentle humor, not to mention the warm rapport between stars. The supporting cast includes hirsute comic actor (and longtime David Niven crony) Michael Trubshawe and the venerable A. E. Mathews, at the time billed as England's oldest working actor. Director Pat Jackson co-authored the perceptive screenplay of Something Money Can't Buy with James Lonsdale Hudson. ~ Hal Erickson, Rovi

White Corridors was based on Yeoman Hospital, a novel by Helen Ashton. Told episodically, the story concentrates on the day-to-day activities in a busy hospital, where research pathologist Neil Marriner (James Donald) conducts experiments in the hopes of curing diseases impervious to penicillin. Marriner is aided in this endeavor by lady surgeon Dr. Sophie Dean (Googie Withers), who happens to be in love with him. After a tragedy occurs for which Marriner holds himself responsible, the film builds steadily to an exciting climax involving a untested -- and potentially dangerous -- serum. The top-rank British supporting cast includes Barry Jones, Moira Lister, Petula Clark, Basil Radford, Dagmar (later Dana) Wynter, Bernard Lee, and, in a minor role, future "Dr. Who" Patrick Troughton. ~ Hal Erickson, Rovi